Antony And Cleopatra (2022 Opera)
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Antony And Cleopatra (2022 Opera)
''Antony and Cleopatra'' is an opera by American composer John Adams, premiered at the San Francisco Opera in September 2022. An adaptation of William Shakespeare's play ''Antony and Cleopatra'', the libretto was written by John Adams with consultation by Elkhanah Pulitzer and Lucia Scheckner with text from Shakespeare's play, as well as supplementary passages from Plutarch, Virgil, and other classical texts. It is Adams' sixth opera and his first without collaboration with Peter Sellars. Performances are planned in Barcelona and the New York Metropolitan Opera. Music The opera is divided into two acts, running 80 and 85 minutes. Performance The September 2022 premiere of the work had staging by Elkhanah Pulitzer set around the 1930s, described by critic Zachary Woolfe as "Art Deco elements and slinky gowns ... winking at the glamorous Hollywood adaptations of the Cleopatra story" and a set that "opens and closes like an aperture, with some large structures looming in the ...
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John Adams (composer)
John Coolidge Adams (born February 15, 1947) is an American composer and conductor. Among the most regularly performed composers of contemporary classical music, he is particularly noted for his operas, many of which center around historical events. Apart from opera, his oeuvre includes orchestral, concertante, vocal, choral, chamber, electroacoustic, and piano music. Born in Worcester, Massachusetts, Adams grew up in a musical family and was exposed to classical music, jazz, musical theatre, and rock music. He attended Harvard University, studying with Leon Kirchner, Roger Sessions, and David Del Tredici, among others. His earliest work was aligned with modernist music, but he began to disagree with its tenets upon reading John Cage's '' Silence: Lectures and Writings''. Teaching at the San Francisco Conservatory of Music, Adams developed a minimalist aesthetic first fully realized in '' Phrygian Gates'' (1977) and later in the string septet '' Shaker Loops''. Adams ...
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Mark Swed
Mark Swed (born ) is an American music critic who specializes in classical music. Since 1996 he has been the chief classical music critic of the ''Los Angeles Times'' where his writings have made him a two-time finalist for the Pulitzer Prize for Criticism. Prior to his ''LA Times'' post, Swed was the chief music critic for the ''Los Angeles Herald Examiner'' and ''The Wall Street Journal'', and has contributed other writings to a variety of publications including '' The Orchestra'', an iPad application. He has a particular interest in contemporary classical music. Life and career Mark Swed was born and attended the University of California, Berkeley, receiving a Bachelor of Arts in music, and Mills College, receiving a Master of Arts. He was chief music critic at numerous newspapers, including the ''Los Angeles Herald Examiner'', ''The Wall Street Journal'' and ''7 Days''. In addition, he has written other music criticism for a variety of publications, including ''BBC Music' ...
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Opera World Premieres At San Francisco Opera
Opera is a form of Western theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western classical music, and Italian tradition in particular. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers e ...
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English-language Operas
English is a West Germanic language that developed in early medieval England and has since become a English as a lingua franca, global lingua franca. The namesake of the language is the Angles (tribe), Angles, one of the Germanic peoples that Anglo-Saxon settlement of Britain, migrated to Britain after its End of Roman rule in Britain, Roman occupiers left. English is the list of languages by total number of speakers, most spoken language in the world, primarily due to the global influences of the former British Empire (succeeded by the Commonwealth of Nations) and the United States. English is the list of languages by number of native speakers, third-most spoken native language, after Mandarin Chinese and Spanish language, Spanish; it is also the most widely learned second language in the world, with more second-language speakers than native speakers. English is either the official language or one of the official languages in list of countries and territories where English ...
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Operas Based On Works By William Shakespeare
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ...
