Auguste Vaucorbeil
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Auguste Vaucorbeil
Auguste Emmanuel Vaucorbeil, born Veaucorbeille, (15 December 1821 – 2 November 1884) was a French composer and theatre manager. He was the director of the Paris Opera from 1879 until his death at the age of 62. Vaucorbeil was born in Rouen and studied at the Paris Conservatoire. As a composer, he was best known for his art songs, but he also composed chamber music and two operas. Life and career Vaucorbeil was born in Rouen, the son of a popular actor at the Théâtre du Gymnase who performed under the stage name "Ferville". With financial assistance from Queen Marie Amelie, he entered the Paris Conservatoire in 1835 and studied there for seven years. After leaving the conservatory, he initially earned a living by giving singing lessons and composing art songs. During this period he also composed chamber music, piano suites, a three-act opéra comique, ''La Bataille d' amour'', and an ambitious cantata, ''La Mort de Diane''. Finding it difficult to earn a living solely as a co ...
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Rouen
Rouen (, ; or ) is a city on the River Seine in northern France. It is the prefecture of the region of Normandy and the department of Seine-Maritime. Formerly one of the largest and most prosperous cities of medieval Europe, the population of the metropolitan area (french: aire d'attraction) is 702,945 (2018). People from Rouen are known as ''Rouennais''. Rouen was the seat of the Exchequer of Normandy during the Middle Ages. It was one of the capitals of the Anglo-Norman dynasties, which ruled both England and large parts of modern France from the 11th to the 15th centuries. From the 13th century onwards, the city experienced a remarkable economic boom, thanks in particular to the development of textile factories and river trade. Claimed by both the French and the English during the Hundred Years' War, it was on its soil that Joan of Arc was tried and burned alive on 30 May 1431. Severely damaged by the wave of bombing in 1944, it nevertheless regained its economic dyn ...
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Hérodiade
''Hérodiade'' is an opera in four acts by Jules Massenet to a French libretto by Paul Milliet and Henri Grémont, based on the novella ''Hérodias'' (1877) by Gustave Flaubert. It was first performed at the Théâtre de la Monnaie in Brussels on 19 December 1881. The libretto is a retelling of the story of John the Baptist, Salome, Herod Antipas and Herodias, but is strikingly less psychological and bloody than Richard Strauss's ''Salome'', which is based on a text by Oscar Wilde. The opera premiered in Brussels because Auguste Vaucorbeil, Manager of the Paris Opera house refused to stage the work; "I do like your music," he had said to Massenet, "but as for the libretto, you badly need an author who knows how to build the skeleton of a play." Performance history The opera reached Paris at the Théâtre des Nations on 1 February 1884, and the final performance of the run on 13 March featured the three De Reszkes; Jean (Jean), Édouard (Phanuel), and Josephine (Salomé). ...
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Heugel (music Publisher)
Heugel was a French music publishing company, founded in 1839, that became one of the most prolific and ubiquitous businesses of its kind in the nineteenth and early twentieth century. It was taken over in 1980 by Alphonse Leduc and dissolved in 2014. Founding years The French music publishing house of Heugel was founded on 1 January 1839 in Paris by Jacques-Léopold Heugel (1 March 1815 – 12 November 1883) and Jean-Antoine Meissonnier (1783–1857).Anik Devriès-Lesure, "Heugel (Musikverlag)", in: ''Die Musik in Geschichte und Gegenwart'' (''MGG''), biographical part, vol. 8 (Kassel: Bärenreiter, 2002), cc. 1492–1493. Heugel was born in La Rochelle and was active as a music teacher in Nantes before he came to Paris. The company branded initially as "A. Meissonnier et J. L. Heugel". Until 1974, the seat of the company was at 2bis, rue Vivienne. After four years, Meissonnier sold his share to Heugel to concentrate on his own business, which was brought to success by his son, Je ...
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Le Ménestrel
''Le Ménestrel'' (The Minstrel) was an influential French music journal published weekly from 1833 until 1940. It was founded by Joseph-Hippolyte l'Henry and originally printed by Poussièlgue. In 1840 it was acquired by the music publishers Heugel and remained with the company until the journal's demise at the beginning of World War II. With the closure of its chief rival, '' La Revue et gazette musicale de Paris'' in 1880, ''Le Ménestrel'' became France's most prestigious and longest-running music journal. Publishing history In 1827, François-Joseph Fétis had founded ''La Revue musicale'', France's first periodical devoted entirely to classical music. By 1834, it had two serious competitors, ''Le Ménestrel'' established in 1833, and Maurice Schlesinger's ''Gazette Musicale'', established in 1834. ''Le Ménestrel'' was founded by the Paris publisher Joseph-Hippolyte l'Henry, with the first edition (printed by Poussièlgue) appearing on 1 December 1833. In 1835, Schlesinger ...
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Bataille D'Amour By Vaucorbeil
Bataille is a surname. Notable people with the surname include: * Christian Bataille (born 1946), French politician * Frédéric Bataille (1850–1946), French educator, poet and mycologist *Georges Bataille (1897–1962), French intellectual and literary figure * Henri Jules Bataille (1816–1882), French general *Henry Bataille (1872–1922), French dramatist and poet * Laetitia Bataille, French journalist and writer * Laurence Bataille (1930–1986), French psychoanalyst and writer *Matthieu Bataille Matthieu Bataille (born 26 July 1978 in Cucq) is a French judoka is an unarmed modern Japanese martial art, Olympic sport (since 1964), and the most prominent form of jacket wrestling competed internationally.『日本大百科全書』電� ... (born 1978), French judoka * Nicolas Bataille (1926–2008), French comedian and director * Sylvia Bataille (1908–1993), French actress {{surname, Bataille ...
