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A Closer Look At Rugs
''A closer look at rugs'' was an art exhibition which toured between 1983 and 1985. The trio of ''A Closer look'' exhibitions (1983–5), curated by Peter Dormer started with concurrently run exhibitions at the Waterloo Place Gallery of the Crafts Council. The tour tended to separate the three themes for practicality of space. * ''A closer look at rugs'' * ''A closer look at lettering'' * ''A closer look at wood'' The exhibitions presented craftwork of a national standard to localities and venues which could not usually access them. Galleries were also used the exhibitions to emphasise their permanent collections. Whilst the theme of this series was on rugs, in many localities they were presented more like tapestries as wall-hung pieces of art and/or craft A craft or trade is a pastime or an occupation that requires particular skills and knowledge of skilled work. In a historical sense, particularly the Middle Ages and earlier, the term is usually applied to people oc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crafts Council
The Crafts Council is the national development agency for contemporary craft in the United Kingdom, and is funded by Arts Council England. History The Crafts Advisory Committee was formed in 1971 to advise the Minister for the Arts, David Eccles, 1st Viscount Eccles, ‘on the needs of the artist craftsman and to promote a nation-wide interest and improvement in their products’. Its first meeting was held on 6 October 1971 at the Council of Industrial Design (later the Design Council). It was later chaired by Sir Paul Sinker. In 1973, the Committee purchased Waterloo Place, London. It began publishing the journal ''Crafts''. It also held its first exhibition, ''The Craftsman's Art'' (1973) at the Victoria and Albert Museum, accompanied by publication of the exhibition catalog of the same name. In 1974, it launched the Crafts Advisory Committee Index, an information service for and about craftspeople. In April 1979 the Crafts Advisory Committee was renamed the Crafts Counc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carpet
A carpet is a textile floor covering typically consisting of an upper layer of Pile (textile), pile attached to a backing. The pile was traditionally made from wool, but since the 20th century synthetic fiber, synthetic fibres such as polypropylene, nylon, and polyester have often been used, as these fibres are less expensive than wool. The pile usually consists of twisted Tufting, tufts that are typically heat-treated to maintain their structure. The term ''carpet'' is often used in a similar context to the term rug, but rugs are mostly considered to be smaller than a room and not attached to the floor. Carpets are used for a variety of purposes. These include insulating a person's feet from a cold tile or concrete floor, making a room more comfortable as a place to sit on the floor (e.g., when playing with children or as a prayer rug), reducing sound from walking (particularly in apartment buildings), and adding decoration or colour to a room. Carpets can be made in any colo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tapestries
Tapestry is a form of textile art which was traditionally woven by hand on a loom. Normally it is used to create images rather than patterns. Tapestry is relatively fragile, and difficult to make, so most historical pieces are intended to hang vertically on a wall (or sometimes in tents), or sometimes horizontally over a piece of furniture such as a table or bed. Some periods made smaller pieces, often long and narrow and used as borders for other textiles. Most weavers use a natural warp thread, such as wool, linen, or cotton. The weft threads are usually wool or cotton but may include silk, gold, silver, or other alternatives. In late medieval Europe, tapestry was the grandest and most expensive medium for figurative images in two dimensions, and despite the rapid rise in importance of painting it retained this position in the eyes of many Renaissance patrons until at least the end of the 16th century, if not beyond. The European tradition continued to develop and reflec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Craft
A craft or trade is a pastime or an occupation that requires particular skills and knowledge of skilled work. In a historical sense, particularly the Middle Ages and earlier, the term is usually applied to people occupied in small scale production of goods, or their maintenance, for example by tinkers. The traditional term ''craftsman'' is nowadays often replaced by ''artisan'' and by '' craftsperson''. Historically, the more specialized crafts with high-value products tended to concentrate in urban centers and their practitioners formed guilds. The skill required by their professions and the need to be permanently involved in the exchange of goods often demanded a higher level of education, and craftspeople were usually in a more privileged position than the peasantry in societal hierarchy. The households of artisans were not as self-sufficient as those of people engaged in agricultural work, and therefore had to rely on the exchange of goods. Some crafts, especially ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Wilson (Cheltenham)
The Wilson, formerly known as Cheltenham Art Gallery and Museum, in Cheltenham, Gloucestershire, was opened in 1899. It offers free admission, and has a programme of special exhibitions. It was renamed The Wilson in honour of polar explorer Edward Adrian Wilson, Edward Wilson, a son of Cheltenham, in 2013 after the building was extended. The gallery and museum is managed by The Cheltenham Trust. The museum is housed in part of a Regency building on Clarence Street (Cheltenham Library currently occupies much of the original building), designed as the Cheltenham Public Library by architect William Hill Knight, who also designed the Cheltenham Synagogue and Montpellier, Cheltenham, Montpellier Walk. In 2007 a national architectural design competition was launched by RIBA Competitions to extend the building, providing more space for the renowned Arts and Crafts collection. Through this procesBerman Guedes Strettonwere selected by Cheltenham Borough Council and the extension was co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kirkleatham Museum
