Ædwen's Brooch
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Ædwen's Brooch
Ædwen's brooch (also known as ''Sutton brooch'', British Museum 1951,10-11,1) is an early 11th-century Anglo-Scandinavian silver disc brooch with an inscription on the reverse side. It was discovered in 1694 during the ploughing of a field in Sutton, Isle of Ely, Cambridgeshire, along with a hoard including coins and gold rings. The brooch was re-discovered in a private collection in 1951 and bought by the British Museum. The Anglo-Saxon brooch is decorated with nine conical silver bosses (one now missing) and an engraved pattern of four overlapping circles forming flower-like motifs. In the circles are representations of different animals and plant ornaments reminiscent of the Ringerike style. The inscription on the obverse side is a curse against those who would take the brooch from its rightful owner, Ædwen (Æduwen): :''+ ÆDVǷEN ME AG AGE HYO DRIHTEN / DRIHTEN HINE AǷERIE ÐE ME HIRE ÆTFERIE / BVTON HYO ME SELLE HIRE AGENES ǷILLES'' :"Ædwen owns me, may the Lord ow ...
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Curse
A curse (also called an imprecation, malediction, execration, malison, anathema, or commination) is any expressed wish that some form of adversity or misfortune will befall or attach to one or more persons, a place, or an object. In particular, "curse" may refer to such a wish or pronouncement made effective by a supernatural or spiritual power, such as a god or gods, a spirit, or a natural force, or else as a kind of spell by magic (usually black magic) or witchcraft; in the latter sense, a curse can also be called a hex or a jinx. In many belief systems, the curse itself (or accompanying ritual) is considered to have some causative force in the result. To reverse or eliminate a curse is sometimes called "removal" or "breaking", as the spell has to be dispelled, and often requires elaborate rituals or prayers. Types The study of the forms of curses comprises a significant proportion of the study of both folk religion and folklore. The deliberate attempt to levy curs ...
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Individual Brooches
An individual is that which exists as a distinct entity. Individuality (or self-hood) is the state or quality of being an individual; particularly (in the case of humans) of being a person unique from other people and possessing one's own Maslow's hierarchy of needs, needs or goals, rights and moral responsibility, responsibilities. The concept of an individual features in diverse fields, including biology, law, and philosophy. Etymology From the 15th century and earlier (and also today within the fields of statistics and metaphysics) ''individual'' meant "divisible, indivisible", typically describing any numerically singular thing, but sometimes meaning "a person". From the 17th century on, ''individual'' has indicated separateness, as in individualism. Law Although individuality and individualism are commonly considered to mature with age/time and experience/wealth, a sanity, sane adult human, human being is usually considered by the State (polity), state as an "individu ...
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Medieval European Metalwork Objects
In the history of Europe, the Middle Ages or medieval period lasted approximately from the late 5th to the late 15th centuries, similar to the post-classical period of global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralized authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the 7th century, North Africa and the Middle East—most recently part of the Eastern Roman ...
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Anglo-Saxon Art
Anglo-Saxon art covers art produced within the Anglo-Saxon period of English history, beginning with the Migration period style that the Anglo-Saxons brought with them from the continent in the 5th century, and ending in 1066 with the Norman Conquest of England, whose sophisticated art was influential in much of northern Europe. The two periods of outstanding achievement were the 7th and 8th centuries, with the metalwork and jewellery from Sutton Hoo and a series of magnificent illuminated manuscripts, and the final period after about 950, when there was a revival of English culture after the end of the Viking invasions. By the time of the Conquest the move to the Romanesque style is nearly complete. The important artistic centres, in so far as these can be established, were concentrated in the extremities of England, in Northumbria, especially in the early period, and Wessex and Kent near the south coast. Anglo-Saxon art survives mostly in illuminated manuscripts, Anglo-Sax ...
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Rupert Bruce-Mitford
Rupert Leo Scott Bruce-Mitford, FBA, FSA (14 June 1914 – 10 March 1994) was a British archaeologist and scholar, best known for his multi-volume publication on the Sutton Hoo ship burial. He was a noted academic as the Slade Professor of Fine Art at Cambridge University from 1978 to 1979, in addition to appointments at All Souls College, Oxford, and Emmanuel College, Cambridge. Bruce-Mitford worked for the British Museum in the Department of British and Mediaeval Antiquities from 1938 and, following the bequest of the Sutton Hoo Treasure to the nation, was charged with leading the project to study and publish the finds. This he did through four decades at the museum. He also became president of the Society of Antiquaries of London. Apart from military service in the Second World War he worked at the British Museum continuously until 1977, including two keeperships, and finally as a research keeper. Bruce-Mitford also held the titles secretary, and later vice-president, of th ...
