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Appassionata (1959 Film)
Ludwig van Beethoven's Piano Sonata No. 23 in F minor, Op. 57 (colloquially known as the ''Appassionata'', meaning "passionate" in Italian) is among the three famous piano sonatas of his middle period (the others being the ''Waldstein'', Op. 53 and ''Les Adieux'', Op. 81a); it was composed during 1804 and 1805, and perhaps 1806, and Beethoven dedicated it to cellist and his friend, Count . The first edition was published in February 1807 in Vienna. Unlike the early Sonata No. 8, ''Pathétique'', the ''Appassionata'' was not named during the composer's lifetime, but was so labelled in 1838 by the publisher of a four-hand arrangement of the work. Instead, Beethoven's autograph manuscript of the sonata has "La Pasionata" written on the cover, in Beethoven's hand. One of his greatest and most technically challenging piano sonatas, the ''Appassionata'' was considered by Beethoven to be his most tempestuous piano sonata until the twenty-ninth piano sonata (known as the ''Hammerk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonata No
In music a sonata (; pl. ''sonate'') literally means a piece ''played'' as opposed to a cantata (Latin and Italian ''cantare'', "to sing"), a piece ''sung''. The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance. Sonata is a vague term, with varying meanings depending on the context and time period. By the early 19th century it came to represent a principle of composing large-scale works. It was applied to most instrumental genres and regarded—alongside the fugue—as one of two fundamental methods of organizing, interpreting and analyzing concert music. Though the musical style of sonatas has changed since the Classical era, most 20th- and 21st-century sonatas maintain the overarching structure. The term sonatina, pl. ''sonatine'', the diminutive form of sonata, is often used for a short or technically easy sonata. Instrumentation In the Baroque period, a sonata was for one or more instru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artur Pizarro
Artur Pizarro (born Lisbon, 1968) is an internationally-acclaimed Portuguese concert pianist.Kennedy, Michael and Joyce Bourne. "Pizarro, Artur" ''The Concise Oxford Dictionary of Music''. Oxford University Press: 1996. Designated with the prestigious title of Yamaha Artist, Pizarro won first prize in the 1987 Vianna da Motta International Music Competition and first prize in the 1990 Leeds International Pianoforte Competition. His piano technic/knowledge is linked directly to Liszt himself (3 generations apart): his teacher for 17 years (and also his stepfather), Sequeira Costa, was a great Portuguese pianist who had studied with José Vianna Da Motta, another world famous Portuguese pianist who was one of the last pupils of Liszt. He performs internationally in solo recitals, in duos, with chamber music groups, and as a soloist with the world's leading orchestras, including the Gulbenkian Orchestra and the Scottish Chamber Orchestra. He has an extensive discography and re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mutopia Project
The Mutopia Project is a volunteer-run effort to create a library of free content sheet music, in a way similar to Project Gutenberg's library of public domain books. It started in 2000. The music is reproduced from old scores that are in the public domain. New scores are digitally typeset with GNU LilyPond and distributed in the following formats: * PDF format in both letter and A4 paper sizes for printing, * MIDI for aural reproduction, and * LilyPond source code format. , there are 2124 pieces of music available, over a third of which are for piano. See also * List of online music databases * Public domain resources * Open music * International Music Score Library Project, a similar music cataloging project, that collects both typeset and scanned scores. * Werner Icking Music Archive *Choral Public Domain Library The Choral Public Domain Library (CPDL), also known as the ChoralWiki, is an online database for choral and vocal music. Its contents primarily ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ABRSM
The ABRSM (Associated Board of the Royal Schools of Music) is an examination board and registered charity based in the United Kingdom. ABRSM is one of five examination boards accredited by Ofqual to award graded exams and diploma qualifications in music within the UK's National Qualifications Framework (along with the London College of Music, RSL Awards (Rockschool Ltd), Trinity College London, and the Music Teachers' Board). 'The Associated Board of the Royal Schools of Music' was established in 1889 and rebranded as ABRSM in 2009. The clarifying strapline "the exam board of the Royal Schools of Music" was introduced in 2012. More than 600,000 candidates take ABRSM exams each year in over 90 countries. ABRSM also provides a publishing house for music which produces syllabus booklets, sheet music and exam papers and runs professional development courses and seminars for teachers. ABRSM is one of the UK's 200 largest charitable organisations ranked by annual expenditure ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin Sonata No
The violin, sometimes referred to as a fiddle, is a wooden chordophone, and is the smallest, and thus highest-pitched instrument (soprano) in regular use in the violin family. Smaller violin-type instruments exist, including the violino piccolo and the pochette, but these are virtually unused. Most violins have a hollow wooden body, and commonly have four strings (sometimes five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and are most commonly played by drawing a bow across the strings. The violin can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments. Violins are also important in many varieties of folk music, including country music, bl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Trios, Op
