Todd McFarlane (/məkˈfɑːrlɪn/; born March 16, 1961) is a Canadian
comic book creator and entrepreneur, best known for his work on The
Spider-Man and the horror-fantasy series Spawn.
In the late 1980s and early 1990s, McFarlane became a comic book
superstar due to his work on Marvel Comics'
Spider-Man franchise, on
which he was the artist to draw the first full appearances of the
supervillain Venom. In 1992, he helped form Image Comics, pulling the
occult anti-hero character
Spawn from his high school portfolio and
updating him for the 1990s.
Spawn was a popular hero in the 1990s and
encouraged a trend in creator-owned comic book properties.
Since leaving inking duties on
Spawn with issue No. 70 (February
1998), McFarlane has illustrated comic books less often, focusing on
entrepreneurial efforts, such as
McFarlane Toys and Todd McFarlane
Entertainment, a film and animation studio. In September 2006, it was
announced that McFarlane would be the Art Director of the newly formed
38 Studios, formerly Green Monster Games, founded by major league
baseball pitcher Curt Schilling. McFarlane used to be a co-owner of
the National Hockey League's
Edmonton Oilers before selling his shares
to Daryl Katz. He is also a high-profile collector of
1 Early life
2.1 Early work, DC, and Marvel
2.1.1 The Amazing Spider-Man
2.2 Image Comics
Todd McFarlane Entertainment
4 Other media
4.1 Media about Todd McFarlane
5 Legal issues
6 Awards and recognition
7 Personal life
8.1 DC Comics
8.2 Image Comics
10 External links
Todd McFarlane was born on March 16, 1961 in Calgary, Alberta,
Canada, to Bob and Sherlee McFarlane. He has two brothers,
Curtis and Derek. Bob worked in the printing business, which led him
to take work where he could find it, and as a result, during
McFarlane's childhood, the family lived in thirty different places
Alberta to California.
McFarlane began drawing as a hobby at an early age, and developed
an interest in comics, acquiring as many as he could, and learning to
draw from them. He was a fan of comics creators such as John Byrne,
Jack Kirby, Frank Miller and George Pérez, as well as the writing of
Alan Moore. (John Parker of
ComicsAlliance has also noted the
Walt Simonson in McFarlane's work.) McFarlane created
Spawn when he was 16, and spent "countless hours"
perfecting the appearance of each component of the character's visual
One day while in the twelfth grade at Calgary's Sir Winston
Churchill High School, McFarlane, working as a groundskeeper
Calgary Cardinals, was standing in the bleachers when a
13-year-old ninth grader sitting near him named Wanda began flirting
with him. The two began dating, over the objections of Wanda's father,
who thought she was too young for him, though in time McFarlane won
Right after high school, McFarlane attended baseball tryouts at
Gonzaga University. Despite being a good fielder and fast, he was not
a good hitter. Moreover, he could not afford Gonzaga, so he attended
Spokane Falls Community College for a year, his relationship with
Wanda developing into a long-distance one. In 1981 McFarlane began
Eastern Washington University
Eastern Washington University (EWU) on a baseball
scholarship, studying as part of a self-designed program for graphics
and art. His practical goal was to join his father in the printing
business in Calgary, Alberta, though his dream was always to be a
comic book creator. He worked part-time on campus as a janitor
in the school's administration building, as his scholarship required
an on-campus job, and also worked weekends at a comics ship called the
Comic Rack, devoting a couple of hours late at night to practice his
He sought to play baseball professionally after graduation, but
suffered a serious ankle injury in his junior year during a game with
arch rivals Washington State University. He subsequently focused on
drawing, working at the comic book store to pay for the rest of his
education, and living in a trailer park in
Cheney, Washington with
Wanda, who had moved to the area to be with him and attend
EWU as well. In 1984, a year after his injury, McFarlane's final
chance to play for the big leagues came when he tried out with the
Toronto Blue Jays' farm team in Medicine Hat, Alberta, but ended up
being ranked last on the roster, ending his professional baseball
prospects. McFarlane graduated with Bachelor's degree that same
year. He stayed in Spokane while Wanda finished her
Early work, DC, and Marvel
McFarlane's cover for DC's
Batman No. 423 (Sept 1988).
