Adult Video In Japan
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Adult Video In Japan
In Japan, (AV) are sex or nudity themed videos distinguishable from Toei porno feature films, Nikkatsu Roman Porno feature films, indie studio pink films, and less sex-centred 'V-cinema' or other (OV). Adult videos feature sex or nudity, and may not in some cases have a storyline. They are released initially on video, and pass inspection by an adult video ethics committee originally the (NEVA), which enforced the placement of video-masking mosaics over pubic hair or genitalia. Toei Porno, Nikkatsu Roman Porno and pink films are also often concerned with sex, but they are shown first in movie theatres, and are rated by , rather than an adult video ethics organization. The mainstream studio Nikkatsu filmed its Roman Porno line from 1971 through 1988. V-cinema or OV also tend to have a story, but sex if present is less central, and they were released directly to VHS or recently DVD, Blu-Ray or streaming without being first shown in a movie theatre. Many V-cinema works are pro ...
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New Release Adult Video Displayed In Rental Video Shop 2
New or NEW may refer to: Music * New, singer of K-pop group The Boyz (South Korean band), The Boyz * New (album), ''New'' (album), by Paul McCartney, 2013 ** New (Paul McCartney song), "New" (Paul McCartney song), 2013 * New (EP), ''New'' (EP), by Regurgitator, 1995 * New (Daya song), "New" (Daya song), 2017 * New (No Doubt song), "New" (No Doubt song), 1999 * "new", a song by Loona from the 2017 single album ''Yves (single album), Yves'' * "The New", a song by Interpol from the 2002 album ''Turn On the Bright Lights'' Transportation * Lakefront Airport, New Orleans, U.S., IATA airport code NEW * Newcraighall railway station, Scotland, station code NEW Other uses * New (film), ''New'' (film), a 2004 Tamil movie * New (surname), an English family name * NEW (TV station), in Australia * new and delete (C++), in the computer programming language * Net economic welfare, a proposed macroeconomic indicator * Net explosive weight, also known as net explosive quantity * Network of enlig ...
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Daydream (1964 Film)
is a 1964 Japanese pink film. It was the first erotic film to have a big budget and a mainstream release in Japan, and was shown at the Venice Film Festival and given two releases in the United States. Director Tetsuji Takechi remade the film in hardcore versions in 1981 and 1987. Both of these remakes starred actress Kyōko Aizome. Background Early erotic films In the years since the end of World War II, eroticism had been gradually making its way into Japanese cinema. The first kiss to be seen in Japanese film—discreetly half-hidden by an umbrella—caused a national sensation in 1946. In the mid-1950s, the controversial ''taiyozoku'' films on the teen-age "Sun Tribe", such as Ko Nakahira's '' Crazed Fruit'' (1956), introduced unprecedented sexual frankness into Japanese films. At the same time, films such as Shintoho's female pearl-diver films starring buxom Michiko Maeda, began showing more flesh than would have previously been imaginable in the Japanese cinema. Neverthel ...
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Daydream (1981 Film)
is a 1981 Japanese pink film directed by Tetsuji Takechi. It is a remake of Takechi's 1964 pink film of the same name, and is considered the first hardcore pornographic film to be released theatrically in Japan. Background Maverick theater and film director Tetsuji Takechi had directed Japan's first big-budget pink film in 1964 with ''Daydream''. He directed more films in the 1960s, including ''Black Snow'' 1965, which resulted in a high-profile obscenity trial. During the 1970s, he concentrated on writing projects, and served as the host of a successful television series, ''The Tetsuji Takechi Hour'' for the previous decade. In 1981, the then 68-year old Takechi decided to return to film with a hardcore remake of ''Daydream''. Takechi again chose Akira Takeda, Nagisa Oshima's cinematographer between 1965 and 1968, to shoot his film. Noticing Kyōko Aizome in one of her nude photo magazine appearances, Takechi chose the then unknown actress to star in the film. After the film's ...
