Allegory Of Divine Providence And Barberini Power
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Allegory Of Divine Providence And Barberini Power
The ''Allegory of Divine Providence and Barberini Power'' is a fresco by the Italian Baroque painter Pietro da Cortona, filling the large ceiling of the grand salon of the Palazzo Barberini in Rome, Italy. Begun in 1633, it was nearly finished in three years; upon Cortona's return from Venice, it was extensively reworked to completion in 1639. The Palazzo, since the 1620s, had been the palatial home of the Barberini family headed by Maffeo Barberini, by then Urban VIII, who had launched an extensive program of refurbishment of the city with art and architecture. Composition These commissioned artworks often teem with suns and bees (the Barberini family coat of arms had three bees), as also the Cortona fresco does. At one end of the sky sits the eminent solar Divine Providence, while at the other end are putto and flying maidens holding aloft the papal keys, tiara, with robe belt above a swarm of heraldic giant golden bees. Below Providence, the simulated frame crumbles. Time with ...
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Pietro Da Cortona
Pietro da Cortona (; 1 November 1596 or 159716 May 1669) was an Italian Baroque painter and architect. Along with his contemporaries and rivals Gian Lorenzo Bernini and Francesco Borromini, he was one of the key figures in the emergence of Roman Baroque architecture. He was also an important designer of interior decorations. He was born Pietro Berrettini, but is primarily known by the name of his native town of Cortona in Tuscany. He worked mainly in Rome and Florence. He is best known for his frescoed ceilings such as the vault of the ''salone'' or main salon of the Palazzo Barberini in Rome and carried out extensive painting and decorative schemes for the Medici family in Florence and for the Oratorian fathers at the church of Santa Maria in Vallicella in Rome. He also painted numerous canvases. Only a limited number of his architectural projects were built but nonetheless they are as distinctive and as inventive as those of his rivals. Biography Early career Berrettini wa ...
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Baldassare Peruzzi
Baldassare Tommaso Peruzzi (7 March 1481 – 6 January 1536) was an Italian architect and painter, born in a small town near Siena (in Ancaiano, ''frazione'' of Sovicille) and died in Rome. He worked for many years with Bramante, Raphael, and later Sangallo during the erection of the new St. Peter's. He returned to his native Siena after the Sack of Rome (1527) where he was employed as architect to the Republic. For the Sienese he built new fortifications for the city and designed (though did not build) a remarkable dam on the Bruna River near Giuncarico. He seems to have moved back to Rome permanently by 1535. He died there the following year and was buried in the Rotunda of the Pantheon, near Raphael. He was a painter of frescoes in the ''Cappella San Giovanni'' (Chapel of St John the Baptist) in the Duomo of Siena. His son Giovanni Sallustio was also an architect. Another son, Onorio, learned painting from his father, then became a Dominican priest in the convent of Sa ...
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Andrea Pozzo
Andrea Pozzo (; Latinized version: ''Andreas Puteus''; 30 November 1642 – 31 August 1709) was an Italian Jesuit brother, Baroque painter, architect, decorator, stage designer, and art theoretician. Pozzo was best known for his grandiose frescoes using the technique of quadratura to create an illusion of three-dimensional space on flat surfaces. His masterpiece is the nave ceiling of the Church of Sant'Ignazio in Rome. Through his techniques, he became one of the most noteworthy figures of the Baroque period. He is also noted for the architectural plans of Ljubljana Cathedral (1700), inspired by the designs of the Jesuit churches Il Gesù and S. Ignazio in Rome. Biography Early years Born in Trento (then under Austrian rule), he studied Humanities at the local Jesuit High School. Showing artistic inclinations he was sent by his father to work with an artist; Pozzo was then 17 years old (in 1659). Judging by aspects of his early style this initial artistic training came prob ...
