Trials and Tribble-ations

"Trials and Tribble-ations" is the 104th episode of the American science fiction television series '' Star Trek: Deep Space Nine'', the sixth episode of the fifth season. It was written as a tribute to the original series of '' Star Trek,'' in the year of that show's 30th anniversary; sister series '' Voyager'' also produced a tribute episode, " Flashback".

Set in the 24th century, ''Star Trek: Deep Space Nine'' follows the adventures of the crew of the space station Deep Space Nine, near the planet Bajor, as the Bajorans recover from a brutal, decades-long occupation by the imperialistic Cardassians. In this episode, Captain Benjamin Sisko (Avery Brooks) and the crew aboard the USS ''Defiant'' are taken back in time to the events of the ''Original Series'' episode "The Trouble with Tribbles", and must work to prevent the assassination of Captain James T. Kirk (William Shatner) of the USS ''Enterprise'' by a Klingon using a booby-trapped tribble.

The idea for the episode was suggested by René Echevarria, and Ronald D. Moore suggested the link to "The Trouble with Tribbles". The two were credited for their work on the teleplay, with the story credit going to Ira Steven Behr, Hans Beimler, and Robert Hewitt Wolfe. The episode features the ''Deep Space Nine'' actors digitally inserted into footage from the ''Original Series''. Actor Charlie Brill, who played the role of Arne Darvin in "The Trouble With Tribbles", returned to reprise the role as an older Darvin.

"Trials and Tribble-ations" was warmly received by critics with praise directed at the nostalgia and level of detail seen on screen. It was the most watched episode of the fifth season. "Trials and Tribble-ations" was nominated in three Primetime Emmy Award categories and for the Hugo Award for Best Dramatic Presentation but did not win any awards. It was released on VHS initially alongside "The Trouble with Tribbles", and later as part of the normal release schedule. It was subsequently released as part of the season five DVD set.

Plot

The crew of Deep Space Nine are on the USS ''Defiant'', returning to Bajor with the sacred Bajoran Orb of Time, which is being returned by the Cardassian government after being stolen during the occupation. They pick up a hitchhiker, a human called Barry Waddle. Suddenly the ship finds itself more than one hundred years in the past and approximately 200 light years away from its previous location, near Deep Space Station K7 and the USS ''Enterprise''. They discover that the hitchhiker was Arne Darvin, a Klingon agent disguised as a human who was caught by Captain Kirk on ''K7'' after poisoning a shipment of grain.

Fearing that Darvin used the Orb of Time to alter the past to prevent his capture, the crew dress in period uniforms and investigate the ''Enterprise'' and K7. The ship and station are infested with tribbles, small furry creatures that reproduce rapidly. They attempt to interact with history as little as possible while investigating Darvin, but Dr. Bashir, Chief O'Brien, Worf and Odo get involved in a bar brawl between the ''Enterprise'' crew and a number of Klingons on shore leave. During the brawl, Worf and Odo spot Darvin and bring him back to the ''Defiant''. There, Darvin gloats that he has planted a bomb in a tribble to kill Kirk.

Captain Sisko and Lieutenant Commander Dax infiltrate the ''Enterprise'' bridge to scan for the bomb, and confirm it is not on the ''Enterprise''. The rapid breeding of the tribbles makes searching for the bomb on ''K7'' impractical, so they opt to shadow Kirk. They overhear him discussing the tribble infestation, and deduce that the bomb is in the grain storage compartments. They enter the compartments and begin scanning the tribbles, many of which are dead from eating the poisoned grain. Captain Kirk opens the compartment and is covered in falling tribbles. Dax and Sisko find the bomb among the tribbles still in the compartment and the ''Defiant'' transports it into space, where it explodes. The crew of the ''Defiant'' use the Bajoran Orb to travel back to their time.

Later, agents from the Department of Temporal Investigations arrive at Deep Space Nine to question Sisko about the incident. After interviewing Sisko, the agents leave, expressing optimism that the crew's actions have not seriously altered history. Once they are gone, Odo summons Sisko to DS9's Promenade, which is now covered in tribbles.

Production

Premise and writing

As the 30th anniversary of '' Star Trek'' was approaching, plans were being made. The film '' Star Trek: First Contact'' was entering production, a television special was planned to celebrate the franchise and original series actor George Takei had been cast to appear in the '' Star Trek: Voyager'' episode " Flashback". Producer Ira Steven Behr later recalled that he thought that ''Deep Space Nine'' might not be included as he considered it to be the " middle child" of the franchise. Rick Berman contacted Behr and asked him if he would be interested in doing something to celebrate the anniversary. Behr agreed to discuss it with the staff writers. Initially, there was concern that if the proposed episode aired during the actual anniversary week (around September 8), Erdmann & Block (2000): p. 383 that it would have to serve as the season opener, preempting the already planned opener. Erdmann & Block (2000): p. 384

The writers discussed potential ideas. Ronald D. Moore had previously brought back ''Original Series'' character Montgomery Scott for the '' Star Trek: The Next Generation'' episode "Relics", and since Takei was appearing in ''Voyager'', they decided that having a member of the main cast from ''The Original Series'' return would be repetitive. Some consideration was given by Moore to sending the ''DS9'' crew to revisit the Iotians, as seen on the gangster-themed planet visited by Kirk in the episode " A Piece of the Action". The concept was for the Iotans to have moved on from imitating gangsters to having become huge fans of Captain Kirk and Starfleet. It was intended as a way to honor the dedication of the fan community. René Echevarria suggested a time-travel episode, which was seen as an expensive proposition. Echevarria pressed for the idea. Moore suggested inserting the ''DS9'' crew into "The Trouble with Tribbles", saying it could resolve the question of why a constant stream of tribbles kept hitting Kirk in the head.

