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Artistic Canons Of Body Proportions
An artistic canon of body proportions (or aesthetic canon of proportion), in the sphere of visual arts, is a formally codified set of criteria deemed mandatory for a particular artistic style of figurative art. The word ''canon'' () was first used for this type of rule in Classical Greece, where it set a reference standard for body proportions, to produce a harmoniously formed figure appropriate to depict gods or kings. Other art styles have similar rules that apply particularly to the representation of royal or divine personalities. Ancient Egypt In 1961, Danish Egyptologist Erik Iverson described a canon of proportions in classical Egyptian painting. This work was based on still-detectable grid lines on tomb paintings: he determined that the grid was 18 cells high, with the base-line at the soles of the feet and the top of the grid aligned with hair line, and the navel at the eleventh line. These 'cells' were specified according to the size of the subject's fist, measured acro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trajan On The Roman Mammisi At Dendera, Egypt
Trajan ( ; born Marcus Ulpius Traianus, 18 September 53) was a Roman emperor from AD 98 to 117, remembered as the second of the Five Good Emperors of the Nerva–Antonine dynasty. He was a philanthropic ruler and a successful soldier-emperor who presided over one of the greatest military expansions in Roman history, during which, by the time of his death, the Roman Empire reached its maximum territorial extent. He was given the title of ('the best') by the Roman Senate. Trajan was born in the of Italica in the present-day Andalusian province of province of Seville, Seville in southern Spain, an Italic peoples, Italic settlement in Hispania Baetica; his came from the town of Todi, Tuder in the Regio VI Umbria, Umbria region of central Italy. His namesake father, Marcus Ulpius Traianus (father of Trajan), Marcus Ulpius Traianus, was a general and distinguished senator. Trajan rose to prominence during the reign of Domitian; in AD 89, serving as a in , he supported t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pliny The Elder
Gaius Plinius Secundus (AD 23/24 79), known in English as Pliny the Elder ( ), was a Roman Empire, Roman author, Natural history, naturalist, and naval and army commander of the early Roman Empire, and a friend of the Roman emperor, emperor Vespasian. He wrote the encyclopedic (''Natural History''), a comprehensive thirty-seven-volume work covering a vast array of topics on human knowledge and the natural world, which became an editorial model for encyclopedias. He spent most of his spare time studying, writing, and investigating natural and geographic phenomena in the field. Among Pliny's greatest works was the twenty-volume ''Bella Germaniae'' ("The History of the German Wars"), which is Lost literary work, no longer extant. ''Bella Germaniae'', which began where Aufidius Bassus' ''Libri Belli Germanici'' ("The War with the Germans") left off, was used as a source by other prominent Roman historians, including Plutarch, Tacitus, and Suetonius. Tacitus may have used ''Bella Ger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhumi (goddess)
Bhumi (Sanskrit: भूमि, romanized: Bhūmi), also known as Bhudevi, Dharani, and Vasundhara, is a significant goddess in Hinduism, personifying the Earth. Her earliest form is reflected in the Vedic goddess Prithvi, though their roles and depictions are drastically different. Bhumi features prominently in the ''Mahabharata'' and various Puranas. According to Vaishnava tradition, she is the second consort of Vishnu, along with Sridevi and Niladevi. As per Hindu mythology, Varaha, the third avatar of Vishnu, saved her from the asura Hiranyaksha and later married her, making her one of his consorts. After this rescue, Varaha and Bhumi have a son named Mangala. Bhumi also bears Narakasura, an asura, due to Hiranyaksha's influence. In the epic ''Ramayana'', she is mentioned as the mother of Sita, the epic's female protagonist. Bhumi is described to be born as Satyabhama, the consort of Krishna, to assist in slaying Narakasura. The Alvar saint Andal is also considered an avata ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lakshmi
