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Arel-Ezgi-Uzdilek System
The Turkish makam ( Turkish: ''makam'' pl. ''makamlar''; from the Arabic word ''maqām'' ) is a system of melody types used in Turkish classical music Ottoman music () or Turkish classical music (, or more recently ) is the tradition of classical music originating in the Ottoman Empire. Developed in the palace, major Ottoman cities, and Sufi lodges, it traditionally features a solo singer wi ... and Turkish folk music. It provides a complex set of rules for composing and performance. Each makam specifies a unique Musical tuning, intervalic structure (''cinsler'' meaning genus (music), genera) and melodic development (''seyir''). Whether a fixed composition (''Beste (Turkish music), beste'', ''şarkı'', ''peşrev'', ''Ceremony, âyin'', etc.) or a spontaneous composition (''gazel'', ''Taqsim, taksim'', recitation of ''Quran, Kuran-ı Kerim'', ''Mawlid, Mevlid'', etc.), all attempt to follow the melody type. The rhythmic counterpart of makam in Turkish music is Usul (music), us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish Language
Turkish ( , , also known as 'Turkish of Turkey') is the most widely spoken of the Turkic languages, a member of Oghuz languages, Oghuz branch with around 90 million speakers. It is the national language of Turkey and one of two official languages of Cyprus. Significant smaller groups of Turkish speakers also exist in Germany, Austria, Bulgaria, North Macedonia, Greece, other parts of Europe, the South Caucasus, and some parts of Central Asia, Iraqi Turkmen, Iraq, and Syrian Turkmen, Syria. Turkish is the List of languages by total number of speakers, 18th-most spoken language in the world. To the west, the influence of Ottoman Turkish language, Ottoman Turkish—the variety of the Turkish language that was used as the administrative and literary language of the Ottoman Empire—spread as the Ottoman Empire expanded. In 1928, as one of Atatürk's reforms in the early years of the Republic of Turkey, the Persian alphabet, Perso-Arabic script-based Ottoman Turkish alphabet was repl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic Music
Arabic music () is the music of the Arab world with all its diverse List of music styles, music styles and genres. Arabic countries have many rich and varied styles of music and also many linguistic Varieties of Arabic, dialects, with each country and region having their own Folk music, traditional music. Arabic music has a long history of interaction with many other regional Music genre, musical styles and genres. It represents the music of all the Member states of the Arab League, peoples that make up the Arab world today. History Pre-Islamic period Pre-Islamic Arabia was the cradle of many intellectual achievements, including music, Music theory, musical theory and the development of musical instruments. In Yemen, the main center of pre-Islamic Arab sciences, literature and arts, musicians benefited from the patronage of the Kings of Sabaeans, Sabaʾ who encouraged the development of music. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mode (music)
In music theory, the term mode or ''modus'' is used in a number of distinct senses, depending on context. Its most common use may be described as a type of musical scale coupled with a set of characteristic melodic and harmonic behaviors. It is applied to major and minor keys as well as the seven diatonic modes (including the former as Ionian and Aeolian) which are defined by their starting note or tonic. ( Olivier Messiaen's modes of limited transposition are strictly a scale type.) Related to the diatonic modes are the eight church modes or Gregorian modes, in which authentic and plagal forms of scales are distinguished by ambitus and tenor or reciting tone. Although both diatonic and Gregorian modes borrow terminology from ancient Greece, the Greek ''tonoi'' do not otherwise resemble their medieval/modern counterparts. Previously, in the Middle Ages the term modus was used to describe intervals, individual notes, and rhythms (see ). Modal rhythm was an essential ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Music
Classical music generally refers to the art music of the Western world, considered to be #Relationship to other music traditions, distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" can also be applied to List of classical and art music traditions, non-Western art musics. Classical music is often characterized by formality and complexity in its musical form and Harmony, harmonic organization, particularly with the use of polyphony. Since at least the ninth century, it has been primarily a written tradition, spawning a sophisticated music notation, notational system, as well as accompanying literature in music analysis, analytical, music criticism, critical, Music history, historiographical, musicology, musicological and Philosophy of music, philosophical practices. A foundational component of Western culture, classical music is frequently seen from the perspective of individual or com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Mode
In music theory, the term mode or ''modus'' is used in a number of distinct senses, depending on context. Its most common use may be described as a type of musical scale coupled with a set of characteristic melodic and harmonic behaviors. It is applied to major and minor keys as well as the seven diatonic modes (including the former as Ionian and Aeolian) which are defined by their starting note or tonic. ( Olivier Messiaen's modes of limited transposition are strictly a scale type.) Related to the diatonic modes are the eight church modes or Gregorian modes, in which authentic and plagal forms of scales are distinguished by ambitus and tenor or reciting tone. Although both diatonic and Gregorian modes borrow terminology from ancient Greece, the Greek ''tonoi'' do not otherwise resemble their medieval/modern counterparts. Previously, in the Middle Ages the term modus was used to describe intervals, individual notes, and rhythms (see ). Modal rhythm was an essential ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A raga ( ; , ; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. It is central to classical Indian music. Each raga consists of an array of melodic structures with musical motifs; and, from the perspective of the Indian tradition, the resulting music has the ability to "colour the mind" as it engages the emotions of the audience. Each raga provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the raga in keeping with rules specific to the raga. Ragas range from small ragas like Bahar (raga), Bahar and Sahana (raga), Sahana that are not much more than songs to big ragas like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances can last over an hour. Ragas may change over time, with an example being Marwa (raga), Marwa, the primary development of which has been going down ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shashmakom
