, description = ''conte lyrique'' , librettist = , based_on = , premiere_date = , premiere_location =

Palais Garnier The Palais Garnier (, Garnier Palace), also known as Opéra Garnier (, Garnier Opera), is a 1,979-seatBeauvert 1996, p. 102. opera house at the Place de l'Opéra in the 9th arrondissement of Paris, France. It was built for the Paris Opera fro ...

, Paris ''The Nightingale'' (Russian: Соловей – ''Solovyei''; French: ''Le Rossignol'') is a

Russian Russian(s) refers to anything related to Russia, including: *Russians (, ''russkiye''), an ethnic group of the East Slavic peoples, primarily living in Russia and neighboring countries *Rossiyane (), Russian language term for all citizens and peo ...

'' conte lyrique'' in three acts by

Igor Stravinsky Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential 20th-century clas ...

. The

libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term ''libretto'' is also sometimes used to refer to the text of major li ...

, based on the 1843 tale " The Nightingale" by

Hans Christian Andersen Hans Christian Andersen ( , ; 2 April 1805 – 4 August 1875) was a Danish author. Although a prolific writer of plays, travelogues, novels, and poems, he is best remembered for his literary fairy tales. Andersen's fairy tales, consist ...

, was written by the composer and Stepan Mitusov. It was first performed on 26 May 1914 by the

Ballets Russes The Ballets Russes () was an itinerant ballet company begun in Paris that performed between 1909 and 1929 throughout Europe and on tours to North and South America. The company never performed in Russia, where the Revolution disrupted society. ...

at the

in Paris. Stravinsky had begun work on the opera in 1908, but put it aside for several years after he had received the commission from

Sergei Diaghilev Sergei Pavlovich Diaghilev ( ; rus, Серге́й Па́влович Дя́гилев, , sʲɪˈrɡʲej ˈpavləvʲɪdʑ ˈdʲæɡʲɪlʲɪf; 19 August 1929), usually referred to outside Russia as Serge Diaghilev, was a Russian art critic, pa ...

for the ballet ''

The Firebird ''The Firebird'' (french: L'Oiseau de feu, link=no; russian: Жар-птица, Zhar-ptitsa, link=no) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1910 Paris season of Sergei Diaghilev' ...

''. He completed it in 1914, after he had completed his other two major ballets for Diaghilev, ''

Petrushka Petrushka ( rus, Петру́шка, p=pʲɪtˈruʂkə, a=Ru-петрушка.ogg) is a stock character of Russian folk puppetry. Italian puppeteers introduced it in the first third of the 19th century. While most core characters came from Italy ...

'' and ''

The Rite of Spring , image = Roerich Rite of Spring.jpg , image_size = 350px , caption = Concept design for act 1, part of Nicholas Roerich's designs for Diaghilev's 1913 production of ' , composer = Igor Stravinsky , based_on ...

''. Because the time between the writing of the first and second acts extended over six years, stylistically the work reflects Stravinsky's significantly changed approach to composition, and this can clearly be detected when performances are given. Stravinsky subsequently turned aside from large productions to concentrate on

chamber music Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small nu ...

and the piano.

Performance history

For the opera's premiere, the singers were in the pit and their roles were mimed and danced on stage. The ''

mise-en-scène ''Mise-en-scène'' (; en, "placing on stage" or "what is put into the scene") is the stage design and arrangement of actors in scenes for a theatre or film production, both in visual arts through storyboarding, visual theme, and cinematography, a ...

'' was by

Alexandre Benois Alexandre Nikolayevich Benois (russian: Алекса́ндр Никола́евич Бенуа́, also spelled Alexander Benois; ,Salmina-Haskell, Larissa. ''Russian Paintings and Drawings in the Ashmolean Museum''. pp. 15, 23-24. Published by ...

(who also designed the sets and costumes) and Alexandre Sanine, and the choreography by Boris Romanov. Stravinsky later prepared a

symphonic poem A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. The German term ''T ...

, '' Le chant du rossignol (The Song of the Nightingale)'', using music from the opera, in 1917, as a separate concert work. After its founding in 1956, The Santa Fe Opera in Santa Fe, New Mexico presented many operas by Stravinsky during its first decade, including—during its opening season in 1957—''

The Rake's Progress ''The Rake's Progress'' is an English-language opera from 1951 in three acts and an epilogue by Igor Stravinsky. The libretto, written by W. H. Auden and Chester Kallman, is based loosely on the eight paintings and engravings '' A Rake's Prog ...

''. Additionally, several performances of ''The Nightingale'', with Stravinsky himself conducting in 1962 were part of his 80th birthday celebrations; other stagings took place in 1963, 1969, 1970, and 1973. In 2014, the opera was paired with Mozart's ''

The Impresario ' (''The Impresario''), K. 486, is a comic ''singspiel'' by Wolfgang Amadeus Mozart, set to a German libretto by Gottlieb Stephanie, an Austrian ''Schauspieldirektor''. Originally, it was written because of "the imperial command" of the Holy Rom ...

