Adolescencia
''Adolescencia'' (English language:Adolescence) is a 1942 in film, 1942 Argentine film of the Golden Age of Argentine cinema, dicretet by Francisco Múgica and written by Carlos A. Olivari. The film starred Pola Alonso and Ana Arneodo Synopsis A girl falls in love with a boy arrived from the United States and displaces her childhood sweetheart. Release The film premiered on 11 March 1942 in Buenos Aires. Cast * Pola Alonso * Ana Arneodo * María Arrieta * Alberto Contreras * Rufino Córdoba * Alfredo Jordan * Mirtha Legrand * Ángel Magaña * Federico Mansilla * Domingo Márquez External links * 1942 films Argentine black-and-white films Films directed by Francisco Múgica Argentine comedy films 1942 comedy films 1940s Argentine films 1940s Spanish-language films Spanish-language comedy films {{1940s-Argentina-film-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mirtha Legrand
Rosa María Juana Martínez Suárez (born 23 February 1927), known by her stage name Mirtha Legrand (; from the French , "the great"), is an Argentine actress and television presenter. With an 80-year career, Legrand is one of the most recognized entertainment figures in Argentina. Legrand made her leading role debut in ''Los martes, orquídeas'' (1941) at only age 14, and soon became one of the definitive actresses of the Golden Age of Argentine cinema, with numerous starring roles in the 1940s and 1950s. Legrand is also widely known for her interview television programme (''Having Lunch with Stars''), which first aired in 1968 on Alejandro Romay's El Nueve, Channel 9. The show was later renamed (''Having Lunch with Mirtha Legrand''). Early life and career Legrand was born on 23 February 1927 in Villa Cañás. She and her twin sister Silvia Legrand, Silvia were born to José Martínez, a librarian, and Rosa Suárez, a school teacher. They had a sibling named José A. Martí ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Golden Age Of Argentine Cinema
The Golden Age of Argentine cinema (Spanish language, Spanish: ''Época de Oro del cine argentino'' or other equivalent names), sometimes known interchangeably as the broader classical or classical-industrial period (Spanish: ''período clásico-industrial''), is an era in the history of the cinema of Argentina that began in the 1930s and lasted until the 1940s or 1950s, depending on the definition, during which national Film industry, film production underwent a process of industrialization and standardization that involved the emergence of mass production, the establishment of the Studio system, studio, Film genre, genre and Star system (filmmaking), star systems, and the adoption of the institutional mode of representation (MRI) that was mainly—though not exclusively—spread by Cinema of the United States, Hollywood, quickly becoming one of the most popular film industries across Latin America and the Spanish-speaking world. Argentine industrial cinema arose in 1933 wi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Francisco Múgica
Francisco Múgica (10 April 1907 – 1985) was an Argentine film director, film editor and cinematographer notable for his work during the Golden Age of Argentine cinema, classical era of Argentine cinema. He was born and died in Buenos Aires. Múgica initially began his career in film as a cinematographer in the mid-1930s but by 1939 he had become a film director directing his first film ''El Solterón'' early that year followed by the highly successful comedy ''Such Is Life (1939 film), Así es la vida''. He directed some 25 films including the 1942 in film, 1942 film ''Adolescencia''. He retired from film in 1962. Filmography As editor *1933 ''Los tres berretines'' (''The Three Whims'') *1934 ''Ayer y Hoy (film), Ayer y hoy'' *1935 ''Buenos Aires Nights'' *1935 ''El caballo del pueblo'' (''The Favorite'') *1936 ''La muchachada de a bordo'' *1936 ''Radio Bar'' *1937 ''El cañonero de Giles'' *1937 ''The Boys Didn't Wear Hair Gel Before (1937 film), The Boys Didn't Wear H ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ana Arneodo
