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At The Night Side
''At the Night Side'' is the third live album by Buck-Tick, released on April 7, 2004. Its content was recorded at four different concerts in three different places; Hibiya Yagai Ongakudo on June 28 & 29 2003, NHK Hall on April 10, 2003, and Shibuya-AX on April 30, 2003. It reached number thirty-four on the Oricon , established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics Statistics (from German language, German: ', "description of a State (polity), state, a country") is the discipline that ... chart. Track listing # "Continue" # "Nakayubi" (ナカユビ) # "Heroine" # "Limbo" # "Zangai" (残骸) # "Monster" # "Buster" # "Kirameki no Naka de..." (キラメキの中で･･･) # "Mienai Mono o Miyo to Suru Gokai Subete Gokai da" (見えない物を見ようとする誤解 全て誤解だ) # "Tight Rope" # "Black Cherry" # "Girl" # "Baby, I Want You." # "Genzai" (原罪) # "Ai no Uta" (愛ノ歌) # "Mona Li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buck-Tick
Buck-Tick (stylized as BUCK-TICK) is a Japanese rock band formed in Fujioka, Gunma in 1983. The classic lineup of lead vocalist Atsushi Sakurai, lead guitarist Hisashi Imai, rhythm guitarist Hidehiko Hoshino, bassist Yutaka Higuchi and drummer Toll Yagami lasted from 1985 until 2023. Following Sakurai's death that year, Imai and Hoshino began sharing lead vocal duties. The band has experimented with many different genres of music throughout their four decade career, including punk rock, gothic rock and industrial rock. Buck-Tick are commonly credited as one of the main founders of the visual kei movement. The band has released twenty-four studio albums and forty-four singles as of 2024, nearly all reaching the top ten and twenty positions on the Japanese Oricon charts. Buck-Tick released both their debut independent and major studio albums in 1987, and achieved breakthrough success the following year with the album '' Seventh Heaven'' (#3) and the single " Just One More K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
NHK Hall
The NHK Hall is a concert hall located at the NHK Broadcasting Center, the main headquarters of Japan's Public broadcasting, public broadcaster NHK. The hall is the main venue for the NHK Symphony Orchestra, but it has also played host to other events, such as the 1979 Japan Music Awards and NHK's annual New Year's Eve special ''Kōhaku Uta Gassen''. History The original NHK Hall opened in 1955 at a location in Tokyo's Uchisaiwai-cho district. Several live programmes were broadcast from the hall, such as ''Song Plaza'', ''Kōhaku Uta Gassen'', and ''Personal Secrets''. In 1973, a new NHK Hall was established in Shibuya, Tokyo, at the site of NHK's new headquarters, the NHK Broadcasting Center. The acoustics for the hall were designed by Minoru Nagata, later of Nagata Acoustics, while TOA Corporation provided the hall's sound equipment. On April 9, 2019, it was announced that it will be closed from March 2021 to June 2022 due to seismic retrofitting, construction, renovation and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shibuya-AX
Shibuya-AX (stylized as SHIBUYA- AX) was a concert hall in Shibuya, Tokyo, Japan, near the Yoyogi National Gymnasium. Layout Shibuya-AX was the only purpose-built concert hall or "live house" in the Tokyo metropolitan area that could accommodate 1,500 people. It was a popular venue for concerts by both Japanese and western artists. History On September 27, 2013, was announced through official site the end of activities for next May 31, 2014. The staff of Shibuya-AX requested J, the artist with the most performances at the concert hall, perform one last time at the venue. The concerts entitled -Thank You AX!! Good Bye AX!!- were held on May 3–4, 2014. Notable events * Buck-Tick's 2004 live album '' At the Night Side'' contains songs that were recorded at their April 30, 2003 performance here. * Sonata Arctica's performance in this venue on February 5, 2005 (during the Reckoning Night world tour) was recorded and later released as a live DVD For the Sake of Revenge ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alternative Rock
Alternative rock (also known as alternative music, alt-rock or simply alternative) is a category of rock music that evolved from the independent music underground of the 1970s. Alternative rock acts achieved mainstream success in the 1990s with the likes of the grunge subgenre in the United States, and the Britpop and shoegaze subgenres in the United Kingdom and Ireland. During this period, many record labels were looking for "alternatives", as many Arena rock, corporate rock, hard rock, and glam metal acts from the 1980s were beginning to grow stale throughout the music industry. The emergence of Generation X as a Culture, cultural force in the 1990s also contributed greatly to the rise of alternative music. "Alternative" refers to the genre's distinction from mainstream or arena rock, commercial rock or pop. The term's original meaning was broader, referring to musicians influenced by the musical style or independent, DIY ethic, DIY ethos of late-1970s punk rock.di Perna, A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Industrial Rock
