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ālāpiṇī Vīṇā
The ''ālāpiṇī vīṇā'' was a medieval stick zither, stick-zither veena in India, with a single string and a gourd resonator. Later forms added more strings. The instruments became prominent in Indian music after 500 C.E. as instruments of court music. Alongside the Eka-tantri Vina, eka-tantri vina and kinnari vina it replaced the Ancient veena, harp-style veenas and lute-style veenas. The instruments were used in Southeast Asia, both mainland and island nations, and were recorded in sculpture and relief sculpture. Although the stick zithers and tube zithers are very similar, it is possible that they have different origins. Early paintings of stick zithers in India date back at least to the 5th century C.E. The earliest currently known stick zither is in the Caves of Ajanta at the end of the 5th century. After a period of assuming that tube zithers spread from India to Southeast Asia, modern scholars have been trying to decide if the tube zithers might have originated in Sou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pala Empire
The Pāla Empire was the empire ruled by the Pala dynasty, ("protector" in Sanskrit) a medieval Indian dynasty which ruled the kingdom of Gauda Kingdom, Gauda. The empire was founded with the election of Gopala, Gopāla by the chiefs of Kingdom of Gauda, Gauda in late eighth century CE. The Pala stronghold was located in Bengal and eastern Bihar, which included the major cities of Gauḍa (city), Gauḍa, Bikrampur, Vikramapura, Pataliputra, Pāṭaliputra, Munger, Monghyr, Somapura, Ramavati (Varendra), Tamralipta, Tāmralipta and Jaggadala, Jagaddala. The Pālas were astute diplomats and military conquerors. Their army was noted for its vast war elephant corps. Their navy performed both mercantile and defensive roles in the Bay of Bengal. At its zenith under emperors Dharmapala (emperor), Dharmapala and Devapala (Pala dynasty), Devapala in the early ninth century, the Pala empire was the dominant power in the northern Indian subcontinent, with its territory stretching across ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanchi Kailasanathar Temple
The Kailasanathar Temple, Kanchipuram, also referred to as the Kailasanatha temple, is a Pallava Dynasty, Pallava-era historic Hindu temple in Kanchipuram, Tamil Nadu, India. Dedicated to Shiva, it is one of the oldest surviving monuments in Kanchipuram. It reflects a Dravidian architecture and was built around 700 CE by Narasimhavarman II with additions by Mahendravarman III.K.R. Srinivasan (1972), ''Temples of South India'' (Editor: B.V. Keskar), National Book Trust, p. 115–116 A square-plan temple, it has a ''mukha-mandapa'' (entrance hall), a ''maha-mandapa'' (gathering hall) and a primary ''garbha-griya'' (sanctum) topped with a four-storey ''vimana''. The main sanctum is surrounded by nine shrines, seven outside and two inside flanking the entrance of the sanctum, all with forms of Shiva. The outer walls of the temple's ''prakara'' (courtyard) is also surrounded by cells. The Kailasanathar temple is notable for its intricately carved galaxy of Hindu art in the late 7th- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shiva
Shiva (; , ), also known as Mahadeva (; , , Help:IPA/Sanskrit, [mɐɦaːd̪eːʋɐh]) and Hara, is one of the Hindu deities, principal deities of Hinduism. He is the God in Hinduism, Supreme Being in Shaivism, one of the major traditions within Hinduism. Shiva is known as ''The Destroyer'' within the Trimurti, the Hinduism, Hindu trinity which also includes Brahma and Vishnu. In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shaktism, Shakta tradition, the Supreme Goddess (Devi) is regarded as the energy and creative power (Shakti) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta Tradition, Smarta tradition of Hinduism. Shiva has many aspects, benevolent as well as fearsome. In benevolent aspects, he is depicted as an Omniscience, omniscient yogi who lives an Asceticism#Hinduism, ascetic life on Kailasa as well as a house ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ranganathaswamy Temple, Srirangam Si0563
Ranganatha, also known as Ranganathar, Rangan, Aranganathar, Sri Ranga, and Thenarangathan, is a Hindu deity with his origin in southern India, serving as the chief deity of the Sri Ranganathaswamy Temple, Srirangam. The deity is a resting form of Vishnu, recumbent on the great form of the serpent god Adishesha, king of the serpents. His primary consort is the goddess Lakshmi, also known as Ranganayaki. The two other consorts seen next to his recumbent figure are Bhudevi and Nila Devi. Most of the deities portray a 'smiling' lord in a sleeping or reclining position over the celestial serpent Adishesha in the sea of cosmic dissolution (pralaya). This is the form in which he is open to listening to all of his devotees' woes, and blesses them. Apart from being worshipped by all Hindus, this form is of particular importance to the Sri Vaishnava community. His name in Sanskrit means "leader of the place of assembly", coined from the two Sanskrit words ''ranga'' (place) and ''natha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yali (mythology)
Yali (, ), also called Vyāla (), is a South Indian mythological creature, portrayed with the head and the body of a lion, the trunk and the tusks of an elephant, and sometimes bearing equine features. Images of the creature occur in many South Indian temples, often sculpted onto the pillars. There also exist variations of the creature, with it possessing the appendages of other beasts. It has sometimes been described as a ''leogryph'' (part-lion and part-griffin), with some bird-like features, with the trunk referred to as a proboscis. Karuna Sagar Behera writes of the ''virala'', or ''vidala'' () in terms of a "mythical monster used ..as a sculptural and architectural motif, the representation of vidala is of various types, e.g. ''gaja-vidala'', nara-vidala, etc." Iconography Descriptions of, and references to, yalis are ancient, but they became prominent in South Indian sculptures in the 16th century. Yalis were described to be more powerful than the lion, the tiger, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Senegalia Catechu
''Senegalia catechu'', previously known as ''Acacia catechu'', is a deciduous, thorny tree which grows up to in height. The plant is called ''kachu'' in Malay; the Malay name was Latinized to "catechu" in Linnaean taxonomy, as the species from which the extracts cutch and catechu are derived. Other common names for it include kher, catechu, cachou, cutchtree, black cutch, and black catechu. ''Senegalia catechu'' is native to South Asia and Southeast Asia, including the Indian subcontinent, Myanmar, Cambodia and China (Yunnan). Through derivatives of the flavanols in its extracts, the species has lent its name to the important catechins, catechols and catecholamines of chemistry and biology. Uses Food The tree's seeds are a good source of protein. Kattha ( catechu), an extract of its heartwood, gives a characteristic flavor and red color to paan, a traditional Indian and Southeast Asian method for chewing betel leaf (''Piper betle'') with areca nut and slaked lime paste. F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pterocarpus Santalinus
''Pterocarpus santalinus'', with the common names red sanders, red saunders, Yerra Chandanam, Chenchandanam, red sandalwood, Rakta Chandana, and rakto chandon, is a species of ''Pterocarpus'' endemism, endemic to the southern Eastern Ghats mountain range of South India. This tree is valued for the rich red colour of its wood, and in there has been a marked uptick in the use of red sandalwood as a component of incense, especially in the west. The tree is not to be confused with the aromatic Sandalwood, ''Santalum'' sandalwood trees that grow natively in Southern India. Description ''Pterocarpus santalinus'' is a light-demanding small tree, growing to tall with a trunk 50–150 cm diameter. It is fast-growing when young, reaching tall in three years, even on degraded soils. It is not frost tolerant, being killed by temperatures of −1 °C. The leaf, leaves are alternate, 3–9 cm long, trifoliate with three leaflets. The flowers are produced in short r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Veena
The ancient veena is an early Indian arched harp, not to be confused with the modern Indian veena which is a type of lute or stick zither. Names of specific forms of the arched harp include the ''chitra vīṇā'' with seven strings, the ''vipanchi vīṇā'' with nine strings and the ''mattakokila vīṇā'' a harp or possibly board zither with 21 strings. The instrument is attested on a gold coin of the Gupta Empire from the mid-300s CE. The instrument was also illustrated in the oldest known Saraswati-like relief carvings, from Buddhist archaeological sites dated to 200 BCE, where she holds a harp-style veena. Generic meaning of veena The Sanskrit word ''veena'' (वीणा ''vīṇā'') which is attested already in the Rigveda has designated in the course of Indian history a variety of instruments of various types, as it is a generic term for all kinds of string instruments, just as the Tamil language, Tamil word ''yazh'' (யாழ் ''yaaḻ''). In the last centuries a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharata Muni
