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Ballata Del Michè Ballata Dell'eroe
The ''ballata'' (plural: ''ballate'') is an Italian poetic and musical form in use from the late 13th to the 15th century. It has the musical form AbbaA, with the first and last stanzas having the same texts. It is thus most similar to the French musical 'forme fixe' virelai (and not the ballade as the name might otherwise suggest). The first and last "A" is called a ''ripresa'', the "b" lines are ''piedi'' (feet), while the fourth line is called a "volta". Longer ballate may be found in the form AbbaAbbaA, etc. Unlike the virelai, the two "b" lines usually have exactly the same music and only in later ballate pick up the (formerly distinctly French) first and second (open and close) endings. The term comes from the verb ''ballare'', to dance, and the form certainly began as dance music. The ballata was one of the most prominent secular musical forms during the trecento, the period often known as the Italian ''ars nova''. Ballate are sung at the end of each day of Boccaccio's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetic Form
Poetry (from the Greek word '' poiesis'', "making") is a form of literary art that uses aesthetic and often rhythmic qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet. Poets use a variety of techniques called poetic devices, such as assonance, alliteration, euphony and cacophony, onomatopoeia, rhythm (via metre), and sound symbolism, to produce musical or other artistic effects. They also frequently organize these effects into poetic structures, which may be strict or loose, conventional or invented by the poet. Poetic structures vary dramatically by language and cultural convention, but they often use rhythmic metre (patterns of syllable stress or syllable (mora) weight). They may also use repeating patterns of phonemes, phoneme groups, tones (phonemic pitch shifts found in tonal languages), words, or entire phrases. These include ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Landini
Francesco Landini ( or 1335 – 2 September 1397; also known by many names) was a Florentine composer, poet, organist, singer and instrument maker, and a central figure of the music of the Trecento in the Italian peninsula. Name Francesco's name is recorded in many variants throughout medieval manuscripts and documents, including, Francesco degli Organi, Francesco il Cieco, Francesco da Firenze, Magister Franciscus de Florentia, Magister Franciscus Coecus Horghanista de Florentia (in the Squarcialupi Codex), Francesco degli orghani and Cechus de Florentia. Modern scholars no longer accept the idea that he was a member of the Landini family and prefer to use the names "Francesco degli Organi" or "Francesco degli orghani" (Francesco of the organs), "Francesco da Firenze'"(Francesco of Firenze), and "Francesco il Cieco" or "Franciscus cecus" (Francesco the blind) to refer to the composer. The surname "Landini" or "Landino" has not been linked to the composer in any sourc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Music Genres
In the history of Europe, the Middle Ages or medieval period lasted approximately from the 5th to the late 15th centuries, similarly to the post-classical period of global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralised authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the 7th century, North Africa and the Middle East—once part of the Byzantine Empire—came un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballo
The ''ballo'' was an Italian dance form during the fifteenth century, most noted for its frequent changes of tempo and meter. The name ''ballo'' has its origin in Latin ''ballō'', ''ballāre'', meaning "to dance", which in turn comes from the Greek "βαλλίζω" (''ballizō''), "to dance, to jump about". In Greece there is the Greek dance named Ballos. Renaissance During the Quattrocento ''balli'' were written by various composers, primarily the dance masters Domenico da Piacenza and Guglielmo Ebreo da Pesaro, who also wrote treatises including choreographies to their works. Domenico wrote of the balli as dealing with four ''misure'': * The bassadanza, from the basse danse, consisting of what would now be labeled as a slow or * The quadernaria, one-sixth faster than the Bassadanza * The saltarello, two-sixths faster than the Bassadanza * The piva, twice as fast as the Bassadanza Baroque The Renaissance dance should be distinguished from the early Baroque ballo, whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillaume Dufay
Guillaume Du Fay ( , ; also Dufay, Du Fayt; 5 August 1397 – 27 November 1474) was a composer and music theorist of early Renaissance music, who is variously described as French or Franco-Flemish. Considered the leading European composer of his time, his music was widely performed and reproduced. Du Fay was well-associated with composers of the Burgundian School, particularly his colleague Gilles Binchois, but was never a regular member of the Burgundian chapel himself. While he is among the best-documented composers of his time, Du Fay's birth and family is shrouded with uncertainty, though he was probably the illegitimate child of a priest. He was educated at Old Cambrai Cathedral, Cambrai Cathedral, where his teachers included Nicolas Grenon and Richard Loqueville, among others. For the next decade, Du Fay worked throughout Europe: as a subdeacon in Cambrai, under Carlo I Malatesta in Rimini, for the House of Malatesta in Pesaro, and under Louis Aleman in Bologna, where he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnold De Lantins
Arnold de Lantins (fl. 1420s – before 2 July 1432) was a Netherlandish composer of the late medieval and early Renaissance eras. He is one of a few composers who shows aspects of both medieval and Renaissance style, and was a contemporary of Dufay during Dufay's sojourn in Italy. Very little is known about his life, except for a few years in the 1420s to around 1430. It is presumed that he was from Flanders or adjacent areas. In the early 1420s he was probably in the service of the Malatesta family in either Rimini or Pesaro, since Dufay mentioned him in the text of a rondeau which was written between 1420 and 1424. Lantins was in Venice in 1428 and Rome in 1431, in the latter city as a singer in the papal chapel choir, along with Dufay. He was only in Rome six months; after that he disappears from history. Rome was entering a period of turmoil related to the Conciliar movement after the death, in February 1431, of Pope Martin V; many musicians left at that time or sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zacara Da Teramo
