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Art Nouveau Posters And Graphic Arts
Art Nouveau posters and graphic arts flourished and became an important vehicle of the style, thanks to the new technologies of color lithography and color printing, which allowed the creation of and distribution of the style to a vast audience in Europe, the United States and beyond. Art was no longer confined to art galleries, but could be seen on walls and illustrated magazines. The Art Nouveau posters and illustrations almost always feature women, representing glamor, beauty and modernity. Images of men are extremely rare. Posters and illustrations are highly stylized. approaching two dimensions, and frequently are filled with flowers and other vegetal decoration. The major artists who created work in this domain included Aubrey Beardsley in Britain, The Czech Alphonse Mucha and Eugène Grasset, Jules Chéret, Georges de Feure and the painter Henri de Toulouse-Lautrec in France, Koloman Moser in Vienna, and Will H. Bradley in the United States. Art Nouveau poster designers, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alphonse Mucha
Alfons Maria Mucha (; 24 July 1860 – 14 July 1939), known internationally as Alphonse Mucha, was a Czech painter, illustrator, and graphic artist. Living in Paris during the Art Nouveau period, he was widely known for his distinctly stylized and decorative theatrical posters, particularly those of Sarah Bernhardt. He produced illustrations, advertisements, decorative panels, as well as designs, which became among the best-known images of the period. In the second part of his career, at the age of 57, he returned to his homeland and devoted himself to a series of twenty monumental symbolist canvases known as ''The Slav Epic'', depicting the history of all the Slavic peoples of the world, which he painted between 1912 and 1926. In 1928, on the 10th anniversary of the Czechoslovak declaration of independence, independence of Czechoslovakia, he presented the series to the Czech nation. He considered it his most important work. Early life Mucha was born on 24 July 1860 in the smal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Morte D'Arthur
' (originally written as '; Anglo-Norman French for "The Death of Arthur") is a 15th-century Middle English prose reworking by Sir Thomas Malory of tales about the legendary King Arthur, Guinevere, Lancelot, Merlin and the Knights of the Round Table, along with their respective folklore. In order to tell a "complete" story of Arthur from his conception to his death, Malory compiled, rearranged, interpreted and modified material from various French and English sources. Today, this is one of the best-known works of Arthurian literature. Many authors since the 19th-century revival of the legend have used Malory as their principal source. Apparently written in prison at the end of the medieval English era, ''Le Morte d'Arthur'' was completed by Malory around 1470 and was first published in a printed edition in 1485 by William Caxton. Until the discovery of the Winchester Manuscript in 1934, the 1485 edition was considered the earliest known text of ''Le Morte d'Arthur'' an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loie Fuller
Loie Fuller (; born Marie Louise Fuller; January 15, 1862 – January 1, 1928), also known as Louie Fuller and Loïe Fuller, was an American dancer and a pioneer of modern dance and theatrical lighting techniques. Auguste Rodin said of her, "Loie Fuller has paved the way for the art of the future." Biography Early life and debut Marie Louise Fuller was born on January 15, 1862, in Fullersburg, Illinois, on a remote farm conveniently linked to Chicago by a newly-constructed plank road. When Fuller was two, her parents Reuben Fuller and Delilah Eaton moved to Chicago and opened a boarding house. Her early exposure to the arts came through her parents - her father was a skilled fiddler and dance caller, while her mother had aspired to be an opera singer before marriage. Fuller's parents took her to the Progressive Lyceum, a hub of Freethought, on Sunday mornings. Fuller debuted on the stage as a toddler, performing a variety of dramatic and dance roles in Chicago. Her first perfo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Divan Japonais (lithograph)
''Divan Japonais'' is a lithograph poster by French artist Henri de Toulouse-Lautrec. It was created to advertise a '' café-chantant'' that was at the time known as Divan Japonais. The poster depicts three persons from the Montmartre of Toulouse-Lautrec's time. Dancer Jane Avril is in the audience. Beside her is writer Édouard Dujardin. They are watching a performance by Yvette Guilbert Yvette Guilbert (; born Emma Laure Esther Guilbert, 20 January 1865 – 3 February 1944) was a French cabaret singer and actress of the Belle Époque. Biography Emma Laure Esther Guilbert was born in Paris on 20 January 1865 to a modestly w .... Though her face is not included in the poster, she is recognizable by her tall, thin frame and long black gloves. References External links {{Henri de Toulouse-Lautrec Lithographs by Henri de Toulouse-Lautrec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Offenbach
Jacques Offenbach (; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera ''The Tales of Hoffmann''. He was a powerful influence on later composers of the operetta genre, particularly Franz von Suppé, Johann Strauss II and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. ''The Tales of Hoffmann'' remains part of the standard opera repertory. Born in Cologne, Kingdom of Prussia, the son of a synagogue hazzan, cantor, Offenbach showed early musical talent. At the age of 14, he was accepted as a student at the Paris Conservatoire; he found academic study unfulfilling and left after a year, but remained in Paris. From 1835 to 1855 he earned his living as a cellist, achieving international fame, and as a conductor. His ambition, however, was to compose c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orpheus In The Underworld
''Orpheus in the Underworld'' and ''Orpheus in Hell'' are English names for (), a comic opera with music by Jacques Offenbach and words by Hector-Jonathan Crémieux, Hector Crémieux and Ludovic Halévy. It was first performed as a two-act "opéra bouffon" at the Théâtre des Bouffes-Parisiens, Paris, on 21 October 1858, and was extensively revised and expanded in a four-act "opéra féerie" version, presented at the Théâtre de la Gaîté (rue Papin), Théâtre de la Gaîté, Paris, on 7 February 1874. The opera is a lampoon of the ancient legend of Orpheus and Eurydice. In this version Orpheus is not the son of Apollo but a rustic violin teacher. He is glad to be rid of his wife, Eurydice, when she is abducted by the god of the underworld, Pluto (mythology), Pluto. Orpheus has to be bullied by Public Opinion into trying to rescue Eurydice. The reprehensible conduct of the gods of Mount Olympus#Name and mythological associations, Olympus in the opera was widely seen as a vei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
