Ushabti
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The ushabti (also called shabti or shawabti, with a number of variant spellings) was a
funerary A funeral is a ceremony connected with the final disposition of a corpse, such as a burial or cremation, with the attendant observances. Funerary customs comprise the complex of beliefs and practices used by a culture to remember and respect ...
figurine used in
ancient Egyptian funerary practices The ancient Egyptians had an elaborate set of funerary practices that they believed were necessary to ensure their immortality after death. These rituals included mummifying the body, casting magic spells, and burials with specific grave good ...
. The Egyptological term is derived from , which replaced earlier , perhaps the nisba of "'' Persea'' tree". Ushabtis were placed in tombs among the grave goods and were intended to act as servants or minions for the deceased, should they be called upon to do manual labor in the
afterlife The afterlife (also referred to as life after death) is a purported existence in which the essential part of an individual's identity or their stream of consciousness continues to live after the death of their physical body. The surviving es ...
. The figurines frequently carried a hoe on their shoulder and a basket on their backs, implying they were intended to farm for the deceased. They were usually written on by the use of hieroglyphs typically found on the legs. They carried inscriptions asserting their readiness to answer the gods' summons to work. The practice of using ushabtis originated in the
Old Kingdom of Egypt In ancient Egyptian history, the Old Kingdom is the period spanning c. 2700–2200 BC. It is also known as the "Age of the Pyramids" or the "Age of the Pyramid Builders", as it encompasses the reigns of the great pyramid-builders of the Fourt ...
(c. 2600 to 2100 BCE), with the use of life-sized reserve heads made from limestone, which were buried with the mummy. Most ushabtis were of minor size, and many produced in multiples β€“ they sometimes covered the floor around a sarcophagus. Exceptional ushabtis are of larger size, or produced as a one-of-a-kind master work. Due to the ushabti's commonness through all Egyptian time periods, and world museums' desire to represent ancient Egyptian art objects, the ushabti is one of the most commonly represented objects in Egyptology displays. Produced in huge numbers, ushabtis, along with scarabs, are the most numerous of all ancient Egyptian antiquities to survive.


Etymology and usage of the terms

The term ''shabti'' applies to these figures prior to the Twenty-first Dynasty of Egypt, but only after the end of the
First Intermediate Period The First Intermediate Period, described as a 'dark period' in ancient Egyptian history, spanned approximately 125 years, c. 2181–2055 BC, after the end of the Old Kingdom. It comprises the Seventh (although this is mostly considered spuriou ...
(c. 2181–2055 BCE), and really only to those figurines inscribed with Chapter Six of the
Book of the Dead The ''Book of the Dead'' ( egy, π“‚‹π“€π“ˆ’π“ˆ’π“ˆ’π“Œπ“€π“‰π“‚‹π“π“‚»π“…“π“‰”π“‚‹π“…±π“‡³π“€, ''rw n(y)w prt m hrw(w)'') is an ancient Egyptian funerary text generally written on papyrus and used from the beginning of the New Kingdom ( ...
. Otherwise, they might better be defined by the generic term "funerary figurines". ''Shabtis'' were servant figures that carried out the tasks required of the deceased in the underworld. It was necessary for the owner's name to be inscribed on an ushabti, along with a phrase sending them to action, written in the hieratic script. The ''shawabti'' were a distinct class of funerary figurines within the area of Thebes during the
New Kingdom New is an adjective referring to something recently made, discovered, or created. New or NEW may refer to: Music * New, singer of K-pop group The Boyz Albums and EPs * ''New'' (album), by Paul McCartney, 2013 * ''New'' (EP), by Regurgitator ...
. The term ''ushabti'' became prevalent after the 21st Dynasty and remained in use until the Ptolemaic Kingdom. It is thought by some that the term ''ushabti'' meant "follower" or "answerer" in Ancient Egyptian, because the figurine "answered" for the deceased person and performed all the routine chores of daily life for its master in the afterlife that the gods had planned for them, although it would be difficult to reconcile this derivation with the form ''shawabti''.


