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Alberich (other)
In German heroic legend, Alberich () is a dwarf. He features most prominently in the poems '' Nibelungenlied'' and ''Ortnit''. He also features in the Old Norse collection of German legends called the Thidreksaga under the name Alfrikr. His name means "ruler of supernatural beings ( elves)", and is equivalent to Old French ''Alberon'' or ''Auberon'' (English Oberon). The name was later used for a character in Richard Wagner's opera cycle '' Der Ring des Nibelungen''. Mythology Alberich plays a prominent role in the ''Nibelungenlied'', where he is the guardian of the Nibelung's treasure and has the strength of twelve men. Siegfried overpowers him using his cloak of invisibility (Tarnkappe), after which the dwarf serves the hero. Siegfried later pulls his beard in mock combat when he arrives unannounced to claim the treasure. Ortnit seeks to woo the daughter of the heathen king Machorel, Alberich reveals his paternity to Ortnit and aids him in his quest, playing tricks on t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alberich Verführt Die Königsmutter
In German heroic legend, Alberich () is a dwarf. He features most prominently in the poems ''Nibelungenlied'' and ''Ortnit''. He also features in the Old Norse collection of German legends called the Thidreksaga under the name Alfrikr. His name means "ruler of supernatural beings (elves)", and is equivalent to Old French ''Auberon'' (English Oberon). The name was later used for a character in Richard Wagner's opera cycle ''Der Ring des Nibelungen''. Mythology Alberich plays a prominent role in the ''Nibelungenlied'', where he is the guardian of the Nibelung's treasure and has the strength of twelve men. Siegfried overpowers him using his cloak of invisibility (Tarnkappe), after which the dwarf serves the hero. Siegfried later pulls his beard in mock combat when he arrives unannounced to claim the treasure. Siegfried seeks to woo the daughter of the heathen king Machorel, Alberich reveals his paternity to Ortnit and aids him in his quest, playing tricks on the heathen king and even ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mohammed
Muhammad ( ar, مُحَمَّد; 570 – 8 June 632 CE) was an Arab religious, social, and political leader and the founder of Islam. According to Islamic doctrine, he was a prophet divinely inspired to preach and confirm the monotheistic teachings of Adam, Abraham, Moses, Jesus, and other prophets. He is believed to be the Seal of the Prophets within Islam. Muhammad united Arabia into a single Muslim polity, with the Quran as well as his teachings and practices forming the basis of Islamic religious belief. Muhammad was born approximately 570CE in Mecca. He was the son of Abdullah ibn Abd al-Muttalib and Amina bint Wahb. His father Abdullah was the son of Quraysh tribal leader Abd al-Muttalib ibn Hashim, and he died a few months before Muhammad's birth. His mother Amina died when he was six, leaving Muhammad an orphan. He was raised under the care of his grandfather, Abd al-Muttalib, and paternal uncle, Abu Talib. In later years, he would periodically seclude himsel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andvari
In Norse mythology, Andvari ( 12th c. Old Norse: ; "careful one") is a dwarf who lives underneath a waterfall and has the power to change himself into a pike (gedda) at will. Andvari had a magical ring Andvaranaut, which helped him become wealthy. Using a net provided by Ran, Loki catches him as a pike and forces him to give up his gold and Andvaranaut. Andvari cursed the stolen gold which would destroy anyone who possessed it. After the deaths of Brynhild and Sigurd, Gunnar left Andvari's gold in a cave. Years later, Andvari discovered the cave and his lost gold, although his ring was lost forever. In Richard Wagner Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most op ...'s cycle of music dramas, '' Der Ring des Nibelungen'', the character Alberich is a combination of An ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Composite Character
In a work of media adapted from a real or fictional narrative, a composite character is a character based on more than one individual from the story. Use in film *Several characters in the movie '' 21''. *The character Henry Hurt in the docudrama '' Apollo 13'' is portrayed as a NASA public relations employee assigned to the wife of astronaut Jim Lovell, and who also is seen answering reporters' questions. This character is a composite of the NASA protocol officer Bob McMurrey assigned to act as a buffer between the Lovell family and the press, and several Office of Public Affairs employees whose job was to actually work with the press. * Buffalo Bill in '' The Silence of the Lambs'' is a composite based on the serial killers Jerry Brudos, Ed Gein, Ted Bundy, Gary M. Heidnik, Edmund Kemper, and Gary Ridgway. *The character Commander Bolton in the 2017 film '' Dunkirk'' is a composite of several real life people, including Commander James Campbell Clouston and Captain Bi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siegfried (opera)
''Siegfried'' (), WWV 86C, is the third of the four music dramas that constitute '' Der Ring des Nibelungen'' (''The Ring of the Nibelung''), by Richard Wagner. It premiered at the Bayreuth Festspielhaus on 16 August 1876, as part of the first complete performance of ''The Ring'' cycle. Background and context The libretto of ''Siegfried'' was drafted by Wagner in November–December 1852, based on an earlier version he had prepared in May–June 1851 and originally entitled ''Jung-Siegfried'' (''Young Siegfried''), later changed to ''Der junge Siegfried''. The musical composition was commenced in 1856, but not finally completed until 1871.Millington, (n.d.) The libretto arose from Wagner's gradual reconception of the project he had initiated with his libretto ''Siegfrieds Tod'' (''Siegfried's Death'') which was eventually to be incarnated as ''Götterdämmerung'', the final section of the Ring cycle. Having grappled with his text for ''Siegfrieds Tod'', and indeed having und ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hagen (legend)
