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Aestheticization Of Politics
The aestheticization of politics was an idea first coined in " The Work of Art in the Age of Mechanical Reproduction" by critical theorist Walter Benjamin as being a key ingredient to fascist regimes. Benjamin said that fascism tends towards an aestheticization of politics, in the sense of a spectacle in which it allows the masses to express themselves without seeing their rights recognized, and without affecting the relations of ownership which the proletarian masses aim to eliminate. Benjamin said: Fascism attempts to organize the newly proletarianized masses without affecting the property structure which the masses strive to eliminate. Fascism sees its salvation in giving these masses not their right, but instead a chance to express themselves. The masses have a right to change property relations; Fascism seeks to give them an expression while preserving property. The logical result of Fascism is the introduction of aesthetics into political life. ..Mankind, which in Homer’ ...
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The Work Of Art In The Age Of Mechanical Reproduction
''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pronoun '' the ...
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Guy Debord
Guy-Ernest Debord (; ; 28 December 1931 – 30 November 1994) was a French Marxist theorist, philosopher, filmmaker, critic of work, member of the Letterist International, founder of a Letterist faction, and founding member of the Situationist International. He was also briefly a member of '' Socialisme ou Barbarie''. Debord is best known for his 1967 work, '' The Society of the Spectacle'', alongside his direction to the Letterist and Situationist Magazines. Biography Early life Guy Debord was born in Paris in 1931. Debord's father, Martial, was a pharmacist who died when Debord was young. Debord's mother, Paulette Rossi, sent Debord to live with his grandmother in her family villa in Italy. During World War II, the Rossis left the villa and began to travel from town to town. As a result, Debord attended high school in Cannes, where he began his interest in film and vandalism. As a young man, Debord actively opposed the French war in Algeria and joined in demonstrat ...
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Concepts In Aesthetics
The following outline is provided as an overview of and topical guide to aesthetics: Aesthetics – branch of philosophy and axiology concerned with the nature of beauty. What type of thing is an aesthetic? Aesthetics can be described as all of the following: * Branch of philosophy – ** the philosophical study of beauty *** the sublime *** Aesthetic judgments *** Aesthetic taste ** the philosophy of art *** Definitions of art *** Value of art *** Attitudes toward art Related academic areas * Applied aesthetics * Architecture * Art * Arts criticism * Gastronomy * Aesthetics of nature * History of painting * Painting * Philosophy of film * Aesthetic medicine ** Aesthetic dentistry ** Plastic surgery * Aesthetics of music * Philosophy of music * Theory of painting * Poetry * Psychological aesthetics * Aesthetics of science * Sculpture * Theological aesthetics History of aesthetics * History of aesthetics ** History of aesthetics (pre-20th-century) ...
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October (journal)
''October'' is an academic journal specializing in contemporary art, criticism, and theory, published by MIT Press. History ''October'' was established in 1976 in New York by Jeremy Gilbert-Rolfe (who resigned from the journal after the third issue), Rosalind E. Krauss, Annette Michelson and Lucio Pozzi (who withdrew before the first issue was published). The founders of the journal were originally known as "Octoberists". Its name is a reference to the Eisenstein film that set the tone of intellectual, politically engaged writing that has been the hallmark of the journal. The journal was a participant in introducing French post-structural theory on the English-speaking academic scene. According to ''The Art Story'', Krauss used the journal "as a way to publish essays on her emergent ideas on post-structuralist art theory, Deconstructionist theory, psychoanalysis, postmodernism and feminism". Jeremy Gilbert-Rolfe, one of the co-founders of the journal, withdrew after only a few ...
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Susan Buck-Morss
Susan Buck-Morss (1942) is an American philosopher, visual theorist, and intellectual historian. She is currently Professor of Political Science at the CUNY Graduate Center, and professor emeritus in the Government Department at Cornell University, where she taught from 1978 to 2012. Her interdisciplinary work involves but is not limited to the fields of Art History, Architecture, Comparative Literature, Cultural Studies, German studies, History, Philosophy, and Visual Studies. She has won a Getty Scholar Grant, a Fulbright Award, and a Guggenheim Fellowship Guggenheim Fellowships are Grant (money), grants that have been awarded annually since by the John Simon Guggenheim Memorial Foundation, endowed by the late Simon Guggenheim, Simon and Olga Hirsh Guggenheim. These awards are bestowed upon indiv ... for her work. Awards from the MacArthur Foundation, Rockefeller Foundation, and the Fulbright Program funded the research towards her book ''Dreamworld and Catastrophe: Th ...
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Relations Of Production
Relations of production () is a concept frequently used by Karl Marx and Friedrich Engels in their theory of historical materialism and in ''Das Kapital''. It is first explicitly used in Marx's published book '' The Poverty of Philosophy'', although Marx and Engels had already defined the term in '' The German Ideology'' which was only published posthumously in 1932. Some social relations are voluntary or freely chosen (ie. a person chooses to associate with another person or a group). But other social relations are involuntary, i.e. people can be socially related, whether they like that or not, because they are part of a family (ie. biosocial kinship) a group, an organization, a community, a nation, etc. By "relations of production", Marx and Engels meant the sum total of social relationships that people ''must'' enter into in order to survive, to produce, and to reproduce their means of life. As people ''must'' enter into these social relationships, i.e. because participatio ...
