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Bee Gees Discography
The discography of musical group the Bee Gees consists of 39 albums (including 22 studio albums) and 83 singles. In a career spanning more than 50 years, the "Kings of Disco" have already sold over 220 million records worldwide, becoming among the best-selling music artists in history. Billboard ranked them as the 28th Greatest Artist of All Time. According to RIAA, the Bee Gees have sold 28 million certified albums in the United States. ''Saturday Night Fever'' is in the top five best-selling albums to date, selling over 50 million copies worldwide (16× Platinum in the US). Billboard also ranked them as the 14th Greatest Hot 100 Artist of all time. They have scored 9 No. 1 hits on the Billboard Hot 100, including 15 top ten hits and 43 chart entries overall. '' Spirits Having Flown'' has sold over 30 million copies worldwide, marking yet another huge success for the trio. Albums Studio albums Compilation albums Live albums Soundtracks Video albums Singles 1960s ...
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Bee Gees
The Bee Gees were a musical group formed in 1958 by brothers Barry, Robin, and Maurice Gibb. The trio were especially successful in popular music in the late 1960s and early 1970s, and later as prominent performers in the disco music era in the mid-to-late 1970s. The group sang recognisable three-part tight harmonies; Robin's clear vibrato lead vocals were a hallmark of their earlier hits, while Barry's R&B falsetto became their signature sound during the mid-to-late 1970s and 1980s. The group wrote all of their own original material, as well as writing and producing several major hits for other artists and have been regarded as one of the most important and influential acts in pop music history. They have been referred to in the media as The Disco Kings, Britain's First Family of Harmony, and The Kings of Dance Music. Born on the Isle of Man to English parents, the Gibb brothers lived in Chorlton, Manchester, England, until the late 1950s. There, in 1955, they formed ...
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Official New Zealand Music Chart
The Official New Zealand Music Chart ( mi, Te Papa Tātai Waiata Matua o Aotearoa) is the weekly New Zealand top 40 singles and albums charts, issued weekly by Recorded Music NZ (formerly Recording Industry Association of New Zealand). The Music Chart also includes the top-20 New Zealand artist singles and albums and top 10 compilation albums. All charts are compiled from data of both physical and digital sales from music retailers in New Zealand. Methodology The singles chart is currently sales and streaming data of songs. In June 2014 it was announced that the chart would also include streaming; this took effect for the chart published 7 November 2014 and dated 10 November 2014. Previously airplay was factored into the chart methodology as well. History Before 1975, music charts in New Zealand had been regionally compiled by magazines, record stores, and radio stations on an ad hoc basis. This often occurred at different times which made chart compiling complex, and even t ...
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Odessa (Bee Gees Album)
''Odessa'' is the sixth studio album by the Bee Gees, a double vinyl LP released on 30 March 1969, initially in an opulent red flocked cover with gold lettering. Despite reaching the UK Top Ten and the US Top 20, the album was not particularly well-received, though now is regarded by many as the most significant of the group's Sixties albums. An ambitious project, originally intended as a concept album on the loss of a fictional ship in 1899, it created tension and disagreements in the band regarding the work's direction; finally, a dispute over which song to release as a single led to Robin Gibb temporarily leaving the group. Released by Polydor Records in the UK and Atco Records in the US, ''Odessa'' was the group's fourth album released internationally, and their only double album of original music. It would be the final Bee Gees album to include guitarist Vince Melouney. The album includes the 1969 hit single " First of May" (UK no. 6 / US no. 37) and notable tracks such a ...
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Idea (album)
''Idea'' is the fifth album by the Bee Gees. Released in September 1968, the album sold over a million copies worldwide. The album was issued in both mono and stereo pressings in the UK. The artwork on the Polydor release designed by Wolfgang Heilemann featured a "beehive" neon lightbulb with a group photo in its base, while the North American ATCO release designed by Klaus Voormann featured a composite head made from each band member. It was their third internationally released album - the first two albums being released only in the Australian market. " I've Gotta Get a Message to You" and " I Started a Joke" were both released as singles in North America. In the UK, "Message" was only released as a single and "I Started a Joke" was only an album track, though another album track, "Kitty Can", was featured on the B-side of "I've Gotta Get a Message to You." The North American ATCO LP and the South African Polydor LP replaced "Such a Shame" with "I've Gotta Get a Message to You" ...
