Part III
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''Part III'' is the third studio album by American R&B group
112 112 may refer to: *112 (number), the natural number following 111 and preceding 113 *112 (band), an American R&B quartet from Atlanta, Georgia **112 (album), ''112'' (album), album from the band of the same name *112 (emergency telephone number), t ...
. It was released by
Bad Boy Records Bad Boy Records (or Bad Boy Entertainment) is an American record label founded in 1993 by rapper Sean "Puffy" Combs. It operates as an imprint of Epic Records, a division of Sony Music Entertainment. It has been home to many artists, including ...
on March 20, 2001 in the United States. Unlike the previous releases, the album is described as having edgier, techno-flavored jams, resulting in a more modern and forward-sounding effort. 112 worked with musicians Anthony Dent,
R. Kelly Robert Sylvester Kelly (born January 8, 1967) is an American singer, songwriter, record producer, and sex offender convicted of racketeering and multiple sex offenses. During his recording career, Kelly sold over 75 million records worldwi ...
,
Tim & Bob Tim & Bob (Tim Kelley and Bob Robinson), also known as Funktwons, were a songwriting and production duo. Tim & Bob have discovered and or worked on some of the biggest artists in the music industry and has helped develop the Atlanta music scene ...
,
Mario Winans Mario Mendell Winans ( Brown; born August 29, 1974) is an American singer, songwriter, and record producer best known for his 2004 song " I Don't Wanna Know", which reached number 2 in the United States and number 1 in the United Kingdom. Wina ...
, and Bad Boy head
Sean Combs Sean Combs (born Sean John Combs; November 4, 1969), also known by his stage names Puff Daddy, P. Diddy, Puffy, or Diddy, is an American rapper, actor, record producer, and record executive. Born in New York City, he worked as a talent directo ...
on the album, with band member
Daron Jones 112 (pronounced "one-twelve") is an American R&B group from Atlanta, Georgia. Formerly artists on Bad Boy Records, the group signed to the Def Soul roster in 2002. They had great success from the late 1990s into the early 2000s with hits such a ...
helming production on the majority of ''Part III''. The album was the group's last album with Arista Records. Upon its release, ''Part III'' received mixed reviews from
music critics Music journalism (or music criticism) is media criticism and reporting about music topics, including popular music, classical music, and traditional music. Journalists began writing about music in the eighteenth century, providing commentary on w ...
, who praised the groups edgier performance, and described the album as one of the most varied and truly captivating albums that the R&B world has seen in a long time. The album debuted at number two on the US Billboard 200 chart, in the United States and was certified Platinum by the RIAA. The album produced three singles including "It's Over Now", "Dance With Me" and the smash hit, "Peaches & Cream" the latter of which was nominated for a
Grammy Award The Grammy Awards (stylized as GRAMMY), or simply known as the Grammys, are awards presented by the Recording Academy of the United States to recognize "outstanding" achievements in the music industry. They are regarded by many as the most pr ...
.


