Trinity Chapel Complex

The Trinity Chapel Complex, now better known as the Serbian Orthodox Cathedral of St. Sava ( sr, Црква светог Саве, Crkva svetog Save) is a historic Eastern Orthodox church at 15 West 25th Street between Broadway and the Avenue of the Americas (6th Avenue) in the NoMad neighborhood of Manhattan, New York City.

The church building was constructed in 1850–55 and was designed by architect Richard Upjohn in English Gothic Revival style. It was built as one of several uptown chapels of the Trinity Church parish, but was sold to the Serbian Eastern Orthodox parish in 1942, re-opening as the Cathedral of St. Sava in 1944.

The church complex includes the Trinity Chapel School, now the cathedral's Parish House, which was built in 1860 and was designed by Jacob Wrey Mould, a polychromatic Victorian Gothic building which is Mould's only extant structure in New York City. Attached to the sanctuary itself is the Clergy House at 26 West 26th Street, which was built in 1866 and was designed by Richard Upjohn and his son Richard M. Upjohn. p.199

The chapel was designated a New York City landmark in 1968, and the complex was added to the National Register of Historic Places in 1982.

Most of the church was destroyed in a four-alarm fire on May 1, 2016. In June 2016 reports were circulating that the city of New York ordered that the remains of the structure be demolished, stating that the walls are too unstable to be allowed to stand. The Buildings Department quickly clarified that the inspection was not complete and they had not ordered the immediate demolition of the building and instead is working with the parish to stabilize the structure.

Architecture

The outside is made of heavy exterior blocks of the building were etched in a rough finish, accented with austere Gothic trim and details. The front façade sits on West 25th Street and faces south. It measures around in width by roughly in height. The façade is supported by four stone buttresses, framed by delicate stone turrets at the sides, and punctuated by a large rose window above the entrance.

Prior to the fire that took place May 1, 2016, the church was known to have had one of the largest timber hammerbeam roofs in the City of New York.

History

Trinity Chapel

With the population of New York City moving ever-northward up Manhattan island in the mid-19th century, Trinity Church, the center of Episcopalianism in the city, needed to provide for its uptown parishioners, especially in the increasingly sought-after residential neighborhoods around Union and Madison Squares. p.80 The church's solution was to build a chapel, named Trinity Chapel, on West 25th Street just off of Madison Square as an uptown annex., p.244 The architect selected was Richard Upjohn, who designed the third and current version of Trinity Church, as well as the Church of the Ascension on Fifth Avenue and West 10th Street, as well as many other churches in the Gothic Revival mode in the northeast.

The parish was a wealthy and influential one, and Trinity was the only one of Trinity Church's chapels which was capable of supporting itself without assistance from the home church. In 1865 in Trinity Episcopal Church the Orthodox Liturgy was held for the first time in American history. Among the congregants was writer Edith Wharton, who was married in the church in 1885. In 1892, the reredos and altar were redesigned by Frederick Clarke Withers.

Cathedral of St. Sava

By 1930, as the rich and influential continued their uptown migration, the neighborhood around Madison Square had seriously declined. The chapel was now located within the Tenderloin, the city's main entertainment and red light district, and the congregation had dwindled. A Serbian Orthodox congregation, founded in the 1930s, purchased the building in 1942, with assistance from various Serbian churches, and the building re-opened in 1944 as a Serbian Orthodox cathedral dedicated to Saint Sava, the patron saint of the Serbs. The first pastor was Rev. Dushan Shoulkletovich. Peter II, the last king of Yugoslavia attended services here.

Gradual changes were made to the sanctuary to make it more Eastern Orthodox in style. A hand-carved oak iconostasis was added in 1962. The Byzantine, hand-carved Iconostasis, brought from the Monastery of St. Naum in Ohrid, Yugoslavia, was placed in the cathedral and blessed.

The Icons on the Iconostasis were written by Russian iconographer, Ivan Meljinkov.

When a bomb went off near the church on September 4, 1966 destroying some of the stained glass, they were replaced with new ones commissioned in Byzantine style.

Serbian Orthodox Patriarch Pavle visited St. Sava Cathedral in October 1992. This was the first time the New York Church community was visited by a Patriarch.

Outside the church are busts of Bishop Nikolai Velimirovich, who was instrumental in founding the parish, helped to organize the Serbian Orthodox Church in America, and was in later years the "luminary-in-residence" at the cathedral; Nikola Tesla