While still in college, McFarlane began sending 30–40 packages of
submissions each month to comics editors, totaling over 700
submissions after a year and a half, most of which were in the form of
pinups. Half resulted in no response, while the other half resulted in
rejection letters, though he received some constructive criticism from
a few editors. One of them, DC Comics' Sal Amendola, gave McFarlane a
dummy script in order to gauge McFarlane's page-to-page storytelling
ability. Amendola's advice that McFarlane's submissions needed to
focus page-to-page stories rather than pinups led McFarlane to create
a five-page Coyote sample that he initially sent to Uncanny X-Men
Ann Nocenti at Marvel Comics, who passed it along to Archie
Goodwin and Jo Duffy, the editors of the Marvel imprint Epic Comics,
which published Coyote. They in turn passed it onto Coyote creator
Steve Englehart, who called McFarlane to offer McFarlane his first
comic job, a 1984 backup story in Coyote.
McFarlane soon began drawing for both DC and Marvel, with his first
major body of work being a two-year run (1985–1987) on DC's
Infinity, Inc. In 1987, McFarlane illustrated the latter three issues
of Detective Comics' four-issue "Batman: Year Two" storyline. From
there, he moved to Marvel's Incredible Hulk, which he drew from 1987
to 1988, working with writer Peter David.
The Amazing Spider-Man
In 1988, McFarlane joined writer
David Michelinie on Marvel's The
Amazing Spider-Man, beginning with issue 298, drawing the preliminary
sketch for that cover's image on the back of one of his Incredible
Hulk pages. McFarlane garnered notice for the more dynamic poses
in which he depicted Spider-Man's aerial web-swinging, his enlarging
of the eyes on the character's mask, and greater detail in which he
rendered his artwork. In particular was the elaborate detail he gave
to Spider-Man's webbing. Whereas it had essentially been rendered as a
series of X's between two lines, McFarlane embellished it by detailing
far more individual strands, which came to be dubbed "spaghetti
webbing". McFarlane was the first to draw the first, full
appearance of Eddie Brock, the original incarnation of the villain
Venom. He has been credited as the character's co-creator, though this
has been a topic of dispute within the comic book industry. (See Eddie
Brock: Creation and conception.)
McFarlane's work on Amazing
Spider-Man made him an industry
superstar. His cover art for Amazing
Spider-Man No. 313, for which
he was originally paid $700 in 1989, for example, would later sell for
$71,200 in 2010. Despite this, he became increasingly dissatisfied
with the lack of control over his own work, as he wanted more say in
the direction of storylines. He began to miss deadlines, requiring
guest artists to fill-in for him on some issues.
In 1990, after a 28-issue run of Amazing Spider-Man, McFarlane told
Jim Salicrup that he wanted to write his own stories, and would
be leaving the book with issue No. 328, which was part of that year's
company-wide "Acts of Vengeance" crossover storyline. In July 2012 the
original artwork to that issue's cover, which features Spider-Man
dispatching the Hulk, sold for a record-breaking $657,250 USD, the
highest auction price ever for any piece of American comic book
art. McFarlane was succeeded on Amazing
McFarlane's future fellow
Image Comics co-founder Erik Larsen.
Wanting to appease McFarlane, Marvel offered McFarlane a new,
Spider-Man title for McFarlane to both write and draw.
Spider-Man #1 (August 1990) sold 2.5 million copies, largely
due to the variant covers with which Marvel, seeking to capitalize on
McFarlane's popularity, published the issue in order to encourage
collectors into buying more than one edition. This practice was both a
result of, and fueled, the comics speculator bubble of the 1990s,
which would burst later that decade. McFarlane, unbeknownst to his
parents at the time, was making about a million dollars a year.
