Three on a match (superstition)
   HOME

TheInfoList



OR:

''Three on a Match'' is a 1932 American
pre-Code Pre-Code Hollywood was the brief era in the American film industry between the widespread adoption of sound in film in 1929LaSalle (2002), p. 1. and the enforcement of the Motion Picture Production Code censorship guidelines, popularly known ...
crime drama Crime films, in the broadest sense, is a film genre inspired by and analogous to the crime fiction literary genre. Films of this genre generally involve various aspects of crime and its detection. Stylistically, the genre may overlap and comb ...
released by Warner Bros. The film was directed by
Mervyn LeRoy Mervyn LeRoy (; October 15, 1900 – September 13, 1987) was an American film director and producer. In his youth he played juvenile roles in vaudeville and silent film comedies. During the 1930s, LeRoy was one of the two great practitioners of ...
and stars
Joan Blondell Joan Blondell (born Rose Joan Bluestein; August 30, 1906 – December 25, 1979) was an American actress who performed in film and television for 50 years. Blondell began her career in vaudeville. After winning a beauty pageant, she embarked on ...
,
Warren William Warren William (born Warren William Krech; December 2, 1894 – September 24, 1948) was a Broadway and Hollywood actor, immensely popular during the early 1930s; he was later nicknamed the "King of Pre-Code". He was the first actor to play Pe ...
,
Ann Dvorak Ann Dvorak (born Anna McKim; August 2, 1911 – December 10, 1979) was an American stage and film actress. Asked how to pronounce her adopted surname, she told ''The Literary Digest'' in 1936: "My fake name is properly pronounced ''vor'shack ...
and
Bette Davis Ruth Elizabeth "Bette" Davis (; April 5, 1908 – October 6, 1989) was an American actress with a career spanning more than 50 years and 100 acting credits. She was noted for playing unsympathetic, sardonic characters, and was famous for her p ...
. The film also features
Lyle Talbot Lyle Florenz Talbot (born Lisle Henderson, also credited Lysle Talbot; February 8, 1902 – March 2, 1996) was an American stage, screen and television actor. His career in films spanned three decades, from 1931 to 1960, and he performed on ...
,
Humphrey Bogart Humphrey DeForest Bogart (; December 25, 1899 – January 14, 1957), nicknamed Bogie, was an American film and stage actor. His performances in Classical Hollywood cinema films made him an American cultural icon. In 1999, the American Film In ...
,
Allen Jenkins Allen Curtis Jenkins (born Alfred McGonegal; April 9, 1900 – July 20, 1974) was an American character actor and singer who worked on stage, film, and television. Life and career Jenkins was born on Staten Island, New York, on April 9, 1900. ...
and Edward Arnold.


Plot

Three women who went to the same New York City elementary school, Mary, Ruth, and Vivian, meet again as young adults after some time apart. They each light a cigarette from the same match and discuss Three on a Match (superstition), the superstition that such an act is unlucky and that Vivian, the last to light her cigarette, will be the first to die. Mary is a show girl who has established stability in her life after spending some time in a
reform school A reform school was a penal institution, generally for teenagers mainly operating between 1830 and 1900. In the United Kingdom and its colonies reformatories commonly called reform schools were set up from 1854 onwards for youngsters who wer ...
, while Ruth works as a stenographer. Vivian is the best off of the three, married to successful lawyer, Robert Kirkwood, with a young son, Robert Jr., but she has grown dissatisfied with her life and so decides to take a trip to Europe with her little boy. Just before Vivian and Junior's ship is about to set sail, Mary boards the ocean liner with two men to attend a bon voyage party for some friends. Gambler Michael Loftus, one of the two men, flirts with Vivian. She's smitten with him and he persuades her to run away with him. Minutes before the ship leaves port, Vivian gathers up her son and the three disembark from the boat. Vivian and Michael Loftus live a very shabby and rather dissolute life, so that Mary, concerned about Vivian's neglect of her son, tells Robert (nearly mad about the disappearance of the boy) where to find him. Both Mary and Ruth are very fond of Junior and Robert has fallen in love with Mary. He proposes to her and hires Ruth to look after the child. Mary and Robert marry the same day his divorce from Vivian becomes final. Meanwhile, Vivian has become a hopeless drug addict and has spent all of her money. Additionally, Michael owes $2,000 to gangster Ace, who tells him to pay up or else. Desperate, Michael tries to blackmail Robert by threatening to inform the press about Mary's criminal background. Robert refuses to pay because he is already aware of Mary's checkered past; so instead, Michael kidnaps Junior to demand a ransom to pay his debt. Ace's thugs find the child with Michael and Vivian in their apartment where Junior joins his mother in her bedroom. The thugs are delighted and send a demand for a much larger ransom of $25,000. Vivian begins having withdrawals. One of the gangsters, while out trying to score a fix for her, sees policemen in the neighborhood going door to door searching for the kidnapped boy. The gangsters decide to kill the child before the police arrive, but Michael balks at the plan, especially since he's the one who's been ordered to do the dirty deed. Enraged, the gangsters kill Michael. In the meantime, Vivian has overheard the plot to kill Junior and is determined to save her son's life at all costs. She tells Junior to hide under the bed, then scrawls a message in lipstick on the front of her nightgown that relays the boy's whereabouts. Just as the gangsters are coming through her bedroom door, she jumps out of the fourth-floor window, killing herself but resulting in the boy's rescue. Mary and Ruth, at home after all is resolved, symbolically light their cigarettes from the same match and then throw it down onto the hearthstone, where the flame goes out.


