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Arabic Musical Instruments
Arabic musical instruments can be broadly classified into three categories: string instruments (chordophones), wind instruments (aerophones), and percussion instruments. They evolved from ancient civilizations in the region. Chordophones Plucked lutes * Oud * Qanbūs * Buzuq * Awtar * Lutar * Sintir Tez kara Zithers * Qanun *Iraqi Santur Bowed lutes * Jawzah * Ghuanbri *Kamancheh * Rababa Lyres * Simsimiyya * Kissar * Tanbūra * Jewish Lyre Aerophones Flutes * Ney * Kawalah *Salamiyah * Minjayrah * Shababah * Shakuli * Furayrah * Kasab Reed instruments * Mizmar * Khalul (Gulfian Mizmar) * Ghayta * Arghul * Zumarah bi suwan * Maqrunah * Mijwiz * Haban (Gulfian Bagpipe) * Jirbah (East Tunisian Bagpipe) * Mizwad (West Tunisian Bagpipe) * Zughra (Moroccan Bagpipe) * Saksifun (Arabic Saxophone) Trumpets * Nafir Percussion instruments Drums and frame drums *Riq *Daf *Bendir * Dumbaki * Duhulah * Drinjah * Bass Drinjah * Khishbah * Kasurah * Tabl Tsjikangha *Tabl Masanduw ...
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String Instruments
String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner. Musicians play some string instruments by plucking the strings with their fingers or a plectrum—and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow. In some keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other musical instruments generate sound by striking the string. With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate. With a hurdy-gurdy, the musician cranks a wheel whose rosined edge touches the strings. Bowed instruments include the string section instruments of the orchestra in Western classical music (violin, viola, cello and double bass) and a number of other instruments (e.g., viols and gambas used in early music from the Baroq ...
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Iraqi Santur
The santur (also ''santūr'', ''santour'', ''santoor'') ( fa, سنتور), is a hammered dulcimer of Iranian origins.--- Rashid, Subhi Anwar (1989). ''Al-ʼĀlāt al-musīqīyya al-muṣāhiba lil-Maqām al-ʻIrāqī''. Baghdad: Matbaʻat al-ʻUmmāl al-Markazīyya. History The santur was invented and developed in the area of Iran and Mesopotamia. "The earliest sign of it comes from Assyrian and Babylonian stone carvings (669 B.C.); it shows the instrument being played while hanging from the player's neck" (35). This instrument was traded and traveled to different parts of the Middle East. Each country customized and designed its own versions to adapt to their musical scales and tunings. The original santur was made with wood and stones and strung with goat intestines. The Mesopotamian santur has been claimed to be the father of the harp, the Chinese yangqin, the harpsichord, the qanun, the cimbalom, and the American and European hammered dulcimers. Name The name 'santur' ...
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Salamiyyah (flute)
A Salamiyyah is an open-ended small reed flute seen in Egypt. It is listed as a folk instrument as it is made from wood and is a part of folk music, specifically Sufi songs and dances Dance is a performing art form consisting of sequences of movement, either improvised or purposefully selected. This movement has aesthetic and often symbolic value. Dance can be categorized and described by its choreography, by its repertoire .... It is an Arabic musical instrument in the aerophones category. References Arabic musical instruments Egyptian musical instruments {{woodwind-instrument-stub ...
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Kawala
The ''kāwālā'' ( ar, or ; also called ''salamiya'', ) is an end-blown cane flute used in Arabic music. It is similar to the '' ney'' but has six finger holes, while the ''ney'' has seven (including one in the back). The ''kawala'' comes in up to nine different sizes, according to the ''maqam''. Though very similar to the ney, a highly popular flute in traditional Middle Eastern music, the kawala does not have a hole in the back as the ney does. The kawala has the fundamental tonal structure customary among the Egyptian folk music community, and the basis for many folk melodies, instrumental or vocal. The kawala is hollow and has four knots, with six fingerholes in a straight line along it. The instrument has up to nine different sizes, according to the scale required in a musical composition. Most often played today at religious festivals and weddings, it has its origin as a shepherds tool, used to guide their flock. For this reason the seems to assist in any musical compos ...
