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An Evening With The Royal Ballet
''An Evening with the Royal Ballet'' is a 1963 British documentary film produced by the British Home Entertainment for the Royal Ballet company. The film contain some excerpts from various ballet composers as conducted and re-arranged by John Lanchbery. It was filmed at the Royal Opera House under the direction of Ninette de Valois. Synopsis The film's opening credits were accompanied by the excerpt from the final act of ''Swan Lake''. The film included four parts, with an eight-minute encore of ''Le Corsaire.'' ''Les Syphides'' The first part of the short ballet piece called ''Les Sylphides'' by Frédéric Chopin, then re-orchestrated by Roy Douglas into canonical order: # Preludes (Chopin), Prelude in A major, Op. 28, No. 7 (also transcribed in A major) # Nocturnes, Op. 32 (Chopin), Nocturne in A major, Op. 32, No. 2 # Waltzes, Op. 70 (Chopin), Waltz in G major, Op. 70, No. 1 (also transcribed in G major) # Mazurkas, Op. 33 (Chopin), Mazurka in D major, Op. 33, No. 2 # M ...
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Anthony Havelock-Allan
Sir Anthony James Allan Havelock-Allan, 4th Baronet (28 February 1904 – 11 January 2003) was a British film producer and screenwriter whose credits included ''This Happy Breed'', '' Blithe Spirit'', ''Great Expectations'', ''Oliver Twist'', the 1968 version of ''Romeo and Juliet'' and ''Ryan's Daughter''. Personal life and career Havelock-Allan was born at the family home of Blackwell Grange near Darlington, County Durham, and was educated at Charterhouse and schools in Switzerland. Before becoming a film producer, he worked as a stockbroker, jeweller, record company executive and cabaret manager. In 1935, Havelock-Allan joined the short-lived British and Dominions Imperial Studios, producing films with them like ''Lancashire Luck'' (1937) until and even shortly after the studios burnt down in 1936. After working with her on '' This Man in Paris'', Havelock-Allan married actress Valerie Hobson on 12 April 1939. Their sons were Simon Anthony Clerveaux Havelock-Allan (1944� ...
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The Nutcracker
''The Nutcracker'' ( rus, Щелкунчик, Shchelkunchik, links=no ) is an 1892 two-act ballet (""; russian: балет-феерия, link=no, ), originally choreographed by Marius Petipa and Lev Ivanov with a score by Pyotr Ilyich Tchaikovsky (Op. 71). The libretto is adapted from E. T. A. Hoffmann's 1816 short story "The Nutcracker and the Mouse King". Although the original production was not a success, the 20-minute suite that Tchaikovsky extracted from the ballet was. The complete ''Nutcracker'' has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of ''The Nutcracker''. The ballet's score has been used in several film adaptations of Hoffmann's story. Tchaikovsky's score has become one of his most famous compositions. Among other things, the score is ...
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The Sleeping Beauty (ballet)
''The Sleeping Beauty'' ( rus, Спящая красавица, Spyashchaya krasavitsa ) is a ballet in a prologue and three acts, first performed in 1890. The music was composed by Pyotr Ilyich Tchaikovsky ( Opus 66). The score was completed in 1889, and is the second of his three ballets. The original scenario was conceived by Ivan Vsevolozhsky, and is based on Charles Perrault's ''La Belle au bois dormant''. The choreographer of the original production was Marius Petipa. The premiere performance took place at the Mariinsky Theatre in St. Petersburg on January 15, 1890. The work has become one of the classical repertoire's most famous ballets. History Tchaikovsky was approached by the Director of the Imperial Theatres in St. Petersburg, Ivan Vsevolozhsky on 25 May 1888 about a possible ballet adaptation on the subject of the story of '' Undine''. It was later decided that Charles Perrault's ''La Belle au bois dormant'' would be the story for which Tchaikovsky wou ...
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Ball Gown
A ball gown, ballgown or gown is a type of evening gown worn to a ball or a formal event. Most versions are cut off the shoulder with a low décolletage, exposed arms, and long bouffant styled skirts. Such gowns are typically worn with an opera-length white gloves and vintage jewelry or couture, stole (a formal shawl in expensive fabric), cape or cloak in lieu of a coat. Where "state decorations" are to be worn, they are on a bow pinned to the chest, and married women wear a tiara if they have one. Although synthetic fabrics are now sometimes used, the most common fabrics are satin, silk, taffeta and velvet with trimmings of lace, pearls, sequins, embroidery, ruffles, ribbons, rosettes and ruching. History 1850s In previous years, the same type of dress might have been called an evening dress, having very similar features; low-cut neckline, a tight bodice, a large skirt and (sometimes) bare arms. The ball gown at this time had similar features, a full skirt supported by a ...
