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Bali Pratipada
Balipratipada ('), also called as ''Bali-Padyami'', ''Padva'', ''Virapratipada'' or ''Dyutapratipada'', is the fourth day of Diwali, the Hindu festival of lights. It is celebrated in honour of the notional return of the daitya-king Bali (Mahabali) to earth. Balipratipada falls in the Gregorian calendar months of October or November. It is the first (or 16th) day of the Hindu month of Kartika and is the first day of its bright lunar fortnight. In many parts of India such as Gujarat and Rajasthan, it is the regional traditional New Year Day in Vikram Samvat and also called the Bestu Varas or ''Varsha Pratipada''. This is the half amongst the three and a half Muhūrtas in a year. Balipratipada is an ancient festival. The earliest mention of Bali's story being acted out in dramas and poetry of ancient India is found in the c. 2nd-century BCE ''Mahābhāṣya'' of Patanjali on Panini's ''Astadhyayi'' 3.1.26. The festival has links to the Vedic era sura-asura Samudra Manthana tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindu Calendar
The Hindu calendar, also called Panchangam, Panchanga (), is one of various lunisolar calendars that are traditionally used in the Indian subcontinent and Southeast Asia, with further regional variations for social and Hindu religious purposes. They adopt a similar underlying concept for timekeeping based on sidereal year for solar cycle, solar cycle and adjustment of lunar cycles in every three years, but differ in their relative emphasis to moon cycle or the sun cycle and the names of months and when they consider the New Year to start. Of the various regional calendars, the most studied and known Hindu calendars are the Shaka era, Shalivahana Shaka (Based on the Shalivahana, King Shalivahana, also the Indian national calendar) found in the Deccan Plateau, Deccan region of Southern India and the Vikram Samvat (Bikrami) found in Nepal and the North and Central regions of India – both of which emphasize the lunar cycle. Their new year starts in spring. In regions such as Tamil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahābhāṣya
''Mahabhashya'' (, IAST: '','' , "Great Commentary"), attributed to Patañjali, is a commentary on selected rules of Sanskrit grammar from Pāṇini's treatise, the ''Aṣṭādhyāyī'', as well as Kātyāyana's ''Vārttika-sūtra'', an elaboration of Pāṇini's grammar. It is dated to the 2nd century BCE. Overview Patañjali is one of the three most famous Sanskrit grammarians of ancient India, other two being Pāṇini and Kātyāyana who preceded Patañjali (dated to c. 250 BCE). Kātyāyana's work (nearly 1500 verses on ) is available only through references in Patañjali's work. It was with Patañjali that the Indian tradition of language scholarship reached its definite form. The system thus established is extremely detailed as to ''shiksha'' (phonology, including accent) and '' vyakarana'' (grammar and morphology). Syntax is scarcely touched, but '' nirukta'' (etymology) is discussed, and these etymologies naturally lead to semantic explanations. People interpret ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tug Of War
Tug of war (also known as tug o' war, tug war, rope war, rope pulling, or tugging war) is a sport in which two teams compete by pulling on opposite ends of a rope, with the goal of bringing the rope a certain distance in one direction against the force of the opposing team's pull. The sport has ancient origins and has been practiced in various cultures throughout history. It was Tug of war at the Summer Olympics, included in the Summer Olympics from 1900 to 1920 but is no longer part of the Olympic program. Tug of war continues to be practiced in schools, community events, and organized competitions worldwide. Tug of war typically involves teams of eight or more members, though the number can vary. The rope is marked with a centre line and two markers equidistant from the centre. The objective is to pull the opposing team’s marker across the centre line. Specific rules govern techniques, such as prohibiting touching the ground for extended periods of time or lowering one's el ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indra