McFarlane wrote and illustrated 15 of the series' first 16 issues,
many issues of which featured other popular Marvel characters such as
Wolverine and Ghost Rider in guest roles.
Despite his acclaim as an artist, fans found McFarlane's writing to be
clumsy, unsophisticated and pretentious, and questioned the wisdom of
allowing him to write a new
Spider-Man title the first place. At the
same time, editorial had problems with the dark tone of the stories
McFarlane was telling, beginning with the inaugural "Torment"
storyline, which depicted a more vicious version of the reptilian
villain Lizard under the control of the voodoo priestess Calypso.
Subsequent storylines such as "Masques" featured Spider-Man
confronting the demonic Hobgoblin, while "Perceptions", which involved
Spider-Man dealing with police corruption, child rape and murder (a
hint of the work he would later do on Spawn), led some stores to
refuse to stock the book. This created further tensions between
McFarlane and editorial, which viewed
Spider-Man an historically
light-hearted character marketed to young readers. Editor Jim Salicrup
in particular was required to make a number of compromises for
McFarlane's work, including enforcing of McFarlane's minor costume
changes across the entire line of other Spidey comics, placing
limitations on his choice of villains for his stories, and dealing
with strong disagreement on the handling of the character Mary Jane
Watson. This strained McFarlane's relationship with Salicrup, which
was expressed in the remarkable amount of public disagreement that
appeared in the book's letters page. Eventually McFarlane's attention
to his deadlines again began to waiver again, and he missed issue 15
of the title. His final issue on the book, #16 (November 1991), was
part of a crossover storyline with X-Force, and led to creative
clashes with new editor Danny Fingeroth. According to McFarlane
Tom DeFalco in the 2000 documentary The Devil You Know:
Inside the Mind of Todd McFarlane, among the examples of the issues
that prompted his departure were editorial's censorship of a panel in
that issue in which the character Juggernaut was graphically stabbed
in the eye with a sword. DeFalco supported the editing of the panel,
calling it "inappropriate", while McFarlane called this "lunacy",
arguing that such graphic visuals are commonplace in Marvel's
books. Fed up with editorial interference, he left the company
under something of a cloud. According to David Wallace of Comics
Bulletin, "McFarlane's fifteen issues of
Spider-Man are now (perhaps
slightly unfairly) held up alongside the likes of
X-Force as the
epitome of everything that was wrong 1990s comics, and their cash-in
approach to the then-booming speculator market precipitated the
near-collapse of the industry."
McFarlane then teamed with five other popular artists to form Image
Comics, an umbrella company under which each owned a publishing house.
Todd McFarlane Productions, published his
creation, the occult-themed Spawn, written and drawn by McFarlane. It
was Image's second release, following the release of Rob Liefeld's
Youngblood the month prior. Upon its release in 1992,
(May 1992) sold 1.7 million copies, still a record for an independent
The cover to
Spawn No. 1 (1992)
Responding to harsh criticism of his abilities as a writer, McFarlane
hired acclaimed writers to guest-write issues #8–11, including Alan
Moore, Neil Gaiman, Dave Sim, and Frank Miller. Subsequent writers
he would hire on the series included Grant Morrison, Andrew Grossberg,
and Tom Orzechowski.
Greg Capullo penciled several issues as a guest
artist, and became the regular penciler with #26, with McFarlane
remaining as writer and inker until #70. The series continued to be a
hit, and in 1993 Wizard declared
Spawn "the best-selling comic on a
consistent basis that is currently being published."
notable for being one of only two Image books that debuted during the
company's 1992 launch, along with Erik Larsen's Savage Dragon, that
continues to be published well into the late 2010s.