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Horizontal (album)
''Horizontal'' is the fourth studio album by the Bee Gees, and their second album to receive an international release. The LP was released in early 1968, and included the international hit singles "Massachusetts" and "World". On 5 February 2007, Reprise Records reissued ''Horizontal'' with both stereo and mono mixes on one disc and a bonus disc of unreleased songs, non-album tracks, and alternate takes. The album was released in Polydor in many countries and on Atco only in the US and Canada. " And the Sun Will Shine" (backed by " Really and Sincerely") was released as a single only in France. The influences displayed on the album range from the Beatles to baroque pop. Background Around July 1967, the Gibb brothers sang backup vocals on Johnny Young's cover version of " Craise Finton Kirk Royal Academy of Arts" from Bee Gees' 1st, released as a single the following month. Also in July 1967, the Gibb brothers sang backup vocals on Oscar's cover version of "Holiday", with an ...
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Atco Records
ATCO Records is an American record label founded in 1955. It is owned by Warner Music Group and operates as an imprint of Atlantic Records. After several decades of dormancy and infrequent activity under alternating Warner Music labels, the company was relaunched by Atlantic Records in early 2020. History 1950s–1960s: Beginnings ATCO Records was devised as an outlet for productions by one of Atlantic Records' founders, Herb Abramson, who had returned to the company from military service. The label was also intended as a home for acts that did not fit the format of the main Atlantic brand, which was releasing blues, jazz, rhythm and blues and soul. The ATCO name is an abbreviation of ATlantic COrporation. ATCO also provided distribution for other labels, including RSO, Volt, Island, Modern, Ruthless, Hansa and Rolling Stones. For most of its history, ATCO was known for pop and rock music, but during its early years, it produced some jazz albums. These included Harry Arnold ...
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Polydor Records
Polydor Records Ltd. is a German-British record label that operates as part of Universal Music Group. It has a close relationship with Universal's Interscope Geffen A&M Records label, which distributes Polydor's releases in the United States. In turn, Polydor distributes Interscope releases in the United Kingdom. Polydor Records Ltd. was established in London in 1954 as a British subsidiary of German company Deutsche Grammophon, Deutsche Grammophon/Schallplatte Grammophon GmbH. It was renamed Polydor Ltd. in 1972. Notable current and past artists signed to the label include ABBA, Cream (band), Cream, The Moody Blues, The Who, Ringo Starr, Bee Gees, The Jam, Bing Crosby, The Shadows, James Brown, Level 42, Ellie Goulding, Juice WRLD, Piri_%26_Tommy, Piri & Tommy, James Last, Eric Clapton, Marie Osmond, Keith O'Conner Murphy, Yngwie Malmsteen, Lana Del Rey, Haim (band), Haim, and Buckingham Nicks. Label history Beginnings Polydor Records was founded on 2 April 1913 by German ...
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Bee Gees' 1st
''Bee Gees' 1st'' is the third studio album by English group Bee Gees, and their first international full-length recording after two albums distributed only in Australia and New Zealand. ''Bee Gees' 1st'' was the group's debut album for the UK Polydor label, and for the US Atco label. ''Bee Gees 1st'' was released on 14 July 1967 in the UK. On 9 August it entered the UK charts; on that same day, the album was released in the US, and it entered the US charts on 26 August. Reflecting the group's early style, ''Bee Gees' 1st'' was a psychedelic pop album. The album cover was designed by Klaus Voormann, who had previously done the cover for '' Revolver'' by The Beatles, amongst others. ''Bee Gees 1st'' peaked at No. 7 on ''Billboard'''s Pop Albums chart and at No. 8 on the UK Albums Chart. In 2006, Reprise Records (sister label to Atco under Warner Music Group) reissued the album with both stereo and mono mixes on one disc and a bonus disc of unreleased songs and alternate takes. (T ...
