Zohra Sehgal

Zohra Mumtaz Sehgal (born Sahibzadi Zohra Mumtazullah Khan Begum; 27 April 1912 – 10 July 2014) was an Indian actress, dancer, and choreographer. Having begun her career as a member of a contemporary dance troupe, she transitioned into acting roles beginning in the 1940s. Sehgal appeared in several British films, television shows, and Bollywood productions in a career that spanned over six decades.

Sehgal's most notable films include ''Neecha Nagar'', ''Afsar'' (1946), ''Bhaji on the Beach'' (1992), ''The Mystic Masseur'' (2001), '' Bend It Like Beckham'' (2002), '' Dil Se..'' (1998), '' Saaya'' (2003), Veer-Zara (2004) ''Saawariya'' and '' Cheeni Kum'' (2007); and the TV serials '' The Jewel in the Crown'' (1984), ''Tandoori Nights'' (1985–87) and ''Amma and Family'' (1996). At the age of 90, she played the central character in the 2002 film ''Chalo Ishq Ladaaye''. Considered the doyenne of Indian theatre, she acted with the Indian People's Theatre Association ( IPTA) and Prithviraj Kapoor's Prithvi Theatre for 14 years.

Sehgal was awarded the Padma Shri in 1998, Kalidas Samman in 2001, and in 2004 the Sangeet Natak Akademi (India's National Academy for Music, Dance and Drama) presented her with its highest award, the Sangeet Natak Akademi Fellowship for lifetime achievement. She received the Padma Vibhushan, India's second-highest civilian honour, in 2010. She died in a New Delhi hospital on 10 July 2014 due to cardiac arrest.

Early life and family

Zohra Begum Mumtazullah Khan was born on 27 April 1912 in Saharanpur, United Provinces, British India, to Mumtazullah Khan and Natiqua Begum. She was raised in a traditional Muslim household in Chakrata (present-day Uttarakhand) and was the third of seven childrenZakullah, Hajrah, Ikramullah, Uzra ( Uzra Butt), Amina and Sabra. Sehgal described herself as a tomboy, who enjoyed climbing trees and playing outdoor games. She lost vision in her left eye when she contracted glaucoma at the age of one. She was referred to a hospital in Birmingham where she was treated at a cost of £300.

Following the death of her mother at an early age, Sehgal and her sisters were enrolled at the Queen Mary College, Lahore. Strict purdah was observed at the institute, and men invited to give lectures and seminars were only allowed to do so from behind a screen.Zohra Sehgal: The drama of life
''The Times of India'', 24 August 2003. Having witnessed her sister's failed marriage, Sehgal decided against getting married herself. Upon graduating, her maternal uncle, Sahebzada Saeeduzzafar Khan, who was based in Edinburgh, arranged for her to apprentice under a British actor. They started from Lahore by car and, en route, crossed Iran and Palestine, before reaching Damascus, Syria, where she met her cousin. Then they travelled into Egypt and caught a boat to Europe in Alexandria.

In Europe, Sehgal's aunt encouraged her to enrol in Mary Wigman's ballet school in Dresden, Germany. Sehgal passed the entrance test without much prior experience in the dance form, and became the first Indian to study at the institution.Kiran Sehgal
''India's dances: their history, technique, and repertoire'', by Reginald Massey. Abhinav Publications, 2004; p. 22. She stayed in Dresden for the next three years studying modern dance, while living in the house of Countess Liebenstein. A significant turning point came in her life when she met Uday Shankar at a performance of the ''Shiv-Parvati'' ballet, which he had choreographed. Shankar promised her a job on her return to India at the completion of her course."The dashing dadima: Zohra Sehgal"
''The Times of India'', 8 April 2001.

Career

Shankar contacted Sehgal through a telegram, saying, "Leaving for Japan tour. Can you join immediately?" Following that, Sehgal joined his troupe in August 1935. The group toured Japan, Egypt, and several parts of Europe and the United States. Sehgal soon established herself as the lead dancer of the troupe, along with Simkin, a French national. On their return to India in 1940, Sehgal became a teacher at the Uday Shankar India Cultural Centre at Almora. It was here that she met her future husband Kameshwar Sehgal, a young scientist, painter and dancer from Indore, eight years her junior, belonging to the Radha Soami sect.

The two continued to work at the Cultural Centre and established themselves as leading choreographers. During their time in Almora, Kameshwar Sehgal composed a noted ballet for human puppets and choreographed the ballet ''Lotus Dance''. The duo later migrated to Lahore, where they set up their own dance academy, the Zohresh Dance Institute. Following the communal tension preceding the Partition of India, they moved to Bombay, with their one-year-old daughter, Kiran. Sehgal joined the Prithvi Theatre (where her sister, Uzra Butt also worked) in 1945, as an actress with a monthly salary of Rs 400, and toured across India with the group.

Also in 1945, Sehgal joined the theatre group, Indian People's Theatre Association (IPTA), acted in several plays, and made her film debut in IPTA's first film production, directed by Khwaja Ahmad Abbas, '' Dharti Ke Lal'' in 1946; she followed it up with another IPTA-supported film, '' Neecha Nagar''. Directed by Chetan Anand and starring Rafiq Ahmed and Uma Anand, ''Neecha Nagar'' was one of the first projects of the parallel cinema movement in the subcontinent. Upon release, the film became a critical success and was screened as such international film festivals as Cannes Film Festival, where it won the Palme d'Or.

During her stay in Bombay, Sehgal became friends with several theatre and film personalities. She continued her association with theatre, appearing in successful productions including Ebrahim Alkazi's ''Din Ke Andhere'' (portraying Begum Qudsia) and K.A. Abbas's stage productions for IPTA. She lived in a rented house owned by Chetan and Uma Anand. She also worked as a choreographer for Hindi films, including Guru Dutt's '' Baazi'' and Raj Kapoor's '' Awaara'' (both 1951).

After her husband's death in 1959, Sehgal moved to Delhi and was appointed as the director of the newly founded Natya Academy. She worked in the same position for about three years. Later in 1962, Sehgal was awarded a drama scholarship, which required her to move to London, United Kingdom. She briefly worked as a dance instructor at a Chelsea-based school run by Bharatanatyam dancer Ram Gopal. Following that, Sehgal made her television debut with a BBC adaptation of a Kipling story ''The Rescue of Pluffles'', in 1964. She went on to appear in one episode of science fiction fantasy series '' Doctor Who'' during 1965; the episode that Sehgal worked in, however, is currently lost. She also anchored 26 episodes of BBC TV series, ''Padosi'' (Neighbours; 1976–77).Zohra Sehgal profile at screenonline.org.uk
/ref>

Sehgal's first film role came in 1982, when she was signed by Merchant Ivory Productions. She appeared in the James Ivory-directed ''The Courtesans of Bombay'', which released later that year. This paved the way for an important role as Lady Chatterjee in the television adaptation of '' The Jewel in the Crown'' (ITV, 1984). She continued to make sporadic appearances in British films for the next few years, most notably in such productions as ''The Raj Quartet'', '' The Jewel in the Crown'', ''Tandoori Nights'', and ''My Beautiful Laundrette''.

Return to India

Sehgal returned to India in the mid-1990s and lived for a few months in Burdwan. At that time she acted in several films, plays and TV series. She first performed poetry at a memorial to Uday Shankar organised by his brother, Ravi Shankar in 1983, and soon took to it in big way; she started getting invited to perform poetry at various occasions. She even travelled to Pakistan to recite verses for "An Evening With Zohra Sehgal". Her impromptu performances of Punjabi and Urdu