During Image's early years of operation, the company was subject to
much industry criticism over aspects of his business practices,
including late-shipped books, and its creators' emphasis of art
over writing. One of these critics was McFarlane's former Hulk
collaborator, writer Peter David. This came to a head during a public
debate they participated in at Philadelphia's Comicfest convention in
October 1993, which was moderated by artist George Pérez. McFarlane
stated that Image was not being treated fairly by the media, and by
David in particular. The three judges, Maggie Thompson, editor of the
Comics Buyer's Guide, William Christensen of Wizard Press, and John
Danovich of the magazine Hero Illustrated, voted 2–1 in favor of
David, with Danovich voting the debate a tie.
In 1994 McFarlane and
DC Comics collaborated on an intercompany
crossover, each producing a book featuring
Batman and Spawn. The first
of the two books, Batman-Spawn: War Devil was written by Doug Moench,
Chuck Dixon, and Alan Grant, drawn by Klaus Janson, and published by
DC. It was followed by Spawn/Batman, which was written by
Frank Miller and drawn by McFarlane. That year marked the point
when McFarlane ceased to be the regular writer and artist of Spawn.
The first issue that he did not draw was issue 16, which was drawn by
Greg Capullo. Aside from the four fill-in writers on issues issues
#8–11, it was the first issue on which McFarlane was not the regular
writer, as it was the first of a three-issue storyline written by
Grant Morrison. Over the course of the ensuring decades, he would hire
other writers such as
Brian Holguin and David Hine, and artists such
as Whilce Portacio, Angel Medina, and Philip Tan. McFarlane
occasionally offered story input and inked covers. He would
sporadically return as the interior artist for intermittent issues,
and for a few years wrote it under a pseudonym in order to generate
interest in the book by fostering the illusion that new talent was
being brought into the book's production.
In 2006 McFarlane announced plans for Spawn/
Batman with artist Greg
Capullo, which McFarlane wrote and inked, which paid tribute to Jack
Kirby. He also began taking an active role in comics publishing again,
publishing collections of his
Spawn comics in trade paperback form.
Spawn Collection Volume 1 collecting issues 1–12 minus issue 9 (due
to royalty issues with Neil Gaiman) and 10 (due to a vow he made to
Sim) was released in December 2005. The first volume achieved moderate
success, ranking 17 in the top one hundred graphic novels, with
pre-order sales of 3,227 for that period.
In 2008, McFarlane returned to co-plot the series with returning
writer Brian Holguin, with issue 185. Shrewd business decisions
[clarification needed] by McFarlane supported the book in the years
following the comics speculator bubble's crash, but the series' sales
have fluctuated, never matching the sales figures of the 1990s. Though
it continues publication, its appearance on the
Diamond Top 300 chart
has been intermittent since the mid-2000s. Nonetheless, Shea Hennum of
Paste magazine has observed of the series, "It’s a book that, for a
time, people continued to buy because of the character instead of the
creator. It has become as much of an institution as it is a comic.
Haunt, an ongoing series co-created by McFarlane and Robert Kirkman,
was announced in 2007 and launched on October 7, 2009. The comic
was initially written by Kirkman, penciled by Ryan Ottley, and inked
by McFarlane, with
Greg Capullo providing layouts. McFarlane
contributed pencils to some issues, and co-wrote issue 28, the series
finale, with Joe Casey, who took over writing duties from Kirkman.
Todd McFarlane Entertainment
McFarlane speaking at the Phoenix Comicon in Phoenix, Arizona
Todd McFarlane Productions published multiple
Spawn spin-offs and
mini-series. McFarlane increasingly concentrated his own personal
attention to those other ventures, which resulted in irregular work as
an illustrator. In 1994, McFarlane created a toy company, Todd Toys,
initially to merchandise collectible action figures of the Spawn
characters. In three months, the company sold more than 2.2 million of
the action figures nationwide. After
Mattel sent a cease-and-desist
order on the basis of a male doll in Mattel's
Barbie line named Todd,
McFarlane changed the company name to McFarlane Toys. The company's
line of figures quickly expanded to those of popular cultural icons,
such as members of the band Kiss, characters from the film franchise
Texas Chainsaw Massacre, TV series such as The X-Files, and sports
figures such as Terrell Owens. In 1999, the company sold over
6 million action figures.
