The Three Ages
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''Three Ages'' is a 1923
black-and-white Black-and-white (B&W or B/W) images combine black and white in a continuous spectrum, producing a range of shades of grey. Media The history of various visual media began with black and white, and as technology improved, altered to color. ...
American feature-length silent comedy film starring comedian Buster Keaton and
Wallace Beery Wallace Fitzgerald Beery (April 1, 1885 – April 15, 1949) was an American film and stage actor. He is best known for his portrayal of Bill in '' Min and Bill'' (1930) opposite Marie Dressler, as General Director Preysing in '' Grand Hotel'' ( ...
. The first feature Keaton wrote, directed, produced, and starred in (unlike '' The Saphead'', in which he only acted), Keaton structured the film like three inter-cut short films. While Keaton was a proven success in the short film medium, he had yet to prove himself as a feature-length star. Had the project flopped, the film would have been broken into three short films, each covering one of the ages. The structure also worked as a
parody A parody, also known as a spoof, a satire, a send-up, a take-off, a lampoon, a play on (something), or a caricature, is a creative work designed to imitate, comment on, and/or mock its subject by means of satiric or ironic imitation. Often its sub ...
of D. W. Griffith's 1916 film ''
Intolerance Intolerance may refer to: * Hypersensitivity Hypersensitivity (also called hypersensitivity reaction or intolerance) refers to undesirable reactions produced by the normal immune system, including allergies and autoimmunity. They are usual ...
''.


Plot

Three plots in three different historical periods—
prehistoric times Prehistory, also known as pre-literary history, is the period of human history between the use of the first stone tools by hominins 3.3 million years ago and the beginning of recorded history with the invention of writing systems. The use of ...
,
Ancient Rome In modern historiography, ancient Rome refers to Roman civilisation from the founding of the city of Rome in the 8th century BC to the collapse of the Western Roman Empire in the 5th century AD. It encompasses the Roman Kingdom (753–509 BC ...
, and modern times (the
Roaring Twenties The Roaring Twenties, sometimes stylized as Roaring '20s, refers to the 1920s decade in music and fashion, as it happened in Western society and Western culture. It was a period of economic prosperity with a distinctive cultural edge in the ...
)—are intercut to prove the point that man's love for woman has not significantly changed throughout history. In all three plots, characters played by the small and slight Buster Keaton and handsome bruiser Wallace Beery compete for the attention of the same woman, played by Margaret Leahy. Each plot follows similar "arcs" in the story line in which Keaton's character works for his beloved's attention and eventually wins her over. In the Stone Age, Keaton competes with the bigger, brutish Beery for a cavewoman, Leahy. After observing another
caveman The caveman is a stock character representative of primitive humans in the Paleolithic. The popularization of the type dates to the early 20th century, when Neanderthals were influentially described as "simian" or " ape-like" by Marcellin Bo ...
drag away a woman by the hair in order to "claim" her, Keaton tries to become more assertive, but is continuously pushed back and bullied by Beery. An attempt to make Leahy jealous by flirting with another woman ends in failure. Nevertheless, Keaton grows closer to Leahy, and Beery challenges him to a fight at sunrise. Keaton wins thanks to hiding a rock in his club, but is caught and tied to the tail of an elephant to be dragged around the dirt as punishment. Upon his return, he finds Leahy about to be claimed by Beery and attempts to make off with her. Beery catches him and the two battle by tossing boulders at each other from afar, with Keaton and Leahy on a cliff together. When Beery climbs up to reclaim Leahy, Keaton dispatches Beery's cronies and finally defeats him. He drags a smitten Leahy off by the hair. In the epilogue, they go off for a walk with their huge family of children following them. In the Ancient Rome segment, Keaton attempts to attract the attention of the wealthy Leahy, but is continually pushed back by Beery. Beery challenges him to a chariot race after a hard snow — Keaton wins by using sled dogs instead of horses. In revenge, Beery forces him into the lion pit belonging to Leahy's family. Keaton survives by befriending the lion and manicuring its claws. Keaton is rescued by Leahy's parents while Beery kidnaps Leahy. Keaton rescues her and tries to seduce her in her palanquin, which takes off without them. In the epilogue, they also go out for a walk with many children in tow. In "modern times", Keaton is a poor man yearning for Leahy, who has rich parents. Leahy's mother, unimpressed with Keaton's bank account but interested in Beery's, decides on Beery as a match for her daughter. Keaton accidentally gets drunk at a restaurant where Beery and Leahy are dining, and Beery tricks the male half of another couple into punching Keaton, who stumbles home drunk. Later, Keaton impresses Leahy by playing a football game, whereas Beery is only a coach; Beery decides to play opposite Keaton. Keaton is overwhelmed by the bigger Beery, but ends up winning the game with an impressive touchdown. An irritated Beery frames Keaton for possession of alcohol and gets him arrested, simultaneously showing him a wedding announcement between him and Leahy — Keaton will be unable to stop the wedding while in jail. While shadowed by a guard, Keaton finds a criminal file showing that Beery has been charged with bigamy and forgery. He attempts to call Leahy to warn her. He accidentally escapes when the phone booth he is using is taken out for replacement. Keaton evades the police chasing him and makes it to the church in time to drag Leahy away from the wedding and into a cab. After showing her Beery's criminal file, he takes Leahy home and prepares to leave, but she kisses him. He declares to the cab driver that they are going back to the church. In the epilogue, they also go out for a walk — this time with their dog instead of children.


