Virata Parva
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Virata Parva, also known as the “Book of Virata”, is the fourth of eighteen books of the Indian Epic
Mahabharata The ''Mahābhārata'' ( ; sa, महाभारतम्, ', ) is one of the two major Sanskrit epics of ancient India in Hinduism, the other being the '' Rāmāyaṇa''. It narrates the struggle between two groups of cousins in the K ...
.van Buitenen, J.A.B. (1978) ''The Mahabharata: Book 4: The Book of the Virata; Book 5: The Book of the Effort''. Chicago, IL: University of Chicago Press Virata Parva traditionally has 4 parts and 72 chapters.Ganguli, K.M. (1883-1896)
Virata Parva
in ''The Mahabharata of Krishna-Dwaipayana Vyasa'' (12 Volumes). Calcutta
Dutt, M.N. (1896) ''The Mahabharata (Volume 4): Virata Parva''. Calcutta: Elysium Press The critical edition of Virata Parva has 4 parts and 67 chapters. It discusses the 13th year of exile which the
Pandavas The Pandavas (Sanskrit: पाण्डव, IAST: Pāṇḍava) refers to the five legendary brothers— Yudhishthira, Bhima, Arjuna, Nakula and Sahadeva—who are the central characters of the Hindu epic ''Mahabharata''. They are acknowledge ...
must spend incognito to avoid another 12 years of exile in the forest. They do so in the court of Virata. They assume a variety of identities. Yudhishthira assumes the identity of game entertainer to the king and calls himself Kanka, Bhima of a cook Ballava, Arjuna teaches dance and music as eunuch
Brihannala Arjuna ( Sanskrit: अर्जुन, ), also known as Partha and Dhananjaya, is a character in several ancient Hindu texts, and specifically one of the major characters of the Indian epic Mahabharata. In the epic, he is the third among P ...
and dresses as a woman, Nakula tends horses as Granthika, Sahadeva herds cows as Tantipala, and Draupadi in the name of Malini went as Sairandhri to queen Shudeshna.