In 1996, McFarlane founded
Todd McFarlane Entertainment, a film and
animation studio. In collaboration with New Line Cinema, it produced
Spawn film and a new
Spawn movie, planned in 2008. Spawn,
while critically panned, was a modest box office success, earning
$54.8 million domestically, and almost $33 million worldwide, against
a $40 million budget.
Todd McFarlane Entertainment also produced
the animated series Todd McFarlane's Spawn, (featuring voice work by
actor Keith David) which aired on HBO from 1997 until 1999. Ed Bark of
The Dallas Morning News
The Dallas Morning News called the series a "very unpleasant viewing
experience" and asked "why anyone would want to subject themselves to
such a relentlessly grim, gruesome dehumanizing experience."
Nonetheless, the animated series won a 1998
Primetime Emmy Award for
Outstanding Achievement in Animation.
The studio produced a number of music videos and other animations,
1998: "Do the Evolution" by
Pearl Jam –
Rolling Stone included this
video in its 2012 list of The Greatest Animated Music Videos.
1999: "Freak on a Leash" by KoЯn – This video debuted at number
eight on MTV's
Total Request Live
Total Request Live on February 9, 1999, and peaking
at number 1 on its thirteenth day, February 25. and spent ten
non-consecutive days at the top position until its "retirement", on
May 11, 1999. The video won the Grammy Award for Best Short
Form Music Video and the 1999
Metal Edge Readers' Choice Award for
Music Video of the Year. It was also nominated for a 1999 MTV
Video Music Award.
The Dangerous Lives of Altar Boys
The Dangerous Lives of Altar Boys – McFarlane produced the
animated sequences in this film by Peter Care, in which the main
characters, Tim and Francis, imagine themselves as muscle-bound
warriors. Although the consensus at
Rotten Tomatoes was equivocal
of the sequences' effectiveness,
Armond White of New York Press
singled them out for praise.
2006: "Land of Confusion" by Disturbed – McFarlane, who worked with
Greg Capullo on the art for the 2005 album Ten Thousand Fists, also
created the animated video for the band's cover of Genesis' 1986
single, "Land of Confusion".
On July 21, 2011 at
San Diego Comic-Con
San Diego Comic-Con International, McFarlane and
Stan Lee debuted their new comic, Blood Red Dragon. The series is a
collaboration with musician Yoshiki and stars a fictionalized version
Boston Red Sox
Boston Red Sox pitcher
Curt Schilling formed the gaming
38 Studios (formerly Green Monster Games), in order to produce
role-playing games, with McFarlane overseeing art direction.
In February 2012, the company released its only title, Kingdoms of
Amalur: Reckoning, a single-player action role-playing game that
enjoyed great success, but by late May 2012, the company had ceased
operation, due to financial difficulties</ref> for
which it had filed for bankruptcy.
McFarlane was one of several artists to illustrate a variant cover for
Kirkman's The Walking Dead No. 100, which was released July 11, 2012
at the San Diego Comic-Con.
In July 2017,
Blumhouse Productions said McFarlane would direct a
reboot of the 1997 film Spawn. McFarlane by then had written a
McFarlane continues to be an avid baseball fan. In 1998, he paid $2.6
USD at auction for the baseball that
St. Louis Cardinals
St. Louis Cardinals first
Mark McGwire hit for his then record-breaking 70th home
run, and $175,000 for Sammy Sosa's 66th home run ball.
In June 2003 McFarlane paid about $517,500 at auction for San
Francisco Giants left fielder Barry Bonds' October 2001,
record-breaking 73rd home run ball. The auction took place at the ESPN
Zone in New York's
Times Square and was featured live on
SportsCenter. When asked by Time magazine's Michael Grunwald in
a 2007 interview if he was interested in Bonds' record 756th career
home run ball, McFarlane indicated that he was more interested in
Bonds' last home run ball.