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Works Based On Antony And Cleopatra
Works may refer to: People * Caddy Works (1896–1982), American college sports coach * John D. Works (1847–1928), California senator and judge * Samuel Works (c. 1781–1868), New York politician Albums * ''Works'' (Pink Floyd album), a Pink Floyd album from 1983 * ''Works'', a Gary Burton album from 1972 * ''Works'', a Status Quo album from 1983 * ''Works'', a John Abercrombie album from 1991 * ''Works'', a Pat Metheny album from 1994 * ''Works'', an Alan Parson Project album from 2002 * ''Works Volume 1'', a 1977 Emerson, Lake & Palmer album * ''Works Volume 2'', a 1977 Emerson, Lake & Palmer album * '' The Works'', a 1984 Queen album Other uses *Good works, a topic in Christian theology * Microsoft Works, a collection of office productivity programs created by Microsoft * IBM Works, an office suite for the IBM OS/2 operating system * Mount Works, Victoria Land, Antarctica See also * The Works (other) * Work (other) Work may refer to: * Work (h ...
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Cultural Depictions Of Mark Antony
Culture ( ) is a concept that encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, attitudes, and habits of the individuals in these groups.Tylor, Edward. (1871). ''Primitive Culture''. Vol 1. New York: J. P. Putnam's Son Culture often originates from or is attributed to a specific region or location. Humans acquire culture through the learning processes of enculturation and socialization, which is shown by the diversity of cultures across societies. A cultural norm codifies acceptable conduct in society; it serves as a guideline for behavior, dress, language, and demeanor in a situation, which serves as a template for expectations in a social group. Accepting only a monoculture in a social group can bear risks, just as a single species can wither in the face of environmental change, for lack of functional responses to the change. Thus in military culture, valor is counted a ...
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The New Yorker
''The New Yorker'' is an American magazine featuring journalism, commentary, criticism, essays, fiction, satire, cartoons, and poetry. It was founded on February 21, 1925, by Harold Ross and his wife Jane Grant, a reporter for ''The New York Times''. Together with entrepreneur Raoul H. Fleischmann, they established the F-R Publishing Company and set up the magazine's first office in Manhattan. Ross remained the editor until his death in 1951, shaping the magazine's editorial tone and standards. ''The New Yorker''s fact-checking operation is widely recognized among journalists as one of its strengths. Although its reviews and events listings often focused on the Culture of New York City, cultural life of New York City, ''The New Yorker'' gained a reputation for publishing serious essays, long-form journalism, well-regarded fiction, and humor for a national and international audience, including work by writers such as Truman Capote, Vladimir Nabokov, and Alice Munro. In the late ...
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Alex Ross (music Critic)
Alex Ross (born January 12, 1968) is an American music critic and author who specializes in classical music. Ross has been a staff member of ''The New Yorker'' magazine since 1996. His extensive writings include performance and record reviews, industry updates, cultural commentary, and historical narratives in the realm of classical music. He has written three well-received books: '' The Rest Is Noise: Listening to the Twentieth Century'' (2007), ''Listen to This'' (2011), and ''Wagnerism: Art and Politics in the Shadow of Music'' (2020). A graduate of Harvard University and student of composer Peter Lieberson, from 1992 to 1996 Ross was a critic for ''The New York Times''. He has received wide acclaim for his publications; ''The Rest Is Noise'' was a finalist for the 2008 Pulitzer Prize for General Nonfiction, and his other awards and honors include a MacArthur Fellowship and the Belmont Prize. He maintains a popular classical music blog, ''The Rest is Noise''. Life and c ...
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Orchestration
Orchestration is the study or practice of writing music for an orchestra (or, more loosely, for any musical ensemble, such as a concert band) or of adapting music composed for another medium for an orchestra. Also called "instrumentation", orchestration is the assignment of different instruments to play the different parts (e.g., melody, bassline, etc.) of a musical work. For example, a work for solo piano could be adapted and orchestrated so that an orchestra could perform the piece, or a concert band piece could be orchestrated for a symphony orchestra. In classical music, composers have historically orchestrated their own music. Only gradually over the course of music history did orchestration come to be regarded as a separate compositional art and profession in itself. In modern classical music, composers almost invariably orchestrate their own work. Two notable exceptions to this are Ravel's orchestration of Mussorgsky's solo piano work Pictures at an Exhibition and Malco ...
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