Cast

* Buster Keaton as the Boy *
Margaret Leahy Margaret Leahy (17 August 1902 – 17 February 1967) was a British actress. After winning a beauty contest, Leahy made only one film. Life and film career In 1922, sisters Constance Talmadge and Norma Talmadge, Joseph Schenck and film directo ...
as the Girl *
Wallace Beery Wallace Fitzgerald Beery (April 1, 1885 – April 15, 1949) was an American film and stage actor. He is best known for his portrayal of Bill in '' Min and Bill'' (1930) opposite Marie Dressler, as General Director Preysing in '' Grand Hotel'' ( ...
as the Villain * Joe Roberts as the Girl's Father *
Lillian Lawrence Lillian Lawrence (February 17, 1868 – May 7, 1926) was an American theatre and silent film actress. Her daughter Ethel Grey Terry was also an actress. Biography Lawrence was born in either Alexandria, Virginia or Alexander, West Virginia b ...
as the Girl's Mother *
Kewpie Morgan Kewpie Morgan (born Horace Allen Morgan, February 1, 1892 – September 24, 1956) was an American silent film comedian who also performed in a few early sound films. He appeared in 99 films from 1915 to 1936. He appeared in the films of such comed ...
as the Emperor / Cave Man / Roman Thug (as Horace Morgan)


Reception

In his October 1923 ''
Life Life is a quality that distinguishes matter that has biological processes, such as Cell signaling, signaling and self-sustaining processes, from that which does not, and is defined by the capacity for Cell growth, growth, reaction to Stimu ...
'' magazine review,
Robert E. Sherwood Robert Emmet Sherwood (April 4, 1896 – November 14, 1955) was an American playwright and screenwriter. He is the author of '' Waterloo Bridge, Idiot's Delight, Abe Lincoln in Illinois, Rebecca, There Shall Be No Night, The Best Years of Our ...
wrote, "Although one has considerable difficulty in following the weird meanderings of Buster's plot (if any), one has no trouble whatsoever in greeting his antics with a hearty laugh. Of the three ages, the cave-man part is easily the most comic." The December 1923 issue of '' Photoplay'' said of the film, "It has its good spots, but is below Buster's standard." More recently, Dennis Schwartz felt that "Though overloaded with too much of a narrative for a Keaton comedy, some flashes of the Keaton genius ."


Preservation status

A caption at the beginning of the Rohauer Collection print of the film states that when the film's negative was rediscovered in 1954, it was so badly decomposed as to be considered unsalvageable. Subsequent restoration work preserved the film for posterity, although a good deal of damage is still evident.


See also

* Buster Keaton filmography * Anachronism *
Caveman The caveman is a stock character representative of primitive humans in the Paleolithic. The popularization of the type dates to the early 20th century, when Neanderthals were influentially described as "simian" or " ape-like" by Marcellin Bo ...
archetype *
Cinema of the United States The cinema of the United States, consisting mainly of major film studios (also known as Hollywood) along with some independent film, has had a large effect on the global film industry since the early 20th century. The dominant style of Am ...


References


External links

* * *
Lantern slide
at silenthollywood.com

at the
International Buster Keaton Society The International Buster Keaton Society Inc.— a.k.a. "The Damfinos"—is the official educational organization dedicated to comedy film producer-director-writer-actor-stuntman Buster Keaton. Mission According to the Damfinos, their mission is "t ...
{{Edward F. Cline 1923 comedy films 1923 films 1920s American films American black-and-white films American silent feature films Articles containing video clips Films about cavemen Films directed by Buster Keaton Films directed by Edward F. Cline Films produced by Joseph M. Schenck Films with screenplays by Buster Keaton Films with screenplays by Jean Havez Films set in ancient Rome Films set in prehistory Films set in the 1920s Films using stop-motion animation Silent American comedy films