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Pseudo-runes
Pseudo-runes are letters that look like Germanic runes but are not true ancient runes. The term is mostly used of incised characters that are intended to imitate runes. Pseudo-runes in this sense are difficult to distinguish from cipher runes, which are characters used as a replacement of standard runes but which do have an intended reading, while pseudo-runes have no linguistic content. The term "pseudo-runes" has also been used for runes "invented" after the end of the period of runic epigraphy, used only in medieval manuscripts but not in inscriptions. It has also been used for unrelated historical scripts with an appearance similar to runes, and of modern Latin alphabet variants intended to be reminiscent of runic script. Imitation runes The main use of the term pseudo-rune is in reference to epigraphic inscriptions using letters that imitate the appearance of runes, but which cannot be read as runes. These are different from cryptic or magical runic inscriptions comprising ...
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Old English
Old English (, ), or Anglo-Saxon, is the earliest recorded form of the English language, spoken in England and southern and eastern Scotland in the early Middle Ages In the history of Europe, the Middle Ages or medieval period lasted approximately from the late 5th to the late 15th centuries, similar to the post-classical period of global history. It began with the fall of the Western Roman Empire .... It was brought to Great Britain by Anglo-Saxon settlement of Britain, Anglo-Saxon settlers in the mid-5th century, and the first Old English literature, Old English literary works date from the mid-7th century. After the Norman conquest of 1066, English was replaced, for a time, by Anglo-Norman language, Anglo-Norman (a langues d'oïl, relative of French) as the language of the upper classes. This is regarded as marking the end of the Old English era, since during this period the English language was heavily influenced by Anglo-Norman, developing into a phase know ...
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Viking Art
Viking art, also known commonly as Norse art, is a term widely accepted for the art of Scandinavian Norsemen and Viking settlements further afield—particularly in the British Isles and Iceland—during the Viking Age of the 8th-11th centuries. Viking art has many design elements in common with Celtic, Germanic, the later Romanesque and Eastern European art, sharing many influences with each of these traditions. Generally speaking, the current knowledge of Viking art relies heavily upon more durable objects of metal and stone; wood, bone, ivory and textiles are more rarely preserved. The artistic record, therefore, as it has survived to the present day, remains significantly incomplete. Ongoing archaeological excavation and opportunistic finds, of course, may improve this situation in the future, as indeed they have in the recent past. Viking art is usually divided into a sequence of roughly chronological styles, although outside Scandinavia itself local influences are oft ...
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Back Of Ædwen's Brooch
The human back, also called the dorsum, is the large posterior area of the human body, rising from the top of the buttocks to the back of the neck. It is the surface of the body opposite from the chest and the abdomen. The vertebral column runs the length of the back and creates a central area of recession. The breadth of the back is created by the shoulders at the top and the pelvis at the bottom. Back pain is a common medical condition, generally benign in origin. Structure The central feature of the human back is the vertebral column, specifically the length from the top of the thoracic vertebrae to the bottom of the lumbar vertebrae, which houses the spinal cord in its spinal canal, and which generally has some curvature that gives shape to the back. The ribcage extends from the spine at the top of the back (with the top of the ribcage corresponding to the T1 vertebra), more than halfway down the length of the back, leaving an area with less protection between the bottom o ...
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Anglo-Saxon Brooch
Anglo-Saxon brooches are a large group of decorative brooches found in England from the fifth to the eleventh centuries. In the early Anglo-Saxon era, there were two main categories of brooch: the long (bow) brooch and the circular ( disc) brooch. The long brooch category includes cruciform, square-headed, radiate-headed, and small-long brooch brooches. The long brooches went out of fashion by the end of the sixth century. The circular brooch form developed from jewelled disc brooches produced in Kent in the early sixth century. In the early Anglo-Saxon era, the circular brooch type included the saucer, the applied saucer, the button, the annular (circular ring form), the penannular (incomplete ring), and the quoit (double ring, one of each of the previous types) brooches. The circular was the most common brooch form during the middle to late Anglo-Saxon era, with the enamelled and non-enamelled circular brooches being the predominant brooch styles. There are a few styles that ...
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