Indra (; ) is the Hindu god of weather, considered the king of the Deva (Hinduism), Devas and Svarga in Hinduism. He is associated with the sky, lightning, weather, thunder, storms, rains, river flows, and war. [3 volumes] Indra is the most frequently mentioned deity in the ''Rigveda''. He is celebrated for his powers based on his status as a god of order, and as the one who killed the great evil, an Asura (Hinduism), asura named Vritra, who obstructed human prosperity and happiness. Indra destroys Vritra and his "deceiving forces", and thereby brings rain and sunshine as the saviour of mankind. Indra's significance diminishes in the post-Vedic Indian literature, but he still plays an important role in various mythological events. He is depicted as a powerful hero. According to the ''Vishnu Purana'', Indra is the title borne by the king of the gods, which changes every Manvantara – a cyclic period of time in Hindu cosmology. Each Manvantara has its own Indra and the In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vishnu
Vishnu (; , , ), also known as Narayana and Hari, is one of the Hindu deities, principal deities of Hinduism. He is the supreme being within Vaishnavism, one of the major traditions within contemporary Hinduism, and the god of preservation (sattva). Vishnu is known as ''The Preserver'' within the Trimurti, the triple deity of Para Brahman, supreme divinity that includes Brahma and Shiva.Gavin Flood, An Introduction to Hinduism' () (1996), p. 17. In Vaishnavism, Vishnu is the supreme Lord who creates, protects, and transforms the Hindu cosmology, universe. Tridevi is stated to be the energy and creative power (Shakti) of each, with Lakshmi being the equal complementary partner of Vishnu. He is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. According to Vaishnavism, the supreme being is with qualities (Saguna Brahman, Saguna), and has definite form, but is limitless, transcendent and unchanging absolute Brahman, and the primal Atma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vamana
Vamana (, ) also known as Trivikrama (), Urukrama (), Upendra (), Dadhivamana (, ), and Balibandhana (), is an Dashavatara, avatar of the Hinduism, Hindu deity Vishnu. He is the fifth avatar of Vishnu and the first Dashavatara in the Treta Yuga, after Narasimha. First mentioned in the Vedas, Vamana is most commonly associated in the Hindu epics and Puranas with the story of taking back the three worlds (collectively referred to as the Trailokya) from the daitya-king Mahabali by taking three steps to restore the cosmic order and push Mahabali into the netherworld. He is the youngest among the adityas, the sons of Aditi and the sage Kashyapa. Nomenclature and etymology 'Vāmana' (Sanskrit वामन) means 'dwarf', 'small' or 'small or short in stature'. It also means 'dwarfish bull', which is notable as Vishnu is directly associated with dwarfish animals (including bulls) in the Vedas (see below). Stated in Puranic literature to be born of the great sage Kashyapa and his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matsya Purana
The ''Matsya Purana'' (IAST: Matsya Purāṇa) is one of the eighteen major Puranas (Mahapurana), and among the oldest and better preserved in the Puranic genre of Sanskrit literature in Hinduism. The text is a Vaishnavism text named after the half-human and half-fish avatar of Vishnu. However, the text has been called by the 19th-century Sanskrit scholar Horace Hayman Wilson, "although a Shaivism (Shiva-related) work, it is not exclusively so"; the text has also been referred to one that simultaneously praises various Hindu gods and goddesses. The ''Matsya Purana'' has survived into the modern era in many versions, varying in the details but almost all of the published versions have 291 chapters, except the Tamil language version, written in Grantha script, which has 172 chapters. The text is notable for providing one of earliest known definition of a Purana genre of literature. A history written with five characteristics is called a Purana, states ''Matsya Purana'', otherwise ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurma Purana