Hagen (German form) or Högni (''Old Norse'' Hǫgni, often anglicized as Hogni, '' Old English'' Hagena, ''Latin'' Hagano) is a Burgundian warrior in Germanic heroic legend about the Burgundian kingdom at Worms. Hagen is often identified as a brother or half-brother of King Gunther (Old Norse ''Gunnarr''). In the ''Nibelungenlied'' he is nicknamed "from Tronje". Etymology of the epithet "Tronje" Of the main manuscripts of the ''Nibelungenlied'', the chief representatives of versions B and C use the spelling "Tronege": "from Tronege Hagene", "Hagen of Tronege", "geborn of Tronege", "helt of Tronege". The A version usually writes "Trony" (also "Troni" and "Tronie"). "Tronje" is the appropriate modern German form. In the B and C versions, the name is in the dative case, with the nominative being "Troneg"; "Tronje", although common, is therefore a mistake. All attempts to interpret Hagen's name or home are highly speculative. Although the ''Nibelungenlied'' has a historic cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Götterdämmerung
' (; ''Twilight of the Gods''), WWV 86D, is the last in Richard Wagner's cycle of four music dramas titled (''The Ring of the Nibelung'', or ''The Ring Cycle'' or ''The Ring'' for short). It received its premiere at the on 17 August 1876, as part of the first complete performance of the whole work. The title is a translation into German of the Old Norse phrase ', which in Norse mythology refers to a prophesied war among various beings and gods that ultimately results in the burning, immersion in water, and renewal of the world. As with the rest of the ''Ring'', however, Wagner's account diverges significantly from these Old Norse sources. Composition Roles Synopsis Prologue Prelude to the Prologue Scene 1 The three Norns, daughters of Erda, the goddess of Nature, gather beside Brünnhilde's rock, weaving the Rope of Destiny. From it they read of the past, the present, and of the future when Walhalla will be set on fire and the end of the gods will come ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freyja
In Norse paganism, Freyja ( Old Norse "(the) Lady") is a goddess associated with love, beauty, fertility, sex, war, gold, and seiðr (magic for seeing and influencing the future). Freyja is the owner of the necklace Brísingamen, rides a chariot pulled by two cats, is accompanied by the boar Hildisvíni, and possesses a cloak of falcon feathers. By her husband Óðr, she is the mother of two daughters, Hnoss and Gersemi. Along with her twin brother Freyr, her father Njörðr, and her mother ( Njörðr's sister, unnamed in sources), she is a member of the Vanir. Stemming from Old Norse ''Freyja'', modern forms of the name include Freya, Freyia, and Freja. Freyja rules over her heavenly field, Fólkvangr, where she receives half of those who die in battle. The other half go to the god Odin's hall, Valhalla. Within Fólkvangr lies her hall, Sessrúmnir. Freyja assists other deities by allowing them to use her feathered cloak, is invoked in matters of fertility and love, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valhalla
In Norse mythology Valhalla (;) is the anglicised name for non, Valhǫll ("hall of the slain").Orchard (1997:171–172) It is described as a majestic hall located in Asgard and presided over by the god Odin. Half of those who die in combat enter Valhalla, while the other half are chosen by the goddess Freyja to reside in Fólkvangr. The masses of those killed in combat (known as the Einherjar) along with various legendary Germanic heroes and kings, live in Valhalla until Ragnarök when they will march out of its many doors to fight in aid of Odin against the jötnar. Valhalla is attested in the '' Poetic Edda'', compiled in the 13th century from earlier traditional sources, in the '' Prose Edda'' (written in the 13th century by Snorri Sturluson), in ''Heimskringla'' (also written in the 13th century by Snorri Sturluson), and in stanzas of an anonymous 10th century poem commemorating the death of Eric Bloodaxe known as '' Eiríksmál'' as compiled in '' Fagrskinna''. V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fasolt
Fasolt, Fasold or Vasolt is a giant who appears in the following works: *The Middle High German heroic poem ''Eckenlied'' (c. 1230). *The Old Norse compendium of German legends known as the '' Thidrekssaga'' (c. 1250). *Richard Wagner's opera '' Das Rheingold'' (1869). The name ''Fasolt'' likely derives from a root similar to Old High German ''faso'', thread, and most likely refers to the long braided hair he is described as having in the ''Eckenlied''. He may have originally been a storm demon, as evidenced by a 17th-century prayer to witches at the mountain Jochgrimm outside of Bozen Bolzano ( or ; german: Bozen, (formerly ); bar, Bozn; lld, Balsan or ) is the capital city of the province of South Tyrol in northern Italy. With a population of 108,245, Bolzano is also by far the largest city in South Tyrol and the third la ... to cause "ffasolt" to send storms far away. Notes References * * Giants German heroic legends Germanic mythology {{Europe-myth-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tarnhelm
The Tarnhelm is a magic helmet in Richard Wagner's ''Der Ring des Nibelungen'' (written 1848–1874; first perf. 1876). It was crafted by Mime at the demand of his brother Alberich. It is used as a cloak of invisibility by Alberich in ''Das Rheingold''. It also allows one to change one's form: *Alberich changes to a dragon and then a toad in ''Das Rheingold'', Scene 3. * Fafner changes to a dragon after the end of ''Das Rheingold'' and appears thus in Siegfried Act II. (It is never made clear whether Fafner actually used the Tarnhelm to transform, or simply transformed as many giants and gods did in the myths. There is also no Tarnhelm present in the original Andvari myth from Reginsmál in the Poetic Edda from which Wagner drew inspiration for this scene.) *Siegfried changes to Gunther's form in ''Götterdämmerung'' Act I, Scene 3. Finally, it allows one to travel long distances instantly, as Siegfried does in ''Götterdämmerung'', Act II. The stage directions in ''Das R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