McFarlane, who is a former minority owner of the Edmonton Oilers,
designed the logo used on the team's alternate third jersey, which
debuted in 2001.
McFarlane at the
Image Comics booth at the 2011 New York Comic Con
For the release of the video game Halo 3, McFarlane was enlisted to
design a series of action figures.
PlayStation 2 game, McFarlane's Evil Prophecy, was released in 2004
by Konami. In it, players battle creatures based on a line of Todd
McFarlane's action figures including classic movie monsters such as
Frankenstein's monster and Dracula.
Spawn appears as a guest character in the Xbox version of Soulcalibur
II, and McFarlane designed the unique character
Necrid for the
In January 2005, McFarlane announced that he was set to produce a
half-hour anthology television series for Fox called Twisted Tales,
based on the Bruce Jones' comic book to which McFarlane had purchased
In December 2002,
Todd McFarlane directed the music video "Breathe"
for Canadian hip-hop group
Swollen Members that featured Nelly
Furtado. He later drew both the Canadian and international covers for
their next album Heavy, released October 2003.
Todd McFarlane produced the album art for Iced Earth's 1996
Spawn-based concept album
The Dark Saga
The Dark Saga and Korn's 1998 third studio
album Follow the Leader.
In "Spidey Cents", a fourth-season episode of the History reality
television series Pawn Stars, which aired in May 2011, a man tries to
sell McFarlane's original artwork for page 25 of The Amazing
Spider-Man No. 316 (June 1989) for $20,000 to the Gold & Silver
Pawn Shop in Las Vegas. Because the seller lacked the paper work
authenticating the artwork, Gold & Silver manager Corey Harrison
would only pay $1,000 for the page, an offer that the seller
Media about Todd McFarlane
Stan Lee interviewed McFarlane in Episode 1 of the 1991 documentary
series The Comic Book Greats. In 2000, McFarlane was the subject of a
National Film Board of Canada
National Film Board of Canada documentary Devil You Know: Inside the
Mind of Todd McFarlane, directed by Kenton Vaughan. The film first
aired on CBC-TV's Life and Times biography series on January 9,
McFarlane lost judgments in two lawsuits in the 2000s. The first was a
2002 suit which McFarlane contested with writer
Neil Gaiman over the
rights to some supporting
Spawn characters created by Gaiman in issue
No. 9 of the
Spawn series and over payment for later works featuring
those characters. In 1997 the two signed a deal in which Gaiman would
give his share of characters Angela, Medieval
McFarlane in exchange for McFarlane's share of British superhero
Marvelman (in reality, what McFarlane actually owned were two
trademarks for Miracleman logos, not the character, which would become
clear only after the lawsuit concluded). This deal was broken by
McFarlane, which motivated Gaiman to start the lawsuit. The jury was
unanimous in favor of Gaiman. The two were involved in a lengthy
dispute over ownership of Miracleman, but no lawsuit has been filed in
that dispute. In 2009,
Marvel Comics resolved the matter by purchasing
The second was a December 2004 suit in which hockey player Tony Twist
sued McFarlane because he named a mobster character in
Twist. The lawsuit was settled out of court for $5 million.
As of late 2012, McFarlane was suing a former employee whose name is
the same as the alter ego of Spawn, Al Simmons. According to a lawsuit
lodged in Arizona federal court, the real Al Simmons published a book
called The Art of Being Spawn, in which Simmons purportedly suggests
that his own life was the inspiration for the
McFarlane's position was that Simmons violated the terms of his
employment pact and breached his duty of loyalty. The lawsuit
was settled in December 2012 when McFarlane came to an agreement with
Simmons. The terms of any settlement were not made public.
Awards and recognition
McFarlane's has won numerous awards, including:
National Cartoonists Society
National Cartoonists Society Award for Best Comic Book.