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The Arts And Politics
A strong relationship between the arts and politics, particularly between various kinds of art and power, occurs across historical epochs and cultures. As they respond to contemporaneous events and politics, the arts take on political as well as social dimensions, becoming themselves a focus of controversy and even a force of political as well as social change. A widespread observation is that a great talent has a free spirit. For instance Pushkin, who some scholars regard as Russia's first great writer, Vladimir Nabokov (1981) '' Lectures on Russian Literature'', lecture on ''Russian Writers, Censors, and Readers'', pp.13-4 is said to have attracted the irritation of the Russian officialdom and particularly of the Tsar, since he "instead of being a good servant of the state in the rank and file of the administration and extolling conventional virtues in his vocational writings (if write he must), composed extremely arrogant and extremely independent and extremely wicked ve ...
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Art For Art's Sake
Art for art's sake—the usual English rendering of (), a French slogan from the latter half of the 19th century—is a phrase that expresses the philosophy that 'true' art is utterly independent of all social values and utilitarian functions, be they didactic, moral, or political. Such works are sometimes described as '' autotelic'' (from Greek: ''autoteles'', 'complete in itself'), a concept also applied to "inner-directed" or "self-motivated" persons. The phrase is sometimes used commercially. A Latin version of this phrase, (), is used as a motto by Metro-Goldwyn-Mayer film studio, appearing in the film scroll around the roaring head of Leo the Lion in its logo. History The phrase "'" had been used by Parisian intellectuals since the beginning of the 19th century, but it was Théophile Gautier (1811–1872) who first fully articulated its current metaphysical meaning in the prefaces of his 1832 poetry volume ''Albertus'' and 1835 novel ''Mademoiselle de Maupin''. The p ...
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Aestheticization Of Violence
When it comes to violence in art, around the 20th century, violence was going all around, and humans showed their fears and emotions through art. Art was created to express one's feelings and ideas; artists would draw what they felt, and different people had different interpretations of the art. History is proof that people went through different impacts when it came to the holocaust or even the great depression; they all had different stories to tell. Marcus Harvey's Myra in 1995 had done a portrait of a serial killer who murdered innocent children and was then found guilty of the crime and was dealt with. Harvey wanted the painting to capture the acts and malicious intentions that the killer had through his artwork''.'' The 20th century suggests that violence was shown artistically, but it let people into the person's subconscious. Depictions of violence in high culture art and popular culture, such as cinema and theater, have been the subject of considerable controversy and d ...
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The Society Of The Spectacle
''The Society of the Spectacle'' () is a 1967 work of philosophy and Marxist critical theory by Guy Debord where he develops and presents the concept of the Spectacle (critical theory), Spectacle. The book is considered a seminal text for the Situationist International, Situationist movement. Debord published a follow-up book ''Comments on the Society of the Spectacle'' in 1988. Summary The work is a series of 221 short theses in the form of aphorisms. Each thesis contains one paragraph. Degradation of human life Debord traces the development of a modern society in which authenticity (philosophy), authentic Interpersonal relationship, social life has been replaced with its representation: "All that once was directly lived has become mere representation." Debord argues that the history of social life can be understood as "the decline of ''being'' into ''having'', and ''having'' into merely ''appearing''." This condition, according to Debord, is the "historical moment at which the ...
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Stanford, CA
Stanford is a census-designated place (CDP) in the northwest corner of Santa Clara County, California, United States. It is the home of Stanford University, after which it was named. The CDP's population was 21,150 at the United States Census, 2020, 2020 census. Stanford is adjacent to the city of Palo Alto, California, Palo Alto, which borders it to the east, but the CDP itself remains Unincorporated area, unincorporated. Most of the Stanford University campus and other core University-owned land is situated within the CDP of Stanford, though the Stanford University Medical Center, the Stanford Shopping Center, and the Stanford Research Park are officially part of the city of Palo Alto. Its resident population consists of the inhabitants of on-campus housing, including graduate student residences and single-family homes and condominiums owned by their faculty inhabitants but located on leased Stanford land. The adjacent neighborhood of College Terrace (Palo Alto), College Ter ...
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Walter Benjamin
Walter Bendix Schönflies Benjamin ( ; ; 15 July 1892 – 26 September 1940) was a German-Jewish philosopher, cultural critic, media theorist, and essayist. An eclectic thinker who combined elements of German idealism, Jewish mysticism, Western Marxism, and neo-Kantianism, post-Kantianism, he made contributions to the philosophy of history, metaphysics, historical materialism, Aesthetics, criticism, aesthetics and had an oblique but overwhelmingly influential impact on the resurrection of the Kabbalah by virtue of his life-long epistolary relationship with Gershom Scholem. Of the hidden principle organizing Walter Benjamin's thought Gershom Scholem, Scholem wrote unequivocally that "Benjamin was a philosopher", while his younger colleagues Arendt and Adorno contend that he was "not a philosopher". Scholem remarked "The peculiar aura of authority emanating from his work tended to incite contradiction". Benjamin himself considered his research to be theological, though he eschewed ...
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