Zulu Social Aid and Pleasure Club
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The Zulu Social Aid & Pleasure Club (founded 1916) is a
fraternal organization A fraternity (from Latin ''frater'': "brother"; whence, " brotherhood") or fraternal organization is an organization, society, club or fraternal order traditionally of men associated together for various religious or secular aims. Fraternity i ...
in
New Orleans, Louisiana New Orleans ( , ,New Orleans
which puts on the Zulu parade each year on Mardi Gras Day. Zulu is New Orleans' largest predominantly
African American African Americans (also referred to as Black Americans and Afro-Americans) are an ethnic group consisting of Americans with partial or total ancestry from sub-Saharan Africa. The term "African American" generally denotes descendants of ens ...
carnival organization known for its blackfaced krewe members wearing
grass skirt A grass skirt is a costume and garment made with layers of plant fibres such as grasses and leaves that is fastened at the waistline. Pacific Grass skirts were introduced to Hawaii by immigrants from the Gilbert Islands around the 1870s to 1880s a ...
s and its unique
throw Throwing is an action which consists in accelerating a projectile and then releasing it so that it follows a ballistic trajectory, usually with the aim of impacting a remote target. This action is best characterized for animals with prehensil ...
of hand-painted coconuts. The club is a regular feature of the
New Orleans Jazz & Heritage Festival The New Orleans Jazz & Heritage Festival (commonly called Jazz Fest or Jazzfest) is an annual celebration of local music and culture held at the Fair Grounds Race Course in New Orleans, Louisiana. Jazz Fest attracts thousands of visitors to New ...
.


History

In 1908, John L. Metoyer and members of a New York
mutual aid society A benefit society, fraternal benefit society, fraternal benefit order, friendly society, or mutual aid society is a society, an organization or a voluntary association formed to provide mutual aid, benefit, for instance insurance for relief f ...
called "The Tramps" attended a
vaudevillian Vaudeville (; ) is a theatrical genre of variety entertainment born in France at the end of the 19th century. A vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition ...
comedy show called ''There Never Was and Never Will Be a King Like Me''. The musical comedy performed by the "Smart Set" at the Pythian Temple Theater on the corner of Gravier and Saratoga in New Orleans included a skit where the characters wore
grass skirt A grass skirt is a costume and garment made with layers of plant fibres such as grasses and leaves that is fastened at the waistline. Pacific Grass skirts were introduced to Hawaii by immigrants from the Gilbert Islands around the 1870s to 1880s a ...
s and dressed in black makeup. Metoyer became inspired by the skit and reorganized his marching troupe from baggy-pant-wearing
tramp A tramp is a long-term homeless person who travels from place to place as a vagrant, traditionally walking all year round. Etymology Tramp is derived from a Middle English verb meaning to "walk with heavy footsteps" (''cf.'' modern English ''t ...
s to a new group called the "Zulus". In 1909, Metoyer and the first Zulu king, William Story, wore a lard-can crown and carried a banana stalk as a scepter. Six years later in 1915, the first decorated platform was constructed with dry goods boxes on a spring wagon. The King's float was decorated with tree moss and palmetto leaves. In 1916, Zulu Social Aid and Pleasure Club became incorporated where the organization's bylaws were established as well as its social mission and dedication to benevolence and goodwill. In 1933, the Lady Zulu Auxiliary was formed by the wives of Zulu members, and in 1948 Edwina Robertson became the first Queen of Zulu, making the club the first to feature a queen in a parade. In the 1960s, membership dwindled as a result of social pressures from civil rights activists. The protesters advertised in the local black community's newspaper '' The Louisiana Weekly'' stating: According to the club, Zulu's use of black makeup was never a form of "blackface". Throughout the south, black Americans were prohibited from wearing masks, but black makeup was permitted. The Zulu Social Aid & Pleasure Club, Inc. says that it has not and never will participate in the act of "blackface," as "blackface" is the derogatory, hateful representation of black people as buffoons and idiots. During the 1960s, the organization, with the support of the Mayor and chief-of-police, gave up black make up but continued the tradition of the parade, wearing grass skirts and keeping the identity of the king secret. Due to continued pressure, by 1965 there were only 15 Zulu members remaining. The induction of local civil rights leaders Ernest J. Wright and Morris F.X. Jeff Sr. as Zulu members eventually lifted tensions and membership started to increase. The krewe soon resumed their old traditions, including the black makeup. Unlike the other "old-line" Carnival Krewes, Zulu never had a policy of racial discrimination. From its inception, any man, regardless of race, ethnicity or religion, had the opportunity to join the membership. In 1973, Roy E. "Glap" Glapion Jr., Zulu President from 1973 to 1988, started actively recruiting professionals, educators, and prominent businessmen and men from all racial and ethnic backgrounds to join Zulu's membership, making Zulu the first parading organization to actually parade racially integrated.


Zulu coconut

The Zulu Social Aid and Pleasure Club is well known to parade-goers for throwing coconuts to the crowd.Deja Krewe
''The Times-Picayune''. Retrieved October 31, 2011.
In the early 20th century, other parading organizations threw glass necklaces, often hand-made and expensive. The working men of Zulu could not afford similar throws, and decided to purchase coconuts from the
French Market The French Market (french: Marché français) is a market and series of commercial buildings spanning six blocks in the French Quarter of New Orleans, Louisiana. Founded as a Native American trading post predating European colonization, the market ...
since they were unusual and relatively cheap. Painted and adorned coconuts became popular with the club starting in the late 1940s. In 1987, the organization was unable to renew its insurance coverage, and lawsuits stemming from coconut-related injuries forced a halt to the tradition. In 1988 Governor Edwin W. Edwards signed Louisiana State Bill #SB188, the "Coconut Bill", into law, removing liability from injuries resulting from coconuts and enabling the tradition to resume.


King of Zulu

Zulu is the only New Orleans Mardi Gras krewe that selects their king through an election voting process. Potential kings must campaign for the job, including throwing parties for other krewe members to solicit votes.


Kings of Zulu


Queen of Zulu

In 1948 Edwina Robertson became the first Queen of Zulu, making the club the first to feature a queen in a parade. It is a tradition for the club to make a show of meeting the Zulu queen at the airport, but most years' Zulu queens live in New Orleans and therefore have to travel elsewhere so that they can make the flight into the airport for the ceremony.


See also

* Carnival *
New Orleans Mardi Gras The holiday of Mardi Gras is celebrated in all of Louisiana, including the city of New Orleans. Celebrations are concentrated for about two weeks before and through Shrove Tuesday, the day before Ash Wednesday (the start of lent in the Western ...


References


Further reading

* Linda Villarosa
"'A Terrible Price': The Deadly Racial Disparities of Covid-19 in America,"
''New York Times,'' April 29, 2020.


External links

* {{DEFAULTSORT:Zulu Social Aid and Pleasure Club Mardi Gras in New Orleans Organizations established in 1916 Parades in the United States 1916 establishments in Louisiana ja:レックス・パレード