Structure and chapters

This book traditionally has 4 sub-parvas (parts or little books) and 72 adhyayas (sections, chapters). The following are the sub-parvas: : 1. Pandava Pravesha Parva (Chapters: 1–13) :: The
Pandava The Pandavas (Sanskrit: पाण्डव, IAST: Pāṇḍava) refers to the five legendary brothers— Yudhishthira, Bhima, Arjuna, Nakula and Sahadeva—who are the central characters of the Hindu epic ''Mahabharata''. They are acknowledge ...
s discuss ways they can each conceal their identity for one year, and thus meet the pledge they made at the time of their exile. While Pandavas have grown up in a princely family, they must now assume non-princely professions to avoid being detected. If they are detected, the terms of their exile pledge would extend the exile by another 12 years. They chose to spend last year exile in King Virata kingdom in disguise. Yudhishthira presents himself to King as courtier, by the name of Kanka, Bhima as cook and wrestler by name Vallaba, Arjuna dresses up in a
saree A sari (sometimes also saree or shari)The name of the garment in various regional languages include: * as, শাৰী, xārī, translit-std=ISO * bn, শাড়ি, śāṛi, translit-std=ISO * gu, સાડી, sāḍī, translit-std= ...
as neuter by the name of Brihannala, Nakula as keeper of horses by name Granthika, Sahadeva as keeper of kine by name Tantipala, and Draupadi as female artisan by name Sairandhri.J. A. B. van Buitenen (Translator), The Mahabharata, Volume 3, 1978, , University of Chicago Press, pages 9-10 The parva describes Pandavas' life as workers in Virata's kingdom, with king Virata as a famous cow baron. Chapter 13 is sometimes named Samayapalana Parva. : 2. Kichaka-vadha Parva (Chapters: 14–24)Virata Parva
Mahabharata, Translated by Kisari Mohan Ganguli, Published by P.C. Roy (1884)
:: Kichaka, the commander of king Virata's forces, sees maid Sairandhri (incognito Draupadi), lusts for her. Kichaka approaches the queen, and inquires about Sairandhri. The queen does not know the true identity of Sairandhri, and arranges a meeting. Sairandhri informs Kichaka that she is married, and his stalking of her is inappropriate and against Dharma. Kichaka offers her release from being a maid and a life of luxury. Sairandhri says it is wrong for him to continue pursuing her. Kichaka gets desperate, desires Sairandhri even more. Queen Shudeshna asks Sairandhri to go get wine for her from Kichaka's house. Sairindhri goes in fear to Kichaka house to get wine. Kichaka meets her there, tries to molest her, Sairandhri pushes him and runs to the court of king Virata. Kichaka chases her, catches and kicks her in the court of Virata in front of the king. Sairandhri (Draupadi) demands justice from the king. Virata and Kanka (
Yudhishthira ''Yudhishthira'' ( Sanskrit: युधिष्ठिर, IAST: ''Yudhiṣṭhira'') is the eldest among the five Pandava brothers. He is mentioned in the ancient epic Mahabharata. He was sired by King Pandu of the Kuru Dynasty and his fir ...
) console Sairandhri, promise due investigation of all facts and then justice. Sairandhri, upset with her humiliation, the delay in justice, scolds both the king and Kanka. The queen learns about the mistreatment of Sairindhri, promises death to Kichaka.
Draupadi Draupadi ( sa, द्रौपदी, draupadī, Daughter of Drupada), also referred to as Krishnaa, Panchali, and Yagyaseni, is the main female protagonist of the Hindu epic ''Mahabharata,'' and the common consort of the five Pandava brothe ...
meets Bhima, describes her humiliation by Kichaka, as well as how frustrated she has been with the 12 years of exile, for suffering the vice of her husband Yudhishthira. Draupadi explains why Kichaka is evil, explains she repeatedly rejected Kichaka, and demands Kichaka's death. Next day, Kichaka again approaches maid Sairandhri, and harasses her. Sairandhri asks him to meet her at a hiding place. Bhima meets Kichaka instead, and kills Kichaka. Friends and family of Kichaka blame maid Sairandhri, for Kichaka's death, catch her and try to burn her to death. Bhima gets upset, attacks and kills all those trying to burn Sairandhri. Draupadi is saved. The story presents the interconnectedness of crime to people related to the victim and the perpetrator, their emotions and how people take sides. Kichaka story from the Mahabharata is one of those that is dramatized in Indian classical dances, such as
Kathakali Kathakali ( ml, കഥകളി) is a major form of classical Indian dance. It is a "story play" genre of art, but one distinguished by the elaborately colourful make-up and costumes of the traditional male actor-dancers. It is native to the M ...
. : 3. Go-harana Parva (Chapters: 25–69) :: Dhritarashtra and
Duryodhana Duryodhana ( sa, दुर्योधन, ) also known as Suyodhana, is the primary antagonist in the Hindu epic ''Mahabharata.'' He was the eldest of the Kauravas, the hundred sons of the blind king Dhritarashtra and his queen Gandhari. Bei ...
disclose their spies have been looking for Pandavas in forests, villages, provinces and cities, unsuccessfully. Two more weeks are left of the 13th year of exile.
Karna Karna (Sanskrit: कर्ण, IAST: ''Karṇa''), also known as Vasusena, Anga-raja, and Radheya, is one of the main protagonists of the Hindu epic '' Mahābhārata''. He is the son of the sun god Surya and princess Kunti (mother of the ...
suggests they hire more competent spies, fan inside their kingdom, in holy places among ascetics, and in distant kingdoms. Drona recommends that instead of sending spies, Dhritarashtra should seek peace and welcome the Pandavas.
Bhishma Bhishma ( Sanskrit: भीष्‍म, , ), also known as Pitamaha, Gangaputra, and Devavrata, played an integral role in Mahabharata. He was the supreme commander of the Kaurava forces during the Kurukshetra War mentioned in the Hindu epi ...
agrees with Drona, counsels Dhritarashtra to find the brothers where they are likely to be and bring them back. Bhishma speculates that the good and high souled people like Pandava brothers always create prosperity, peace, cheer and health of all creatures wherever they go. Look for them in places where prosperity and cheer has recently increased. Kripa agrees with Bhishma speculation, but suggests Dhritarashtra to prepare for war to kill Pandavas, as they are likely to be weak and without soldiers at the end of the exile. Susharma, the king of
Trigartas Trigarta kingdom was an ancient kingdom in northern Indian region of the Indian subcontinent with its capital at Prasthala (modern Jalandhar), Multan and Kangra. Trigarta was founded and ruled by the vrishni Dynasty. Mention in Mahabharata Tr ...
, present during this discussion, suggests Virata kingdom fits this profile. Susharma recommends an attack on the Virata's kingdom of Matsya, seizure of its wealth of kine (cows) and recent prosperity. The army of Susharma attack Matsya, loot his kine and wealth, take king Virata captive. Bhima recommends immediate retaliation and war. Yudhishthira recommends caution and careful response. Bhima frees Virata, takes injured Susharma captive. Yudhishthira recommends that Susharma - the prisoner of war - be forgiven and freed, not killed. Virata, accompanied with Yudhishthira and Bhima, leaves his kingdom to bring back the kine and wealth from Susharma. Duryodhana surmises that the Pandavas were hiding in Matsya. A host of Kaurava warriors attack Virata, presumably to steal their cattle, but in reality, desiring to pierce the Pandavas' veil of anonymity. Full of bravado, Virata's son Uttar attempts to take on the army by himself while the rest of the Matsya army has been lured away to fight Susharma and the Trigartas. As suggested by Draupadi, Uttar takes Brihannala with him, as his charioteer. When he sees the Kaurava army, Uttar loses his nerve and attempts to flee. There, Arjuna reveals his identity and those of his brothers'. Switching places with Uttar, Arjuna takes up the Gandiva and Devadatta. Eager to defend the land that had given him refuge, Arjuna engaged the legion of Kaurava warriors. All the warriors including
Bhishma Bhishma ( Sanskrit: भीष्‍म, , ), also known as Pitamaha, Gangaputra, and Devavrata, played an integral role in Mahabharata. He was the supreme commander of the Kaurava forces during the Kurukshetra War mentioned in the Hindu epi ...
, Drona,
Karna Karna (Sanskrit: कर्ण, IAST: ''Karṇa''), also known as Vasusena, Anga-raja, and Radheya, is one of the main protagonists of the Hindu epic '' Mahābhārata''. He is the son of the sun god Surya and princess Kunti (mother of the ...
, Kripa and Ashwatthama together attacked Arjuna to kill him but Arjuna defeated all of them multiple times. During the battle, Arjuna also killed Sangramjit-the foster brother of Karna and instead of taking the revenge of his brother, Karna took heroic flight in order to save his life from Arjuna. Ashwatthama cuts the string of Gandiva while fighting with Arjuna, thus becoming the first warrior to do so. Arjuna invoked ''Sammohana Astra'' which made all of them fall asleep. Uttar asked Arjuna why he couldn't have killed them instead of making them fall-sleep. Arjuna then told Uttara that clothes of dead people would become unholy. Arjuna asked Uttar to collect their clothes for Uttarā (his sister) to decorate her dolls. He asked Uttara to collect
Duryodhana Duryodhana ( sa, दुर्योधन, ) also known as Suyodhana, is the primary antagonist in the Hindu epic ''Mahabharata.'' He was the eldest of the Kauravas, the hundred sons of the blind king Dhritarashtra and his queen Gandhari. Bei ...
's red clothes;
Karna Karna (Sanskrit: कर्ण, IAST: ''Karṇa''), also known as Vasusena, Anga-raja, and Radheya, is one of the main protagonists of the Hindu epic '' Mahābhārata''. He is the son of the sun god Surya and princess Kunti (mother of the ...
's pink colored and Dushasana's blue colored clothes. Prince Uttara returns victorious with wealth and Arjuna. When the news of prince Uttara victory heard by King, he became filled with joy and played game of dice with Kanka. Kanka began to applaud prowess of Vrihannala(Arjuna) for the victory of his son. King Virata inflamed with anger forcibly struck Yudhishthira in the face with a dice, and went away. Thus struck, blood began to flow from his nose. Yudhisthira held his nose and cleanses it with water with the help of Draupadi. Meanwhile Uttara returns to give his victory news in the court to the King, where Arjuna was held from entering by a guard as per Yudhishthira words as he could get angry at the insult of his brother and could slay the King with his troops. Uttara criticizes his father's act and the King asks for forgiveness. : 4. Vaivahika Parva (Chapters: 70–72) :: On 3rd day after Virata victory, attired in costly robes Pandavas entered the council-hall of Virata and took their seat on the thrones reserved for Kings. Virata came there for holding his council and beholding his courtiers occupying royal seat, filled with wrath. Arjuna discloses to king Virata that he and his Pandava brothers have been in his kingdom in disguise, over the 13th year of their exile. Virata asks for forgiveness and gives his daughter, princess Uttarā hand to Arjuna's son Abhimanyu.


