Toots Thielemans

Jean-Baptiste Frédéric Isidor, Baron Thielemans (29 April 1922 – 22 August 2016), known professionally as Toots Thielemans, was a Belgian jazz musician. He was mostly known for his chromatic harmonica playing, as well as his guitar and whistling skills, and composing. According to jazz historian Ted Gioia, his most important contribution was in "championing the humble harmonica", which Thielemans made into a "legitimate voice in jazz".Gioia, Ted. ''The History of Jazz'', Oxford Univ. Press (2011) p. 382 He eventually became the "preeminent" jazz harmonica player.Morton, Brian, and Cook, Richard. ''The Penguin Jazz Guide: the History of the Music in the 1000 Best Albums'', Penguin UK, (2010) ebook.

His first professional performances were with Benny Goodman's band when they toured Europe in 1949 and 1950. He emigrated to the U.S. in 1951, becoming a citizen in 1957. From 1953 to 1959 he played with George Shearing, and then led his own groups on tours in the U.S. and Europe. In 1961 he recorded and performed live one of his own compositions, " Bluesette", which featured him playing guitar and whistling. In the 1970s and 1980s, he continued touring and recording, appearing with musicians such as Oscar Peterson, Ella Fitzgerald, Sarah Vaughan, Bill Evans, Dizzy Gillespie, Kenny Werner, Pat Metheny, Jaco Pastorius, Mina Mazzini, Elis Regina, Quincy Jones, George Shearing, Natalie Cole, Billy Joel, Paul Simon and Paquito D'Rivera.

Thielemans recorded the soundtracks for '' The Pawnbroker'' (1964), ''Midnight Cowboy'' (1969), '' The Getaway'' (1972), '' Cinderella Liberty'' (1973), '' The Sugarland Express'' (1974) and '' Looking for Mr. Goodbar'' (1977). His harmonica theme song for the popular ''Sesame Street'' TV show was heard for 40 years. He often performed and recorded with Quincy Jones, who once called him "one of the greatest musicians of our time." In 2009 he was designated a Jazz Master by the National Endowment for the Arts, the highest honor for a jazz musician in the United States.

Early years

Thielemans was born in Brussels on 29 April 1922. His parents owned a café. He began playing music at an early age, using a homemade accordion at age three. During the German occupation of Belgium beginning in 1940, he became attracted to jazz, but was then playing on a full-size accordion or a harmonica, which he taught himself to play in his teens.

After being introduced to the music of Belgian-born jazz guitarist Django Reinhardt, he became inspired to teach himself guitar, which he did by listening to Reinhardt's recordings. At the time he was a college student majoring in mathematics.Carr, Ian; Fairweather, Digby. ''The Rough Guide to Jazz'', Rough Guides (2004) p. 788 By the war's end in 1945, he considered himself a full-time musician. He said in 1950, "Django is still one of my main influences, I think, for lyricism. He can make me cry when I hear him."Field, Kim. ''Harmonicas, Harps, and Heavy Breathers: the Evolution of the People's Instrument'', Rowman & Littlefield (1993) pp. 253-255 During an interview in 1988, he recalled, "I guess I was born at the right time to live and adapt and be touched by the evolution in the jazz language."

He played in two Silverio Pisu stories: ''Giacomino passerotto vagabondo'' and ''Manolo gattino sognatore''.

Career

1940s–1950s

In 1949 he joined a jam session in Paris with Sidney Bechet, Charlie Parker, Miles Davis,"Belgian jazz harmonica great Toots Thielemans passes away at 94"
, ''The Economic Times'', 23 August 2016 Max Roach and others. He first heard the faster bebop style of jazz from records by Parker and Dizzy Gillespie after they had reached Belgium after the war. They became his musical "prophets." As his small collection of jazz records grew, the music of Benny Goodman and Lester Young began to impress him the most.

During a visit to the U.S. in 1948, an agent of Benny Goodman heard him play at a small New York music club. Not long after he returned to his home in Belgium, he received a letter inviting him to join Goodman's band while they toured in Europe. He readily accepted the invitation and joined their tours in 1949 and 1950. During the tour, Goodman was "shocked" when he learned that these tours were the first time Thielemans had earned money from his playing. Although Thielemans was hired on as a guitarist, when Goodman's group debuted at the London Palladium, he played the harmonica due to union restrictions.

During those years, he also made his first record with fellow band member, tenor saxophonist Zoot Sims. In 1951 he toured with singer-songwriter and compatriot Bobbejaan Schoepen, performing strictly as a guitarist.

