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Éljen A Magyar!
(, "Long live the Magyar!"), Op. 332, is a polka composed by Johann Strauss II. It was first performed at the Redoutensaal building in Pest in March 1869, two years after the Austro-Hungarian Compromise of 1867. The work was dedicated "to the Hungarian Nation". The coda of the work features a fleeting quotation from the Rákóczi March, which Hector Berlioz had earlier utilised in his ''La damnation de Faust''. References External links *; Det Norske Kammerorkester Det Norske Kammerorkester or The Norwegian Chamber Orchestra (established in 1977) is a chamber orchestra based in Oslo. Biography The orchestra was founded by the violinist Bjarne Fiskum who got the idea for a summer course for young string tal ..., , conductor Compositions by Johann Strauss II Polkas 1869 compositions Music dedicated to causes or groups Hungarian words and phrases {{classical-composition-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In music, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's publication of that work. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. Opus numbers do not necessarily indicate chronological order of composition. For example, posthumous publications of a composer's juvenilia are often numbered after other works, even though they may be some of the composer's first completed works. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polka
Polka is a dance style and genre of dance music in originating in nineteenth-century Bohemia, now part of the Czech Republic. Though generally associated with Czech and Central European culture, polka is popular throughout Europe and the Americas. History Etymology The term ''polka'' referring to the dance is believed to derive from the Czech words "půlka", meaning "half-step". Czech cultural historian ÄŒenÄ›k ZÃbrt attributes the term to the Czech word ''půlka'' (half), referring to both the half-tempo and the half-jump step of the dance.ÄŒenÄ›k ZÃbrt, "Jak se kdy v ÄŒechách tancovalo: dÄ›jiny tance v ÄŒechách, na MoravÄ›, ve Slezsku a na Slovensku z vÄ›ků nejstarÅ¡Ãch až do nové doby se zvláštnÃm zÅ™etelem k dÄ›jinám tance vůbec", Prague, 189(Google eBook)/ref> This name has been changed to "Polka" as an expression of honour and sympathy for Poland and the Poles after the November Uprising 1830-1831. "Polka" meaning, in both the Czech and Poli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Strauss II
Johann Baptist Strauss II (; ; 25 October 1825 – 3 June 1899), also known as Johann Strauss Jr., the Younger or the Son (), was an List of Austrian composers, Austrian composer of light music, particularly dance music and operettas as well as a violinist. He composed over 500 waltzes, polkas, quadrilles, and other types of dance music, as well as several operettas and a ballet. In his lifetime, he was known as "The Waltz King", and was largely responsible for the popularity of the waltz in the 19th century. Some of Johann Strauss's most famous works include "The Blue Danube", "Kaiser-Walzer" (Emperor Waltz), "Tales from the Vienna Woods", "Frühlingsstimmen", and the "Tritsch-Tratsch-Polka". Among his operettas, ''Die Fledermaus'' and ''Der Zigeunerbaron'' are the best known. Strauss was the son of Johann Strauss I and his first wife Maria Anna Streim. Two younger brothers, Josef Strauss, Josef and Eduard Strauss, also became composers of light music, although they were neve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pest, Hungary
Pest () is the part of Budapest, the capital city of Hungary, that lies on the eastern bank of the Danube. Pest was administratively unified with Buda and Óbuda in 1873; prior to this, it was an independent city. In colloquial Hungarian language, Hungarian, "Pest" is sometimes also used ''pars pro toto'' to refer to Budapest as a whole. Comprising about two-thirds of the city's area, Pest is flatter and much more heavily urbanized than Buda. Many of Budapest's most notable sites are in Pest, including the Inner City (Budapest), Inner City (), the Hungarian Parliament Building, Parliament (''Országház''), the Hungarian State Opera House, Opera, the Great Market Hall, Heroes' Square (Budapest), Heroes' Square, and Andrássy Avenue. Etymology According to Ptolemy the settlement was called ''Pession'' in antiquity (Contra-Aquincum). Alternatively, the name ''Pest'' may have come from a Slavic word meaning "furnace", "oven" (Bulgarian ; Serbian /''peć''; Croatian ''peć''), r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Austro-Hungarian Compromise Of 1867
The Austro-Hungarian Compromise of 1867 (, ) established the dual monarchy of Austria-Hungary, which was a military and diplomatic alliance of two sovereign states. The Compromise only partially re-established the former pre-1848 sovereignty and status of the Kingdom of Hungary, being separate from, and no longer subject to, the Austrian Empire. The compromise put an end to the 18-year-long military dictatorship and absolutist rule over Hungary which Emperor Franz Joseph had instituted after the Hungarian Revolution of 1848. The territorial integrity of the Kingdom of Hungary was restored. The agreement also restored the old historic constitution of the Kingdom of Hungary. Hungarian political leaders had two main goals during the negotiations. One was to regain the traditional status (both legal and political) of the Hungarian state, which had been lost after the Hungarian Revolution of 1848. The other was to restore the series of reform laws (the so-called April Laws) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coda (music)
In music, a coda (; ; plural ) is a passage (music), passage that brings a piece (or a movement (music), movement) to an end. It may be as simple as a few bar (music), measures, or as complex as an entire section (music), section. In classical music The presence of a coda as a structural element in a movement is especially clear in works written in particular musical forms. Codas were commonly used in both sonata form and Variation (music), variation movements during the Classical era. In a sonata form movement, the recapitulation (music), recapitulation section will, in general, follow the exposition (music), exposition in its thematic content, while adhering to the home key (music), key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus, any music coming after this termination will be perceived as extra material, i.e., as a coda. In works in variation form, the coda occurs following the last va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rákóczi March