Ana Arneodo (1898 – 1977) was an Argentine actress notable for her work during the Golden Age of Argentine cinema. Arneodo made her appearance in film in 1939 and made some 24 appearances between then and 1958, appearing in films such as the 1942 film ''Adolescencia'' alongside Pola Alonso and '' Al marido hay que seguirlo'' (1948). She regularly worked under the films of director Francisco Múgica. She retired in 1958. Films *1939 '' El solterón'' *1940 '' A Thief Has Arrived'' *1940 '' Nosotros, los muchachos'' *1940 ''Un señor mucamo'' *1941 '' Los martes, orquídeas'' *1941 '' Una vez en la vida'' *1942 ''Adolescencia'' *1942 '' Cada hogar un mundo'' *1942 '' Su primer baile'' *1942 '' El viaje (1942 film)'' *1943 '' Todo un hombre'' *1943 '' El espejo'' *1943 '' An Evening of Love'' *1944 '' Se rematan ilusiones'' *1945 '' The Abyss Opens'' *1948 '' Al marido hay que seguirlo'' *1948 ''La gran tentación'' *1949 '' La cuna vacía'' *1950 '' The New Bell'' *1950 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pola Alonso
Pola Alonso (16 November 1923 – 6 November 2004 Buenos Aires) was a classic Argentine film actress of the 1940s and 1950s. She appeared in the 1942 film ''Adolescencia'' and in 1955's '' Adiós muchachos''. She was the sister of Argentine actor Tito Alonso. Filmography *1942: ''Adolescencia'' *1942: ''Spring Bride'' *1947: ''Los Hijos del otro'' *1947: ''Un ángel sin pantalones'' *1948: ''María de los Ángeles'' *1948: ''Beatriz'' *1948: ''Recuerdos de un ángel'' *1948: ''Mis cinco hijos'' *1949: ''Almafuerte'' *1949: '' El ídolo del tango'' *1950: '' Hoy canto para ti'' *1954: '' Yo soy el criminal'' *1955: ''What Happened at Reynoso'- *1955: '' Adiós muchachos (film)'' *1962: ''Una jaula no tiene secretos ''Una jaula no tiene secretos'' (''A Cage Has No Secrets'') is a 1962 Spanish-Argentine comedy film directed by Agustín Navarro. The script was written by Raúl Gurruchaga The movie premiered on 3 October 1962. The movie won the original screen ...'' *1963: '' La ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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José María Beltrán
José María Beltrán Ausejo (3 June 1898 - 22 January 1962) was a prolific Spanish cinematographer who worked in Spanish, Argentine, Venezuelan and Brazilian cinema. He was involved in the cinematography of almost 80 films between 1925 and his death, and is best known for his work in Argentina in the 1940s and early 1950s. He worked with director Francisco Múgica on a number of Argentine films including the 1942 film '' Adolescencia. His photography for the 1951 film '' La Balandra Isabel llegó esta tarde'' won him significant recognition in Europe and he won best photography at the Cannes Film Festival of that year. In 1952 he worked on one of the most acclaimed films of that year '' Las Aguas Bajan Turbias'' (1952) which won the Silver Condor Award for Best Film in 1953. He died in Zaragoza. Selected filmography * '' Sister San Sulpicio'' (1927) * ''Our Lady of Sorrows Our Lady of Sorrows (), Our Lady of Dolours, the Sorrowful Mother or Mother of Sorrows (), and Our Lady ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Juan Soffici
Juan Soffici was an Argentine film editor. He was known for his work in the late 1930s and early 1940s for Lumiton. Selected filmography *'' Cadetes de San Martín'' (1937) *'' La chismosa'' (1938) * '' Three Argentines in Paris'' (1938) *'' Such Is Life'' (1939) *'' The Model and the Star'' (1939) *'' Margarita, Armando y su padre'' (1939 *'' Muchachas que estudian'' (1939) * '' Isabelita'' (1940) * ''Honeymoon in Rio'' (1940) *'' The Englishman of the Bones'' (1940) *'' Medio millón por una mujer'' (1940) * ''I Want to Be a Chorus Girl ''I Want to Be a Chorus Girl'' (Spanish:''Yo quiero ser bataclana'') is a 1941 Argentine musical comedy film of the Golden Age of Argentine cinema, directed by Manuel Romero and starring Niní Marshall, Juan Carlos Thorry and Alicia Barrié.Mel ...'' (1941) * '' You Are My Love'' (1941) *'' El tesoro de la isla Maciel'' (1941) *'' Persona honrada se necesita'' (1941) *''Adolescencia'' (1942) References External links * Argentine ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lumiton
Lumiton is a former film production company and current museum located in Munro, Buenos Aires, Argentina. Lumiton Studios was founded in 1932 at the start of the Golden Age of Argentine cinema. Its lowbrow, populist films appealed to local audiences and were highly successful in Argentina and throughout Latin America. It was the main competitor to Argentina Sono Film in the 1940s. After World War II (1939–45) Lumiton faced increased government regulation, rising costs and loss of audiences to more sophisticated Hollywood productions. The company was forced to shut down in 1952. History Beginning Lumiton was founded in the town of Munro, Buenos Aires, with an initial capital of 300,000 pesos. The name "Lumiton" is made from the words for "light" and "sound". The full name was "Sociedad Anónima Radio Cinematográfica Lumiton" (Lumiton Radio Cinematography Company Ltd.) The founders had earlier pioneered radio broadcast in Argentina, and were now pioneering sound films. They ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ángel Magaña
