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Back From The Grave (series)
''Back from the Grave'' is a series compilation albums of 1960s garage rock created and compiled by Tim Warren and released by Crypt Records since 1983. Starting in 1993, the series was reissued on compact disc. Due to the longer playing times offered by CDs, the first seven volumes were contained on four discs, save for a few tracks that were omitted. And, while all of the songs on the first four CDs are included on first seven vinyl albums, they do not necessarily correspond to the individual LPs bearing their same titles. However, the Volume 8 CD corresponds almost directly its LP double-LP counterpart, but with the addition of four bonus tracks not included on the LP. The eight vinyl albums are titled consecutively "''Back from the Grave'', Volume 1, Volume 2, Volume 3, Volume 4, Volume 5, Volume 6, Volume 7, Volume 8, Volume 9, and Volume 10". In similar fashion the five CDs are titled "''Back from the Grave'', Volume 1, Volume 2, Volume 3, Volume 4, Volume 8, and Volumes 9 & ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garage Rock
Garage rock (sometimes called garage punk or 60s punk) is a raw and energetic style of rock music that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord (music), chord structures played on electric guitars and other instruments, sometimes distorted through a distortion (music), fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family Garage (residential), garage, although many were professional. In the US and Canada, surf rock—and later the Beatles and other beat music, beat groups of the British Invasion—motivated thousands of young people to form bands between 1963 and 1968. Hundreds of grass-roots acts produced regional hits, some of which gained national popularity, usually played on AM radio stations. Wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tongue-in-cheek
Tongue-in-cheek is an idiom that describes a humorous or sarcastic statement expressed in a serious manner. History The phrase originally expressed contempt, but by 1842 had acquired its modern meaning. Early users of the phrase include Sir Walter Scott in his 1828 ''The Fair Maid of Perth''. The physical act of putting one's tongue into one's cheek once signified contempt. For example, in Tobias Smollett's ''The Adventures of Roderick Random,'' which was published in 1748, the eponymous hero takes a coach to Bath and on the way apprehends a highwayman. This provokes an altercation with a less brave passenger: The phrase appears in 1828 in ''The Fair Maid of Perth'' by Sir Walter Scott: It is not clear how Scott intended readers to understand the phrase. The more modern ironic sense appeared in a poem in ''The Ingoldsby Legends'' (1842) by the English clergyman Richard Barham Richard Harris Barham (6 December 1788 – 17 June 1845) was an English cleric of the Church of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Back From The Grave, Volume 9
''Back from the Grave, Volume 9'', released on LP and CD in 2015, is the ninth installment in the '' Back from the Grave'' series of garage rock compilations. Like all the entries in the series it was assembled by Tim Warren of Crypt Records. As indicated in the subheading which reads "Raw Blastin' Mid 60s Punk," this collection consists of many songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. - Liner notes and cover artwork. In typical fashion, the set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging contains liner notes written by Chris Bishop of Garage Hangover.com which convey basic information about each song and group, such as origin, recording date, and biographical sketches, as well as photographs of the bands. The album cover artwork features a satirical cartoon by Olaf Jens depicti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Back From The Grave, Volume 8
''Back from the Grave, Volume 8'' is the eighth installment in the Back from the Grave series of garage rock compilations assembled by Tim Warren of Crypt Records. It was originally released as a double LP and CD in January 1996 in Germany and on August 26, 1996 in the U.S. The CD version of the album, released at the same time, has a similar running order of tracks to the double LP, but with several bonus cuts added. However, in 2011 the LP edition, already double-length, was re-released and expanded to contain 36 tracks, now including all of the bonus tracks available on the CD version, as well as three newly added tracks which have not appeared on any CD version. In keeping with all of the entries in the series, and as indicated in the subheading which reads "36 Cuts of Utter Snarling Mid-60's Garage Punk," this collection consists of many songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Back From The Grave, Volume 7
''Back from the Grave, Volume 7'' is the seventh installment in the '' Back from the Grave'' series of garage rock compilations assembled by Tim Warren of Crypt Records and is available on LP and CD. - LP Liner notes and cover artwork. It was originally released in 1988 as a double-LP containing 34 tracks, and has been newly re-mastered and re-issued in 2015. Though most of the LP's tracks had appeared on parts 3 and 4 of the ''Back from the Grave'' CD-specific sub-series (released in 1994 and 1995), in 2015, it was released on CD with the re-mastered material and closely matches the song content (and album cover artwork) of the original LP (containing all but two of the cuts on the original LP) as part of an effort to bring the LP's and CD's of the series into multi-medium coherence. In keeping with all of the entries in the series, and as indicated in the subheading which reads "Raw Blastin' Mid 60s Punk," this collection generally excludes psychedelic, folk rock, and pop-in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Back From The Grave, Volume 6
