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Artists In Biographies By Filippo Baldinucci
Filippo Baldinucci's ''Notizie de' Professori del Disegno, Da Cimabue in qua, Secolo V. dal 1610. al 1670. Distinto in Decennali'' (or ''Notice of the Professors of Design, from Cimabue to now, from 1610–1670'') was a major art biography of Baroque painters. Written by the erudite Florentine professor of the ''Accademia della Crusca'', it is often verbose and rife with factual errors; however, it is a broad compendium of stories about generally contemporaneous Baroque painters. Dozens of Flemish and Dutch painters, including Rembrandt, were judged to merit inclusion. Though Baldinucci may have met some of these Northern painters on their travels to Italy, the majority of the Dutch and Flemish names he included had biographical notes under portraits engraved by Jan Meyssens, whose work was popular, and whose engravings were reused by Cornelis de Bie for his 1682 book ''Het Gulden Cabinet''. Baldinucci included both De Bie (in his father "Adriano de Bie"'s entry) and Meyssens in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippo Baldinucci Titlepage Notizie 1681
Filippo is an Italian male given name, which is the equivalent of the English name Philip, from the Greek ''Philippos'', meaning "amante dei cavalli".''Behind the Name''"Given Name Philip" Retrieved on 23 January 2016. The female variant is Filippa. The name may refer to: *Filippo I Colonna (1611–1639), Italian nobleman *Filippo II Colonna (1663–1714), Italian noblemen *Filippo Abbiati (1640–1715), Italian painter *Filippo Baldinucci (1624–1697), Italian historian *Filippo Brunelleschi (1377–1446), Italian architect *Filippo Carli (1876–1938), Italian sociologist *Filippo Castagna (1765–1830), Maltese politician *Filippo Coarelli (born 1936), Italian archaeologist *Filippo Coletti (1811–1894), Italian singer *Filippo di Piero Strozzi (1541–1582), French general *Filippo Salvatore Gilii (1721–1789), Italian priest and linguist *Filippo Grandi (born 1957), Italian diplomat *Filippo Illuminato (1930-1943), Italian partisan, recipient of the Gold Medal of Military ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rutilio Manetti
Rutilio di Lorenzo Manetti (c. 1571 – 22 July 1639) was an Italian painter of late- Mannerism or proto- Baroque, active mainly in Siena. Biography He was influenced and/or taught by the local artists Francesco Vanni and Ventura Salimbeni. He is known to have collaborated with Raffaello Vanni, the son of Francesco. Among his masterpieces are his contributions to the Casino Mediceo, which he worked alongside Matteo Rosselli, Giovanni Lanfranco, and Cesare Dandini. One of his pupils or followers is Stefano Volpi. He is known for the following works in Siena or nearby towns: ''Story of St Catherine and Pope Gregory'' (1597; Palazzo Pubblico), ''Baptism of Christ'' (1600; church of San Giovannino in Pantaneto); a fresco cycle of the ''Story of St Roch'' (1605–1610; San Rocco alla Lupa), '' Pope Alexander I freed from prison by an Angel'' from San Giovanni Battista in Sant'Ansano in Greti; a ''Temptation of Saint Anthony'' (1620, Sant'Agostino); a ''Rest on the Flight to Eg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chiarisimo Fancelli
Chiarissimo d'Antonio Fancelli (died 1632) was an Italian sculptor and architect of the late-Mannerist and Baroque periods, mainly active in Tuscany. Domenico Pieratti and Giovanni Battista Pieratti were his pupils. It is unclear how he fits into the large pedigree of Tuscan sculptors including Cosimo and Luca Fancelli. When Cosimo II de' Medici built the Loggia del Grano in Florence Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilancio demografico ..., Chiarissimo Fancelli provided a bust of Cosimo, and a fountain on the corner of the building, the ''Fontana del Mascherone''. References ULAN record.* Baldinucci, Filippo (1728). ''Notizie de' Professori del Disegno, Da Cimabue in qua, Secolo V. dal 1610. al 1670. Distinto in Decennali''. Stamperia S.A.R. per li Tartini, e Franch(Googlebooks entry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sigismondo Coccapani
Sigismondo Coccapani (1585 - 1643) was an Italian painter of the Baroque period. Born in Florence, he studied under Ludovico Cigoli in Rome, before returning to his native city. Life Coccapani was born at Florence in 1585. He at first studied literature and mathematics, but abandoned them for painting, becoming a pupil of Ludovico Cigoli in Rome where he assisted him on his work at Santa Maria Maggiore in 1610–13. Using his scientific background he showed Cigoli, who was making a record of solar activity for his friend Galileo, how to observe and record sunspots through a method of projection.Reeves 1999, p.5 Coccapani also studied architecture with Bernardo Buontalenti. Most of his work as an independent artist was done in Florence, where he died in 1643. His drawing style was heavily indebted to that of his teacher, and some drawings once thought to be by Cigoli are now attributed to Coccapani. He and his brother Giovanni made a collection of drawings by Cigoli and his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Coccapani
Giovanni Coccapani (1582 – 1649) was an Italian painter and architect of the Baroque period. Born in Florence, his family was originally from Carpi. He was the brother of Sigismondo Coccapani. He travelled through Lombardy and was patronized by Duke Alfonso III in Modena. A number of architectural designs were collected by the lawyer Eustachio Cabassi of Carpi. By Giuseppe Campori, page 157. He putatively rebuilt the San Giusto church in Volterra. Among his pupils was Ludovico Incontri
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Giovanni Stefano Marucelli
