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Beatriz De Diá
The Comtessa de Dia (Countess of Die, Drôme, Die), possibly named Beatritz or Isoarda (fl. c. 1175 or c. 1212), was a trobairitz (female troubadour). She is only known as the ''comtessa de Dia'' in contemporary documents, but was most likely the daughter of Count Isoard II of Die, Drôme, Diá (a town northeast of Montelimar now known as Die, Drôme, Die in southern France). According to her ''Vida (Occitan literary form), vida'', she was married to William of Poitiers, but was in love with and sang about Raimbaut of Orange (1146-1173).Bruckner, Matilda Tomaryn. (1995). Songs of the Women Troubadours. Bruckner, Shepard, and White cite Angela Rieger's analysis of the songs, which associates them, through intertextual evidence, with the circle of poets composed of Raimbaut d'Aurenga, Bernart de Ventadorn, and Azalais de Porcairagues. Marcelle Thiébaux, and Claude Marks have associated her not with Raimbaut d'Aurenga but with his nephew or great nephew of the same name.Thiébaux, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die, Drôme
Die (; ; ) is a commune, a former episcopal see, and a subprefecture of the Drôme department in southeastern France. The region around Die is known as the Diois (; ). Die is perhaps best known for its sparkling wine '' Clairette de Die''. It was a county in the High Middle Ages and was once the see of a Roman Catholic diocese with its church serving as a cathedral . Die is a charming town with several historic monuments encircled by Gallo-Roman city walls. Geography Die is situated in the valley of the river Drôme, surrounded by the Glandasse mountain (6,696 feet; 2,041 m), a massive and steep rocky barrier, which separates the area ( Pays Diois) from the Vercors Plateau. The territory of the commune of Die is part of the regional natural park. History Habitation during the Neolithic age has been confirmed by the Chanqueyras excavations. A large engraved standing stone and two small menhirs that are now in the Die museum were found near the wine cooperativ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Occitan Language
Occitan (; ), also known by its native speakers as (; ), sometimes also referred to as Provençal, is a Romance language spoken in Southern France, Monaco, Italy's Occitan Valleys, as well as Spain's Val d'Aran in Catalonia; collectively, these regions are sometimes referred to as Occitania. It is also spoken in Calabria ( Southern Italy) in a linguistic enclave of Cosenza area (mostly Guardia Piemontese) named Gardiol, which is also considered a separate Occitanic language. Some include Catalan as a dialect of Occitan, as the linguistic distance between this language and some Occitan dialects (such as the Gascon language) is similar to the distance between different Occitan dialects. Catalan was considered a dialect of Occitan until the end of the 19th century and still today remains its closest relative. Occitan is an official language of Catalonia, Spain, where a subdialect of Gascon known as Aranese is spoken (in the Val d'Aran). Since September 2010, the Par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12th-century Composers
1 (one, unit, unity) is a number, numeral, and glyph. It is the first and smallest positive integer of the infinite sequence of natural numbers. This fundamental property has led to its unique uses in other fields, ranging from science to sports, where it commonly denotes the first, leading, or top thing in a group. 1 is the unit of counting or measurement, a determiner for singular nouns, and a gender-neutral pronoun. Historically, the representation of 1 evolved from ancient Sumerian and Babylonian symbols to the modern Arabic numeral. In mathematics, 1 is the multiplicative identity, meaning that any number multiplied by 1 equals the same number. 1 is by convention not considered a prime number. In digital technology, 1 represents the "on" state in binary code, the foundation of computing. Philosophically, 1 symbolizes the ultimate reality or source of existence in various traditions. In mathematics The number 1 is the first natural number after 0. Each natural number, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12th-century Women Writers
1 (one, unit, unity) is a number, Numeral (linguistics), numeral, and glyph. It is the first and smallest Positive number, positive integer of the infinite sequence of natural numbers. This fundamental property has led to its unique uses in other fields, ranging from science to sports, where it commonly denotes the first, leading, or top thing in a group. 1 is the unit (measurement), unit of counting or measurement, a determiner for singular nouns, and a gender-neutral pronoun. Historically, the representation of 1 evolved from ancient Sumerian and Babylonian symbols to the modern Arabic numeral. In mathematics, 1 is the multiplicative identity, meaning that any number multiplied by 1 equals the same number. 1 is by convention not considered a prime number. In Digital electronics, digital technology, 1 represents the "on" state in binary code, the foundation of computing. Philosophically, 1 symbolizes the ultimate reality or source of existence in various traditions. In math ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12th-century Troubadours
1 (one, unit, unity) is a number, numeral, and glyph. It is the first and smallest positive integer of the infinite sequence of natural numbers. This fundamental property has led to its unique uses in other fields, ranging from science to sports, where it commonly denotes the first, leading, or top thing in a group. 1 is the unit of counting or measurement, a determiner for singular nouns, and a gender-neutral pronoun. Historically, the representation of 1 evolved from ancient Sumerian and Babylonian symbols to the modern Arabic numeral. In mathematics, 1 is the multiplicative identity, meaning that any number multiplied by 1 equals the same number. 1 is by convention not considered a prime number. In digital technology, 1 represents the "on" state in binary code, the foundation of computing. Philosophically, 1 symbolizes the ultimate reality or source of existence in various traditions. In mathematics The number 1 is the first natural number after 0. Each natural number, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irmtraud Morgner