École Nationale Supérieure Des Arts Décoratifs
The École nationale supérieure des Arts Décoratifs (; ÉnsAD) also known as Arts Decos' and École des Arts décoratifs, is a public grande école of art and design, constituent member of PSL Research University. The school is located in the Rue d'Ulm in Paris. Profile The ''École nationale supérieure des arts décoratifs'' played a major role in the development of the Art Deco design movement in the 1920s and in the creation of new design concepts. The School has an international reputation for its teaching in the fields of animation, photography, scenography, industrial design, communication design, interactive design, video, interior design, fashion, textile and engraving. History The E.N.S.A.D. has its roots in the ''École royale gratuite de dessin'' (Royal Free School of Design) founded in 1766 by Jean-Jacques Bachelier, confirmed in 1767 by letters patent from Louis XV of France. Its founder's aim was to develop crafts relating to the arts in order to improve the qual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Studio (magazine)
''The Studio: An Illustrated Magazine of Fine and Applied Art'' was an illustrated fine arts and decorative arts magazine published in London from 1893 until 1964. The founder and first editor was Charles Holme. The magazine exerted a major influence on the development of the Art Nouveau and Arts and Crafts movements. It was absorbed into ''Studio International'' magazine in 1964. Holmes' firm, The Studio, Ltd., grew to be "Britain's largest publisher of magazines and books on art and design in the first half of the 20th century". History ''The Studio'' was founded by Charles Holme in 1893. Holme was in the wool and silk trades, had travelled extensively in Europe and had visited Japan and the United States with Lasenby Liberty and his wife Emma. During his travels he had formed: He retired from trade in order to start ''The Studio''. He had hoped to engage Lewis Hind as the editor of the new venture, but Hind went instead to William Waldorf Astor's ''Pall Mall Bud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Peacock Skirt
''The Peacock Skirt'' is an 1893 illustration by Aubrey Beardsley. His original pen and ink drawing was first reproduced as a wood engraving in the first English edition of Oscar Wilde's one-act play ''Salome (play), Salome'' in 1894. In later editions it was photo-mechanically reproduced as a lineblock for printing. The original drawing was bequeathed by Grenville Lindall Winthrop to the Fogg Art Museum at Harvard University in 1943. Background Wilde's one-act play ''Salome (play), Salome'' was originally written in French in 1891, while he was living in Paris. Performance of the play was prohibited in England, ostensibly on account of it depicting biblical characters. The play inspired Beardsley to make an illustration, ''J'ai baisé ta bouche, Iokanaan'' ("I have kissed your mouth, Jokanaan"), which was printed with eight other drawings in an article, "A New Illustrator: Aubrey Beardsley", by Joseph Pennell in the first issue of the artistic journal ''The Studio (magazine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Mackmurdo
Arthur Heygate Mackmurdo (12 December 1851 – 15 March 1942) was a progressive English architect and designer, who influenced the Arts and Crafts Movement, notably through the Century Guild of Artists, which he set up in partnership with Herbert Horne in 1882. He was the pioneer of the Modern Style (British Art Nouveau style) and in turn global Art Nouveau movement. Early life Mackmurdo was the son of a wealthy chemical manufacturer. He was educated at Felsted School, and was first trained under the architect T. Chatfield Clarke, from whom he claimed to have learnt nothing. Then, in 1869, he became an assistant to the Gothic Revival architect James Brooks. In 1873, he visited John Ruskin's School of Drawing, and accompanied Ruskin to Italy in 1874. He stayed on to study in Florence for a while; despite the influence of Ruskin, the Italian architecture he was most impressed by was that of the Renaissance. Career In 1874 he opened his own architectural practice at 28 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rubaiyat Of Omar Khayam
''Rubáiyát of Omar Khayyám'' is the title that Edward FitzGerald gave to his 1859 translation from Persian to English of a selection of quatrains (') attributed to Omar Khayyam (1048–1131), dubbed "the Astronomer-Poet of Persia". Although commercially unsuccessful at first, FitzGerald's work was popularised from 1861 onward by Whitley Stokes, and the work came to be greatly admired by the Pre-Raphaelites in England. FitzGerald had a third edition printed in 1872, which increased interest in the work in the United States. By the 1880s, the book was extremely popular throughout the English-speaking world, to the extent that numerous "Omar Khayyam clubs" were formed and there was a " cult of the Rubaiyat". FitzGerald's work has been published in several hundred editions and has inspired similar translation efforts in English, Hindi and in many other languages. Sources The authenticity of the poetry attributed to Omar Khayyam is highly uncertain. Khayyam was famous dur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Morris
William Morris (24 March 1834 – 3 October 1896) was an English textile designer, poet, artist, writer, and socialist activist associated with the British Arts and Crafts movement. He was a major contributor to the revival of traditional British textile arts and methods of production. His literary contributions helped to establish the modern fantasy genre, while he campaigned for socialism in ''fin de siècle'' Great Britain. Morris was born in Walthamstow, Essex, to a wealthy middle-class family. He came under the strong influence of medievalism while studying Literae Humaniores, classics at Oxford University, where he joined the Birmingham Set. After university, he married Jane Morris, Jane Burden, and developed close friendships with Pre-Raphaelite artists Edward Burne-Jones and Dante Gabriel Rossetti and with Gothic Revival architecture, Neo-Gothic architect Philip Webb. Webb and Morris designed Red House, Bexleyheath, Red House in Kent where Morris lived from 1859 t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