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Tetsuji Takechi
was a Japanese theatrical and film director, critic, and author. First coming to prominence for his theatrical criticism, in the 1940s and 1950s he produced influential and popular experimental kabuki plays. Beginning in the mid-1950s, he continued his innovative theatrical work in '' noh'', ''kyōgen'' and modern theater. In late 1956 and early 1957 he hosted a popular TV program, ''The Tetsuji Takechi Hour'', which featured his reinterpretations of Japanese stage classics. In the 1960s, Takechi entered the film industry by producing controversial soft-core theatrical pornography. His 1964 film ''Daydream'' was the first big-budget, mainstream ''pink film'' released in Japan. After the release of his 1965 film '' Black Snow'', the government arrested him on indecency charges. The trial became a public battle over censorship between Japan's intellectuals and the government. Takechi won the lawsuit, enabling the wave of softcore ''pink films'' which dominated Japan's domestic cin ...
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Patrick Macias
Patrick Macias (born 1972) is an American author and co-author of several titles on pop culture fandom, specifically relating to Japanese culture and culture in America. Macias is also a correspondent for NHK World Television show ''Tokyo Eye'', and is the editor-in-chief of the culture magazine '' Otaku USA'', which debuted on June 5, 2007. In 2014, Macias became the Senior Manager of New Initiatives at Crunchyroll, leaving the position in 2019. Macias currently works as a Creative Director at Octas, Inc. Macias hosts the podcast "Pure TokyoScope" with co-host Matt Alt, a translator and writer. The podcast covers general topics of anime, manga and Japanese culture. In 2024, Macias published "Mondo Tokyo - Dispatches from a Secret Japan", a collection of interviews and short stories about the Tokyo underground scene. Biography Macias became a published writer when he was 19, writing about youth culture for zines and other publications. Alvin Lu, a former editor of the '' Sa ...
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Kuki Inc
Kuki may refer to: Locations * Kuki, Isfahan or Harizeh, a village in Isfahan Province, Iran * Kuki, Saitama, a city in Japan Peoples and culture * Kuki people, Thadou or Chin, an ethnic tribe in Burma and came to settle in Northeast India. * Kukish languages spoken by the Kuki and related peoples * Kuki (pie), a staple in Kurdish cuisine * Kuki, an ancient samurai family of fighting style called Kukishin ryu Technology * Kuki Linux, a netbook-oriented Linux distribution * Kuki AI, an embodied bot designed to befriend humans in the metaverse * Kuki Inc., a Japanese adult video company Other * Kuki (footballer, born 1971), Brazilian footballer * Kuki (footballer, born 1994), Spanish footballer * Kuki Sanban (Numbuh 3), a fictional character in the animated series '' Codename: Kids Next Door'' * Kuki Shinobu, a character in 2020 video game ''Genshin Impact'' * Shūzō Kuki (1888–1941), Japanese art critic and philosopher KUKI can refer to: * KUKI (AM), a radio station (1400 ...
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Betamax
Betamax (also known as Beta, and stylized as the Greek letter Beta, β in its logo) is a discontinued consumer analog Videotape, video cassette recording format developed by Sony. It was one of the main competitors in the videotape format war against its primary rival, VHS. Betamax was introduced in Japan on May 10, 1975, and launched in the United States later that year. Betamax was widely regarded, in part due to Sony's marketing, as offering superior picture quality compared to VHS. Its initial β1 speed provided 250 horizontal lines of resolution, compared to VHS's 240 lines, but early Beta tapes were limited to 60 minutes of recording time, making them impractical for recording movies or sporting events. To address this, Sony introduced the β2 speed, which doubled recording time to two hours but reduced resolution, negating its technical advantage. VHS's commercial success over Betamax was also driven by JVC's strategy of licensing the format broadly, spurring competition ...