Lakshmi (; , , sometimes spelled Laxmi, ), also known as Shri (, , ), is one of the principal goddesses in Hinduism, revered as the goddess of wealth, fortune, prosperity, beauty, fertility, sovereignty, and abundance. She along with Parvati and Sarasvati, form the trinity of goddesses called the Tridevi. Lakshmi has been a central figure in Hindu tradition since pre-Buddhist times (1500 to 500 BCE) and remains one of the most widely worshipped goddesses in the Hindu pantheon. Although she does not appear in the earliest Vedic literature, the personification of the term '' shri''—auspiciousness, glory, and high rank, often associated with kingship—eventually led to the development of Sri-Lakshmi as a goddess in later Vedic texts, particularly the ''Shri Suktam''. Her importance grew significantly during the late epic period (around 400 CE), when she became particularly associated with the preserver god Vishnu as his consort. In this role, Lakshmi is seen as the ide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shakti
Shakti (Devanagari: शक्ति, IAST: Śakti; 'energy, ability, strength, effort, power, might, capability') in Hinduism, is the "Universal Power" that underlies and sustains all existence. Conceived as feminine in essence, Shakti refers to the personified energy or power of a Deva (Hinduism), male deity, often personified as the female consort of the given Hindu god. In Tantric Shaktism, Shakti is the foremost deity, akin to Brahman. In Puranic Hinduism, Shiva and Shakti are the masculine and feminine principles that are complementary to each other. The male deity is ''purusha'', pure consciousness, which creates the universe through the female creative energy of Shakti, which is ''Prakṛti, prakriti'', 'nature'. The term ''Shakta'' is used for the description of people associated with Shakti worship. The Shakta pithas are shrines, which are believed to be the sacred seats of Shakti. Etymology and overview According to the Monier Monier-Williams, Monier-Williams dict ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shiva
Shiva (; , ), also known as Mahadeva (; , , Help:IPA/Sanskrit, [mɐɦaːd̪eːʋɐh]) and Hara, is one of the Hindu deities, principal deities of Hinduism. He is the God in Hinduism, Supreme Being in Shaivism, one of the major traditions within Hinduism. Shiva is known as ''The Destroyer'' within the Trimurti, the Hinduism, Hindu trinity which also includes Brahma and Vishnu. In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shaktism, Shakta tradition, the Supreme Goddess (Devi) is regarded as the energy and creative power (Shakti) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta Tradition, Smarta tradition of Hinduism. Shiva has many aspects, benevolent as well as fearsome. In benevolent aspects, he is depicted as an Omniscience, omniscient yogi who lives an Asceticism#Hinduism, ascetic life on Kailasa as well as a house ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vishnu
Vishnu (; , , ), also known as Narayana and Hari, is one of the Hindu deities, principal deities of Hinduism. He is the supreme being within Vaishnavism, one of the major traditions within contemporary Hinduism, and the god of preservation (sattva). Vishnu is known as ''The Preserver'' within the Trimurti, the triple deity of Para Brahman, supreme divinity that includes Brahma and Shiva.Gavin Flood, An Introduction to Hinduism' () (1996), p. 17. In Vaishnavism, Vishnu is the supreme Lord who creates, protects, and transforms the Hindu cosmology, universe. Tridevi is stated to be the energy and creative power (Shakti) of each, with Lakshmi being the equal complementary partner of Vishnu. He is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. According to Vaishnavism, the supreme being is with qualities (Saguna Brahman, Saguna), and has definite form, but is limitless, transcendent and unchanging absolute Brahman, and the primal Atma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brahma
Brahma (, ) is a Hindu god, referred to as "the Creator" within the Trimurti, the triple deity, trinity of Para Brahman, supreme divinity that includes Vishnu and Shiva.Jan Gonda (1969)The Hindu Trinity, Anthropos, Bd 63/64, H 1/2, pp. 212–226.Jan Gonda (1969)The Hindu Trinity, Anthropos, Bd 63/64, H 1/2, pp. 218–219. He is associated with creation, knowledge, and the ''Vedas''. Brahma is prominently mentioned in Creation myth, creation legends. In some ''Puranas'', he created himself in a golden embryo known as the Hiranyagarbha. Brahma is frequently identified with the Rigvedic deities, Vedic god Prajapati.;David Leeming (2005), The Oxford Companion to World Mythology, Oxford University Press, , page 54, Quote: "Especially in the Vedanta Hindu Philosophy, Brahman is the Absolute. In the Upanishads, Brahman becomes the eternal first cause, present everywhere and nowhere, always and never. Brahman can be incarnated in Brahma, in Vishnu, in Shiva. To put it another way, eve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shilpa Shastras