Ángel Magaña (August 24, 1915 – November 13, 1982) was an Argentine film actor of the Golden Age of Argentine cinema during the 1930s, 1940s and 1950s. He was married to the Spanish-Argentine film actress Nuri Montsé. Filmography #Hotel de señoritas (1979) #'' El juicio de Dios'' (inconclusa - 1979) #'' Así es la vida'', Alberto Castañares #Dos locos en el aire (1976) #Los chantas (1975), Aurelio #Andrea (1973) #Adiós Alejandra (1973) #Mi amigo Luis (1972) #La sonrisa de mamá (1972), Damián #'' La familia hippie'' (1971) #¡Viva la vida! (1969) #Flor de piolas (1967) # La Cigarra está que arde (1967) #Viaje de una noche de verano (1965) #La industria del matrimonio (1964), (episodio "Correo sentimental") #Ritmo nuevo, vieja ola (1964), Dr. Marcelo Maines # La Cigarra no es un bicho (1963) #Historia de una carta (1957) #Requiebro (1955) # El cura Lorenzo (1954) # Los ojos llenos de amor (1954) #Un ángel sin pudor (1953) #''Don't Ever ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Domingo Márquez
Domingo Márquez was an Argentine actor. He starred in films like '' The Best Father in the World '' (1941), '' Los martes, orquídeas'' (1941), ''Filomena Marturano'' (1950), and '' The Fire Girl'' (1952). He had a minor role in the acclaimed Silver Condor-winning 1943 film ''Juvenilia''. Career Márquez was a brilliant supporting actor and protagonist, who covered important roles in about 40 films. He shared the stage with great giants of national cinema such as Mirtha Legrand, Maria Esther Buschiazzo, Betty Colman, Agustín Barrios, Tito Alonso, Julio Renato, Nélida Solá, Nélida Bilbao, Eduardo Rudy, Armando Durán, among others. In 1946 1946 (Roman numerals, MCMXLVI) was a common year starting on Tuesday of the Gregorian calendar, the 1946th year of the Common Era (CE) and ''Anno Domini'' (AD) designations, the 946th year of the 2nd millennium, the 46th year of the 20th centur ... he joined the list of The Democratic Actors Association, during the government of Jua ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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1940s Argentine Films
Year 194 ( CXCIV) was a common year starting on Tuesday of the Julian calendar. At the time, it was known as the Year of the Consulship of Septimius and Septimius (or, less frequently, year 947 ''Ab urbe condita''). The denomination 194 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Decimus Clodius Septimius Albinus Caesar became a Roman Consul. * Battle of Issus: Septimius Severus marches with his army (12 legions) to Cilicia, and defeats Pescennius Niger, Roman governor of Syria. Pescennius retreats to Antioch, and is executed by Severus' troops. * Septimius Severus besieges Byzantium (194–196); the city walls suffer extensive damage. Asia * Battle of Yan Province: Warlords Cao Cao and Lü Bu fight for control over Yan Province; the battle lasts for over 100 days. * First year of the ''Xingping'' era during the Han Dynasty in ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Argentine Comedy Films
Argentines, Argentinians or Argentineans are people from Argentina. This connection may be residential, legal, historical, or cultural. For most Argentines, several (or all) of these connections exist and are collectively the source of their being Argentine. Argentina is a multiethnic society, home to people of various ethnic, racial, religious, denomination, and national origins, with the majority of the population made up of Old World immigrants and their descendants. As a result, Argentines do not equate their nationality with ethnicity, but with citizenship and allegiance to Argentina. Aside from the indigenous population, nearly all Argentines or their ancestors immigrated within the past five centuries. Among countries in the world that have received the most immigrants in modern history, Argentina, with 6.6 million, ranks second to the United States (27 million), and ahead of other immigrant destinations such as Canada, Brazil and Australia. Ethnic groups Overvie ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |