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Bandō Kakitsu I
was a Japanese kabuki actor of the Uzaemon acting lineage, also commonly known as . He was an influential actor during the Kaei through Meiji eras of the Japanese imperial calendar. He is best known for his ''wagotoshi'' roles. Early life Bandō Kakitsu I was born in 1847, the son of kabuki actor Ichimura Takenojō V. On November 1848, Kakitsu appeared on stage for the first time under the stage name Ichimura Takematsu III.Shōriya, Aragorō. "Bandô Kakitsu I." Kabuki21. 6 June 2008. 5 July 2008 . His father suddenly grew ill and died on August 20, 1851.Shōriya, Aragorō. "Ichimura Takenojô V." Kabuki21. 6 June 2008. 5 July 2008 . Career In August 1868, Kakitsu took the name Ichimura Uzaemon XIV in a traditional actor naming ceremony called a ''shūmei''. He became the ''zamoto'' (manager, troupe head) of the Ichimura-za. In November 1868, he produced the play ''Kanadehon Chūshingura'', and played the roles of En'ya Hangan, Ōboshi Rikiya and Ashikaga Tadayoshi. Septembe ...
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Toyohara Kunichika
Toyohara Kunichika ( ja, 豊原 国周; 30 June 1835 – 1 July 1900) was a ukiyo-e Japanese woodblock print artist. Talented as a child, at about thirteen he became a student of Tokyo's then-leading print maker, Utagawa Kunisada. His deep appreciation and knowledge of kabuki drama led to his production primarily of yakusha-e, which are woodblock prints of kabuki actors and scenes from popular plays of the time. An alcoholic and womanizer, Kunichika also portrayed women deemed beautiful ('' bijinga''), contemporary social life, and a few landscapes and historical scenes. He worked successfully in the Edo period The or is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's 300 regional ''daimyo''. Emerging from the chaos of the Sengoku period, the Edo period was character ..., and carried those traditions into the Meiji period. To his contemporaries and now to some modern art hi ...
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Kabuki Actors
is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ''Kabuki'' is therefore sometimes translate ...
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Minamoto No Raikō
, also known as Minamoto no Raikō, served the regents of the Fujiwara clan along with his brother Yorinobu, taking the violent measures the Fujiwara were themselves unable to take. He is one of the earliest Minamoto of historical note for his military exploits, and is known for quelling the bandits of Ōeyama. His loyal service earned him the governorships of Izu Province, Kozuke and a number of others in turn, as well as a number of other high government positions. Yorimitsu served as commander of a regiment of the Imperial Guard, and as a secretary in the Ministry of War. When his father Minamoto no Mitsunaka died, he inherited Settsu Province. Yorimitsu is usually accompanied by his four legendary retainers, known as the Shitennō (The Four Heavenly Kings). They were Watanabe no Tsuna, Sakata no Kintoki, Urabe no Suetake, and Usui Sadamitsu. Legends Yorimitsu featured in a number of legends and tales, including the legend of Kintarō (Golden Boy a.k.a. Sakata no Kintoki) ...
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Tsuchigumo
is a historical Japanese derogatory term for renegade local clans, and also the name for a race of spider-like yōkai in Japanese folklore. Alternative names for the mythological Tsuchigumo include and . In the ''Kojiki'' and in '' Nihon Shoki'', the name was phonetically spelled with the four kanji (for the four morae ''tsu-chi-gu-mo''), and these words were frequently used in the fudoki of Mutsu, Echigo, Hitachi, Settsu, Bungo and Hizen as well as others. The Japanese name for large ground-dwelling tarantulas, ōtsuchigumo, is due to their perceived resemblance to the creature of the myth, rather than the myth being named for the spider. Japan has no native species of tarantula, and the similarities between the mythical and the actual creature—huge wandering spiders with an obvious face that like to hide in burrows—were entirely coincidental. The fact that the later iterations of the myth specifically refer to the body being that of a tiger, however, does imply that t ...
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Kumo Ni Magō Ueno No Hatsuhana
Kumo may refer to: * Kokemäki, ''Kumo'' in Swedish, a municipality of Finland * ''Kumo'' (album), album released by D'espairsRay in 2000 * Kumo (musician) (born 1965), British musician and composer * ''Kumo'' (sculpture), a public art work by Isaac Witkin in Milwaukee, Wisconsin, US * Kumo (search engine), a previous Microsoft search engine (now Bing) * Kumo Xi, ancient Manchurian people * KUMO-LD, Retro Television Network affiliate * Japanese term for spider ("蜘蛛") or Cloud ("雲"), the latter one also being used in English as part of the Ichimoku Kinkō Hyō analysis method * Kumo, abbreviation and nickname of Kumoricon Kumoricon is an annual three-day anime convention held during October or November at the Oregon Convention Center in Portland, Oregon. The name of the convention comes from the Japanese word ''Kumori'' (曇り), meaning ''cloudy''. Kumoricon is ..., an anime convention from Portland, Oregon, named after the word Cloudy (曇り) * Kumo, Nigeria, a ...
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Morita-za
The Morita-za (森田座・守田座), also known later as the Shintomi-za (新富座), was one of the major Kabuki theaters in Edo (modern-day Tokyo) during the Edo period and into the beginning of the 20th century. It was established in January 1660, and run by the Morita family of actors until its destruction in the 1923 Great Kantō earthquake which destroyed much of Tokyo. History The Morita-za was first built by Morita Tarōbei I and his son Morita Tashichi in 1660, in Edo's Kobiki-chō district. The theater would burn down only a few months later, and many more times over the years, but was always rebuilt (until 1923). It was designated as one of only four theaters allowed to operate in Edo, by a 1670 government edict; the other three officially designated theaters were the Nakamura-za, Ichimura-Takenojō-za, and Yamamura-za. After all four were destroyed in the 1703 Great Genroku fire, and rebuilt, there began a tradition of co-producing plays for New Year's celebration ...
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Hana Momiji Nori No Ongaku
Hana or HANA may refer to: Places Europe * Haná, an ethnic region in Moravia, Czech Republic * Traianoupoli, Greece, called Hana during the Ottoman period * Hana, Norway, a borough in the city of Sandnes, Norway West Asia * Hana, Iran, a city in Isfahan Province, Iran * Hana, Fars, a village in Fars Province, Iran * Hana, Kerman, a village in Kerman Province, Iran ** Hana Rural District (other), in Iran Pacific * Hana, Hawaii, a census-designated place in Maui County, Hawaiʻi, USA **Hana Highway, long and winding road connecting Hana, Hawaiʻi to the rest of the island of Maui Africa * Hana, Ethiopia, a town in the woredas of Selamago in Ethiopia People * Hana (name), a given name and list of people with the name * Ben Hana (1957–2012), New Zealand activist * Marion Tait, British ballerina Entertainment * ''Hana'' (film), a 2006 Japanese black comedy by Hirokazu Koreeda Music Musicians * Hana (American musician), stage name of American singer-songwrite ...
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