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Auguste Vitu
Auguste-Charles-Joseph Vitu (7 October 1823 – 5 August 1891) was a 19th-century French journalist and writer. Biography The natural son of a Parisian rentier, Vitu began his career as a typographer-worker before becoming a journalist. In 1867''Panthéon de la Légion d'honneur : dictionnaire biographique des hommes du XIXe'', Volume 6, par Théophile Lamathière, page 500 he founded ' (which he directed until his death in 1891) and later created the newspaper ''L’Étendard'' from which he was lucky to be deposed in August 1868, before the sensational trial filed against the manager Jules Pic. He was chief editor of the ''Peuple Français'' at the request of Napoleon III from 1869. Vitu is mostly known for his book ''Paris, images et traditions'', reprinted several times. He also published a book on the popular jargon of the 15th century and another on Napoleon III whose style of moustache and goatee he adopted. Auguste Vitu was in turn publisher, political and military h ...
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Le Gaulois
''Le Gaulois'' () was a French daily newspaper, founded in 1868 by Edmond Tarbé and Henry de Pène. After a printing stoppage, it was revived by Arthur Meyer in 1882 with notable collaborators Paul Bourget, Alfred Grévin, Abel Hermant, and Ernest Daudet. Among its many famous contributing editors was Guy de Maupassant. Gaston Leroux's novel '' The Phantom of the Opera'' was first published as a serialization in its pages between September 1909 and January 1910. The paper was taken over by ''Le Figaro'' in 1929. References External links Digitized Issues of ''Le Gaulois'' from 5 July 1868 to 30 March 1929from Gallica, the digital library of the Bibliothèque Nationale de France The Bibliothèque nationale de France (, 'National Library of France'; BnF) is the national library of France, located in Paris on two main sites known respectively as ''Richelieu'' and ''François-Mitterrand''. It is the national reposito ... 1868 establishments in France 1929 di ...
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Montmartre Cemetery
The Cemetery of Montmartre (french: link=no, Cimetière de Montmartre) is a cemetery in the 18th arrondissement of Paris, France, that dates to the early 19th century. Officially known as the Cimetière du Nord, it is the third largest necropolis in Paris, after the Père Lachaise Cemetery and the Montparnasse Cemetery. History In the mid-18th century, overcrowding in the cemeteries of Paris had created numerous problems, from impossibly high funeral costs to unsanitary living conditions in the surrounding neighborhoods. In the 1780s, the Cimetière des Innocents was officially closed and citizens were banned from burying corpses within the city limits of Paris. During the early 19th century, new cemeteries were constructed outside the precincts of the capital: Montmartre in the north, Père Lachaise Cemetery in the east, Passy Cemetery in the west and Montparnasse Cemetery in the south. The Montmartre Cemetery was opened on 1 January 1825. It was initially known as le Cimetière ...
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Gabrielle Krauss
Marie-Gabrielle Krauss (24 March 18426 January 1906) was an important 19th century Austrian-born French operatic soprano. She created major roles in operas by Anton Rubinstein, Charles Gounod, Camille Saint-Saëns, Auguste Mermet, Clémence de Grandval, Errico Petrella, Antônio Carlos Gomes and Émile Paladilhe. She also created roles in local premieres of Verdi and Wagner operas. Krauss was a leading soprano at the Paris Opera for 13 years, and also sang with great success in Italy and Russia. Biography Krauss was born in Vienna, Austria, in 1842, and studied at the Vienna Conservatory and privately with Mathilde Marchesi'' Grove's Dictionary of Music and Musicians'', 5th ed (1954), Vol. IV, p. 838: Krauss, Gabrielle (whose birthday she shared). Her first important appearance was in Schumann's cantata ''Das Paradies und die Peri'' in Vienna on 1 March 1858, when she was still only 15 years old. In July 1859, she made her operatic debut as Mathilde in Rossini's ''Willi ...
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Petite Messe Solennelle
Gioachino Rossini's ''Petite messe solennelle'' (Little solemn mass) was written in 1863, possibly at the request of Count Alexis Pillet-Will for his wife Louise to whom it is dedicated. The composer, who had retired from composing operas more than 30 years before, described it as "the last of my '' péchés de vieillesse''" (sins of old age). The extended work is a missa solemnis, but Rossini labeled it, not without irony, ''petite'' (little). He scored it originally for twelve singers, four of them soloists, two pianos and harmonium. The mass was first performed on 14 March 1864 at the couple's new home in Paris. Rossini later produced an orchestral version, including an additional movement, a setting of the hymn "" as a soprano aria. This version of the mass was not performed during his lifetime because he could not obtain permission to perform it with female singers in a church. It was first performed three months after his death, at the Salle Ventadour in Paris by the ...
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Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "c ...
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Mozart Requiem
The Requiem in D minor, K. 626, is a requiem mass by Wolfgang Amadeus Mozart (1756–1791). Mozart composed part of the Requiem in Vienna in late 1791, but it was unfinished at his death on 5 December the same year. A completed version dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who commissioned the piece for a requiem service on 14 February 1792 to commemorate the first anniversary of the death of his wife Anna at the age of 20 on 14 February 1791. The autograph manuscript shows the finished and orchestrated Introit in Mozart's hand, and detailed drafts of the Kyrie and the sequence Dies irae as far as the first eight bars of the Lacrymosa movement, and the Offertory. It cannot be shown to what extent Süssmayr may have depended on now lost "scraps of paper" for the remainder; he later claimed the Sanctus and Benedictus and the Agnus Dei as his own. Walsegg probably intended to pass the Requiem off as his own composition, as he is kno ...
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