Giovanni Stefano Marucelli (1586 - c. 1646) was an Italian painter and architect of the Baroque period, active in Tuscany, including Florence and Pisa. His name is also written as Maruscelli, Maruscielli, or Marscelli. Born in Florence, around 1600 he became a pupil of Andrea Boscoli in Pisa. His masterpiece is the ''Abraham and the angels'' (1628) in the apse of the Duomo di Pisa. He also painted an ''Ascencion'' for the church of the Sacrament in Pistoia; ''San Carlo Borromeo before a crucifix'' in the first altar to the right of the church of San Torpe, Pisa; a ''Coronation of the Virgin'' in the left chapel of the church of San Nicola, Pisa; ''St. George and St. Francis in adoration'' for the church of Santi Quirico e Giulitta in Lugnano; ''Madonna del Carmelo with the Bambino and Saints Catherine, Peter & Dominic'' and a ''Madonna with child and four saints'' in the church of the Santissima Annunziata in Uliveto Terme. In 1622, he painted an altarpiece depicting the ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Ernesto Thoman
Jacob Ernst Thomann von Hagelstein, or Nestus Thomann (c. 1588 – 10 October 1653) was a German Baroque painter. Biography Hagelstein was born in Lindau. Houbraken remarked that he had never been in the Netherlands, and only included the biography of Nestus Thomann because of his relationship to other Dutch painters.Nestus Thoman biography in ''De groote schouburgh der Nederlantsche konstschilders en schilderessen'' (1718) by Arnold Houbraken, courtesy of the He took his information from |
Hendrik Van Der Borcht The Elder
Hendrik van der Borcht the Elder or Hendrick van der Borcht the Elder (1583 - 26 July 1651Borcht, Hendrik (I) van der at the was a Flemish-German engraver and painter of portraits, s of antiquities, flowers and fruit and landscapes. He was also an eminent antiquarian. He was mainly active in Germany to which his family had emigrated for religious reasons. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roelant Savery
Roelant Savery (or ''Roeland(t) Maertensz Saverij'', or ''de Savery'', or many variants; 1576 – buried 25 February 1639) was a Flanders-born Dutch Golden Age painter. Life Savery was born in Kortrijk. Like so many other artists, he belonged to an Anabaptist family that fled north from the Spanish-occupied Southern Netherlands when Roelant was about 4 years old and settled in Haarlem around 1585. He was taught painting by his older brother Jacob Savery (c. 1565 – 1603) and Hans Bol. After his schooling, Savery traveled to Prague around 1604, where he became court painter of the Emperors Rudolf II (1552–1612) and Mathias (1557–1619), who had made their court a center of mannerist art. Between 1606 and 1608 he traveled to Tyrol to study plants. Gillis d'Hondecoeter became his pupil. Before 1616 Savery moved back to Amsterdam, and lived in the Sint Antoniesbreestraat. In 1618 he settled in Utrecht, where he joined the artist's guild a year later. His nephew Hans would ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caspar De Crayer
Gaspar de Crayer or Jasper de CrayerName variations: Caspar de Crayer and Gaspard de Crayer (18 November 1584 – 27 January 1669) was a Flemish painter known for his many Counter-Reformation altarpieces and portraits. He was a court painter to the governors of the Southern Netherlands and worked in the principal cities of Flanders where he helped spread the Rubens style.Gaspar de Crayer at the Hans Vlieghe. "Crayer, Gaspar de." Grove Art Online. Oxford Art Online Oxford University Press< ...
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Adam Willaerts
Adam Willaerts (21 July 1577 – 4 April 1664) was a Dutch Golden Age painter. Biography Willaerts (occasionally ''Willarts'', ''Willers'') was born in London to Flemish parents who had fled from Antwerp for religious reasons. By 1585 the family lived in Leiden. From 1597 until his death, Adam lived and worked in Utrecht. He became a member of the Utrecht Guild of St. Luke in 1611 and subsequently became its dean in 1620. His sons Cornelis, Abraham, and Isaac followed in his footsteps. He was known as a painter of river and canal pieces, coastal landscapes, fish-markets, processions, and genre scenes. He also painted villages and marine battle scenes. His ''Allegory of the victory of the Dutch on the Spanish fleet in Gibraltar'' is in the Rijksmuseum. Gallery File:Måleri. Hamnbild. Skepp - Skoklosters slott - 88959.tif, ''Harbour scene'', circa 1615. Image:De overwinning op de Spanjaarden bij Gibraltar door een vloot onder bevel van Jacob van Heemskerck, 25 april 1607 - ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guglielmo De Nicolant
Willem or Guiliam van Nieulandt, sometimes Nieuwelandt (1584–1635) was a Dutch Golden Age painter, engraver, poet and playwright from Antwerp. Biography His father Adrien van Nieulandt the elder was born to a family of artists of Flemish origin from Antwerp. He moved with his family to Amsterdam in 1589, after the Siege of Antwerp, probably because they were Protestants. His three sons Willem van Nieulandt II (named for his uncle, also a painter), Adriaen van Nieulandt the younger, and Jacob van Nieulandt all became painters. Willem was a pupil of Roelant Savery in 1599, and in 1601 he travelled to Rome, where he became a student of Paulus Bril. According to Arnold Houbraken, he specialized in painting artistic ruins of monuments, arches, and temples, many of which he then engraved himself. In Spring 1606 the 22-year-old married Anna Hustaert in Amsterdam, but the couple settled in Antwerp. Nieulandt was better known as a poet and playwright than as a painter. He was a m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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