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Sotto In Su
Illusionistic ceiling painting, which includes the techniques of perspective di sotto in sù and quadratura, is the tradition in Renaissance, Baroque and Rococo art in which ''trompe-l'œil'', perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two-dimensional or mostly flat ceiling surface above the viewer. It is frequently used to create the illusion of an open sky, such as with the oculus in Andrea Mantegna's Camera degli Sposi, or the illusion of an architectural space such as the cupola, one of Andrea Pozzo's frescoes in Sant'Ignazio, Rome. Illusionistic ceiling painting belongs to the general class of illusionism in art, designed to create accurate representations of reality. Di sotto in sù ''Di sotto in sù'' (or ''sotto in su''), which means "seen from below" or "from below, upward" in Italian, developed in late quattrocento Italian Renaissance painting, notably in Andrea Mantegn ...
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Villa Pisani At Stra
Villa Pisani at Stra refers to the monumental, late-Baroque rural palace located along the Brenta Canal (Riviera del Brenta) at Via Doge Pisani 7 near the town of Stra, on the mainland of the Veneto, northern Italy. This villa is one of the largest examples of Villa Veneta located in the Riviera del Brenta, the canal linking Venice to Padua. The patrician Pisani family of Venice commissioned a number of villas, also known as ''Villa Pisani'' across the Venetian mainland. The villa and gardens now operate as a national museum, and the site sponsors art exhibitions. History Construction of the palace commenced in the early 18th century for Alvise Pisani, the most prominent member of the Pisani family, who was appointed doge in 1735. The initial models of the palace by Paduan architect Girolamo Frigimelica Roberti still exist, but the design of the main building was ultimately completed by Francesco Maria Preti. When it was completed, the building had 114 rooms, in honour of it ...
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Stockholm
Stockholm (; ) is the Capital city, capital and List of urban areas in Sweden by population, most populous city of Sweden, as well as the List of urban areas in the Nordic countries, largest urban area in the Nordic countries. Approximately 1 million people live in the Stockholm Municipality, municipality, with 1.6 million in the Stockholm urban area, urban area, and 2.5 million in the Metropolitan Stockholm, metropolitan area. The city stretches across fourteen islands where Mälaren, Lake Mälaren flows into the Baltic Sea. Outside the city to the east, and along the coast, is the island chain of the Stockholm archipelago. The area has been settled since the Stone Age, in the 6th millennium BC, and was founded as a city in 1252 by Swedish statesman Birger Jarl. The city serves as the county seat of Stockholm County. Stockholm is the cultural, media, political, and economic centre of Sweden. The Stockholm region alone accounts for over a third of the country's Gros ...
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House Of Nobility (Sweden)
The House of Nobility () in Stockholm, Sweden, is a corporation and a building that maintains records and acts as an interest group on behalf of the Swedish nobility. Name The name is literally translated as ''House of Knights'', as the knights () belong to the higher ranks of the Swedish nobility, sometimes also together with titles as count () and baron (). All esquires are also represented in the corporation (most of the families are so called ''untitled nobility'', ). This is a tradition from the Middle Ages when Sweden during the Kalmar Union only had one knight: Sten Sture. History Between the 17th and the 19th century the House of Nobility was a chamber in the Riksdag of the Estates. In the 18th century, the building was often used for public concerts. From 1731, public concerts were performed here by Kungliga Hovkapellet. Elisabeth Olin is believed to have debuted here in the 1750s, and foreign artists performed such as Elisabetta Almerighi, Giovanni Ansani (1772) ...
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David Klöcker Ehrenstrahl
David Klöcker Ehrenstrahl (23 September 1628 – 23 October 1698) was a Sweden, Swedish nobleman and portrait painter. Biography David Klöcker was born in Hamburg. He was the son of Johann Klöcker and had eight siblings. In 1648, Klöcker traveled to Amsterdam where he learned how to paint following the instructions from Juriaen Jacobsze, Juriaen Jacobsze (1624–1685). In 1652, he left his art studies in the Netherlands and moved to Skokloster Castle (''Skoklosters slott'') on Lake Mälaren, Sweden at the request of Swedish nobleman Carl Gustaf Wrangel (1613–1676). Between 1654 and 1661 he studied in Italy and visited the courts of both France and England. On his return he became entitled Court painter (''hovkonterfejare'') in 1661. He was raised to the nobility in 1674 at which time he took the surname Ehrenstråhl. He became court intendant in 1690. He made portraits of, among others, King Charles XI of Sweden, Erik Dahlbergh, Georg Stiernhielm and Agneta ...