Irmtraud Morgner (22 August 19336 May 1990) was a German writer, best known for works of magical realism concerned predominantly with the role of gender in East German society. Life Irmtraud Morgner was born in 1933 in Chemnitz, the daughter of a railroad engineer. She took her Abitur in 1952, before studying ''Germanistik'' (German studies) and Literary studies at Leipzig until 1956. She worked for the magazine ''neue deutsche literatur'' (New German Literature, a journal noted for a degree of confrontation with East German cultural policy) until 1958, after which she lived as a freelance author. Morgner's first marriage was to Joachim Schreck, later an editor at the publishers Aufbau-Verlag. She gave birth to a son in 1967. Morgner and Schreck were divorced in 1970. She was married again in 1972, to Paul Wiens, a fellow poet and author. Wiens, like many thousands in East German, was an 'unofficial employee' of the Stasi and informed on Morgner throughout their marriage. They d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theocritus
Theocritus (; , ''Theokritos''; ; born 300 BC, died after 260 BC) was a Greek poet from Sicily, Magna Graecia, and the creator of Ancient Greek pastoral poetry. Life Little is known of Theocritus beyond what can be inferred from his writings. We must, however, handle these with some caution, since some of the poems ('' Idylls''; ) commonly attributed to him have little claim to authenticity. It is clear that at a very early date two collections were made: one consisting of poems whose authorship was doubtful yet formed a corpus of bucolic poetry, the other a strict collection of those works considered to have been composed by Theocritus himself. Theocritus was from Sicily, as he refers to Polyphemus, the Cyclops in the ''Odyssey'', as his "countryman." He also probably lived in Alexandria for a while, where he wrote about everyday life, notably '' Pharmakeutria''. It is also speculated that Theocritus was born in Syracuse, lived on the island of Kos, and lived in Egypt dur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coblas Doblas
The ''canso'' or ''canson'' or ''canzo'' () was a song style used by the troubadours. It was, by far, the most common genre used, especially by early troubadours, and only in the second half of the 13th century was its dominance challenged by a growing number of poets writing ''coblas esparsas''. The ''canso'' became, in Old French, the ''grand chant">-4; we might wonder whether there's a point at which it's appropriate to talk of the beginnings of French, that is, when it wa ..., the ''grand chant'' and, in Italian, the ''canzone''. Structure A ''canso'' usually consists of three parts. The first stanza is the ''exordium'', where the composer explains his purpose. The main body of the song occurs in the following stanzas, and usually draw out a variety of relationships with the ''exordium''; formally, aside from the ''envoi''(''s''), which are not always present, a ''canso'' is made of stanzas all having the same sequence of verses, in the sense that each verse has the same n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Strophe
A strophe () is a poetic term originally referring to the first part of the ode in Ancient Greek tragedy, followed by the antistrophe and epode. The term has been extended to also mean a structural division of a poem containing stanzas of varying line length. Strophic poetry is to be contrasted with poems composed line-by-line non-stanzaically, such as Greek epic poems or English blank verse, to which the term '' stichic'' applies. In its original Greek setting, "strophe, antistrophe and epode were a kind of stanza framed only for the music", as John Milton wrote in the preface to '' Samson Agonistes'', with the strophe chanted by a Greek chorus as it moved from right to left across the scene. Etymology Strophe (from Greek στροφή, "turn, bend, twist") is a concept in versification which properly means a turn, as from one foot to another, or from one side of a chorus to the other. Poetic structure In a more general sense, the strophe is a pair of stanzas of alte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhyme Scheme
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick: Function in writing These rhyme patterns have various effects, and can be used to: * Control flow: If every line has the same rhyme (AAAA), the stanza will read as having a very quick flow, whereas a rhyme scheme like ABCABC can be felt to unfold more slowly. * Structure a poem's message and thought patterns: For example, a simple couplet with a rhyme scheme of AABB lends itself to simpler direct ideas, because the resolution comes in the very next line. Essentially these couplets can be thought of as self-contained statements. This idea of rhyme schemes reflecting thought processes is often discussed particularly regarding sonnets. * Determine whether ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coblas Singulars
The ''canso'' or ''canson'' or ''canzo'' () was a song style used by the troubadours. It was, by far, the most common genre used, especially by early troubadours, and only in the second half of the 13th century was its dominance challenged by a growing number of poets writing ''coblas esparsas''. The ''canso'' became, in Old French, the ''grand chant">-4; we might wonder whether there's a point at which it's appropriate to talk of the beginnings of French, that is, when it wa ..., the ''grand chant'' and, in Italian, the ''canzone''. Structure A ''canso'' usually consists of three parts. The first stanza is the ''exordium'', where the composer explains his purpose. The main body of the song occurs in the following stanzas, and usually draw out a variety of relationships with the ''exordium''; formally, aside from the ''envoi''(''s''), which are not always present, a ''canso'' is made of stanzas all having the same sequence of verses, in the sense that each verse has the same n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
