The Holly and the Ivy

"The Holly and the Ivy" is a traditional British folk Christmas carol, listed as number 514 in the Roud Folk Song Index. The song can be traced only as far as the early nineteenth century, but the lyrics reflect an association between holly and Christmas dating at least as far as medieval times. The lyrics and melody varied significantly in traditional communities, but the song has since become standardised. The version which is now popular was collected in 1909 by the English folk song collector Cecil Sharp in the market town of Chipping Campden in Gloucestershire, England, from a woman named Mary Clayton.

Words

The following are taken from Sharp's ''English Folk-Carols'' (1911), the publication that first established the current words and melody:

Origin

The words of the carol occur in three broadsides published in Birmingham in the early nineteenth century.; see also http://www.mustrad.org.uk/articles/birming4.htm

An early mention of the carol's title occurs in William Hone's 1823 work ''Ancient Mysteries Described'', which includes "The holly and the ivy, now are both well grown" among an alphabetical list of "Christmas Carols, now annually printed" that were in the author's possession.

The complete words of the carol are found in a book review dating from 1849, in which the reviewer suggested using the text of "The Holly and the Ivy" in place of one of the readings found in the book under discussion.Review of Rivington, ''Sertum Ecclesiae, the Church's Flowers''
from ''The Theologian and Ecclesiastic'' vol. vii, January to June 1849, pp. 198–200 The anonymous reviewer introduced the lyrics of carol thus:

The words of the carol were included in Sylvester's 1861 collection ''A Garland of Christmas Carols'' where it is claimed to originate from "an old broadside, printed a century and a half since" .e. around 1711 Husk's 1864 ''Songs of the Nativity'' also includes the carol, stating: ''Early English Lyrics'' by Chambers and Sidgwick, published in 1907, repeats Husk's statement.

Variants

There have been many variants collected from traditional singers and early printed versions which differ significantly from the now popular version. The most popular traditional variant seems to have been " The Holly Bears a Berry", whilst the more familiar "The Holly and the Ivy" variant was sung with a variety of tunes and lyrics.

Lyrics

Music

Standard melody

The popular melody for the carol was first published in Cecil Sharp's 1911 collection ''English Folk-Carols''. Sharp states that he heard the tune sung by "Mrs. Mary Clayton, at Chipping Campden", a quaint town in the Cotswolds. Sharp's manuscript transcription of Clayton's singing of the third verse, dated "Jan 13th 1909", is archived in the Cecil Sharp Manuscript Collection at Clare College, Cambridge and viewable online. The melody is notable in being confined to the notes of the hexachord.

Other melodies

The words have traditionally been sung to countless folk melodies, including three further tunes having been collected in Gloucestershire alone. Some traditional recordings have been made which demonstrate this melodic variety; these include one sung by Peter Jones of Ross-on-Wye, Herefordshire, and another performed by Bessie Wallace of Camborne, Cornwall in the early 1930s and recorded by James Madison Carpenter, which is publicly available on the Vaughan Williams Memorial Library website. The "Sans Day Carol", considered a variant of the song, is associated with a different tune.

The early nineteenth-century sources do not provide music for the carol. Several late nineteenth-century collections set the words to "old French carol" in D minor.

Cultural background

Holly, especially the variety found in Europe, is commonly referenced at Christmas time, and is often referred to by the name ''Christ's thorn''. Since medieval times the plant has carried a Christian symbolism, as expressed in this popular Christmas carol "The Holly and the Ivy", in which the holly represents Jesus and the ivy represents His mother, the Virgin Mary. Angie Mostellar discusses the Christian use of holly at Christmas, stating that:
As such, holly and ivy have been a mainstay of British Advent and Christmas decorations for Church use since at least the fifteenth and sixteenth centuries, when they were mentioned regularly in churchwardens’ accounts (Roud 2004).

Holly and ivy figure in the lyrics of the "Sans Day Carol". The music was first published by Cecil Sharp. Sir Henry Walford Davies wrote a popular choral arrangement that is often performed at the Festival of Nine Lessons and Carols and by choirs around the world. Henry VIII wrote a love song '' Green Groweth the Holly'' which alludes to holly and ivy resisting winter blasts and not changing their green hue ''So I am and ever hath been Unto my lady true''.

