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A Mother's Duty
''A Mother's Duty'' (1658–1660) is an oil-on-canvas Dutch Golden Age painting by the Dutch painter Pieter de Hooch. It is part of the collection of the Amsterdam Museum, on loan to the Rijksmuseum. Description This painting by Hooch showing a woman delousing a child's hair was documented by Hofstede de Groot in 1910, who wrote:71. MOTHER COMBING HER CHILD'S HAIR. Sm. 33, 4, 67; de G. 5. In a homely bedroom sits a woman in profile to the right. She wears a red blouse and blue skirt, and is de-lousing her daughter's hair who kneels before her with her head in her lap. Behind her is an elevated, recessed bed with curtains; a child's chair stands in the right foreground. The door on the left, near which is a little dog, opens into a second room, through the door of which is seen a garden with slender trees. This is one of the finest pictures by De Hooch in Holland. ompare 74.Signed on the chair "Pr d' hooch"; canvas on panel, 21 inches by 24 inches. Wrongly attributed to E. Bourss ...
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Pieter De Hooch
Pieter Hendricksz. de Hooch (; also spelled ''Hoogh'' or ''Hooghe''; 20 December 1629  – after 1683), was a Dutch Golden Age painter famous for his genre works of quiet domestic scenes with an open doorway. He was a contemporary, in the Delft Guild of St. Luke, of Jan Vermeer with whom his work shares themes and style. De Hooch was first recorded in Delft on 5 August 1652, when he and another painter, Hendrick van der Burgh witnessed the signing of a will. He was active in 1683, but his date of death is unknown (his son Pieter died in 1684, a date often wrongly given for the father). Biography De Hooch was born in Rotterdam to Hendrick Hendricksz de Hooch, a bricklayer, and Annetge Pieters, a midwife, baptised at the Reformed Church in Rotterdam in 1629. He was the eldest of five children and outlived all of his siblings, evidently raised in a working class home. Though, his father was described as a "master bricklayer", hence a skilled artisan required to be a member ...
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Gerard Hoet
Gerard Hoet (; 22 August 1648 – 2 December 1733) was a Dutch Golden Age painter and engraver. Biography Gerard Hoet trained with his father and brother who were glass painters, and Warnard van Rijsen, who lived in Zaltbommel, and who himself was a pupil of Cornelis van Poelenburgh in Utrecht.Gerard Hoet biography
in ''De groote schouburgh der Nederlantsche konstschilders en schilderessen'' (1718) by , courtesy of the Digital library for Dutch literature
In 1672 Hoet moved to

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Paintings Of Women
Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "Support (art), support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual arts, visual art, bringing in elements such as drawing, Composition (visual art ...
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Paintings By Pieter De Hooch
Painting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual art, bringing in elements such as drawing, composition, gesture, narration, and abstraction. Paintings can ...
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Paintings In The Rijksmuseum
Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "Support (art), support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual arts, visual art, bringing in elements such as drawing, Composition (visual art ...
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1650s Paintings
Year 165 ( CLXV) was a common year starting on Monday of the Julian calendar. At the time, it was known as the Year of the Consulship of Orfitus and Pudens (or, less frequently, year 918 ''Ab urbe condita''). The denomination 165 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * A Roman military expedition under Avidius Cassius is successful against Parthia, capturing Artaxata, Seleucia on the Tigris, and Ctesiphon. The Parthians sue for peace. * Antonine Plague: A pandemic breaks out in Rome, after the Roman army returns from Parthia. The plague significantly depopulates the Roman Empire and China. * Legio II ''Italica'' is levied by Emperor Marcus Aurelius. * Dura-Europos is taken by the Romans. * The Romans establish a garrison at Doura Europos on the Euphrates, a control point for the commercial route to the Persian Gulf. * Avidius Cas ...
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List Of Paintings By Pieter De Hooch
A list is a set of discrete items of information collected and set forth in some format for utility, entertainment, or other purposes. A list may be memorialized in any number of ways, including existing only in the mind of the list-maker, but lists are frequently written down on paper, or maintained electronically. Lists are "most frequently a tool", and "one does not ''read'' but only ''uses'' a list: one looks up the relevant information in it, but usually does not need to deal with it as a whole".Lucie Doležalová,The Potential and Limitations of Studying Lists, in Lucie Doležalová, ed., ''The Charm of a List: From the Sumerians to Computerised Data Processing'' (2009). Purpose It has been observed that, with a few exceptions, "the scholarship on lists remains fragmented". David Wallechinsky, a co-author of ''The Book of Lists'', described the attraction of lists as being "because we live in an era of overstimulation, especially in terms of information, and lists help us ...
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The Golf Players
''The Golf Players'' (1658) is an oil-on-panel painting by the Dutch painter Pieter de Hooch. It is an example of Dutch Golden Age painting and is part of the collection of Polesden Lacey. The painting was documented by Hofstede de Groot in 1910, who wrote: "305. The Game of Golf. In an entrance-hall paved with red tiles a little girl carrying a golf-club stands with her hand on the latch of an open door. She looks at a boy who is playing golf in the courtyard. In the distance is a village. Panel, 25 inches by 18 inches. Formerly in the collection of Count von Fries, Vienna. Sales: * Heris of Brussels, in Paris, June 19, 1846, No. 27. * Pierard of Valenciennes, in Paris, March 21, 1860, No. 29. * Sir H. H. Campbell, in London, 1867 (bought in for £63)."entry 305 for ''The Game of Golf''
in Hofstede de Gro ...
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The Bedroom (Karlsruhe)
''The Bedroom'' (1658–1660) is an oil-on-canvas painting by the Dutch painter Pieter de Hooch. It is an example of Dutch Golden Age painting and is part of the collection of the Staatliche Kunsthalle Karlsruhe in Germany. The painting was documented by Hofstede de Groot in 1910, who wrote:72. THE BEDROOM. To the right a young woman is making a bed. She has taken the clothes from a bed enclosed in a wooden partition, and has laid them over a chair. She stands in profile to the left, and smiles at her little girl, who stands in the open doorway to the left with an apple in her left hand. The child's figure is illumined from a high window on the left and from a door in the background. This door leads from a little ante-room into the open air, where walls and garden hedges are visible. In the left foreground is a table with a jug; behind it is a chair. Signed to the left on the table-leg with a monogram of the letters P and H (apparently genuine); canvas, 19 1/2 inches by 25 inches. ...
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The Bedroom (Widener Collection)
''The Bedroom'' (1658–1660) is an oil-on-canvas painting by the Dutch painter Pieter de Hooch. It is an example of Dutch Golden Age painting and is part of the collection of the National Gallery of Art in Washington, D.C., United States. The painting was documented in 1910 by Hofstede de Groot, who wrote:78. THE BEDROOM. Sm. 29, 55. This picture is similar in all respects to the picture at Karlsruhe (72), except that the little mirror hanging at the side of the bed has no ornament at the top and bottom. It has every sign of authenticity. Canvas, 20 inches by 23 inches. Mentioned by Waagen, ii. 71. Sales: * S. J. Stinstra, in Amsterdam, May 22, 1822, No. 86 (25 florins, De Vries). * Lord Radstock, at Christie's, in London, 1826 (70 guineas); 1827 (bought in at 150). * Said by Smith (in 1833) and by Waagen to be in the collection of Lord Stafford, but not mentioned in the book on this collection which is still at Bridgewater House. * Sales. Amsterdam, April 24, 1838 (3311 f ...
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