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Royal Palace Of Madrid
The Royal Palace of Madrid () is the official residence of the Spanish royal family at the city of Madrid, although now used only for state ceremonies. The palace has of floor space and contains 3,418 rooms. It is the largest royal palace in Europe. The palace is owned by the Spanish state and administered by the Patrimonio Nacional (English: National Heritage), a public agency of the Ministry of the Presidency. The palace is on Calle de Bailén ("Bailén Street") in the western part of downtown Madrid, east of the Manzanares River, and is accessible from the Ópera metro station. Felipe VI and the royal family do not reside in the palace, choosing instead the Palace of Zarzuela in El Pardo. The palace is on the site of a bygone Muslim-era fortress constructed by Emir Muhammad I of Córdoba in the 9th century. The imposing Alcázar of Madrid provided both a safe for the royal treasure and a habitual residence to the Trastámara monarchs in the late Middle Ages. Having e ...
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Giovanni Battista Tiepolo
Giovanni Battista Tiepolo ( , ; 5 March 1696 – 27 March 1770), also known as Giambattista (or Gianbattista) Tiepolo, was an Italian painter and printmaker from the Republic of Venice who painted in the Rococo style, considered an important member of the 18th-century Venetian school. He was prolific, and worked not only in Italy, but also in Germany and Spain. Giovan Battista Tiepolo, together with Giambattista Pittoni, Canaletto, Giovan Battista Piazzetta, Giuseppe Maria Crespi, and Francesco Guardi are considered the traditional Old Masters of that period. Successful from the beginning of his career, he has been described by Michael Levey as "the greatest decorative painter of eighteenth-century Europe, as well as its most able craftsman." Biography ''The Glory of St. Dominic'', 1723 Early life (1696–1726) Born in Venice, he was the youngest of six children of Domenico and Orsetta Tiepolo. His father was a small shipping merchant who belonged to a famil ...
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Mantua
Mantua ( ; ; Lombard language, Lombard and ) is a ''comune'' (municipality) in the Italian region of Lombardy, and capital of the Province of Mantua, eponymous province. In 2016, Mantua was designated as the "Italian Capital of Culture". In 2017, it was named as the "European Capital of Gastronomy", included in the Eastern Lombardy District (together with the cities of Bergamo, Brescia, and Cremona). In 2008, Mantua's ''centro storico'' (old town) and the nearby of Sabbioneta were declared by UNESCO to be a World Heritage Site. Mantua's historic power and influence under the House of Gonzaga, Gonzaga family between 1328 and 1708 made it one of the main artistic, culture, cultural, and especially musical hubs of Northern Italy and of Italy as a whole. It had one of the most splendid courts of Europe of the fifteenth, sixteenth, and early seventeenth centuries. Mantua is noted for its significant role in the history of opera; the city is also known for its architectural treasur ...
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Giulio Romano
Giulio Pippi ( – 1 November 1546), known as Giulio Romano and Jules Romain ( , ; ), was an Italian Renaissance painter and architect. He was a pupil of Raphael, and his stylistic deviations from High Renaissance classicism help define the sixteenth-century style known as Mannerism. Giulio's drawings have long been treasured by collectors; contemporary prints of them engraved by Marcantonio Raimondi were a significant contribution to the spread of sixteenth-century Italian style throughout Europe. Biography Giulio Pippi was born in Rome and he began his career there as a young assistant to the leading painter and architect Raphael. He became an important member of Raphael's large team working on the frescos in the Raphael Rooms and Vatican loggias using designs by Raphael and, later painting a group of figures in the '' Fire in the Borgo'' fresco. He also collaborated on the decoration of the ceiling of the Villa Farnesina. Despite his relative youth, increasingly ...
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