Hone's 1823 ''Ancient Mysteries Described'', which lists the carol's title as mentioned above, also describes (p 94) a British Museum manuscript: ''The same volume contains a song on the Holly and the Ivy which I mention because there is an old Carol on the same subject still printed. The MS begins with'',

Nay, my nay, hyt shal not be I wys,
Let holy hafe the maystry, as the maner ys:

Holy stond in the hall, faire to behold,
Ivy stond without the dore, she ys ful sore acold,
Nay, my nay etc

Holy and hys mery men, they dawnseyn and they syng,
Ivy and hur maydyns, they wepen and they wryng.

Nay, my nay etc

"The Holly and the Ivy" is also related to an older carol described by Sharp as: "The Contest of the Ivy and the Holly", a contest between the traditional emblems of woman and man respectively.

Holly stands in the hall, fair to behold:
Ivy stands without the door, she is full sore a cold.
''Nay, ivy, nay, it shall not be I wis;''
''Let holly have the mastery, as the manner is.''

Holly and his merry men, they dance and they sing,
Ivy and her maidens, they weep and they wring.
''Nay, ivy, nay,'' etc

Ivy hath chapped fingers, she caught them from the cold,
So might they all have, aye, that with ivy hold.
''Nay, ivy, nay,'' etc

Holly hath berries red as any rose,
The forester, the hunter, keep them from the does.
''Nay, ivy, nay,'' etc

Ivy hath berries black as any sloe;
There come the owl and eat him as she go.
''Nay, ivy, nay,'' etc

Holly hath birds a fair full flock,
The nightingale, the popinjay, the gentle laverock.
''Nay, ivy, nay,'' etc

Good ivy, what birds hast thou?
None but the owlet that cries how, how.
''Nay, ivy, nay,'' etc

Recorded versions (partial list)

*1958: Petula Clark for one of the first British stereo releases, on the EP ''A Christmas Carol''
*1969: The Young Tradition on ''The Holly Bears the Crown'', not released until 1995
*1972: Steeleye Span, originally as the B-side of the Christmas single '' Gaudete''
*1982: George Winston (instrumental) on ''December''
*1985: Yes vocalist Jon Anderson on '' 3 Ships''
*1986: Choir of St John's College, Cambridge on ''Christmas Carols from St. John's''
*1987: Maddy Prior with The Carnival Band on '' A Tapestry of Carols''
*1988: Mannheim Steamroller (instrumental) on ''A Fresh Aire Christmas''
*1991: Therese Schroeder-Sheker - ''In Dulci Jubilo''
*1994: Natalie Cole - '' Holly & Ivy''
*1984: Roger Whittaker in his album ''Tidings of Comfort and Joy''
*2003: ''Mediaeval Baebes'' on their 2003 compilation '' Mistletoe and Wine'' and a re-recorded version on the 2013 Christmas album ''Of Kings And Angels
*2004: Andrew Peterson Instrumental version on '' Behold the Lamb of God''
*2008: Sound of the Rockies - ''Sing We Noel''
*2008: Loreena Mckennit on '' A Midwinter Night's Dream''
*2008: Kate Rusby on ''Sweet Bells''
*2010: Annie Lennox on ''A Christmas Cornucopia'' (2010 and 2020)
*2011: Hawk Nelson on the EP ''Christmas''
*2014: Deborah Voigt and the Mormon Tabernacle Choir - '' Let The Season In''
*2014: Los Campesinos! on their Christmas EP '' A Los Campesinos! Christmas''
*2017: Ola Gjeilo performed by Choir of Royal Holloway on their album ''Winter Songs''

See also

* List of Christmas carols

References

Further reading

*
*

External links

* Fre
sheet music
for piano from ''Cantorion.org''

Hymns Without Words
free recording for download suitable for services







Ancient Mysteries Described Especially the English Miracle Plays, Founded on Apocryphal New Testament Story, Extant Among the Unpublished Manuscripts in the British Museum, Including Notices of Ecclesiastical Shows, the Festivals of Fools and Asses, the English Boy-bishop, the Descent Into Hell, the Lord Mayor's Show, the Guildhall Giants, Christmas Carols, Etc By William Hone, George Cruikshank

{{DEFAULTSORT:Holly And The Ivy, The
Christmas carols
Songs about plants
Pinky and Perky songs
British Christmas songs
Marian hymns
Year of song unknown
Advent songs