Bharata (Devanagari: भरत) was a '' muni'' (sage) of ancient India. He is traditionally attributed authorship of the influential performing arts treatise '' Natya Shastra'', which covers ancient Indian dance, poetics, dramaturgy, and music. Identity He is thought to have lived between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. ''Nāṭya Śāstra'' Bharata is known only as being traditionally attributed authorship of the treatise '' Natya Shastra''. All other early Sanskrit treatises were similarly attributed to mythical sages. The text draws on his authority, as existing in the public imagination. The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the performing arts The performing arts are arts such as music, dance, and drama which are performed for an audience. They are different from the visual arts, which involve the use of paint, canvas or various materials to create physical or static art o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nāṭyaśāstra
The ''Nāṭya Shāstra'' (, ''Nāṭyaśāstra'') is a Sanskrit treatise on the performing arts. The text is attributed to sage Bharata, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The text consists of 36 chapters with a cumulative total of 6,000 poetic verses describing performance arts. The subjects covered by the treatise include dramatic composition, structure of a play and the construction of a stage to host it, genres of acting, body movements, make up and costumes, role and goals of an art director, the musical scales, musical instruments and the integration of music with art performance. The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the arts, one which has influenced dance, music and literary traditions in India. It is also notable for its aesthetic "Rasa" theory, which asserts that entertainment is a desired effect of performance arts but not t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1150 CE Hoysaleswara Temple Halebidu Karnataka, Dancing Saraswati
115 may refer to: *115 (number), the number *AD 115, a year in the 2nd century AD *115 BC, a year in the 2nd century BC *115 (Hampshire Fortress) Corps Engineer Regiment, Royal Engineers, a unit in the UK Territorial Army *115 (Leicestershire) Field Park Squadron, Royal Engineers, a unit in the UK Territorial Army *115 (New Jersey bus) * ''115'' (barge), a whaleback barge *115 km, rural locality in Russia *The homeless emergency telephone number in France *115 Thyra, a main-belt asteroid 11/5 may refer to: * 11/5, an American hip hop group from San Francisco, California * November 5 (month–day date notation) * May 11 (day–month date notation) * , a type of regular hendecagram 1/15 may refer to: * January 15 (month–day date notation) See also *Moscovium Moscovium is a synthetic element, synthetic chemical element; it has Chemical symbol, symbol Mc and atomic number 115. It was first synthesized in 2003 by a joint team of Russian and American scientists at the Joint Inst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rade People
The Rhade or Êđê (Rade language: ''Rang De'') are an indigenous Austronesian peoples, Austronesian ethnic group of southern Vietnam (population 398,671 in 2019). Etymology The term ''Rhade'' is an old French language, French inscription of ''Dagar'' in the Rade language. The Rhade are also referred to as ''Anak Degar'' (Degar people). ''Anak Degar'' comes from the term ''Anak Preah Thong and Neang Neak, Kudāyā-Nāgār'', meaning "Kudayanagar ethnic groups" or "the descendants of Sir, bok Kaundinya I, Kauṇḍinya (Y Da) and Lady, bia Lady Po Nagar, Nagar" (Y Ga). The name "Kauṇḍinya" (Bok Keidei) was derived from the name of Cambodia, Kampouchea, and "Nagar" (Yă Kuh-keh) refers to the primary goddess of the Cham people, Cham people. As an ethnic group of the Central Highlands (Vietnam), Vietnamese Central Highlands, the Rhade people's culture was influenced by both Champa and Cambodia. Because of their status occupying the border region between these two influences, th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
