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24 Caprices For Solo Violin (Paganini)
The 24 Caprices for Solo Violin were written in groups (seven, five and twelve) by Niccolò Paganini between 1802 and 1817. They are also designated as M.S. 25 in Maria Rosa Moretti's and Anna Sorrento's ''Catalogo tematico delle musiche di Niccolò Paganini'' which was published in 1982. The '' Caprices'' are in the form of études, with each number exploring different skills (double stopped trills, extremely fast switching of positions and strings, etc.) Ricordi first published them in 1820, where they were grouped and numbered from 1 to 24 as Op. 1, together with 12 Sonatas for Violin and Guitar (Op. 2 and 3) and 6 Guitar Quartets (Op. 4 and 5). When Paganini released his ''Caprices'', he dedicated them " alli artisti" (to the artists) rather than to a specific person. A sort of dedication can be recognized in Paganini's own score, where he annotated between 1832 and 1840 the following 'dedicatee' for each ''Caprice'' (possibly ready for a new printed edition): 1: Henr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Delphin Alard
Jean-Delphin Alard (8 March 181522 February 1888) was a French violinist, composer, and teacher. He was the son-in-law of Jean-Baptiste Vuillaume, and had Pablo de Sarasate amongst his students. Biography Alard was born in Bayonne, the son of an amateur violinist. From 1827 he was a pupil of F. A. Habeneck at the Paris Conservatoire, where he succeeded Pierre Baillot as professor in 1843, retaining the post till 1875. He was also a pupil of François-Joseph Fétis. His playing was full of fire and point, and his compositions had a great success in France, while his violin school had a wider vogue and considerably greater value. He was a representative of the modern French school of violin playing, composed nocturne A nocturne is a musical composition that is inspired by, or evocative of, the night. History The term ''nocturne'' (from French '' nocturne'' "of the night") was first applied to musical pieces in the 18th century, when it indicated an ensembl ...s, duets, étud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Written In All 24 Major And Minor Keys
Music is the arrangement of sound to create some combination of form, harmony, melody, rhythm, or otherwise expressive content. Music is generally agreed to be a cultural universal that is present in all human societies. Definitions of music vary widely in substance and approach. While scholars agree that music is defined by a small number of specific elements, there is no consensus as to what these necessary elements are. Music is often characterized as a highly versatile medium for expressing human creativity. Diverse activities are involved in the creation of music, and are often divided into categories of composition, improvisation, and performance. Music may be performed using a wide variety of musical instruments, including the human voice. It can also be composed, sequenced, or otherwise produced to be indirectly played mechanically or electronically, such as via a music box, barrel organ, or digital audio workstation software on a computer. Music often plays a key ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Schumann
Robert Schumann (; ; 8 June 181029 July 1856) was a German composer, pianist, and music critic of the early Romantic music, Romantic era. He composed in all the main musical genres of the time, writing for solo piano, voice and piano, chamber music, chamber groups, orchestra, choir and the opera. His works typify the spirit of the Romantic era in German music. Schumann was born in Zwickau, Saxony, to an affluent middle-class family with no musical connections, and was initially unsure whether to pursue a career as a lawyer or to make a living as a pianist-composer. He studied law at the universities of Leipzig University, Leipzig and Heidelberg University, Heidelberg but his main interests were music and Romantic literature. From 1829 he was a student of the piano teacher Friedrich Wieck, but his hopes for a career as a virtuoso pianist were frustrated by a worsening problem with his right hand, and he concentrated on composition. His early works were mainly piano pieces, inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breitkopf & Härtel
Breitkopf & Härtel () is a German Music publisher, music publishing house. Founded in 1719 in Leipzig by Bernhard Christoph Breitkopf, it is the world's oldest music publisher. Overview The catalogue contains over 1,000 composers, 8,000 works and 15,000 music editions or books on music. The name "Härtel" was added when Gottfried Christoph Härtel took over the company in 1795. In 1807, Härtel began to manufacture pianos, an endeavour which lasted until 1870. Breitkopf pianos were highly esteemed in the 19th century by such pianists as Franz Liszt and Clara Schumann. In the 19th century the company was for many years the publisher of the ''Allgemeine musikalische Zeitung'', an influential music journal. The company has consistently supported composers and had close editorial collaboration with Ludwig van Beethoven, Beethoven, Joseph Haydn, Haydn, Felix Mendelssohn, Mendelssohn, Robert Schumann, Schumann, Frédéric Chopin, Chopin, Franz Liszt, Liszt, Richard Wagner, Wagner a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinand David (musician)
Ferdinand Ernst Victor Carl David (; 19 June 181018 July 1873) was a German virtuoso violinist, composer and conductor. Biography Born in the same house in Hamburg where Felix Mendelssohn had been born the previous year, David was raised Jewish but later converted to Protestant Christianity. His sister was a concert pianist. David was a pupil of Louis Spohr and Moritz Hauptmann from 1823 to 1824 and in 1826 became a violinist at Königsstädtisches Theater in Berlin. In 1829 he was the first violinist of the string quartet of Baron (father of Karl Eduard von Liphart) in Dorpat, and he undertook concert tours in Riga, Saint Petersburg and Moscow. In 1835 he became concertmaster (''Konzertmeister'') at the Gewandhaus in Leipzig working with Mendelssohn. In Leipzig, for about forty years, he was also the first violinist of the Leipzig Quartet. David returned to Dorpat to marry Liphardt's daughter Sophie. In 1843 David became the first professor of violin (''Violinlehrer'') ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Bazzini
