|
A Meeting Of The Times
''A Meeting of the Times'' is an album by jazz multi-instrumentalist Rahsaan Roland Kirk and vocalist Al Hibbler recorded in March 1972 in New York City, and released in December of that year. It features performances by Kirk and Hibbler with Hank Jones, Ron Carter and Grady Tate with an additional track recorded by Kirk with Leon Thomas, Lonnie Liston Smith, Major Holley and Charles Crosby from the sessions that produced ''Here Comes the Whistleman'' (1965).Rahsaan Roland Kirk discography accessed 20 August 2009 Reception The review by |
Rahsaan Roland Kirk
Rahsaan Roland Kirk (born Ronald Theodore Kirk; August 7, 1935Kernfeld, Barry.Kirk, Roland" ''The New Grove Dictionary of Jazz'', 2nd ed. Ed. Barry Kernfeld. ''Grove Music Online''. ''Oxford Music Online''. Retrieved February 1, 2009-. "The year of his birth has been widely given as 1936, but his birth certificate gives 1935 and confirms Ronald, not Roland." – December 5, 1977), known earlier in his career simply as Roland Kirk, was an American jazz multi-instrumentalist who played tenor saxophone, flute, and many other instruments. He was renowned for his onstage vitality, during which virtuoso improvisation was accompanied by comic banter, political ranting, and the ability to play several instruments simultaneously. Life Ronald Theodore Kirk was born in Columbus, Ohio, where he lived in a neighborhood known as Flytown. He became blind at two years old, which he said was a result of improper medical treatment. As a teenager, Kirk studied at the Ohio State School for the Bli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Penguin Guide To Jazz
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognize ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Didn't Know About You
"I Didn't Know About You" is a song composed by Duke Ellington, with lyrics written by Bob Russell. Recorded in 1944 with vocal by Joya Sherrill, it was based on an instrumental first recorded by Ellington in 1942 under the title "Sentimental Lady". The recording by Count Basie & His Orchestra (vocal by Thelma Carpenter) briefly reached the No. 21 position on the ''Billboard'' charts in 1945 and other recordings available that year were by Duke Ellington, Mildred Bailey, Jo Stafford and Lena Horne. Reception Alec Wilder wrote that it "works well as a song in heseries of Ellington instrumentals with Russell lyrics. The main strain is the most melodic, vocally, of the three Russell wrote lyrics for."Wilder, Alec. ''American Popular Song: The Great Innovators 1900-1950'' (New York: Oxford University Press, 1972), 240. (The other two songs were “ Do Nothing till You Hear from Me” and “ Don't Get Around Much Anymore”, based respectively on "Concerto for Cootie" and "Never N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Sinatra
Francis Albert Sinatra (; December 12, 1915 – May 14, 1998) was an American singer and actor. Nicknamed the " Chairman of the Board" and later called "Ol' Blue Eyes", Sinatra was one of the most popular entertainers of the 1940s, 1950s, and 1960s. He is among the world's best-selling music artists with an estimated 150 million record sales. Born to Italian immigrants in Hoboken, New Jersey, Sinatra was greatly influenced by the intimate, easy-listening vocal style of Bing Crosby and began his musical career in the swing era with bandleaders Harry James and Tommy Dorsey. He found success as a solo artist after signing with Columbia Records in 1943, becoming the idol of the " bobby soxers". Sinatra released his debut album, '' The Voice of Frank Sinatra'', in 1946. When his film career stalled in the early 1950s, Sinatra turned to Las Vegas, where he became one of its best-known residency performers and part of the famous Rat Pack. His acting career was revived by the 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hank Sanicola
Henry William "Hank" Sanicola (14 June 1914 – 6 October 1974) was an American music manager, publisher, businessman and pianist, best known for his work and association with Frank Sinatra from the late 1930s to the early 1960s. Early life Sanicola was born into an Italian-American family that had its roots in Sicily. Physically large, he was a boxer in his youth and entered the music business as a roadhouse piano player. Work with Frank Sinatra Sanicola was Sinatra's original manager and "song plugger" from the late 1930s onwards. The two met in 1936 when Sanicola was promoting records for Warner Bros. Records. Due to their similar backgrounds, the two began working together with Sanicola finding jobs where he played the piano and Sinatra would sing. Sanicola was one of Sinatra's closest friends, and also served as his bodyguard during Sinatra's performances with the Tommy Dorsey band. The two were involved in several business ventures, including a partnership with Ben Barton ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
This Love Of Mine
"This Love of Mine" is a popular American song that was first recorded in 1941 by Tommy Dorsey and His orchestra, with a vocal by Frank Sinatra. Sinatra wrote the words and Sol Parker and Hank Sanicola wrote the music. Background The Tommy Dorsey recording was released as a 78 RCA Victor B side single, 27508-B, with Frank Sinatra on vocals backed with "Neiani", which did not chart. "This Love of Mine" reached #3 on the ''Billboard'' pop singles chart in 1941–42 in a chart run of 24 weeks. Sinatra re-recorded the song with Nelson Riddle Nelson Smock Riddle Jr. (June 1, 1921 – October 6, 1985) was an American arranger, composer, bandleader and orchestrator whose career stretched from the late 1940s to the mid-1980s. He worked with many world-famous vocalists at Capitol Records ... in 1955 for the '' In The Wee Small Hours'' album. The song was copyrighted on August 11, 1941 by Embassy Music. Frank Sinatra was credited with writing the lyrics although this has been dispute ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don't Get Around Much Anymore