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White Tie
White tie, also called full evening dress or a dress suit, is the most formal in traditional evening western dress codes. For men, it consists of a black tail coat (alternatively referred to as a dress coat, usually by tailors) worn over a white dress shirt with a starched or pique bib, white piqué waistcoat and the eponymous white bow tie worn around a standing wing collar. Mid or high-waisted black trousers with '' galon'', a braid of trim consisting of two silk stripes to conceal the outer seams of the trousers, along with court shoes complete the outfit. Orders, decorations and medals may be worn. Acceptable accessories include a black top hat, white gloves, a white scarf, a pocket watch, a white pocket square, and a boutonnière. Women wear full-length ball or evening gowns with evening gloves and, optionally, tiaras, jewellery, and a small handbag. The dress code's origins can be traced back to the end of the 18th century. New fully black-coloured justaucor ...
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Frederick Ashton
Sir Frederick William Mallandaine Ashton (17 September 190418 August 1988) was a British ballet dancer and choreographer. He also worked as a director and choreographer in opera, film and revue. Determined to be a dancer despite the opposition of his conventional middle-class family, Ashton was accepted as a pupil by Léonide Massine and then by Marie Rambert. In 1926 Rambert encouraged him to try his hand at choreography, and though he continued to dance professionally, with success, it was as a choreographer that he became famous. Ashton was chief choreographer to Ninette de Valois, from 1935 until her retirement in 1963, in the company known successively as the Vic-Wells Ballet, the Sadler's Wells Ballet and the Royal Ballet. He succeeded de Valois as director of the company, serving until his own retirement in 1970. Ashton is widely credited with the creation of a specifically English genre of ballet. Among his best-known works are ''Façade'' (1931), '' Symphonic Var ...
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Riccardo Drigo
Riccardo Eugenio Drigo ( ru. Риккардо Эудженьо Дриго) (30 June 18461 October 1930) was an Italian composer of ballet music and Italian opera, a theatrical conductor, and a pianist. Drigo is most noted for his long career as kapellmeister and Director of Music of the Imperial Ballet of Saint Petersburg, Russia, for which he composed music for the original works and revivals of the choreographers Marius Petipa and Lev Ivanov. Drigo also served as Chef d'orchestre for Italian opera performances of the orchestra of the Imperial Mariinsky Theatre. During his career in Saint Petersburg, Drigo conducted the premieres and regular performances of nearly every ballet and Italian opera performed on the Tsarist stage. Drigo is equally noted for his original full-length compositions for the ballet as well as his large catalog of supplemental music written ad hoc for insertion into already-existing works. Drigo is also noted for his adaptations of already-existing scores ...
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Michel Fokine
Michael Fokine, ''Mikhail Mikhaylovich Fokin'', group=lower-alpha ( – 22 August 1942) was a groundbreaking Imperial Russian Choreography (dance), choreographer and dancer. Career Early years Fokine was born in Saint Petersburg to a prosperous merchant and at the age of 9 was accepted into the Saint Petersburg Vaganova Academy of Russian Ballet, Imperial Ballet School. That same year, he made his performing debut in ''The Talisman (ballet), The Talisman'' under the direction of Marius Petipa. In 1898, on his 18th birthday, he debuted on the stage of the Mariinsky Theatre, Imperial Mariinsky Theatre in ''Paquita'', with the Imperial Russian Ballet. In addition to being a talented dancer, Fokine was also passionate about painting and displayed talent in this area as well. He also played musical instruments, including mandolin (played on stage in ensemble led by Ginislao Paris), domra, and balalaika (played in Vasily Andreyev's Great Russian Orchestra). Transition to choreo ...
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Grande Valse Brillante In E-flat Major (Chopin)
The in E-flat major, Op. 18, was composed by Frédéric Chopin in 1833 and published in 1834. Chopin dedicated it to his pupil, Laura Horsford."Waltz in E-flat major, Op. 18"
work details, note by Mieczysław Tomaszewski, Fryderyk Chopin Institute This was his first published waltz composition for solo piano, although prior to 1834 he had written at least sixteen waltzes that were either destroyed or eventually published posthumously. Chopin also gave the title ' to the next three waltzes in the Op. 34 set, published in 1838. I ...
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