Shashmaqom ( ; ; ) is a Central Asian musical genre (typical of Tajikistan and Uzbekistan) which may have developed in the city of Bukhara. Shashmaqam means the six Maqams (modes) in the Persian language, dastgah being the name for Persian modes, and ''maqams'' being the name for modes more generally. It is a refined sort of music, with lyrics derived from Sufi poems about divine love. The instruments of shashmaqоm provide an austere accompaniment to the voices. They consist, at most concerts, of a pair of long-necked lutes ( rawap, tar, tanbur or dutar), the dayra, or frame drum, which, with its jingles, is very much like a tambourine, and the sato, or bowed tanbur. History In the first half of the 20th century in Uzbekistan, Abdul Rauf Fitrad, member of the Jadid, was particularly interested in shashmaqam, the traditional music of the Court. In 1927, he wrote a book called ''Ozbek klasik Muzikasi va uning Tarikhi'' (Uzbek classical music and its history), in which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uzbek Music
The music of Uzbekistan has reflected the diverse influences that have shaped the country. It is very similar to the music of the Middle East and is characterized by complicated rhythms and meters. Because of the long history of music in the country and the large variety of music styles and musical instruments, Uzbekistan is often regarded as one of the most musically diverse countries in Central Asia. Classical music of Uzbekistan The music of what is now Uzbekistan has a very long and rich history. Shashmaqam, a Central Asian classical music style, is believed to have arisen in the cities of Bukhara and Samarqand in the late 16th century. The term "shashmaqam" translates as ''six maqams'' and refers to the structure of music with six sections in different musical modes, similar to classical Persian traditional music. Interludes of spoken Sufi poetry interrupt the music, typically beginning at a low register and gradually ascending to a climax before calming back down to the beg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muqam
A Muqam (; zh, s=木卡姆, p=Mùkǎmǔ) is the melody type used in the music of the Uyghurs, that is, a musical mode and set of melodic formulas used to guide improvisation and composition. Twelve muqams The twelve muqams are: #Rak (; , ''Lākè'') #Chebbiyat (; , ''Qiěbǐyǎtè'') #Sëgah (; , ''Sīgǎ'') #Chahargah (; , ''Qiàěrgǎ'') #Penjigah (; , ''Pāněrgǎ'') #Özhal (; , ''Wūzīhālēi'') #Ejem (; , ''Àiqiě'') #Oshaq (; , ''Wūxiàkè'') #Bayat (; , ''Bāyǎtí'') #Nawa (; , ''Nàwǎ'') #Mushawrek (; , ''Mùxiàwúláikè'') #Iraq (; , ''Yīlākè'') Each of the 12 muqams consists of a main section that begins with a long free rhythm introduction, followed by pieces with characteristic rhythmic patterns that gradually increase in speed. Each muqam consists of three parts, including naghma, dastan and mashrap. These pieces are arranged in the same sequence in each muqam, although not all muqams have the same pieces. These parts are known as ''teze, nuskha, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uyghur Music
Uyghur may refer to: * Uyghurs, a Turkic ethnic group living in Eastern and Central Asia (West China) ** Uyghur language, a Turkic language spoken primarily by the Uyghurs *** Old Uyghur language, a different Turkic language spoken in the Uyghur Khaganate *** Uyghur alphabets, any of four systems used to write the language ** Uyghur Khaganate, a Turkic empire in the mid 8th and 9th centuries * Uygur, Kulp, a village in Turkey See also * Xinjiang Uyghur Autonomous Region * Uyghur, or Kok Uyghur, another ethnic group in China ** Western uyghur language, the Turkic language spoken by the Uyghur people and descending from Old kok Uyghur ** Uyghur language, the Uzbek language is closest and spoken within the Uyghur ethnic group * Uygur (other) Uygur may refer to: * Uygur (name), a common Turkish surname * Cenk Uygur, a Turkish-American politician, media host, and political commentator Places * Uygur, Amasya, a town in the District of Amasya, Amasya Province, Turkey * Uy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottoman Music
Ottoman music () or Turkish classical music (, or more recently ) is the tradition of classical music originating in the Ottoman Empire. Developed in the palace, major Ottoman cities, and Sufi lodges, it traditionally features a solo singer with a small to medium-sized instrumental ensemble. A tradition of music that reached its golden age around the early 18th century, Ottoman music traces its roots back to the music of the Hellenic and Persianate world, a distinctive feature of which is the usage of a modal melodic system. This system, alternatively called '' makam'', '' dastgah'' or '' echos'', is a large and varied system of melodic material, defining both scales and melodic contour. In Ottoman music alone, more than 600 makams have been used so far, and out of these, at least 120 makams are in common use and formally defined. Rhythmically, Ottoman music uses the ''zaman'' and ''usûl'' systems, which determine time signatures and accents respectively. A wide variety of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottoman Court
Ottoman court was the culture that evolved around the court of the Ottoman Empire. Ottoman court was held at the Topkapı Palace in Constantinople where the sultan was served by an army of pages and scholars. Some served in the treasury and the armoury, maintaining the sultan's treasures and weapons. There was also a branch of servants that were said to serve the chamber of campaign, i.e. they accompanied the sultan and his court while on campaign. The best of the pages were chosen to serve the sultan in person. One was responsible for the sultan's clothing, one served him with drinks, one carried his weaponry, one helped him mount his horse, one was responsible for making his turban and a barber shaved the sultan every day. At the palace served also a great number of stewards who carried food, water and wood throughout the palace and lit the fireplaces and braziers. Doorkeepers (''Kapıcı'') numbered several hundreds and were responsible for opening the doors throughout the en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