Thielemans moved to the United States in 1952 where he was a member of Charlie Parker's All-Stars and worked with Miles Davis and Dinah Washington. In 1957 he became a U.S. citizen."'Toots' Thielemans, master of the jazz harmonica, dies at 94"
''The Washington Post'', 22 August 2016 From 1953 to 1959 he played guitar and harmonica with the George Shearing Quintet. With Shearing, he added whistling to his repertoire. While playing in Hamburg in 1960 on tour with Shearing, a young musician and observer —John Lennon— noticed that Thielemans played a Rickenbacker guitar. Lennon was impressed, and felt he had to have an American guitar, on the principle that "if was good enough for Thielemans it was good enough for me." Lennon and the Beatles helped make Rickenbacker guitars world-famous.

In 1955, Thielmans recorded his first album as a band leader, "The Sound." During the 1950s, Thielemans had dominated the "miscellaneous instrument" category in '' Down Beat'' magazine's poll. Jerry Murad, of Jerry Murad's Harmonicats recalls Thielemans's mastery:

From 1959 on he toured internationally with his small group along with intermittently recording in the studio. He recorded with singers and musicians including Ella Fitzgerald, Pat Metheny, Jaco Pastorius, Stephane Grappelli, J.J. Johnson, Oscar Peterson, Shirley Horn, Joe Pass, and jazz pianist Bill Evans, among others. Thielemans says that his recording with Evans's trio, ''Affinity,'' (1979) was one of his favorites.

1960s–1970s

Toots Thielemans wrote "Bluesette," a jazz standard, which he performed on harmonica or while playing the guitar and whistling in unison. He said, "If there's a piece of music that describes me, it's that song." First recorded by him in 1962, with lyrics added by Norman Gimbel, the song became a major worldwide hit. It has since been covered by over one hundred artists. Toots also wrote the ballad "Lady Fingers," which appeared on Herb Alpert and the Tijuana Brass's album "Whipped Cream and Other Delights."

He worked both as a bandleader and as a sideman, including many projects with composer/arranger Quincy Jones. In the 1960s he performed on television with Peggy Lee. In 1969 he recorded " Honeysuckle Rose Aquarela Do Brasil" with singer Elis Regina and performed with her on Swedish television special.

During his career he performed on many film soundtracks, such as '' The Pawnbroker'' (1964), ''Midnight Cowboy'' (1969), '' The Getaway'' (1972), ''Turkish Delight'' (1973), '' Cinderella Liberty'' (1973), '' The Sugarland Express'' (1974), '' The Yakuza'' (1974), '' Looking for Mr. Goodbar'' (1977), ''The Wiz'' (1978), ''Jean de Florette'' (1986), and ''French Kiss'' (1995). His closing theme to the popular ''Sesame Street'' television show was heard for 40 years.

His music was heard on the Belgian television series ''Witse,'' and in the Netherlands, for the ''Baantjer'' program. He composed the music for the 1974 Swedish film ''Dunderklumpen!,'' in which he also provided the voice of the animated character Pellegnillot. His whistling and harmonica playing was heard on Old Spice commercials in the 1960s. He played harmonica on "Night Game" on Paul Simon's 1975 album '' Still Crazy After All These Years''.

1980s and later

During the early 1980s Thielemans was a guest a number of times on ''Late Night with David Letterman.'' He performed with the bassist Jaco Pastorius, and in 1983 he contributed to Billy Joel's album ''An Innocent Man,'' in the song, "Leave A Tender Moment Alone." (The two later collaborated on this selection in concert, and this was recorded o
video
) A year later, he appeared on the Julian Lennon song "Too Late for Goodbyes" from the album ''Valotte.''

In 1984, he recorded with Billy Eckstine on the singer's final album (''I Am a Singer''), featuring ballads and standards arranged and conducted by Angelo DiPippo. In the 1990s, Thielemans embarked on theme projects that included world music. In 1998 he released a French-flavoured album titled ''Chez Toots'' featuring guest singer Johnny Mathis.

During those years, he often recorded songs as personal tributes to those who were influential during his career. On ''Chez Toots'', for example, he included "Dance For Victor," which he dedicated to his sometimes keyboard accompanist, Victor Feldman. Similarly, he recorded "Waltz for Sonny" as a tribute to saxophonist Sonny Rollins. In June 1998, at Germany's Jazzbaltica, he paid tribute to Frank Sinatra who died a month earlier. And during the first Caspian Jazz and Blues Festival in Azerbaijan in 2002, he performed his recorded version of "Imagine," his tribute to its writer, John Lennon.

Thielemans was well liked for his modesty and kind demeanor in his native Belgium, and was known for describing himself as a Brussels ''"ket,"'' which means "street kid" in old Brussels slang.

Later life

He was nominated for the title of the Greatest Belgian in 2005. In the Flemish version, he finished in 20th place, and in the Walloon version he came 44th. On 23 January 2009, he joined guitarist Philip Catherine on stage at the Liberchies church (Belgium) in memory of the 100th anniversary of the birth of Django Reinhardt. In 2012, the Jazz at Lincoln Center concerts in New York celebrated Thieleman's 90th birthday with, among others, Herbie Hancock, Eliane Elias