Industrial rock is a fusion genre that fuses industrial music and rock music. It initially originated in the 1970s, and drew influence from early experimental and industrial acts such as Throbbing Gristle, Einstürzende Neubauten and Chrome. Industrial rock became more prominent in the 1980s with the success of artists such as Killing Joke, Swans, and partially Skinny Puppy, and later spawned the offshoot genre known as industrial metal. The genre was made more accessible to mainstream audiences in the 1990s with the aid of acts such as Nine Inch Nails and Marilyn Manson, both of which have released platinum-selling records. History Origins (late 1970s and 1980s) Richie Unterberger assessed the Red Krayola as "a precursor to industrial rock" with their 1967 record '' The Parable of Arable Land'' exhibiting music made by 50 people on anything from industrial power tools to a revving motorcycle whilst ''Pitchfork'''s Alex Lindhart cited their 1968 follow up '' God ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mona Lisa Overdrive (album)
''Mona Lisa Overdrive'' is the 13th album by Buck-Tick, released on February 13, 2003. The album title is mistakenly thought to have been inspired by William Gibson's cyberpunk novel of the same name but guitarist Hisashi Imai originally confused it with Robert Longo's work ''Samurai Overdrive'', which inspired the album title. It reached number seven on the Oricon chart with 31,235 copies sold. The album is thematically connected to the previous release, '' Kyokutou I Love You'': the last instrumental song in ''Kyokutou I Love You'' gives the musical foundation to the first song in ''Mona Lisa Overdrive'', while the base of the last song of this album recurs in the first song of ''Kyokutou I Love You''. Track listing Personnel ;Buck-Tick * Atsushi Sakurai – vocals * Hisashi Imai – guitar, vocals (lead on "Sid Vicious on the Beach") * Hidehiko Hoshino – guitar * Yutaka Higuchi – bass * Toll Yagami – drums The drum is a member of the percussion instrumen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
13kai Wa Gekkou
is the fourteenth album by Japanese rock band Buck-Tick, released on April 5, 2005. The limited edition came with a DVD of the music video for the album's only single, " Romance". It reached number four on the Oricon chart with 28,104 copies sold. Overview For ''Juusankai wa Gekkou'' the band deliberately adopted a Gothic theme, which is presented throughout the album. As vocalist Atsushi Sakurai is fond of the theme, he found it easy to work with and wrote the lyrics for all the songs except one. Guitarist Hisashi Imai actually thought of the idea during the tour for their previous album, but was further resolved to do it after watching Sakurai's solo performances.''Fool’s Mate # 283'', 「“ 夜” は邪悪にもなれるし、ピュアにもなれる」(“The night can become evil, or it can become pure”), Koh Imazu, May 200''English translation available here''/ref> The songs "Cabaret" and "Doll" have lines sung in female vocabulary and grammar, while "Doukeshi A" i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oricon
, established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics Statistics (from German language, German: ', "description of a State (polity), state, a country") is the discipline that concerns the collection, organization, analysis, interpretation, and presentation of data. In applying statistics to a s ... and information on music and the music industry in Japan and Western music. It started as , which was founded by Sōkō Koike in November 1967 and became known for its music charts. Oricon Inc. was originally set up as a subsidiary of Original Confidence and took over the latter's Oricon record charts in April 2002. The charts are compiled from data drawn from some 39,700 retail outlets () and provide sales rankings of music CDs, DVDs, electronic games, and other entertainment products based on weekly tabulations. Results are announced every Tuesday and published in ''Oricon Style'' by subsidiary Oricon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2004 Live Albums
4 (four) is a number, numeral and digit. It is the natural number following 3 and preceding 5. It is a square number, the smallest semiprime and composite number, and is considered unlucky in many East Asian cultures. Evolution of the Hindu-Arabic digit Brahmic numerals represented 1, 2, and 3 with as many lines. 4 was simplified by joining its four lines into a cross that looks like the modern plus sign. The Shunga would add a horizontal line on top of the digit, and the Kshatrapa and Pallava evolved the digit to a point where the speed of writing was a secondary concern. The Arabs' 4 still had the early concept of the cross, but for the sake of efficiency, was made in one stroke by connecting the "western" end to the "northern" end; the "eastern" end was finished off with a curve. The Europeans dropped the finishing curve and gradually made the digit less cursive, ending up with a digit very close to the original Brahmin cross. While the shape of the characte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