'' (''Der Schauspieldirektor'') for a new production given by the Santa Fe company in which the action took place in Paris in the 1920s. The cast included

Anthony Michaels-Moore Anthony Michaels-Moore (born 8 April 1957) is an English operatic baritone and the first British winner of the Luciano Pavarotti International Voice Competition (Philadelphia, 1985). Michaels-Moore has since performed in many of the world's major ...

Brenda Rae Brenda Rae is an American operatic soprano who has performed leading roles in opera houses internationally. She was a resident artist at the Frankfurt Opera from 2008 through 2017. She is a featured performer on the Naxos Records 2015 recording of ...

, Meredith Arwady, and

Erin Morley Erin Morley (born October 11, 1980) is an American operatic soprano. Early years Morley was born in Salt Lake City, Utah to David Palmer, a former singer in the Tabernacle Choir, and Elizabeth Palmer, a current concertmaster of the Salt Lake Sy ...

. In 2017/2018, the

Canadian Opera Company The Canadian Opera Company (COC) is an opera company in Toronto, Ontario, Canada. It is the largest opera company in Canada and one of the largest producers of opera in North America. The COC performs in its own opera house, the Four Seasons Cent ...

performed the opera in Toronto along with other short works by Stravinsky as "The Nightingale and Other Short Fables," reviving a production by

Robert Lepage Robert Lepage (born December 12, 1957) is a Canadian playwright, actor, film director, and stage director. Early life Lepage was raised in Quebec City. At age five, he was diagnosed with a rare form of alopecia, which caused complete hair l ...

that premiered in Toronto in 2009 before touring to the

Aix-en-Provence Festival The Festival d'Aix-en-Provence is an annual international music festival which takes place each summer in Aix-en-Provence, principally in July. Devoted mainly to opera, it also includes concerts of orchestral, chamber, vocal and solo instrumental ...

in 2010 and the

Brooklyn Academy of Music The Brooklyn Academy of Music (BAM) is a performing arts venue in Brooklyn, New York City, known as a center for progressive and avant-garde performance. It presented its first performance in 1861 and began operations in its present location in ...

in 2011.

Roles

Synopsis

:Time: Ancient times :Place: China. The Fisherman acts as commentator on the story's events.M.D. Calvocoressi, "M. Igor Stravinsky's Opera: ''The Nightingale''", ''The Musical Times'', 55 (856), 372–374.

Act 1

At the seashore just before sunrise, a Fisherman hears the song of the Nightingale, which causes him to forget his troubles. The Cook has brought officials from the court of the Emperor to hear the Nightingale, telling of the beauty of its singing. However, the Nightingale is nowhere to be heard. The Court Chamberlain promises the Cook a position as private cook to the Emperor, if she can find the Nightingale, who finally appears, and receives an invitation from the Cook and the Chamberlain to sing for the Emperor. The Nightingale accepts the invitation, but says that its sweetest song is in the forest.

Act 2

Courtiers festoon the palace with lanterns in advance of the singing of the Nightingale. The Cook describes the Nightingale to the courtiers noting that it is small, gray and virtually invisible, but its song causes its listeners to cry. A procession denotes the Emperor's arrival. He commands the Nightingale to sing, and its singing touches him so deeply that he offers the bird a reward of a golden slipper to wear about its neck. Later, three Japanese emissaries offer the Emperor a mechanical nightingale, which begins to sing. The Emperor is delighted by this novelty. Taking insult at this, the genuine bird flies away, and the angered emperor orders it banished from his realm. He names the mechanical bird "first singer".

Act 3

The Emperor is ill and near death; the figure of Death appears in the Emperor's chamber. The ghosts of the Emperor's past deeds visit him while he calls for his court musicians, but the genuine Nightingale has reappeared, in defiance of the imperial edict, and has begun to sing. Death hears the Nightingale's song and is greatly moved, and asks it to continue, which it does on condition that Death returns to the emperor his crown, sword and standard. Death assents and gradually removes himself from the scene as the Nightingale continues to sing. The Emperor slowly regains his strength, and on seeing the Nightingale, offers it the "first singer" post at court. The Nightingale says that it is satisfied with the Emperor's tears as reward, and promises to sing for him each night from dusk until dawn.

Recordings

References

Notes Sources *Taruskin, Richard, (1998), "''The Nightingale''" in

Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was pub ...

, (Ed.), ''

The New Grove Dictionary of Opera ''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volu ...

'', Vol. Three, pp. 604–605. London: Macmillan Publishers, Inc. *Walsh, Stephen, "''The Nightingale''", in

Amanda Holden Amanda Louise Holden (born 16 February 1971) is an English actress, media personality, and singer. Since 2007, she has been a judge on the television talent show competition ''Britain's Got Talent'' on ITV. She also co-hosts the ''Heart Brea ...

(Ed.), ''The New Penguin Opera Guide'', New York: Penguin Putnam. pp. 906–907. {{DEFAULTSORT:Nightingale, The Operas by Igor Stravinsky Russian-language operas Operas 1914 operas Opera world premieres at the Paris Opera Operas based on works by Hans Christian Andersen Operas set in China Music about nightingales Works based on The Nightingale (fairy tale)