1992 Inkpot Award
Grammy Award for Best Short Form Music Video
Grammy Award for Best Short Form Music Video for "Freak on a
National Football League's 2005 Artist of the Year Award, for his work
on program covers for the Baltimore Ravens.
Induction into the Canadian Comic Book Creator Hall of Fame, on June
18, 2011, at the
Joe Shuster Awards
Joe Shuster Awards in Calgary, Alberta, Canada.
In 2013 McFarlane was invited to deliver the keynote speech at one of
two graduation ceremonies at his alma mater, Eastern Washington
McFarlane and Wanda McFarlane married in 1985. They stayed in Spokane,
Washington until 1986, when they moved to Vancouver, British Columbia.
They later moved to Portland, Oregon, and then to the Ahwatukee
Foothills of Phoenix, Arizona, where continue to live as of
2007. There, they raised their three children: Cyan, Kate and Jake.
Cyan's love of the TV series Lost inspired her father's decision to
produce action figures based on that show, while Kate voiced the young
Cyan in the animated
Spawn TV series.
McFarlane stated in a 1992 interview he was an atheist.
All-Star Squadron #47 (with Mike Clark) (1985)
Detective Comics #576–578 ("Batman: Year Two") (1987)
Infinity, Inc #14–37 (full art); Annual #1–2 (among other artists)
Invasion!, miniseries, #1–2 (1989)
Cyberforce #8 (1994)
Haunt #1–18 (inks only) (2009–2011)
Image Comics Summer
Special #1 (2004)
Image Comics Hardcover (
Spawn story) (2005)
Image United #1–3 (2009–2010)
Spawn #1–15, 21–24 (full art); #26–34, 50 (along with Greg
Capullo) (1992–95); #190, 200 (among other artists) (2010)
Batman #1 (1994)
Savior #1–8 (2015)
Spawn #1–7, 12–15, 21–150 (1992–2005); 185 onwards
Spawn Kills Everyone #1 (2016)
Spider-Man #298–323, 325, 328 (1988–90)
Amazing Spider-Man: Skating on Thin Ice #1 (cover art) (1993)
Coyote #11–14 (1985)
Daredevil #241 (1987)
G.I. Joe: A Real American Hero #60 (1987)
Special #1 (1995)
Incredible Hulk #330–334, 336–346 (1987–88)
Special (Spider-Man) 2004
Spider-Man Annual #10 (1990)
Spider-Man #1–14, 16 (1990–91)
Spitfire and the Troubleshooters #4 (1987)
Spider-Man #1–14, 16 (1990–91)
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Devil You Know: Inside the Mind of Todd McFarlane. National Film Board
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ComicsAlliance Reviews Todd
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Todd McFarlane at the Comic Book DB
Todd McFarlane on IMDb
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Infinity, Inc. artist
Incredible Hulk artist
The Amazing Spider-Man
The Amazing Spider-Man artist
The Incredible Hulk
The Amazing Spider-Man
Sam and Twitch
Man of Miracles
Sam and Twitch
Curse of the Spawn
Sam and Twitch
Shadows of Spawn
The Adventures of Spawn
Film and TV
Spawn: The Animation (TBA)
Todd McFarlane's Spawn: The Video Game (1995)
Spawn: The Eternal (1997)
Spawn: In the Demon's Hand (2000)
Spawn: Armageddon (2003)
Soulcalibur II (2003)
Writers and artists
Batman-Spawn: War Devil
The Dark Saga
spot and gag
Michael de Adder
Vic Roschkov Sr.
John Wilson Bengough
William Garnet "Bing" Coughlin
J. D. Frazer
Ho Che Anderson
Faith Erin Hicks
Bryan Lee O'Malley
Jon St. Ables
Leo Bachle (Les Barker)
spot and gag
Bado (Guy Badeaux)
ISNI: 0000 0001 1911 6327
BNF: cb12741463q (data)