English translations

Several translations of the Sanskrit book Virata Parva in English are available. Two translations from 19th century, now in public domain, are those by Kisari Mohan Ganguli and Manmatha Nath Dutt. The translations vary with each translator's interpretations. J. A. B. van Buitenen completed an annotated edition of Virata Parva, based on critically edited and least corrupted version of Mahabharata known in 1975. Debroy, in 2011, notes that updated critical edition of Virata Parva, with spurious and corrupted text removed, has 4 parts, 67 adhyayas (chapters) and 1,736 shlokas (verses). Debroy's translation of a critical edition of Virata Parva appears in Volume 4 of his series. Clay Sanskrit Library has published a 15-volume set of the Mahabharata that includes a translation of Virata Parva by Kathleen Garbutt. This translation is modern and uses an old manuscript of the Epic. The translation does not remove verses and chapters now widely believed to be spurious and smuggled into the Epic in 1st or 2nd millennium CE.Kathleen Garbutt, Book IV, The Clay Sanskrit Library, Mahabharata: 15-volume Set, , New York University Press, Bilingual Edition


Quotations and teachings

Pandava Pravesha Parva, Chapter 4: Pandava Pravesha Parva, Chapter 14: Kichaka-vadha Parva, Chapter 21: Go-harana Parva, Chapter 38:


See also

* Previous book of Mahabharata: Vana Parva * Next book of Mahabharata: Udyoga Parva


References


External links


Translation
by Kisari Mohan Ganguli.
Virata Parva
Translation in English, by Manmatha Nath Dutt
Le Mahabharata
Translation in French, by H. Fauche (Paris, 1868)
Virata Parva in Sanskrit
by Vyasadeva and commentary by Nilakantha (Editor: Kinjawadekar, 1929) {{Mahabharata Parvas in Mahabharata