The "Rákóczi March" (Hungarian language, Hungarian: ''Rákóczi-induló''), sometimes known as the "Hungarian March" was one of the unofficial state anthems of Hungary before Ferenc Kölcsey wrote the Himnusz. It was most likely composed by Nikolaus Scholl in 1820. The melody was later used in many famous compositions, most notably: La damnation de Faust (Hector Berlioz) and Hungarian Rhapsody No. 15 (Franz Liszt). Origins The "Rákóczi March" originates from the "Rákóczi Song" (Hungarian: ''Rákóczi-nóta),'' a melody that first appeared in the mid-17th century with various lyrics. The first widely known lyrics of this song is a Kuruc poem that was a lament complaining about the misfortune of the Magyars and the Habsburg oppression, and it called back Francis II Rákóczi, Francis Rákóczi II, the leader of the Hungarian uprising between 1703 and 1711, to save his people. Although tradition says that this version was the favourite song of Francis Rákóczi II and his cour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hector Berlioz
Louis-Hector Berlioz (11 December 1803 – 8 March 1869) was a French Romantic music, Romantic composer and conductor. His output includes orchestral works such as the ''Symphonie fantastique'' and ''Harold en Italie, Harold in Italy'', choral pieces including the Requiem (Berlioz), Requiem and ''L'Enfance du Christ'', his three operas ''Benvenuto Cellini (opera), Benvenuto Cellini'', ''Les Troyens'' and ''Béatrice et Bénédict'', and works of hybrid genres such as the "dramatic symphony" ''Roméo et Juliette (Berlioz), Roméo et Juliette'' and the "dramatic legend" ''La Damnation de Faust''. The elder son of a provincial physician, Berlioz was expected to follow his father into medicine, and he attended a Parisian medical college before defying his family by taking up music as a profession. His independence of mind and refusal to follow traditional rules and formulas put him at odds with the conservative musical establishment of Paris. He briefly moderated his style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Damnation De Faust
''La Damnation de Faust'' (English: ''The Damnation of Faust''), Op. 24 is a French musical composition for four solo voices, full seven-part chorus, large children's chorus and orchestra by the French composer Hector Berlioz. He called it a ''légende dramatique'' (" dramatic legend"). It was first performed at the Opéra-Comique in Paris on 6 December 1846. Background and composition history Berlioz read Johann Wolfgang von Goethe's '' Faust, Part One'' in 1828, in Gérard de Nerval's translation. he recalled in his ''Memoirs''. : "...this marvellous book fascinated me from the first...I could not put it down. I read it incessantly, at meals, in the theatre, in the street." The work so impressed Berlioz that he composed a suite entitled ''Eight Scenes from Faust'', which became his Opus 1 (1829), though he later recalled all the copies of it he could find. He returned to the material in 1845, to make a larger work, with some additional text by Almire Gandonnière ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naxos Records
Naxos comprises numerous companies, divisions, imprints, and labels specializing in classical music but also audiobooks and other genres. The premier label is Naxos Records, which focuses on classical music. Naxos Musical Group encompasses about 17 labels including Naxos Records, Naxos Audiobooks, and Naxos Books (ebooks). There are about an additional 50 labels that are independent of the Naxos Musical Group with a wide range of offerings. The company was founded in 1987 by Klaus Heymann, a German-born resident of Hong Kong. Naxos Records Naxos Records is a record label specializing in classical music. The company was known for its budget pricing of discs, with simpler artwork and design than most other labels. In the 1980s, Naxos primarily recorded central and eastern European symphony orchestras, often with lesser-known conductors, as well as upcoming and unknown musicians, to minimize recording costs and maintain its budget prices. In more recent years, Naxos has taken advan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Det Norske Kammerorkester
Det Norske Kammerorkester or The Norwegian Chamber Orchestra (established in 1977) is a chamber orchestra based in Oslo. Biography The orchestra was founded by the violinist Bjarne Fiskum who got the idea for a summer course for young string talents summer 1975. Since its foundation the orchestra has recorded some 20 albums and been on numerous tours in Norway, Europe, Asia and United States. The orchestra has since 1995 held Oslo Vinternattsfestival each year. Awarded Spellemannprisen a total of six times, including This years Spellemann (''Player of the Year'') in 1988, the orchestra is one of the most successful artists regardless of genre. Terje Tønnesen was the artistic director of the orchestra from its inception until August 2021. Iona Brown was artistic director of the orchestra from 1981 to 2001, ea position she shared with Tønnesen. Since 2002, in addition Leif Ove Andsnes been the orchestra's principal guest conductor. Since 2009, violinist Isabelle van Keulen ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Johann Strauss II
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a still image or video *Musical composition, an original piece of music, or the process of creating a new piece Computer science *Compose key, a key on a computer keyboard *Compositing window manager a component of a computer's graphical user interface that draws windows and/or their borders *Function composition (computer science), an act or mechanism to combine simple functi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