Antonio Bazzini (11 March 181810 February 1897) was an Italian violinist, composer and teacher. As a composer, his most enduring work is his chamber music, which earned him a central place in the Italian instrumental renaissance of the 19th century. However, his success as a composer was overshadowed by his reputation as one of the finest concert violinists of the nineteenth century. He also contributed to a portion of Messa per Rossini, specifically the first section of ''II. Sequentia'', Dies Irae. Biography Bazzini was born at Brescia. As a young boy, he was a pupil of a local violinist . At 17, he was appointed organist of a church in his native town. The following year, he met Niccolò Paganini, Paganini and became completely influenced by that master's art and style. Paganini encouraged Bazzini to begin his concert career that year, and he quickly became one of the most highly regarded artists of his time. From 1841 to 1845, he lived in Germany, where he was much admired by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andreas Jakob Romberg
Andreas Jakob Romberg (27 April 1767 – 10 November 1821) was a German violinist and composer. Romberg was born in Vechta, in the Duchy of Oldenburg. He learned the violin from his musician father Gerhard Heinrich Romberg and first performed in public at the age of six. In addition to touring Europe, Romberg also joined the Münster Court Orchestra. The cellist and composer Bernhard Romberg was his cousin. He joined the court orchestra of the Prince Elector in Bonn (conducted by the Kapellmeister Andrea Luchesi) in 1790, where he met the young Beethoven. He moved to Hamburg in 1793 due to wartime upheavals and joined the Hamburg Opera Orchestra. Romberg's first opera, 'Der Rabe', premiered there in 1794. He also composed his own setting of Messiah (Der Messias). After a time in Paris, Andreas settled in Hamburg where he became a central figure in the city's musical life. In 1815 he succeeded Louis Spohr as music director at the court of the Duke, in Gotha, Thuringia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexandre Artôt
Alexandre Joseph Artôt (25 January 1815 – 20 July 1845) was a Belgian violinist. Life He was born at Brussels into a musical family. His father was Maurice Artôt (1772–1829), first horn-player at the theatre in Brussels. His mother was Jeanne Catherine Borremans, from the musical family of Charles and Joseph Borremans. His father was born with the surname Montagny or Montaguey, but had adopted the professional name Artôt, which was preserved by all his children. Alexandre's older brother was the horn player , who later became the father of soprano Désirée Artôt. Alexandre received instruction in music and on the violin from his father, and at the age of seven played at the theatre a concerto of Giovanni Battista Viotti. He received further instruction from , principal first violin at the theatre, and afterwards at the Paris Conservatory from Rodolphe and , and in 1827 and 1828 he obtained the second and first violin prizes respectively. According to Fétis, Artôt the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rodolphe Kreutzer
Rodolphe Kreutzer (15 November 1766 – 6 January 1831) was a French violinist, teacher, conductor, and composer of forty French operas, including '' La mort d'Abel'' (1810). He is probably best known as the dedicatee of Beethoven's Violin Sonata No. 9, Op. 47 (1803), known as the ''Kreutzer Sonata'', though he never played the work. Kreutzer made the acquaintance of Beethoven in 1798, when at Vienna in the service of the French ambassador, Jean-Baptiste Bernadotte (later King of Sweden and Norway). Beethoven originally dedicated the sonata to George Bridgetower, the violinist at its first performance, but after a quarrel he revised the dedication in favour of Kreutzer. Biography Kreutzer was born in Versailles, and was initially taught by his German father, who was a musician in the royal chapel, with later lessons from Anton Stamitz. He became one of the foremost violin virtuosos of his day, appearing as a soloist until 1810. He embedded with the Army of Italy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Spohr
Louis Spohr (, 5 April 178422 October 1859), baptized Ludewig Spohr, later often in the modern German form of the name Ludwig was a German composer, violinist and conductor. Highly regarded during his lifetime, Spohr composed ten symphonies, ten operas, eighteen violin concerti, four clarinet concerti, four oratorios, and various works for small ensemble, chamber music, and art songs.Clive Brown. "Spohr, Louis." Grove Music Online. Oxford Music Online. 18 May 2012 Spohr invented the violin chinrest and the orchestral rehearsal mark. His output spans the transition between Classical and Romantic music, but fell into obscurity following his death, when his music was rarely heard. The late twentieth century saw a modest revival of interest in his oeuvre primarily in Europe, but his reputation has never been restored to that during his lifetime. Life Spohr was born in Braunschweig in the duchy of Brunswick-Wolfenbüttel to Karl Heinrich Spohr and Juliane Ernestine Luise He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Pierre Rode
Jacques Pierre Joseph Rode (; 16 February 1774 – 25 November 1830) was a French violinist and composer. Life and career Born in Bordeaux, Aquitaine, France, Pierre Rode traveled in 1787 to Paris and soon became a favourite pupil of the great Giovanni Battista Viotti, who found the boy so talented that he charged him no fee for the lessons. Rode inherited his teacher's style, to which he added more mildness and a more refined tone. It is also recorded that he made extensive use of portamento. He collaborated with Baillot and Kreutzer on the official Violin Method of the Conservatoire de Paris, published in 1802. Rode served as violin soloist to Napoleon and toured extensively in the Netherlands, Germany, England and Spain, staying with François-Adrien Boieldieu in Saint Petersburg from 1804 until 1809, and later spending much time in Moscow. When he returned to Paris, he found that the public no longer responded with much enthusiasm to his playing. Spohr, who heard him both ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