Cast

*
Virginia Davis Virginia Davis (December 31, 1918 – August 15, 2009) was an American child actress in films. She is best known for working with Walt Disney and Ub Iwerks on the animated short series Alice Comedies, in which she portrayed the protagonist Alic ...
as Mary Keaton as a child *
Joan Blondell Joan Blondell (born Rose Joan Bluestein; August 30, 1906 – December 25, 1979) was an American actress who performed in film and television for 50 years. Blondell began her career in vaudeville. After winning a beauty pageant, she embarked on ...
as Mary Keaton / Mary Bernard *
Anne Shirley Anne Shirley is a fictional character introduced in the 1908 novel ''Anne of Green Gables'' by L. M. Montgomery. Shirley is featured throughout the classic book series, which revolve around her life and family in 19th and 20th-century Prince Ed ...
(credited as Dawn O'Day) as Vivian Revere as a child *
Ann Dvorak Ann Dvorak (born Anna McKim; August 2, 1911 – December 10, 1979) was an American stage and film actress. Asked how to pronounce her adopted surname, she told ''The Literary Digest'' in 1936: "My fake name is properly pronounced ''vor'shack ...
as Vivian Revere Kirkwood * Betty Carse as Ruth Westcott as a child *
Bette Davis Ruth Elizabeth "Bette" Davis (; April 5, 1908 – October 6, 1989) was an American actress with a career spanning more than 50 years and 100 acting credits. She was noted for playing unsympathetic, sardonic characters, and was famous for her p ...
as Ruth Westcott *
Warren William Warren William (born Warren William Krech; December 2, 1894 – September 24, 1948) was a Broadway and Hollywood actor, immensely popular during the early 1930s; he was later nicknamed the "King of Pre-Code". He was the first actor to play Pe ...
as Robert Kirkwood *
Lyle Talbot Lyle Florenz Talbot (born Lisle Henderson, also credited Lysle Talbot; February 8, 1902 – March 2, 1996) was an American stage, screen and television actor. His career in films spanned three decades, from 1931 to 1960, and he performed on ...
as Michael Loftus *
Humphrey Bogart Humphrey DeForest Bogart (; December 25, 1899 – January 14, 1957), nicknamed Bogie, was an American film and stage actor. His performances in Classical Hollywood cinema films made him an American cultural icon. In 1999, the American Film In ...
as Harve *
Allen Jenkins Allen Curtis Jenkins (born Alfred McGonegal; April 9, 1900 – July 20, 1974) was an American character actor and singer who worked on stage, film, and television. Life and career Jenkins was born on Staten Island, New York, on April 9, 1900. ...
as Dick * Edward Arnold as Ace *
Frankie Darro Frankie Darro (born Frank Johnson, Jr.; December 22, 1917 – December 25, 1976) was an American actor and later in his career a stuntman. He began his career as a child actor in silent films, progressed to lead roles and co-starring roles ...
as Bobby *
Glenda Farrell Glenda Farrell (June 30, 1904 – May 1, 1971) was an American actress. Farrell personified the smart and sassy, wisecracking blonde of the Classical Hollywood films. Farrell's career spanned more than 50 years, appearing in numerous Broadwa ...
as Mrs. Black *
Buster Phelps Buster Phelps (November 5, 1926 – January 10, 1983) was an American actor. Phelps debuted on film when he was a child. When the mother of another child had booked two simultaneous film sessions for that youngster, she contacted Phelps' mothe ...
as Robert Jr. * Grant Mitchell as Mr. Gilmore, school principal Image:Joan Blondell in Three on a Match trailer.jpg, Blondell Image:Warren William in Three on a Match trailer.jpg, William Image:Ann Dvorak in Three on a Match trailer.jpg, Dvorak Image:Bette Davis in Three on a Match trailer.jpg, Davis


Production

Dvorak was the last of the four principal actors to be cast. This was Bogart's first appearance as a hoodlum type, although his work in ''
Midnight Midnight is the transition time from one day to the next – the moment when the date changes, on the local official clock time for any particular jurisdiction. By clock time, midnight is the opposite of noon, differing from it by 12 hours ...
'' (released 1934) preceded this role and led to his being cast by LeRoy. Filming took place in June 1932. When this film was released in October 1932, the
Lindbergh kidnapping On March 1, 1932, Charles Augustus Lindbergh Jr. (born June 22, 1930), the 20-month-old son of aviators Charles Lindbergh and Anne Morrow Lindbergh, was abducted from his crib in the upper floor of the Lindberghs' home, Highfields, in East Am ...
was very much in the news and the kidnappers had not yet been caught. The kidnapping of a child in the story raised concerns with censors, but Jason Joy of the Studio Relations Committee successfully made a case for the film to the censors in New York, Ohio, Pennsylvania and Maryland.