Singles

The first single was "It's Over Now" peaking at number one on the U.S. R&B chart for two weeks. The song's beat is an alternate version of the beat from rap group Mobb Deep's 1999 single, "Quiet Storm". Elsewhere, it peaked at number twenty-two on the UK Singles Chart, their first top 40 hit there. The second single, " Peaches and Cream" peaked at number two on the ''Billboard''
Hot R&B/Hip-Hop Songs The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 ...
chart and number four on the ''Billboard'' Hot 100, staying in the Top 40 for 25 weeks and making it their highest-charting Hot 100 single to date. It also topped the ''Billboard''
Rhythmic Top 40 The Rhythmic chart (also called Rhythmic Airplay, and previously named Rhythmic Songs, Rhythmic Top 40 and CHR/Rhythmic) is an airplay chart published weekly by ''Billboard'' magazine. The chart tracks and measures the airplay of songs played on ...
chart. The song charted at number 32 on the UK Singles Chart on 8 September 2001. The song was nominated for
Best R&B Performance by a Duo or Group with Vocal The Grammy Award for Best R&B Performance by a Duo or Group with Vocal was awarded between 1970 and 2011. From 1967 to 1969 and in 1971 the award included instrumental performances. The award had several minor name changes: *From 1967 to 1968 the ...
at the
44th Grammy Awards The 44th Annual Grammy Awards were held on February 27, 2002 at the Staples Center in Los Angeles, California. The main recipient was Alicia Keys, winning five Grammys, including Best New Artist and Song of the Year for " Fallin'". U2 won four ...
in 2002. Dance With Me was the third and final single peaking at number 39 on the ''Billboard'' Hot 100. Elsewhere, in Australia, reaching number two on the country's
ARIA Charts The ARIA Charts are the main Australian music sales charts, issued weekly by the Australian Recording Industry Association. The charts are a record of the highest selling songs and albums in various genres in Australia. ARIA became the offic ...
in April 2002 and registering as the 28th biggest song of the year. The released version featured American
rapper Rapping (also rhyming, spitting, emceeing or MCing) is a musical form of vocal delivery that incorporates "rhyme, rhythmic speech, and street vernacular". It is performed or chanted, usually over a backing beat or musical accompaniment. The ...
, Beanie Sigel.


Critical reception

''Part III'' received mixed to positive reviews from most
music critics Music journalism (or music criticism) is media criticism and reporting about music topics, including popular music, classical music, and traditional music. Journalists began writing about music in the eighteenth century, providing commentary on w ...
. Kris Ex of ''
Rolling Stone ''Rolling Stone'' is an American monthly magazine that focuses on music, politics, and popular culture. It was founded in San Francisco, California, in 1967 by Jann Wenner, and the music critic Ralph J. Gleason. It was first known for its ...
'' magazine, noted "Puff Daddy continues to brand his soul acts with everything B.I.G. Here, the slain rapper's "Dead Wrong" serves as intro music; there, a vocal snippet from his "Who Shot Ya" punctuates the R&B quartet's "Dance With Me". But this album doesn't need B.I.G. to bump - the jittery, futuristic "Dance" bounces like something Judy Jetson would jam to when George isn't around, the prurient "Peaches and Cream" thumps hard with synth rattles and a thug worthy groove. The ballads - "Player," "Sweet Love," "Do What You Gotta Do" - drip with sweetness, but not at the expense of cool self-awareness. Produced largely by group member Daron Jones, Part III sounds as if 112 have come to terms with lacking the all-out star power of the boy bands or the uber sentimentality of glory-years Boyz II Men. Enter exhibit Part III: proof positive that Puffy's artists pack dance floors and hit the charts with bullets. We mean the right kind of bullets." Jose F. Promis of ''
Allmusic AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the databa ...
'' mentions in his review, "112 have proven themselves as one of the most successful and enduring acts to emerge from the 1990s urban music explosion, and continue to prove their longevity on their third set, Part III. Their second album, Room 112, despite the hits "Love Me" and "Anywhere," failed to hint at any artistic progress for the group, but the third effort is a different story. A lot of the sappy ballads that impaired their previous outings are abandoned in favor of edgier, techno-flavored jams, resulting in a more modern and forward-sounding effort. The album's first single, "It's Over Now," is an aching slice of melodrama that proved to be the group's biggest hit to date, and one of the best singles of the year. Other cuts on the album pick up where that one left off, utilizing cutting beats and electronic sounds, such as the album's dance-flavored opener "Dance With Me," the second single "Peaches & Cream," and "All I Want Is You," which is augmented with rock guitars to fine effect. And as always, the group's vocals are nothing short of stellar. Despite some clichéd lyrics (case in point -- "Don't Hate Me") and sagging ballads toward the middle of the album (although the ballad "Missing You" is a well-crafted slice of true soul), this set is definitely a step in the right direction for a hard-working group one can happily classify as having evolved." Felicia A. Wilks of Amazon.com, noted "Since New Edition and Boyz II Men ceded their R&B group throne of the '80s and early '90s, it's been hard to keep up with the myriad groups that have tried to take their place. But Bad Boy's resident gentlemen, 112, have always stood out from the crowd. Their latest release, Part III, further solidifies the group's appeal. On "It's Over Now," the album's first single, the group does what they do best: combining impressive vocals with Bad Boy's trademark hip-hop production. Likewise, on "Dance with Me," an intricately produced song with an infectious heartbeat bass line, the group reminds listeners that their singing ability is in a league of its own. Part III is not without its shortcomings, however. Songs like "I Think" and "Player," two monotonous attempts at romantic ballads, could have been deleted from the album without being missed. To the group's credit, however, Part III is one of the most varied and truly captivating albums that the R&B world has seen in a long time. From beautiful harmonizing to upbeat party pleasers, Part III places the four members of 112 up there with the legends of their genre."