''Back from the Grave, Volume 6'' is the sixth installment in the Back from the Grave series of garage rock compilations assembled by Tim Warren of Crypt Records. - LP Liner notes and cover artwork. It was released in 1986. In keeping with all of the entries in the series, and as indicated in the subheading which reads "17 Loud Unpsychedelic Wild Mid-60s Garage Punkers," this collection generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll Rock and roll (often written as rock & roll, rock-n-roll, and rock 'n' roll) is a Genre (music), genre of popular music that evolved in the United States during the late 1940s and early 1950s. It Origins of rock and roll, originated from African ..., usually consisting of songs displaying the rawer and more aggressive side of the genre often characterized by the use of fuzztone-distorted guitars and rough vocals. The packaging features well-researched liner notes written by Ti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Back From The Grave, Volume 5
''Back from the Grave, Volume 5'' is the fifth installment in the Back from the Grave series of garage rock compilations assembled by Tim Warren of Crypt Records. - LP Liner notes and cover artwork. It was released in 1985. In keeping with all of the entries in the series, and as indicated in the subheading that reads "16 Crazed Bone Crunchin' Mid-60s Garage Punkers", this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. The set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging features well-researched liner notes written by Tim Warren which convey basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Back From The Grave, Volume 4
''Back from the Grave, Volume 4'' is the fourth installment in the Back from the Grave series of garage rock compilations assembled by Tim Warren of Crypt Records. - LP Liner notes and cover artwork. It was released in 1984. In keeping with all of the entries in the series, and as indicated in the subheading which reads "Wild Mid-60s Garage Punk Screamers," this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. The set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging features well-researched liner notes written by Tim Warren which convey basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are notic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Back From The Grave, Volume 3
''Back from the Grave, Volume 3'' is the third installment in the Back from the Grave series of garage rock compilations put together by Tim Warren of Crypt Records. It was released in 1984. In keeping with all of the entries in the series, and as indicated in the subheading which reads "Mid 60s Garage Punkers," this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. - LP Liner notes and cover artwork. The set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging features well-researched liner notes written by Tim Warren which convey basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noticeably opinion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Back From The Grave, Volume 2
''Back from the Grave, Volume 2'' is the second installment in the Back from the Grave series of garage rock compilations put together by Tim Warren of Crypt Records on LP. It was released in 1983. In keeping with all of the entries in the series, and as indicated in the subheading which reads "16 Garage Punkers," this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. - LP Liner notes and cover artwork. The set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging features well-researched liner notes written by Tim Warren which convey basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noticeably opinio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Back From The Grave, Volume 1
''Back from the Grave'' is the first installment in the '' Back from the Grave'' series of garage rock compilations put together by Tim Warren of Crypt Records and released in 1983 on LP. In keeping with all of the entries in the series, and as indicated in the subheading which reads "Rockin' 1966 Punkers," this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. - LP Liner notes and cover artwork. The set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging features well-researched liner notes written by Tim Warren which convey basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noticeably opinionated, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disco
Disco is a music genre, genre of dance music and a subculture that emerged in the late 1960s from the United States' urban nightclub, nightlife, particularly in African Americans, African-American, Italian-Americans, Italian-American, LGBTQ community, Gay and Hispanic and Latino Americans, Latino communities. Its sound features four-on-the-floor (music), four-on-the-floor beats, syncopation, syncopated basslines, string sections, brass instrument, brass and horn (musical instrument), horns, electric pianos, synthesizers, and electric rhythm guitars. Discothèques, mostly a French invention, were imported to the United States with the opening of Le Club, a members-only restaurant and nightclub at 416 East 55th Street in Manhattan, by French expatriate Olivier Coquelin, on New Year's Eve 1960. Disco music originated from music popular with African-American culture, African Americans, Hispanic and Latino Americans#Cultural matters, Latino Americans, and Italian Americans#Influe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
