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Aeneator Huttoni
An ''aeneator'' ( or ) was a specialized player of wind instruments who was attached to a Roman military unit. The word comes from Latin ''aēneus'' or ''ahēneus'', "brazen", from ''aes'', "copper alloy". While the size of individual Roman military units may have varied, they made extensive use of both acoustical and visual signaling in communications and each had an assigned banner bearer (''vexillarius'') and at least one ''aeneator''. A variety of instruments were used by ''aeneatores'', including the ''buccina'', '' cornu'', ''tuba'', and ''lituus''. In addition to their roles in the Roman army, ''aeneatores'' were also used for processionals and games, particularly in marching home from war. Categories of ''aeneatores'' ''Aeneatores'' who blew a ''buccina'' (a ''C''-shaped horn made of bronze or silver or animal horn) were known as ''buccinators''; those who blew a ''cornu'' (a ''G''-shaped horn made of brass) were known as '' cornicines''; those who blew a ''tuba'' (a str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Copper Alloys
Copper alloys are metal Alloy, alloys that have copper as their principal component. They have high resistance against corrosion. Of the large number of different types, the best known traditional types are bronze, where tin is a significant addition, and brass, using zinc instead. Both of these are imprecise terms. Latten is a further term, mostly used for coins with a very high copper content. Today the term ''copper alloy'' tends to be substituted for all of these, especially by museums. Copper deposits are abundant in most parts of the world (globally 70 parts per million), and it has therefore always been a relatively cheap metal. By contrast, tin is relatively rare (2 parts per million), and in Europe and the Mediterranean region, and even in prehistoric times had to be Tin sources and trade during antiquity, traded considerable distances, and was expensive, sometimes virtually unobtainable. Zinc is even more common at 75 parts per million, but is harder to extract from its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vexillarius
left, A reenactor, equipped as a ''vexillifer'', with a ''vexillum'' standard Vexillarius is a term referring to one of several distinct types of Roman soldier. A vexillarius or vexillifer was one of the '' signiferi'' in a Roman legion. His duty was to carry the ''vexillum'', a military standard displaying the name and emblem of the legion. This standard consisted of a woven fabric banner, hung on a crossbar attached to a pole or lance. It was used by both infantry and cavalry. It could designate a vexillation (Latin: ''vexillatio''), a detachment from a larger unit, though it was most likely also a standard for regular complete or component units (such as legions, cohorts, ''alae''). The term vexillarius may also refer to specially re-enlisted veterans. These soldiers were so named because they served in a company (''vexillatio'') under their own ''vexillum'' standard within the legion, separate from the ordinary legionaries in the cohorts of that same legion. They had privileg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buccina
A ''buccina'' () or ''bucina'' (; ), anglicized buccin or bucine, is a brass instrument that was used in the ancient Roman army, similar to the '' cornu''. An '' aeneator'' who blew a ''buccina'' was called a "''buccinator''" or "''bucinator''" (). Design It was originally designed as a tube made of either bronze or shells. However, as time went on more materials started to be used. It measured in length, of narrow cylindrical bore, and played by means of a cup-shaped mouthpiece. The tube is bent round upon itself from the mouthpiece to the bell in the shape of a broad C and is strengthened by means of a bar across the curve, which the performer grasps while playing to steady the instrument; the bell curves over his head or shoulder. Usage The ''buccina'' was used for the announcement of night watches, to summon soldiers by means of the special signal known as ''classicum'', and to give orders. Frontinus relates that a Roman general, who had been surrounded by the enemy, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornu (horn)
A ''cornu'' or ''cornum'' (, " horn", sometimes translated misleadingly as " cornet"; : ''cornua'') was an ancient Roman brass instrument about long in the shape of a letter 'G'. The instrument was braced by a crossbar that stiffened the structure and provided a means of supporting its weight on the player's shoulder. Some specimens survive in the archaeological record, two from the ruins of Pompeii. The ''cornu'' may be difficult to distinguish from the '' buccina''. It was used by the Roman army for communicating orders to troops in battle. In Roman art, the ''cornu'' appears among the instruments that accompany games ''( ludi)'' or gladiator combat in the arena, as on the Zliten mosaic. History and usage It was invented by the Etruscans for use in their funeral processions and military. Roman artistic representations of the ''cornu'' are typically realistic. While Etruscan art usually depict the ''cornu'' in use alongside the lituus. It was likely a status symbol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Tuba
The Roman (plural: ), or trumpet was a military signal instrument used by the ancient Roman military and in religious rituals. They would signal troop movements such as retreating, attacking, or charging, as well as when guards should mount, sleep, or change posts. Thirty-six or thirty-eight ''tubicines'' (tuba players; singular ''tubicen'') were assigned to each Roman legion. The would be blown twice each spring in military, governmental, or religious functions. This ceremony was known as the . It was also used in ancient Roman triumphs. It was considered a symbol of war and battle. The instrument was used by the Etruscans in their funerary rituals. It continued to be used in ancient Roman funerary practices. Roman were usually straight cylindrical instruments with a bell at the end. They were typically made of metals such as silver, bronze, or lead and measured around 4.33 ft or 1.31 meters. Their players, known as the or were well-respected in Roman society. The was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lituus
The word ''lituus'' originally meant a curved augural staff, or a curved war-trumpet in the ancient Latin language. This Latin word continued in use through the 18th century as an alternative to the vernacular names of various musical instruments. Roman ritual wand The ''lituus'' was a crooked wand (similar in shape to the top part of some Western European crosiers) used as a cult instrument in ancient Roman religion by augurs to mark out a ritual space in the sky (a ''templum''). The passage of birds through this ''templum'' indicated divine favor or disfavor for a given undertaking. The ''lituus'' was also used as a symbol of office for the college of the augurs to mark them out as a priestly group. Music instrument Antiquity The ancient ''lituus'' was an Etruscan high-pitched brass instrument, which was straight but bent at the end, in the shape of a letter J, similar to the Gallic carnyx. It was later used by the Romans, especially for processional music and as a si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buccina
A ''buccina'' () or ''bucina'' (; ), anglicized buccin or bucine, is a brass instrument that was used in the ancient Roman army, similar to the '' cornu''. An '' aeneator'' who blew a ''buccina'' was called a "''buccinator''" or "''bucinator''" (). Design It was originally designed as a tube made of either bronze or shells. However, as time went on more materials started to be used. It measured in length, of narrow cylindrical bore, and played by means of a cup-shaped mouthpiece. The tube is bent round upon itself from the mouthpiece to the bell in the shape of a broad C and is strengthened by means of a bar across the curve, which the performer grasps while playing to steady the instrument; the bell curves over his head or shoulder. Usage The ''buccina'' was used for the announcement of night watches, to summon soldiers by means of the special signal known as ''classicum'', and to give orders. Frontinus relates that a Roman general, who had been surrounded by the enemy, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornicen
A (: ) was a junior officer in the Roman army. The 's job was to signal salutes to officers and sound orders to the legions. The played the (making him an ). always marched at the head of the centuries, with the tesserarius, tesserary and the . The were also used as assistants to a centurion (like an ). The was a duplicarius, duplicary or a soldier who got double the basic pay of the legionary. The The late Roman writer Vegetius in his work wrote: See also * Music of ancient Rome References *Vegetius ''De re militari'', Vegetius, Book II* Alexandrescu, Cristina-Georgeta (2010). ''Blasmusiker und Standartenträger im römischen Heer. Untersuchungen zur Benennung, Funktion und Ikonographie.'' Cluj-Napoca: Mega. ISBN 978-606-543-064-8. *Roman Empire Military ranks of ancient Rome Ancient Roman music {{AncientRome-mil-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Immunes
The ''immunes'' were ancient Roman soldiers who possessed specialized skills. They were exempt from the more tedious and dangerous tasks other soldiers were required to do, such as ditch digging and rampart patrol. Becoming an ''immunis'' Prior to becoming an ''immunis'', men were required to serve as ''miles gregarius'' (also known as ''munifex''), a non-specialist regular soldier. These men were the soldiers that made up the bulk of the legions, liable to perform guard duties, labour work and other less than desired duties. '' Milites'' would usually have to serve for several years before becoming eligible for training to become ''immunes''. ''Immunis'' status within the army was achieved either through selection or through promotion. If not possessing the specialist skills that could see a soldier chosen to become an ''immunis'', the legionary who wished to become one would have to undergo a period of specialist training, during which time they would be known as '' discens''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Equites
The (; , though sometimes referred to as " knights" in English) constituted the second of the property/social-based classes of ancient Rome, ranking below the senatorial class. A member of the equestrian order was known as an (). Description During the Roman Kingdom and the first century of the Roman Republic, legionary cavalry was recruited exclusively from the ranks of the patricians, who were expected to provide six (hundreds) of cavalry (300 horses for each consular legion). Around 400BC, 12 more of cavalry were established and these included non-patricians (plebeians). Around 300 BC the Samnite Wars obliged Rome to double the normal annual military levy from two to four legions, doubling the cavalry levy from 600 to 1,200 horses. Legionary cavalry started to recruit wealthier citizens from outside the 18 . These new recruits came from the first class of commoners in the Centuriate Assembly organisation, and were not granted the same privileges. By the time of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Roman Army Unit Types
This is a list of Roman army units and bureaucrats. *''Accensus'' – Light infantry men in the armies of the early Roman Republic, made up of the poorest men of the army. *''Actuarius'' – A soldier charged with distributing pay and provisions. *''Adiutor'' – A camp or headquarters adjutant or assistant. *''Aeneator'' – Military musician such as a bugler *''Agrimensor'' – A surveyor (a type of ''immunes''). *''Antesignano'' – Supposedly a light infantry unit of legionaries who were used for protection of marching columns and to provide security to legions. *''Aquilifer'' – Bearer of the legionary eagle. *''Ala (Roman allied military unit), Ala'' – a military formation composed of conscripts from the Italian military allies. *''Alaris (Roman military), Alaris'' – A cavalryman serving in an ''Ala (Roman military), ala''. *''Auxilia'' – were introduced as non-citizen troops attached to the citizen legions by Augustus after his reorganisation of the Imperial Roman arm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Roman Music
The music of ancient Rome was a part of Roman culture from the earliest of times. Songs ''(carmen)'' were an integral part of almost every social occasion. The '' Secular Ode'' of Horace, for instance, was commissioned by Augustus and performed by a mixed children's choir at the Secular Games in 17 BC. Music was customary at funerals, and the ''tibia'' (Greek ''aulos''), a woodwind instrument, was played at sacrifices to ward off ill influences. Under the influence of ancient Greek theory, music was thought to reflect the orderliness of the cosmos, and was associated particularly with mathematics and knowledge. Etruscan music had an early influence on that of the Romans. During the Imperial period, Romans carried their music to the provinces, while traditions of Asia Minor, North Africa, and Gaul became a part of Roman culture. Music accompanied public spectacles, events in the arena, and was part of the performing art form called ''pantomimus'', an early form of story bal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