Commercial performance

''Part III'' debuted at number two on the US ''Billboard'' 200 and number one on the US
Top R&B/Hip-Hop Albums Top R&B/Hip-Hop Albums is a music chart published weekly by '' Billboard'' magazine that ranks R&B and hip hop albums based on sales in the United States and is compiled by Nielsen SoundScan. The chart debuted as Hot R&B LPs in the issue dated ...
chart, selling 182,300 copies in its first week, behind
Shaggy Shaggy may refer to: People *Shaggy (musician) (born 1968), Jamaican American reggae rapper and singer * Shaggy 2 Dope, half of the hip hop, horrorcore band Insane Clown Posse * Shaggy Flores (born 1973), Nuyorican poet, writer and African diaspor ...
's '' Hot Shot''. This is the group's first top-ten album. In its second week, the album dropped to number four on the chart, selling an additional 99,583 copies. On May 16, 2001, the album was certified
platinum Platinum is a chemical element with the symbol Pt and atomic number 78. It is a dense, malleable, ductile, highly unreactive, precious, silverish-white transition metal. Its name originates from Spanish , a diminutive of "silver". Pla ...
by the Recording Industry Association of America (RIAA) for sales of over a million copies in the United States.


Track listing


Personnel

* Mark Allen – design * Wayne Allison – recorder * Chris Athens – mastering * Roger Che – recorder * Tom Coyne – mastering * Stephen Danelian – photography * Tim Kelley – producer, arranger, engineer, mixing, instrumentation * Bob Robinson – producer, arranger, instrumentation * Anthony Dent – producer * Diddy – producer, executive producer *
DJ Scratch George Spivey (born June 21, 1968), known professionally as DJ Scratch, is an American hip hop DJ and producer from Brooklyn, New York. DJ Scratch is the 1988 New Music Seminar Battle For World Supremacy DJ champion, the 2010 Master of the ...
– scratching * DJ Wiz – scratching * Jan Fairchild – mixing * Andy Haller – recorder * Daron Jones – vocals, producer, executive producer, instrumentation * R. Kelly – arranger, producer * Paul Logus – mixing * Tom Martin – guitar * Marvin – vocals *
Tony Maserati Tony Maserati is an American record producer and audio engineer specializing in mixing. He was involved in the development of the New York R&B and hip-hop scene in the 1990s, working with Mary J. Blige, Notorious B.I.G., Puff Daddy, and Queen ...
– mixing * Ian Mereness – recorder * Mike – vocals, executive producer * Rob Paustian – recorder, mixing *
Harve Pierre Harve Pierre, also known by the stage name Joe Hooker, is an American writer, singer, producer, and record executive who is president of Bad Boy Entertainment. Biography Pierre is an American of Haitian descent. Guest appearances Productio ...
– associate executive producer * Q – vocals * Brian Smith – recorder, mixing * Twista – performer * Kevin Wales – executive producer


Charts


Weekly charts


Year-end charts


Certifications


Release history


See also

* List of Billboard number-one R&B albums of 2001


References

{{Authority control 2001 albums 112 (band) albums Bad Boy Records albums RCA Records albums Albums produced by Tim & Bob Albums produced by R. Kelly