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Video Cassette Recorder
A videocassette recorder (VCR) or video recorder is an electromechanical device that records analog audio and analog video from broadcast television or other AV sources and can play back the recording after rewinding. The use of a VCR to record a television program to play back at a more convenient time is commonly referred to as '' time shifting''. VCRs can also play back prerecorded tapes, which were widely available for purchase and rental starting in the 80s and 90s, most popularly in the VHS videocassette format. Blank tapes were sold to make recordings. VCRs declined in popularity during the 2000s and in 2016, Funai Electric, the last remaining manufacturer, ceased production. History Early machines and formats The history of the videocassette recorder follows the history of videotape recording in general. Ampex introduced the quadruplex videotape professional broadcast standard format with its Ampex VRX-1000 in 1956. It became the world's first commerciall ...
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Betamax
Betamax (also known as Beta, and stylized as the Greek letter Beta, β in its logo) is a discontinued consumer analog Videotape, video cassette recording format developed by Sony. It was one of the main competitors in the videotape format war against its primary rival, VHS. Betamax was introduced in Japan on May 10, 1975, and launched in the United States later that year. Betamax was widely regarded, in part due to Sony's marketing, as offering superior picture quality compared to VHS. Its initial β1 speed provided 250 horizontal lines of resolution, compared to VHS's 240 lines, but early Beta tapes were limited to 60 minutes of recording time, making them impractical for recording movies or sporting events. To address this, Sony introduced the β2 speed, which doubled recording time to two hours but reduced resolution, negating its technical advantage. VHS's commercial success over Betamax was also driven by JVC's strategy of licensing the format broadly, spurring competition ...
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Million Films
1,000,000 (one million), or one thousand thousand, is the natural number following 999,999 and preceding 1,000,001. The word is derived from the early Italian ''millione'' (''milione'' in modern Italian), from ''mille'', "thousand", plus the augmentative suffix ''-one''. It is commonly abbreviated: * in British English as m (not to be confused with the metric prefix "m" ''milli'', for , or with metre), * M, * MM ("thousand thousands", from Latin "Mille"; not to be confused with the Roman numeral = 2,000), * mm (not to be confused with millimetre), or * mn, mln, or mio can be found in financial contexts. In scientific notation, it is written as or 106. Physical quantities can also be expressed using the SI prefix mega (M), when dealing with SI units; for example, 1 megawatt (1 MW) equals 1,000,000 watts. The meaning of the word "million" is common to the short scale and long scale numbering systems, unlike the larger numbers, which have different names in the two s ...
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Shintōhō Eiga
is a Japanese pink film production company and film distributor located in Tokyo, Japan which has been among the most influential studios in the pink film genre since its beginnings. Foundation The first Shintōhō, or "New Toho", also known as , was formed as an offshoot of the Toho Company after World War II. When this company went bankrupt in May 1961, two new companies were created in its place. Shintōhō's former president, Mitsuru Ōkura, formed the Ōkura Eiga studio (later OP Eiga) after buying the Shintōhō production facilities in Setagaya, Tokyo while Kōichi Gotō, a Shintōhō employee at the company's Kansai sales office in Osaka, bought the rights to the name of the company. Three years later, in 1964, the 33-year-old Gotō used borrowed money to buy the management rights to the section in Osaka where he had previously worked. He named his new company Shintōhō Kōgyō () or "Shintoho Entertainment". In 1972, this company moved to Tokyo and absorbed another pi ...
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Video Cassette Recorders
A videocassette recorder (VCR) or video recorder is an electromechanical device that records analog audio and analog video from broadcast television or other AV sources and can play back the recording after rewinding. The use of a VCR to record a television program to play back at a more convenient time is commonly referred to as ''time shifting''. VCRs can also play back prerecorded tapes, which were widely available for purchase and rental starting in the 80s and 90s, most popularly in the VHS videocassette format. Blank tapes were sold to make recordings. VCRs declined in popularity during the 2000s and in 2016, Funai Electric, the last remaining manufacturer, ceased production. History Early machines and formats The history of the videocassette recorder follows the history of videotape recording in general. Ampex introduced the quadruplex videotape professional broadcast standard format with its Ampex VRX-1000 in 1956. It became the world's first commercially succe ...
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