Kirkleatham is an area of Redcar in the borough of Redcar and Cleveland in North Yorkshire, England. It is approximately north-northwest of Guisborough, and south of Redcar centre. It was listed in the Domesday Book of 1086. The area has a collection of buildings that formed the Turner Estate, named after the Turner family who lived in the area from 1661. It has one of the best collections of Georgian-style buildings in England. Demographics In 1086, the village had "9.1 households" according to the Domesday Book. The creation of a Free School in 1709 added a further 40 people. In 1951 the civil parish had a population of 403. History The name of the village comes from the old Norse ‘kirk’ (church) and ‘hlíð’ (slopes). Literally, "churchslopes." It is thought there has been a church on the site since the 9th century AD, as a location where the body of Saint Cuthbert rested before it was taken to Durham. The parish church is named Saint Cuthbert’s from that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tullie House Museum
Tullie House Museum and Art Gallery, officially known as Tullie since July 2024, is a museum in Carlisle, England. Opened by the Carlisle Corporation in 1893, the original building is a converted Jacobean mansion, with extensions added when it was converted. At first the building contained the museum and also a library, an art school and a technical school. Tullie reopened on 26th April 2025 after extensive redevelopment. The building, including the extensions, is a Grade I listed building, and the wall, gates and railings in front of the house are separately Grade I listed. The two schools were moved in the 1950s and the library in 1986. The museum expanded into the city Guildhall in 1980 and with new space available from 1986 it underwent an extensive redevelopment over 1989–90 and again in 2000–01. Since May 2011 the museum has been an independent charitable trust, the Tullie House Museum and Art Gallery Trust. It is one of the three members of the Cumbria M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quarry Bank Mill
Quarry Bank Mill (also known as Styal Mill) in Styal, Cheshire, England, is one of the best preserved Textile manufacture during the British Industrial Revolution, textile factories of the Industrial Revolution. Built in 1784, the cotton mill is recorded in the National Heritage List for England as a designated Grade II* Listed building#England and Wales, listed building. Quarry Bank Mill was established by Samuel Greg, and was notable for innovations both in machinery and also in its approach to labour relations, the latter largely as a result of the work of Greg's wife, Hannah Lightbody. The family took a somewhat paternalistic attitude toward the workers, providing medical care for all and limited education to the children, but all laboured roughly 72 hours per week until 1847 when a new law shortened the hours. Greg also built housing for all of his workers, in a large community now known as Styal Estate. Some were conversions of farm houses, or older residences but 4 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Northern Gallery For Contemporary Art
Northern Gallery for Contemporary Art (NGCA) is a contemporary art gallery which is based in Sunderland, England. The gallery focuses on producing exhibitions of new work by emerging and established regional, national and international artists. The gallery relocated from its city centre location on Fawcett Street, and reopened in a generous 3000 square foot space inside National Glass Centre in March 2018. Prior to the opening of the Baltic Centre for Contemporary Art in Gateshead, NGCA was the largest venue dedicated to contemporary art in North East England North East England, commonly referred to simply as the North East within England, is one of nine official regions of England. It consists of County DurhamNorthumberland, , Northumberland, Tyne and Wear and part of northern North Yorkshire. .... In 2019, Northern Gallery for Contemporary Art was 50 years old, being the direct descendant of 'Bookshop Gallery' founded in 1969 and its successor Ceolfrith Arts Centre, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Huddersfield Art Gallery
The Huddersfield Art Gallery is an art gallery in Huddersfield, West Yorkshire, northern England. It is currently owned and operated by Kirklees Council. History Huddersfield Art Gallery was opened on the 22nd April, 1898, by Lady Gwendolen Ramsden. The building pictured was built in 1937 and opened as a library and art gallery in 1940. The gallery closed in 2020 in anticipation of major redevelopments in the town centre and the creation of a Cultural Heart which will include the provision of a new art gallery. Collections The gallery holds over 700 paintings by predominantly British artists from the 19th century to the present day including works by L. S. Lowry, Ian Mckeever, Simon Burton, Robert Priseman, William Orpen, John Atkinson Grimshaw, Philip Wilson Steer, John Bratby, Frank Auerbach, David Tindle, Terry Frost, Lucien Pissarro, John Keith Vaughan, Joan Eardley, Roger Hilton, John Bellany, Chris Gollon, Graham Sutherland, Walter Richard Sickert, Roger Fry, Henry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kirkcaldy Galleries
Kirkcaldy Galleries is the main museum, library and exhibition space in Kirkcaldy in Fife, Scotland. The land for the town's museum and art gallery was donated by John Nairn (the grandson of the linoleum manufacturer, Michael Nairn) on the former site of Balsusney House, the home of John Maxton.Civic Society ''Kirkcaldy: History & Celebration'' p.33. This was opened in 1925, with the first chairman of trustees local cloth-manufacturer businessman John Blyth, the maternal grandfather of politician Michael Portillo. The art gallery holds the largest collection of paintings by William McTaggart and Scottish Colourist Samuel Peploe aside from the National Galleries of Scotland. The museum contains many significant works by the Glasgow Boys. Situated on the ground floor, is the museum's award-winning permanent exhibition covering the town's industrial heritage. The museum also has a cafe which displays examples of Wemyss Ware pottery, made in the town from around the 1890s to 1930s. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Farmer
Mary Farmer (6 August 1940 – 1 February 2021) was a UK-based weaver of tapestries and rugs, she led developments in tapestry in the late 20th century with a number of roles across higher education culminating in Course Director at the Royal College of Art. Her client list included royalty, government departments, major corporations, museum collections and private collectors. A 2023 Government Art Collection event featured her work, both with the tapestry ''Buzz On'' at the reception by Admiralty Arch, London and a collection of works presented. The Tapestry ''Buzz On'' is now (2024) at the Foreign, Commonwealth and Development Office, Whitehall and the other two commissioned works in this series, ''Buzz on II'' and ''Buzz On III'' moved to the British Embassy in Rome, Italy in 2023. An early rug, together with a contemporary tapestry are in the collection of the V&A. Early life Mary Farmer was born Mary Quinton Farmer on 6 August 1940 in Newbury, Berkshire, Newbury, Berks ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
