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Arco Del Meloncello, Bologna
The Arco del Meloncello is an 18th-century Rococo structure in Bologna, that forms a pedestrian ''portico'' over the road (hence an arch); it is part of the ''Portico di San Luca'', a long arcade that sheltered the walk from the Cathedral of Bologna to the hillside Sanctuary of San Luca, Bologna. It lies beyond the gates of the Porta Saragozza, outside the former city walls of Bologna. The arch solved the problem of a site where two roads intersected at right angles, and allowed the foot traffic of the pilgrims to proceed above the road, Via Saragozza, uninterrupted. The architect was Carlo Francesco Dotti won the commission during a competition in 1714, and created the scenographic arrangement with the help of Francesco Galli Bibiena during 1721 to 1732. In the early twentieth century, in a project supervised by Tito Azzolino, the arch was raised a few meters to allow passage of a train underneath.
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Bologna
Bologna (, , ; egl, label=Emilian language, Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nationalities. Its Metropolitan City of Bologna, metropolitan area is home to more than 1,000,000 people. It is known as the Fat City for its rich cuisine, and the Red City for its Spanish-style red tiled rooftops and, more recently, its leftist politics. It is also called the Learned City because it is home to the oldest University of Bologna, university in the world. Originally Etruscan, the city has been an important urban center for centuries, first under the Etruscans (who called it ''Felsina''), then under the Celts as ''Bona'', later under the Romans (''Bonōnia''), then again in the Middle Ages, as a free municipality and later ''signoria'', when it was among the List of largest European cities in history, largest Euro ...
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Italy
Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical region. Italy is also considered part of Western Europe, and shares land borders with France, Switzerland, Austria, Slovenia and the enclaved microstates of Vatican City and San Marino. It has a territorial exclave in Switzerland, Campione. Italy covers an area of , with a population of over 60 million. It is the third-most populous member state of the European Union, the sixth-most populous country in Europe, and the tenth-largest country in the continent by land area. Italy's capital and largest city is Rome. Italy was the native place of many civilizations such as the Italic peoples and the Etruscans, while due to its central geographic location in Southern Europe and the Mediterranean, the country has also historically b ...
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Rococo
Rococo (, also ), less commonly Roccoco or Late Baroque, is an exceptionally ornamental and theatrical style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and '' trompe-l'œil'' frescoes to create surprise and the illusion of motion and drama. It is often described as the final expression of the Baroque movement. The Rococo style began in France in the 1730s as a reaction against the more formal and geometric Louis XIV style. It was known as the "style Rocaille", or "Rocaille style". It soon spread to other parts of Europe, particularly northern Italy, Austria, southern Germany, Central Europe and Russia. It also came to influence the other arts, particularly sculpture, furniture, silverware, glassware, painting, music, and theatre. Although originally a secular style primarily used for interiors of private residences, the Rococo had a spiritual aspect to it which led to its widespread us ...
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Portico Di San Luca
A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was widely used in ancient Greece and has influenced many cultures, including most Western cultures. Some noteworthy examples of porticos are the East Portico of the United States Capitol, the portico adorning the Pantheon in Rome and the portico of University College London. Porticos are sometimes topped with pediments. Palladio was a pioneer of using temple-fronts for secular buildings. In the UK, the temple-front applied to The Vyne, Hampshire, was the first portico applied to an English country house. A pronaos ( or ) is the inner area of the portico of a Greek or Roman temple, situated between the portico's colonnade or walls and the entrance to the '' cella'', or shrine. Roman temples commonly had an open pronaos, usually with only columns and no walls, and the pronaos could be as long as ...
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Cathedral Of Bologna
Bologna Cathedral ( it, Cattedrale Metropolitana di San Pietro, ''Cattedrale di Bologna''), dedicated to Saint Peter, is the cathedral of Bologna in Italy, and the seat and the metropolitan cathedral of the Archbishop of Bologna. Most of the present building dates from the 17th century, with a few parts from the late 16th century. History There was already a cathedral on the site (on the present Via Indipendenza) in 1028, accompanied by a pre- Romanesque campanile with a circular base (in the architectural tradition of Ravenna). This church was destroyed by a devastating fire in 1141. It was reconstructed, and consecrated by Pope Lucius III in 1184. In 1396 a high portico (''protiro'') was added to the west front, which was rebuilt in 1467. From about 1477 the Ferrarese painters Francesco del Cossa and Ercole de' Roberti worked in the Garganelli Chapel on the creation of a cycle of frescoes which later had a significant influence on Niccolò dell'Arca and Michelangelo. The ...
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Sanctuary Of San Luca, Bologna
The Sanctuary of the Madonna of San Luca is a basilica church in Bologna, northern Italy, sited atop a forested hill, Colle or Monte della Guardia, some 300 metres above the city plain, just south-west of the historical centre of the city. While a road now leads up to the sanctuary, it is also possible to reach it along a 3.8 km monumental roofed arcade (Portico di San Luca) consisting of 666 arches, which was built in 1674–1793. It was meant to protect the icon as it was paraded up the hill. A yearly procession from the Cathedral of San Pietro in the centre of Bologna to the Sanctuary goes along this path. Originally the arches held icons or chapels erected by the patron family. History A church or chapel existed on the hill for about a thousand years. Tradition holds that in the 12th-century, a pilgrim from the Byzantine empire came to Bologna with an icon of the Virgin from the temple of Saint Sofia in Constantinople. In 1160, the bishop of Bologna Gerardo Grassi assig ...
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Porta Saragozza
The Porta Saragozza of Bologna was one of the gates or portals in the medieval walls of this city. The gate was built in the 13-14th centuries, and by 1334 it was provided with a drawbridge crossing a moat. It was not used much until 1674, when the long Portico di San Luca was built from the center of town to the Basilica della Beata Vergine di San Luca, used in yearly procession of an icon. From then on it became also known as the “Porta Sacra” or the “Porta dei pellegrini” (Holy Gate and Gate of Pilgrims) for its placement in the route towards the Sanctuary of San Luca. In 1859, concordant with a rising movement to restore medieval remnants in Italian cities, the architect Giuseppe Mengoli, replaced the mediaeval ''cassero'' with the present one by connecting it with two crenellated arches to the two lateral cylindrical great towers, giving it its present castle-like form.
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Carlo Francesco Dotti
Carlo Francesco Dotti (baptized January 1, 1670 – June 3, 1759) was an Italian architect from Bologna. Life Carlo Francesco Dotti was born and died in Bologna, where he became one of the main protagonists of the late Baroque style. His most famous work is the Sanctuary of the Madonna di San Luca, Bologna, which is raised on a hilltop above the city, consisting of a church topped by an elliptical dome, with extensions leading to two pentagonal pavilions."Le Muse", De Agostini, Novara, 1965, Vol.IV, pag. 258. In the first half of the eighteenth century he worked on the church of San Donato of Bologna, the university library and several palaces in the center of the city. In the Palazzo Davia Bargellini he executed the monumental staircase around 1730. He was also known for the Arch of Meloncello (1721); the altar of Ivo of Kermartin in the San Petronio Basilica; and the Renazzo parish church, in the town of Cento in the Province of Ferrara. A street is named aft ...
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Francesco Galli Bibiena
Francesco Galli, called Francesco da Bibiena (or da Bibbiena), a member of the theatrical Galli da Bibiena family and younger brother of Ferdinando Galli, was born at Bologna in 1659. He first studied under Lorenzo Pasinelli; but he was afterwards instructed in the school of Carlo Cignani. His knowledge of architecture and perspective was considerable; but he excelled in figures. Francesco worked at Piacenza, Parma, and Rome, and then became ducal architect at Mantua. After a stay in Genoa and Naples he was called to Vienna, where he built a large theatre. He worked successively for the Emperors Leopold I and Joseph I, and was invited to Madrid by Philip V Philip V may refer to: * Philip V of Macedon (221–179 BC) * Philip V of France (1293–1322) * Philip II of Spain Philip II) in Spain, while in Portugal and his Italian kingdoms he ruled as Philip I ( pt, Filipe I). (21 May 152713 September ..., who appointed him his principal architect. He died in 1739. Francesc ...
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Tito Azzolino
Tito Azzolini (June 1837 in Bologna – December 8, 1907) was an Italian architect, active mostly in or near Bologna. Biography In 1857, he studied architecture and perspective at the Accademia of Fine Arts of Bologna, under Francesco Cocchi. For a few years, worked as a scenographer for a number of theaters, including the Teatro Apollo of Rome. In 1867, he became a professor at the Royal Institute of Fine Arts of Bologna. He was also a Consigliere municipale and inspector of archeology (scavi) and monuments. In Bologna, he labored in scenography for the Teatro Comunale and sent his pupils to study the art as it was practiced in Vienna and Monaco, especially Wagnerian works. He helped design theaters in Bologna and Sinigaglia. He helped design a new cemetery or Camposanto for Sinigaglia. His design for the facade of the palazzo municipale of Budrìo was completed by Azzolini. Along with the engineer, Attilio Muggia, he constructed porticos and outdoor staircases (1893–96) i ...
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Buildings And Structures In Bologna
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artisti ...
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