"Don't Get Around Much Anymore" is a jazz standard written by composer Duke Ellington. The song was originally entitled "Never No Lament" and was first recorded by Duke Ellington and his orchestra on May 4, 1940. "Don't Get Around Much Anymore" quickly became a hit after Bob Russell wrote its lyrics in 1942. Two different recordings of "Don't Get Around Much Anymore", one by The Ink Spots and the 1940 instrumental by Ellington's own band, reached No. 1 on the R&B chart in the US in 1943. Both were top-ten pop records, along with a version by Glen Gray. The Duke Ellington version reached No. 8 on the pop chart. Other versions * Mose Allison – ''Young Man Mose'', Prestige, 1958) * Mose Allison – ''Creek Bank'' (Prestige, 1975) * Louis Armstrong with his All-Stars and Duke Ellington – ''The Great Reunion'' (1961) and included on '' The Great Summit'' * Louis Armstrong – ''I've Got the World on a String'' (1960) * Tony Bennett and Miguel Bosé – ''Viva Duets'' (2010) * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sigmund Romberg
Sigmund Romberg (July 29, 1887 – November 9, 1951) was a Hungarian-born American composer. He is best known for his musicals and operettas, particularly '' The Student Prince'' (1924), '' The Desert Song'' (1926) and '' The New Moon'' (1928). Early in his career, Romberg was employed by the Shubert brothers to write music for their musicals and revues, including several vehicles for Al Jolson. For the Shuberts, he also adapted several European operettas for American audiences, including the successful '' Maytime'' (1917) and ''Blossom Time'' (1921). His three hit operettas of the mid-1920s, named above, are in the style of Viennese operetta, but his other works from that time mostly employ the style of American musicals of their eras. He also composed film scores. Biography Romberg was born in Hungary as Siegmund Rosenberg to a Jewish [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Hammerstein II
Oscar Greeley Clendenning Hammerstein II (; July 12, 1895 – August 23, 1960) was an American lyricist, librettist, theatrical producer, and (usually uncredited) director in the musical theater for almost 40 years. He won eight Tony Awards and two Academy Awards for Best Original Song. Many of his songs are standard repertoire for vocalists and jazz musicians. He co-wrote 850 songs. He is best known for his collaborations with composer Richard Rodgers, as the duo Rodgers and Hammerstein, whose musicals include ''Oklahoma!'', '' Carousel'', ''South Pacific'', '' The King and I'', and ''The Sound of Music''. Described by Stephen Sondheim as an "experimental playwright", Hammerstein helped bring the American musical to new maturity by popularizing musicals that focused on stories and character rather than the lighthearted entertainment that the musical had been known for beforehand. He also collaborated with Jerome Kern (with whom he wrote '' Show Boat''), V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lover, Come Back To Me
"Lover, Come Back to Me" is a popular song composed by Sigmund Romberg with lyrics by Oscar Hammerstein II for the Broadway show ''The New Moon'', where the song was introduced by Evelyn Herbert and Robert Halliday (as Robert Misson). The song was published in 1928. Film versions The song was performed by Lawrence Tibbett and Grace Moore in ''New Moon'', the 1930 film adaptation of ''The New Moon'', and by Jeanette MacDonald and Nelson Eddy in the 1940 adaptation, also titled ''New Moon''. Barbra Streisand version Arranged and conducted by George Williams, the song was released as Barbra Streisand's second single in November 1962 as a double single with " My Coloring Book". Produced by Mike Berniker, and recorded before Streisand's first album sessions, the single was sent to radio. In 1963, Streisand re-recorded the song for her second album '' The Second Barbra Streisand Album'', which appeared on the compilation '' The Essential Barbra Streisand''. In her first televisio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Strayhorn
William Thomas Strayhorn (November 29, 1915 – May 31, 1967) was an American jazz composer, pianist, lyricist, and arranger, who collaborated with bandleader and composer Duke Ellington for nearly three decades. His compositions include " Take the 'A' Train", " Chelsea Bridge", "A Flower Is a Lovesome Thing", and " Lush Life". Early life Strayhorn was born in Dayton, Ohio, United States. His family soon moved to the Homewood section of Pittsburgh, Pennsylvania. However, his mother's family came from Hillsborough, North Carolina, and she sent him there to protect him from his father's drunken sprees. Strayhorn spent many months of his childhood at his grandparents' house in Hillsborough. In an interview, Strayhorn said that his grandmother was his primary influence during the first ten years of his life. He became interested in music while living with her, playing hymns on her piano, and playing records on her Victrola record player. Return to Pittsburgh and meeting Ellin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