Inscriptions

Ushabti inscriptions often contain the 6th chapter of the
Book of the Dead The ''Book of the Dead'' ( egy, π“‚‹π“€π“ˆ’π“ˆ’π“ˆ’π“Œπ“€π“‰π“‚‹π“π“‚»π“…“π“‰”π“‚‹π“…±π“‡³π“€, ''rw n(y)w prt m hrw(w)'') is an ancient Egyptian funerary text generally written on papyrus and used from the beginning of the New Kingdom ( ...
, translated as: (Example: the deceased Ramses would have been described as ''"Osiris Ramses"''). In rare cases different chapters of the Book of the Dead are written. Furthermore, ushabtis often mention the name and the titles of the owner, without the spells of the Book of the Dead. Before being inscribed on funerary figurines, the spell was written on some mid- Twelfth Dynasty coffins from Deir el-Bersha (about 1850 BC) and is known today as spell 472 of the
Coffin Texts The Coffin Texts are a collection of ancient Egyptian funerary spells written on coffins beginning in the First Intermediate Period. They are partially derived from the earlier Pyramid Texts, reserved for royal use only, but contain substantial ...
.


History of usage

Mentioned first in spell 472 of the
Coffin Texts The Coffin Texts are a collection of ancient Egyptian funerary spells written on coffins beginning in the First Intermediate Period. They are partially derived from the earlier Pyramid Texts, reserved for royal use only, but contain substantial ...
, they were included in the grave goods of the dead as small figurines since the reign of Mentuhotep II of the
11th Dynasty The Eleventh Dynasty of ancient Egypt (notated Dynasty XI) is a well-attested group of rulers. Its earlier members before Pharaoh Mentuhotep II are grouped with the four preceding dynasties to form the First Intermediate Period, whereas the late ...
. Some think that originally they may have symbolically replaced human sacrificial burials, called retainer sacrifices, a somewhat improbable theory as centuries had passed between the last known sacrificial burials and the appearance of the ''ushabtis''. They were generally distinguished from other statuettes by being inscribed with the name of the deceased, his titles, and often with spell 472 of the Coffin Texts or the speech of the ushabti figure found in Chapter Six of the
Book of the Dead The ''Book of the Dead'' ( egy, π“‚‹π“€π“ˆ’π“ˆ’π“ˆ’π“Œπ“€π“‰π“‚‹π“π“‚»π“…“π“‰”π“‚‹π“…±π“‡³π“€, ''rw n(y)w prt m hrw(w)'') is an ancient Egyptian funerary text generally written on papyrus and used from the beginning of the New Kingdom ( ...
. In the 18th Dynasty during the reign of
Akhenaten Akhenaten (pronounced ), also spelled Echnaton, Akhenaton, ( egy, ꜣḫ-n-jtn ''ΚΎΕͺαΈ«Ι™-nΙ™-yātΙ™y'', , meaning "Effective for the Aten"), was an ancient Egyptian pharaoh reigning or 1351–1334 BC, the tenth ruler of the Eighteenth D ...
, the figurines were inscribed with an offering addressed to the sun disk Aten, rather than the traditional speech of the ushabti figure. The ushabti was believed to magically animate after the dead had been judged, and work for the dead person as a substitute labourer in the fields of
Osiris Osiris (, from Egyptian ''wsjr'', cop, ⲟⲩβ²₯ⲓⲣⲉ , ; Phoenician: π€€π€Žπ€“, romanized: ΚΎsr) is the god of fertility, agriculture, the afterlife, the dead, resurrection, life, and vegetation in ancient Egyptian religion. He wa ...
. From the
New Kingdom New is an adjective referring to something recently made, discovered, or created. New or NEW may refer to: Music * New, singer of K-pop group The Boyz Albums and EPs * ''New'' (album), by Paul McCartney, 2013 * ''New'' (EP), by Regurgitator ...
onwards, it was often referred to as ''servant''. From the 21st Dynasty on, ushabtis became common and numerous in graves. In some tombs the floor was covered with a great many ushabti figurines; in others the ushabtis were neatly packed into ushabti boxes. At times, several hundred ushabti were placed in a deceased Ancient Egyptian's tomb, but pharaohs had considerably more of these servants than commoners, and king Taharqa had more than a thousand. Some tombs contained overseer or 'reis' ''ushabtis'' holding a whip, which were responsible for groups of ten ushabti each (ten being a common administrative division, for example in the armies). These overseers became rare during the Late Period. The tomb of
Tutankhamun Tutankhamun (, egy, twt-κœ₯nαΈ«-jmn), Egyptological pronunciation Tutankhamen () (), sometimes referred to as King Tut, was an Egyptian pharaoh who was the last of his royal family to rule during the end of the Eighteenth Dynasty (ruled ...
had a large number of ushabtis of varying sizes, and most were ornate, with hieroglyph statements. They were divided into groups: some honored Osiriform gods, gold-foiled; some were more simple of wood, or
faience Faience or faΓ―ence (; ) is the general English language term for fine tin-glazed pottery. The invention of a white pottery glaze suitable for painted decoration, by the addition of an oxide of tin to the slip of a lead glaze, was a major ...
.