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Jewish Lyre
Jews ( he, יְהוּדִים, , ) or Jewish people are an ethnoreligious group and nation originating from the Israelites Israelite origins and kingdom: "The first act in the long drama of Jewish history is the age of the Israelites""The people of the Kingdom of Israel and the ethnic and religious group known as the Jewish people that descended from them have been subjected to a number of forced migrations in their history" and Hebrews of historical Israel and Judah. Jewish ethnicity, nationhood, and religion are strongly interrelated, "Historically, the religious and ethnic dimensions of Jewish identity have been closely interwoven. In fact, so closely bound are they, that the traditional Jewish lexicon hardly distinguishes between the two concepts. Jewish religious practice, by definition, was observed exclusively by the Jewish people, and notions of Jewish peoplehood, nation, and community were suffused with faith in the Jewish God, the practice of Jewish (religious) la ...
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Tanbūra (lyre)
The tanbūra or " Kissar" is a bowl lyre of East Africa and the Middle East. It takes its name from the Persian ''tanbur'' via the Arabic ''tunbur'' (), though this term refers to long-necked lutes. The instrument probably originated in Upper Egypt and the Sudan in Nubia and is used in the ''Fann At-Tanbura'' in the Persian Gulf Arab States. It also plays an important role in ''zār'' rituals. According to ethnomusicologist Christian Poché Christians () are people who follow or adhere to Christianity, a Monotheism, monotheistic Abrahamic religion based on the life and teachings of Jesus in Christianity, Jesus Christ. The words ''Christ (title), Christ'' and ''Christian'' derive ..., it has been played in "Egypt, Sudan, Djibouti, North Yemen, Southern Iraq and the Gulf States." See also * Krar References External links * https://web.archive.org/web/20080524061339/http://www.octm-folk.gov.om/meng/instrument_mel02.asp The Tambura
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Kissar
The ''kissar'' (also spelled ''kissir''), tanbour or gytarah barbaryeh is the traditional Nubian lyre, still in use in Egypt, Sudan and Abyssinia. It consists of a body having instead of the traditional tortoise-shell back, a shallow, round bowl of wood, covered with a soundboard of sheepskin, in which are two small round sound-holes. The arms, set through the soundboard at points distant about the third of the diameter from the circumference, have the familiar fan shape. Five gut strings, knotted round the bar and raised from the soundboard by means of a bridge tailpiece similar to that in use on the modern guitar, are plucked by means of a plectrum by the right hand for the melody, while the left hand sometimes twangs some of the strings as a soft drone accompaniment. File:Frederick Goodall, The Kissar Player.jpg, Egypt, 1859. ''The Kissar Player'',painting by Frederick Goodall File:النوبي الموسيقي.jpg, Man playing kissar in Egypt The kissar has been a popula ...
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Simsimiyya
{{short description, Traditional Egyptian string instrument The ''simsimiyya'' (Egyptian Arabic: سمسمية, and سنسمية ''sinsimia/sinsimiyya''; pl. ''simsimiyyāt/sinsimiyyāt'') is an indigenous Egyptian stringed instrument that has its roots in ancient Egypt. It is used in Egypt in certain genres of Egyptian music. The simsimiyya is used in an Egyptian genre of folk music known as ''Sawahli'' (coastal) music, which is a type of popular Egyptian music from the country's northern coast that is based around ancient Egyptian instrumentals. The simsimiyya was probably introduced to the country's northern coast from the Nile valley in the 19th century by Egyptian workers in the Suez Canal. It is also used in other genres of Egyptian music. Well known Egyptian bands that feature the simsimiyya as a main instrument include el-Tanboura, which uses other ancient Egyptian instruments. The simsimiyya is often used to accompany an Egyptian dance called ''bambutiyya'', as well as a ...
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Rababa
The ''rebab'' ( ar, ربابة, ''rabāba'', variously spelled ''rebap'', ''rubob'', ''rebeb'', ''rababa'', ''rabeba'', ''robab'', ''rubab'', ''rebob'', etc) is the name of several related string instruments that independently spread via Islamic trading routes over much of North Africa, Southeast Asia, the Middle East, and parts of Europe. The instrument is typically bowed, but is sometimes plucked. It is one of the earliest known bowed instruments, named no later than the 8th century, and is the parent of many bowed and stringed instruments. Variants There are chiefly 3 main types: A long-necked bowed variety that often has a spike at the bottom to rest on the ground (see first image to the right); thus this is called a spike fiddle in certain areas. Some of the instruments developing from this have vestigial spikes. A short-necked double-chested or "boat-shaped" variant; here plucked versions like the ''Maghreb rebab'' and the ''kabuli rebab'' (sometimes referred to a ...
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