Antonio "Zacara" da Teramo (in Latin Antonius Berardi Andree de Teramo, also Zacar, Zaccara, Zacharie, Zachara, and Çacharius; c.1350/1360 – between May 19, 1413 and mid-September 1416) was an Italian composer, singer, and papal secretary of the late Trecento and early 15th century. He was one of the most active Italian composers around 1400, and his style bridged the periods of the Trecento, '' ars subtilior'', and beginnings of the musical Renaissance. Life Antonio was probably from Teramo, in northern Abruzzo (Kingdom of Naples), not far from the Adriatic coast.Fallows, ''Grove online''. In musical sources he is sometimes called "Antonio da Teramo" and otherwise "Zacara da Teramo" (or something similar) leading many musicologists to suggest there were two composers of similar names. The possibility that two people were being conflated was removed in 1979 by research into the composer's life by Agostino Ziino. (Another composer with a similar name, Nicolaus Zacharie, is con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Boorman
Stanley may refer to: Arts and entertainment Film and television * ''Stanley'' (1972 film), an American horror film * ''Stanley'' (1984 film), an Australian comedy * ''Stanley'' (1999 film), an animated short * ''Stanley'' (1956 TV series), an American situation comedy * ''Stanley'' (2001 TV series), an American animated series Other uses in arts and entertainment * ''Stanley'' (play), by Pam Gems, 1996 * Stanley Award, an Australian Cartoonists' Association award * '' Stanley: The Search for Dr. Livingston'', a video game Businesses * Stanley, Inc., an American information technology company * Stanley Aviation, an American aerospace company * Stanley Black & Decker, formerly The Stanley Works, an American hardware manufacturer ** Stanley Hand Tools, a division of Stanley Black & Decker * Stanley bottle, a brand of food and beverage containers * Stanley Electric, a Japanese manufacturer of electric lights * Stanley Furniture, an American furniture manufacturer * Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prepositus Brixiensis
Prepositus Brixiensis, i.e. the "Provost of Brescia", (fl. 1430) was a late medieval Italian composer and singer at Padua Cathedral.Stanley Boorman ''Studies in the Performance of Late Medieval Music'' 2008 p224 "Prepositus Brixiensis is listed at the cathedral as a singer in 1423, 1424 and 1425;" Works and recordings Only four ballate and one rondeau survive: * ballata - ''I ochi d'una ançolleta che m'alcide'' "the eyes of an angel have pierced me" - Ensemble Perlaro, PAN 2010 * ''O spirito gentil, tu m'ay percosso'' on "Sweet Love, Sweet Hope" Hilliard Ensemble Hilliard Ensemble was a British male vocal quartet originally devoted to the performance of early music. The group was named after the Elizabethan miniaturist painter Nicholas Hilliard. Founded in 1974, the group disbanded in 2014. Although ..., Isis; Also on "Voyage en Italie" La Reverdie Arcana reissue 2009. References {{DEFAULTSORT:Prepositus Brixiensis Italian Renaissance composers Italian male class ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Ciconia
Johannes Ciconia ( – between 10 June and 13 July 1412) was an important Franco-Flemish composer and music theorist of trecento music during the late Medieval era. He was born in Liège, but worked most of his adult life in Italy, particularly in the service of the papal chapels in Rome and later and most importantly at Padua Cathedral. Life He was the son of a priest (also named Johannes Ciconia) and a woman of high social standing. Since at least three other men around Liège had that name as well, this has created biographical confusion, first solved by David Fallows in 1975. A Johannes Ciconia, probably the composer's father, worked in Avignon in 1350 as a clerk for the wife of Pope Clement VI's nephew. Another Johannes Ciconia is recorded in Liège in 1385 as a , generally identifying a person of young age; scholars agree that this is the composer himself. Papal records suggest that Ciconia was in the service of Pope Boniface IX in Rome in 1391. His whereabouts b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartolino Da Padova
Bartolino da Padova (also "Magister Frater Bartolinus de Padua") (fl. c. 1365 – c. 1405) was an Italian composer of the late 14th century. He is a representative of the stylistic period known as the ''Trecento'', sometimes known as the "Italian ''ars nova''", the transitional period between medieval and Renaissance music in Italy. Life Next to nothing is known for certain about his life, but some information can be inferred from his music. He was probably from Padua, and he was a Carmelite, because a picture of him appears in the ''Squarcialupi Codex'' in which he is wearing the garb of that order. Most likely he was in the employ of the Carrara family, since references to them appear in his music. There is a possibility he spent some time in Florence around 1389–1390. References to the Visconti family in his music have been variously interpreted: some scholars have suggested that he was away from Padua, and may have been working in support of Gian Galeazzo Visconti during ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Da Firenze
Andreas de Florentia (also known as Andrea da Firenze, Andrea de' Servi, Andrea degli Organi and Andrea di Giovanni; died 1415) was a Florentine composer and organist of the late medieval era. Along with Francesco Landini and Paolo da Firenze, he was a leading representative of the Italian ''ars nova'' style of the ''Trecento'', and was a prolific composer of secular songs, principally '' ballate''. Life Since Andreas was a member of the Servite religious order, whose records have largely survived intact, more is known about his life than is usually the case for fourteenth-century composers. He entered the order in 1375, though at what age is not known. One of his first activities within the order was to carry out a commission to build an organ for the Servite house in Florence, for which he hired Francesco Landini as a consultant. Among the surviving records are the receipts for the wine that the two consumed during the three days it took to tune the instrument. Evidently h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