Shape and material

Ushabtis were mostly mummiform, but during the Dynasty XVIII reign of Thutmose IV, they began to be fashioned as servants with baskets, sacks, and other agricultural tools. Some ushabtis were very ornate in form, and in colour, when made of enamel. They were also made of clay, wood and stone and early ones were sometimes made from wax. Later figurines were often made of less perishable materials: stone,
terracotta Terracotta, terra cotta, or terra-cotta (; ; ), in its material sense as an earthenware substrate, is a clay-based unglazed or glazed ceramic where the fired body is porous. In applied art, craft, construction, and architecture, terra ...
, metal, glass and, most frequently, glazed earthenware (
Egyptian faience Egyptian faience is a sintered- quartz ceramic material from Ancient Egypt. The sintering process "covered he materialwith a true vitreous coating" as the quartz underwent vitrification, creating a bright lustre of various colours "usually i ...
). While ushabtis manufactured for the rich were often miniature works of art, the great mass of cheaply made ushabtis became standardised—made from single molds with little detail. The level of standardisation varied, a compositional and morphological study of faience ushabtis suggested that mass-production is an oversimplification of a complex process that may more accurately described as batch-processing.


See also

* DogΕ« *
Haniwa The are terracotta clay figures that were made for ritual use and buried with the dead as funerary objects during the Kofun period (3rd to 6th centuries AD) of the history of Japan. ''Haniwa'' were created according to the ''wazumi'' techniq ...
* Shikigami *
Stick shabti Stick shabtis (or stick ushabtis) are ancient Egyptian ushabtis made of wood. Description They have a rough, anthropoid shape, are not well-carved and bear just one inscription on the front. Unlike the normal Egyptian ushabtis which are sometim ...
*
Terracotta Army The Terracotta Army is a collection of terracotta sculptures depicting the armies of Qin Shi Huang, the first emperor of China. It is a form of funerary art buried with the emperor in 210–209 BCE with the purpose of protecting the emperor ...
*
Totem A totem (from oj, α‘‘α‘Œα’Ό, italics=no or '' doodem'') is a spirit being, sacred object, or symbol that serves as an emblem of a group of people, such as a family, clan, lineage, or tribe, such as in the Anishinaabe clan system. While ''the ...
* Wooden tomb model


References


Further reading

* * * * * *


External links


ushabtis.com
{{Authority control 3rd-millennium BC establishments in Egypt Egyptian artefact types Death customs Figurines Art of ancient Egypt Funerary art