Promotion

Joan Blondell posed for a risqué 1932 promotional publicity photo for the film which was later banned under the
Motion Picture Production Code The Motion Picture Production Code was a set of industry guidelines for the self-censorship of content that was applied to most motion pictures released by major studios in the United States from 1934 to 1968. It is also popularly known as the ...
.


Reception

''Three on a Match'' received tepid to poor notices overall.
Mordaunt Hall Mordaunt Hall (1 November 1878 – 2 July 1973) was the first regularly assigned motion picture critic for ''The New York Times'', working from October 1924 to September 1934.New York Times ''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid ...
'' called ''Three on a Match'' "tedious and distasteful" as well as "unintelligent". The ''
Time Time is the continued sequence of existence and event (philosophy), events that occurs in an apparently irreversible process, irreversible succession from the past, through the present, into the future. It is a component quantity of various me ...
'' reviewer felt the film did not carry much weight, unlike previous Glasmon–Bright productions, and that the suicide at the end was more implausible than tragic. Kaspar Monahan of the ''
Pittsburgh Press ''The Pittsburgh Press'' (formerly ''The Pittsburg Press'' and originally ''The Evening Penny Press'') was a major afternoon daily newspaper published in Pittsburgh, Pennsylvania, from 1884 to 1992. At one time, the ''Press'' was the second larg ...
'' thought that it began with the hope of being "different" but ultimately devolved into a "gangster yarn" and summarized: "Direction good for the most part; acting as good as can be expected under the circumstances; story erratic." The Spokane '' Spokesman-Review'' expressed admiration for the way the passage of time is shown through several montage sequences, calling it "a brand new approach and treatment ..." and commented that the film "rang true". Trade paper reviews advised exhibitors to focus on the cast: "An attractive cast array is the attendance motive for this picture which is surprising in its meager demands upon its quartet of featured people" was the opening comment of ''
Variety Variety may refer to: Arts and entertainment Entertainment formats * Variety (radio) * Variety show, in theater and television Films * ''Variety'' (1925 film), a German silent film directed by Ewald Andre Dupont * ''Variety'' (1935 film), ...
''s Sid Silverman. ''
The Film Daily ''The Film Daily'' was a daily publication that existed from 1918 to 1970 in the United States. It was the first daily newspaper published solely for the film industry. It covered the latest trade news, film reviews, financial updates, informatio ...
'' review, too, said the "cast helps" with a plot that has "too many turns". The ''
Motion Picture Herald The ''Motion Picture Herald'' was an American film industry trade paper published from 1931 to December 1972.Anthony Slide, ed. (1985)''International Film, Radio, and Television Journals'' Greenwood Press. p. 242. It was replaced by the ''QP Heral ...
'' also advised exhibitors to focus on the "strength of the cast names" and not to even use the word "kidnaping" or allude to it in promotions. Decades after its release, the film found more favor with critics and film historians. In 1969, William K. Everson called it "unusually carefully-made" and wrote, "Splendidly cut and paced ... and climaxed by a real shocker, ''Three on a Match'' is still a vivid little picture".
Wheeler Winston Dixon Wheeler Winston Dixon (born March 12, 1950) is an American filmmaker and scholar. He is an expert on film history, theory and criticism.Bill Goodykoontz, December 23, 2012, USA TodayDefining Tarantino Accessed Aug. 25, 2013, Quote = "...long, invo ...
observed, "the film is astonishing for the amount of information that LeRoy manages to compress into this lightning fast tale". It has been pointed to as Dvorak's best performance for Warners.
Leonard Maltin Leonard Michael Maltin (born December 18, 1950) is an American film critic and film historian, as well as an author of several mainstream books on cinema, focusing on nostalgic, celebratory narratives. He is perhaps best known for his book of fi ...
gives the film three out of four stars, describing it as a “Fine, fast-moving (and surprisingly potent) pre-Code melodrama of three girls who renew childhood friendship, only to find suspense and tragedy. Dvorak is simply marvelous.” ''Three on a Match'' holds an 80% rating on Rotten Tomatoes based on five reviews.https://www.rottentomatoes.com/m/1030868-three_on_a_match In 1938 Warner Bros. released ''
Broadway Musketeers ''Broadway Musketeers'' is a 1938 American musical drama film directed by John Farrow for Warner Bros. Starring Margaret Lindsay, Ann Sheridan and Marie Wilson as three women who grew up in an orphanage and cross paths later in life, it is a rema ...
'', a remake of ''Three on a Match''.


References

Informational notes Citations


External links

* * * * {{DEFAULTSORT:Three On A Match 1932 films 1932 crime drama films American crime drama films American black-and-white films 1930s English-language films Films directed by Mervyn LeRoy Films produced by Darryl F. Zanuck Films set in the 1910s Films set in the 1920s Warner Bros. films Films with screenplays by Kubec Glasmon 1930s American films