When the discussion came to inserting the ''DS9'' crew into the bar-brawl scene, Berman liked the idea but was unsure if it could actually be done. Visual effects supervisor Gary Hutzel created test footage and screened it for Behr and Moore, who thought that it was simply footage from the original episode. Once Hutzel revealed that an additional security officer (played by visual effects camera operator Jim Rider) had been seamlessly added to the sequence, the episode was green-lit. During the scripting process, "The Trouble with Tribbles" was regularly consulted, so the writers could decide where to insert characters. The names of Temporal Agents Dulmer and Lucsly were anagrammed from Mulder and Scully, characters on ''The X-Files''.

Original "Tribbles" creator David Gerrold was contacted by ''The New York Times'', who wanted to interview him about the anniversary and the rumored "tribbles" episode. When he questioned Berman about the episode, Berman initially denied it. Gerrold responded that he did not want to embarrass anyone, but would like to be able to endorse the project. Berman asked what the endorsement would cost, to which Gerrold requested public acknowledgement of his work and to be cast as an extra in the episode. Berman agreed. Gerrold compared inserting new footage into an existing episode to ''Back to the Future Part II'' (1989) and later said that he would have gone in a different direction had he written the story. Nonetheless, he said the final product ended up being better than anything he would have created.

Directing, cinematography, and music

Jonathan West was hired to direct the episode after other potential directors were rejected. West had previously been the cinematographer on staff for both ''Deep Space Nine'' and ''The Next Generation'', as well as directing several episodes of the franchise. He had nine days of preparation time before shooting began. Nemecek (1997): p. 58 He sought to match the same production values as ''The Original Series'' but found that lighting style and color saturation to film had changed in the intervening years. Visual effects supervisor Dan Curry directed some of the second-unit sequences, and together with West and cinematographer Kris Krossgrove worked to rectify these issues. Erdmann & Block (2000): p. 385 This was achieved by switching to a finer grain of film, using different lenses, as well as by shooting from specific angles. With Gerrold on set as an extra, West used him as an unofficial advisor on matching the scenes from "The Trouble with Tribbles".

The actual digital insertion of actors was conducted in the same manner as seen in the 1994 film '' Forrest Gump'' (1994). Nemecek (1997): p. 54 The original footage was remastered, and was seen as such an improvement that it inspired the subsequent clean-up and re-release of all of "Original Series" episodes. This remaster was conducted by Hutzel and is the first transfer since 1983, when a version was created for VHS and laserdisc release. Hutzel identified 19 scenes from "The Trouble with Tribbles" which were matched in "Trials and Tribble-ations". The scene matching between the new footage and the old took nine weeks to complete with a budget of $3 million. It involved both two-dimensional and three-dimensional tracking shots as well as insertion of matte shots and the use of both blue and green screens for the actors. The scene where Sisko meets Kirk on the bridge toward the end of the episode was taken from the episode " Mirror, Mirror". Nemecek (1997): p. 63

Due in part to the special effects, the costuming, the set re-constructions, and the residual payments to ''The Original Series'' cast, Behr later described "Trials and Tribble-ations" as "probably the most expensive hour of episodic TV ever produced". The only member of ''The Original Series'' cast who was spoken to directly by the producers was Leonard Nimoy, who was enthusiastic about the idea and was surprised that it had taken them so long to come up with it. The remaining cast members were each contacted through Paramount's legal department. Nemecek (1997): p. 57 Dennis McCarthy wanted to re-work the Jerry Fielding score previously used on "The Trouble with Tribbles". He said that he intended to use the production equipment and orchestra available to bring the score up to the same scale previously seen on ''Deep Space Nine''. However, the producers wanted a new score and so McCarthy explained that he composed it in a Fielding-inspired mindset. The only piece that was directly re-recorded by McCarthy is the Alexander Courage " Theme from ''Star Trek''", which involved a 45 piece orchestra. Erdmann & Block (2000): p. 386

Design and makeup

Art director Randy McIlvain led the set re-creation for the ''Enterprise'' and ''K7'', describing the excitement of working on the episode as "contagious". McIlvain spent a fair amount of time getting the window angles correct on the sets. Mike Okuda re-created the graphics seen on the ''Enterprise'' sets using a computer, while others were re-drawn by artist Doug Drexler. Some sets were not re-created in full, such as the bridge, parts of which were later added digitally. The captain's chair from the bridge re-creation was later one of the ''Star Trek'' items to be auctioned by Christie's. Set designer Laura Richarz watched "The Trouble with Tribbles" carefully looking for small details to replicate on the new sets, such as the legs of benches in the bar on ''K7''. However, she said her biggest challenge was tracking down the chairs seen on the space station. She contacted John M. Dwyer, who had worked on the original episode. He explained to her that the company which created the original chairs had gone out of business. After searching shops selling retro furniture, the production team found a single chair that matched those seen in the original episode. It was purchased and a mold was made to create more chairs. Nemecek (1997): p. 55 The actors were impressed when they saw the resulting sets, with Terry Farrell exclaiming "Wow, we're on the ''Enterprise''!"

Greg Jein had already been working on a new model of the USS ''Excelsior'' for the "Flashback" episode of ''Voyager'' when he saw the test footage for "Trials and Tribble-ations". He promised to make a new model of the ''Enterprise'' too, but warned that he didn't know when he would have time to do it. He started work on it immediately, and together with his colleagues he not only built a long model of the ''Enterprise'', but created a new model of ''Deep Space Station K7'' and the Klingon cruiser as well. The ''Enterprise'' model is the first to have been built of the original ''Star Trek'' starship in more than 30 years. Other props were also recreated, with around 1,400 tribbles created for the various scenes. They were purchased from Lincoln Enterprises, a company set up by Majel Barrett