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Spin Records (Australian Label)
Spin Records was an Australian popular music label, active in the late 1960s and early 1970s. History Spin Records was established in late 1966 by Clyde Packer, the elder son of publishing and broadcasting magnate Frank Packer, and the older brother of Kerry Packer. The label's first A&R manager was Nat Kipner (the father of musician-songwriter-producer Steve Kipner), who produced several early Spin releases. Most Spin recordings from the late 1960s and early 1970s were produced by Festival Records house producer Pat Aulton. Launched in late 1965 with the single "Someday" by former Aztecs guitarist Tony Barber, the label was originally called Everybody's, which was also the name of the popular teen magazine published by the Packer family's Australian Consolidated Press. According to Australian historian Bill Casey, the overt cross-promotion reportedly met with resistance from commercial radio, so the label was re-badged as "Spin" after only four singles. By January 1966, Every ...
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Spicks And Specks (album)
''Spicks and Specks'' is the second studio album by the Bee Gees. It was released in November 1966, on Spin. Primarily written by Barry Gibb, the album includes the first Robin Gibb composition "I Don't Know Why I Bother With Myself" and a Maurice Gibb composition "Where Are You". Unlike the previous album The Bee Gees Sing and Play 14 Barry Gibb Songs, which had only contained three songs that had not previously appeared on singles and thus functioned more as a compilation, ''Spicks and Specks'' was an album of original songs. In 1968, US ATCO and UK Polydor, under contract from Festival, reissued this album, re-sequenced, as '' Rare, Precious and Beautiful''. History and recording Nat Kipner brought the Bee Gees to St. Clair Studio, Hurstville (in Sydney's southern suburbs). It was a small place behind a butcher's shop in a strip shopping centre, owned and operated by Kipner's friend Ossie Byrne, a sound engineer who was working wonders with even more modest facilities than ...
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Leedon Records
Leedon Records was an Australian record label active from 1958 to 1969. It was founded by American Australian entrepreneur Lee Gordon in early 1958. Establishment and early releases In Australian in the 1950s and early 1960s, locally distributed labels such as His Masters Voice, London Records, Pye and Parlophone and indigenous labels such as Coronet and W&G Records had few Australian rock'n'roll artist on their rosters; their main focus was on local releases of British and American artists or, local mainstream vocalists or artists, as well as others. The advent of Leedon Records in 1958, soon after the establishment of Australia's first Top 40 charts, played a significant role in the development of Australia's local rock and pop scene, especially in the decade following the label's acquisition by Festival Records in 1960. Entrepreneur Lee Gordon had broken into the Australian entertainment scene in 1955 with a record-setting tour by United States vocalist Johnnie Ray, fol ...
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The Bee Gees Sing And Play 14 Barry Gibb Songs
''The Bee Gees Sing and Play 14 Barry Gibb Songs'' is the debut studio album by the Bee Gees. Credited to Barry Gibb and the Bee Gees, it was released in November 1965 on the Australian Leedon label (1967's '' Bee Gees' 1st'' would be their ''international'' debut album). It is a compilation of most of the Gibb brothers' singles that had been released over the previous three years in Australia, which accounts for the many different styles of music on it. Recording Only five new songs were recorded for the album: " I Was a Lover, a Leader of Men", "And the Children Laughing", "I Don't Think It's Funny", "How Love Was True" and "To Be or Not to Be". Barry had more than enough unrecorded songs for an all-new LP, but the rest of the album was instead made up of nine lesser-known singles. Bill Shepherd set the order of the songs. Barry plays rhythm guitar, and Maurice probably plays the other guitars, like the leads in "I Was a Lover, a Leader of Men" and "How Love Was True"; whet ...
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