The ''Kurma Purana'' (IAST: Kūrma Purāṇa) is one of the eighteen Mahapuranas, and a medieval era Vaishnavism text of Hinduism. The text is named after the tortoise avatar of Vishnu. The manuscripts of ''Kurma Purana'' have survived into the modern era in many versions. The number of chapters vary with regional manuscripts, and the critical edition (edited by Anand Swarup Gupta, and published by the All-India Kashiraj Trust, Varanasi) of the ''Kurma Purana'' has 95 chapters. Tradition believes that the ''Kurma Purana'' text had 17,000 verses, the extant manuscripts have about 6,000 verses. The text, states Ludo Rocher, is the most interesting of all the Puranas in its discussion of religious ideas, because while it is a Vaishnavism text, Vishnu does not dominate the text. Instead, the text covers and expresses reverence for Vishnu, Shiva and Shakti with equal enthusiasm. The ''Kurma Purana'', like other Puranas, includes legends, mythology, geography, ''Tirtha'' (pilgrimage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brahma Purana
The ''Brahma Purana'' ( or ; ) is one of the eighteen major Puranas collections of Hindu texts in Sanskrit. It is listed as the first Mahapurana in all anthologies, and is therefore also called ''Adi Purana''. Another title for this text is ''Saura Purana'', because it includes many chapters related to Surya, the sun god. The ''Brahma Purana'' is a compilation of geographical Mahatmya (travel guides) and sections on diverse topics. History The Brahma Purana holds an established place as a Mahapurana, however, scholars debate whether the current version of the Brahma Purana is the original Mahapurana or a later Upapurana (secondary Purana). R. C. Hazra through textual analysis, argues that the current version is not the original Brahma Purana but a later compilation that shared the same name. Hazra's conclusion stems from his examination of quotations made by classical Nibandha writers—who frequently quoted verses of the Brahma Purana which cannot be found in the present text ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Puranas
Puranas (Merriam-Webster's Encyclopedia of Literature (1995 Edition), Article on "Puranas", , page 915) are a vast genre of Indian literature that include a wide range of topics, especially legends and other traditional lore. The Puranas are known for the intricate layers of symbolism depicted within their stories. Composed originally in Sanskrit and in Languages of India, other Indian languages,John Cort (1993), "An Overview of the Jaina Puranas" in ''Purana Perennis: Reciprocity and Transformation in Hindu and Jaina Texts,'' (Editor: Wendy Doniger), State University of New York Press, , pages 185-204 several of these texts are named after major Hindu deities such as Vishnu, Shiva, Brahma, and Mahadevi, Devi. The Puranic genre of literat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramayana
The ''Ramayana'' (; ), also known as ''Valmiki Ramayana'', as traditionally attributed to Valmiki, is a smriti text (also described as a Sanskrit literature, Sanskrit Indian epic poetry, epic) from ancient India, one of the two important epics of Hinduism known as the ''Itihasas'', the other being the ''Mahabharata''. The epic narrates the life of Rama, the seventh ''avatar'' of the Hindu deity Vishnu, who is a prince of Ayodhya (Ramayana), Ayodhya in the kingdom of Kosala. The epic follows Exile of Lord Rama, his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across the forests in the Indian subcontinent with his wife Sita and brother Lakshmana; the kidnapping of Sita by Ravana, the king of Lanka, that resulted in bloodbath; and Rama's eventual return to Ayodhya (Ramayana), Ayodhya along with Sita to be crowned as a king amidst jubilation and celebration. Scholarly estimates for the earliest stage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahabharata
The ''Mahābhārata'' ( ; , , ) is one of the two major Sanskrit Indian epic poetry, epics of ancient India revered as Smriti texts in Hinduism, the other being the ''Ramayana, Rāmāyaṇa''. It narrates the events and aftermath of the Kurukshetra War, a war of succession between two groups of princely cousins, the Kauravas and the Pandava, Pāṇḍavas. It also contains Hindu philosophy, philosophical and devotional material, such as a discussion of the four "goals of life" or ''puruṣārtha'' (12.161). Among the principal works and stories in the ''Mahābhārata'' are the ''Bhagavad Gita'', the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha (sage), Kacha and Devayani, the story of Rishyasringa and an Ramopakhyana, abbreviated version of the ''Rāmāyaṇa'', often considered as works in their own right. Traditionally, the authorship of the ''Mahābhārata'' is attributed to Vyasa, Vy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