''Shilpa Shastras'' ( ') literally means the Science of Shilpa (arts and crafts).Stella Kramrisch (1958)Traditions of the Indian Craftsman The Journal of American Folklore, Vol. 71, No. 281, Traditional India: Structure and Change (Jul. - Sep., 1958), pp. 224-230 It is an ancient umbrella term for numerous Hindu texts that describe arts, crafts, and their design rules, principles and standards. In the context of Hindu temple architecture and sculpture, Shilpa Shastras were manuals for sculpture and Hindu iconography, prescribing among other things, the proportions of a sculptured figure, composition, principles, meaning, as well as rules of architecture. Sixty-four techniques for such arts or crafts, sometimes called ' "external or practical arts", are traditionally enumerated, including carpentry, architecture, jewellery, farriery, acting, dancing, music, medicine, poetry etc., besides sixty-four ' or "secret arts", which include mostly "erotic arts" such as kissing, embracing, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shiva As The Lord Of Dance LACMA Edit
Shiva (; , ), also known as Mahadeva (; , , ɐɦaːd̪eːʋɐh and Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hinduism. Shiva is known as ''The Destroyer'' within the Trimurti, the Hindu trinity which also includes Brahma and Vishnu. In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shakta tradition, the Supreme Goddess (Devi) is regarded as the energy and creative power (Shakti) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. Shiva has many aspects, benevolent as well as fearsome. In benevolent aspects, he is depicted as an omniscient yogi who lives an ascetic life on Kailasa as well as a householder with his wife Parvati and his two children, Ganesha and Kartikeya. In his fierce aspects, he is often depicted sla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aphrodite Of Knidos
The Aphrodite of Knidos (or Cnidus) was an Ancient Greek sculpture of the goddess Aphrodite created by Praxiteles of Athens around the 4th century BC. It was one of the first life-sized representations of the nude female form in Greek history, displaying an alternative idea to male heroic nudity. Praxiteles' Aphrodite was shown nude, reaching for a bath towel while covering her pubis, which, in turn leaves her breasts exposed. Up until this point, Greek sculpture had been dominated by male nude figures. The original Greek sculpture is no longer in existence; however, many Roman copies survive of this influential work of art. Variants of the ''Venus Pudica'' (suggesting an action to cover the breasts) are the Venus de' Medici and the Capitoline Venus. Original The ''Aphrodite of Knidos'' was a marble carving of the goddess Aphrodite by the sculptor Praxiteles, which was bought by the people of Knidos in the middle of the 4th century BC. The earliest text to mention the Aphrod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Praxiteles
Praxiteles (; ) of Athens, the son of Cephisodotus the Elder, was the most renowned of the Attic sculptors of the 4th century BC. He was the first to sculpt the nude female form in a life-size statue. While no indubitably attributable sculpture by Praxiteles is extant, numerous copies of his works have survived; several authors, including Pliny the Elder, wrote of his works; and coins engraved with silhouettes of his various famous statuary types from the period still exist. A supposed relationship between Praxiteles and his beautiful model, the Thespian courtesan Phryne, has inspired speculation and interpretation in works of art ranging from painting ( Gérôme) to comic opera ( Saint-Saëns) to shadow play ( Donnay). Some writers have maintained that there were two sculptors of the name Praxiteles. One was a contemporary of Pheidias, and the other his more celebrated grandson. Though the repetition of the same name in every other generation is common in Greece, there is n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