A piano is a keyboard instrument that produces sound when its keys are depressed, activating an Action (music), action mechanism where hammers strike String (music), strings. Modern pianos have a row of 88 black and white keys, tuned to a chromatic scale in equal temperament. A musician who specializes in piano is called a pianist. There are two main types of piano: the #Grand, grand piano and the #Upupright piano. The grand piano offers better sound and more precise key control, making it the preferred choice when space and budget allow. The grand piano is also considered a necessity in venues hosting skilled pianists. The upright piano is more commonly used because of its smaller size and lower cost. When a key is depressed, the strings inside are struck by felt-coated wooden hammers. The vibrations are transmitted through a Bridge (instrument), bridge to a Soundboard (music), soundboard that amplifies the sound by Coupling (physics), coupling the Sound, acoustic energy t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donald Tovey
Sir Donald Francis Tovey (17 July 187510 July 1940) was a British musical analyst, musicologist, writer on music, composer, conductor and pianist. He had been best known for his '' Essays in Musical Analysis'' and his editions of works by Bach and Beethoven, but since the 1990s his compositions (relatively small in number but substantial in musical content) have been recorded and performed with increasing frequency. The recordings have mostly been well received by reviewers. Life He was born at Eton, Berkshire, the son of Duncan Crookes Tovey, an assistant master at Eton College, and his wife, Mary Fison. As a child Tovey was privately educated exclusively by Sophie Weisse. She was impressed by his musical gifts evident at an early age and took it upon herself to nurture him. Through her network of associates he was introduced to composers, performers and music critics. These included Walter Parratt, James Higgs and (from the age of 14) Hubert Parry for composition. In 1898 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadenza
In music, a cadenza, (from , meaning cadence; plural, ''cadenze'' ) is, generically, an improvised or written-out ornamental passage played or sung by a soloist(s), usually in a "free" rhythmic style, and often allowing virtuosic display. During this time the accompaniment will rest, or sustain a note or chord. Thus an improvised cadenza is indicated in written notation by a fermata in all parts. A cadenza will usually occur over either the final or penultimate note in a piece, the lead-in (), or the final or penultimate note in an important subsection of a piece. A cadenza can also be found before a final coda or ritornello. Origin Initially, cadenzas were more simple and structured - a performer would add small embellishments such as trills to the end of cadences. These small embellishments of the early cadenza did not affect meter. However, as the improvised embellishments continued, they became longer and more thought out. This made way for the 'composed' cade ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neapolitan Sixth Chord
In Classical music theory, a Neapolitan chord (or simply a "Neapolitan") is a major chord built on the lowered ( flat) second (supertonic) scale degree. In Schenkerian analysis, it is known as a Phrygian II, since in minor scales the chord is built on the notes of the corresponding Phrygian mode. The Neapolitan is found far more often in minor keys than in major keys. Although it is sometimes indicated by an "N6" rather than a "II", some analysts prefer the latter because it indicates the relation of this chord to the supertonic. The Neapolitan chord does not fall into the categories of mixture or tonicization. Moreover, even Schenkerians like Carl Schachter do not consider this chord as a sign for a shift to the Phrygian mode. Therefore, like the augmented sixth chords it should be assigned to a separate category of chromatic alteration. In European Classical music, the Neapolitan most commonly occurs in first inversion so that it is notated either as II6 or N6 and normally ref ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beethoven Piano Sonata Op
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterised as heroic. During this time, Beethoven began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Born in Bonn, Beethoven displayed his musical talent at a young age. He was initially taught intensively by his father, Johann van Beethoven, and later by Christian Gottlob Neefe. Under Neefe's tutelage in 1783, he published his f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diminished Seventh Chord
The diminished seventh chord is a four-note chord (a seventh chord) composed of a Root (chord), root note, together with a minor third, a diminished fifth, and a diminished seventh above the root: (1, 3, 5, 7). For example, the diminished seventh chord built on B, commonly Chord names and symbols (popular music), written as B7, has pitches B-D-F-A: : The chord consists of a diminished triad plus the diminished seventh above the root. These four notes form a stack of three Interval (music), intervals which are all minor thirds. Since stacking yet another minor third returns to the root note, the four Inversion (music), inversions of a diminished seventh chord are symmetrical. The Pitch class#Integer notation, integer notation is . Since the diminished seventh interval is enharmonically equivalent to a major sixth, the chord is enharmonically equivalent to (1, 3, 5, 6). The diminished seventh chord occurs as a leading-tone seventh chord in the harm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
