Cast
*Synopsis
Charlie (Chaplin) takes a job as a janitor in the home of Colonel Nutt (unidentified actor), a munitions manufacturer. As the butler (unidentified actor) introduces Charlie to the ill-tempered cook (Billy Armstrong), Colonel Nutt demonstrates his new wireless explosive device to his daughter (unidentified actress). Meanwhile, agents of the "Pretzelstrass" meet with the Count (Leo White) to devise a plan to get at Colonel Nutt's device. Charlie carelessly dumps garbage all over the maid (Edna Purviance) and her freshly cleaned floor. He takes the trash can and dumps it over the fence, inundating the Count in the process. Back in the kitchen, the maid scolds Charlie, but then she becomes emotional, and he comforts her. The Count enters the house, and is hit by a wet rag thrown by the maid, but intended for Charlie. The Count tosses it off to the side, and it winds up hitting the cook, and when the cook begins to act cruelly towards the maid in return, Charlie sticks up for her. The Count makes his way to the Colonel, who rejects his offers and has the Count ejected by the butler. His day's work done, Charlie makes his way to a flophouse for a night's sleep. At this point, a pickpocket (Wesley Ruggles) holds up the Count, but instead of taking his money he agrees to join the caper to liberate Dr. Nutt of his invention. The conversation is overheard by a cop, who then runs off to inform his fellow officers, who are in an abandoned lot, shooting craps. They storm the Nutt house, disrupting its resident, but explain to him that they "are on the trail of a great robbery." Back at the flophouse, Charlie is prevented from settling down by a loud, singing drunk (James T. Kelley) whom he eventually—and somewhat affectionately—dispatches with a champagne bottle. A thief (also Billy Armstrong) steals in during the night and robs the singing drunk, and although Charlie takes what he thinks are adequate precautions, he is also robbed. Charlie disguises himself under the blankets and manages to get his money back from the thief, but when the thief tries to stab him it wakes everyone up and a fight breaks among all of the men. Charlie manages to escape, dodging several cops on the way. However, he runs into the pickpocket on the street; recognizing him as an old friend, Charlie agrees to help him find a target, and leads him to the Nutt house. The cops are all still there; lying around, smoking, waiting for something to happen. Pandemonium breaks out when the pickpocket enters the house, and amid the chaos, Colonel Nutt's explosive device is detonated, blowing all of the cops skyward. In the aftermath, the pickpocket is buried in a heap of rubble and Charlie is seen poking his head out of the kitchen stove.History and background
Chaplin's contract with Essanay ended at the beginning of 1916 when he went to Mutual. ''Legacy and preservation
Evaluations of the finished film vary; even in 1918, The Moving Picture World called it an "atrocious patch quilt of ancient slapstick reels." A review on the imdb refers to it as "Chaplin's worst film. The story doesn't make any sense" and indeed, the continuity in ''Triple Trouble'' is very difficult to follow; the pickpocket knows where the house is as the Count has already directed him towards it, yet he is still looking for a place to rob later in the film, and Charlie directs him towards the house again, presumably double-crossing his employer in the process. In ''Police'', the scene is taken from the opposite angle. Nevertheless, some have found value in ''Triple Trouble''; in their 1965 book ''The Films of Charlie Chaplin'', Gerald D. McDonald, Michael Conway and Mark Ricci stated that the film "has remarkable continuity and the pieces fit together, almost miraculously." Walter Kerr, in his seminal 1975 book ''The Silent Clowns'', stated that the film was "worthless, except for what it can tell us about the vein Chaplin was tempted to explore in his own kind of feature." As it was, Chaplin did not make an actual feature until ''The Kid'' (1921), and he seemed to agree with that aspect of the inherent value of ''Triple Trouble'' through including the title in the filmography attached to his autobiography in 1964. For Essanay, however, their claim that ''Triple Trouble'' "would be worth many times its weight in gold" apparently did not pan out. Burdened by the fallout from the loss of final appeals relating to the U.S. Government's anti-trust suit against former Motion Picture Patents Trust companies and an inability to compete in a market dominated by features, ''Triple Trouble'' was practically the last new film that Essanay produced. It was followed by a trickle of reissues of older titles that finally petered out in 1920.Controversy
There is considerable controversy as to whether the flophouse sequence in ''Triple Trouble'' was footage trimmed from ''Police'' or part of the uncompleted project ''Life''. The Essanay description of ''Police'' filed with the Library of Congress at the time of copyright on May 12, 1916 indicates a deleted scene similar to the content in ''Triple Trouble'': " harliegoes to a lodging house and in order to save his dollar from thieves puts it in his mouth, swallowing it while he sleeps. A crook robs the men in the lodging house but Chaplin takes the money from him. This starts a battle." As part of his television documentary '' The Chaplin Puzzle'' (1992), director Don McGlynn included a reconstruction of ''Police'' which attempted to re-incorporate the flophouse sequence from ''Triple Trouble'' into the earlier film. Some Chaplin scholars felt that the result was unconvincing and that certain incompatible details between the flophouse sequence which remains in ''Police'' and that from ''Triple Trouble'' indicate that the ''Triple Trouble'' material is merely a similar scene, but one derived from an independent project. The issue is regarded as unresolved.Preservation and home video status
As a Chaplin film in the public domain, sources for ''Triple Trouble'' are numerous, and it circulated in 8 and 16mm in the era of home film collecting. The Images DVD version on ''Chaplin's Essanay Comedies Volume 3'' has been adjudged the best available in that—for the most part—it is derived from a 35mm print, and includes one shot that does not appear in other versions.References
External links
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