The Ghost of Vermeer of Delft Which Can Be Used As a Table
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''The Ghost of Vermeer of Delft Which Can Be Used As a Table'' is a small
Surrealist Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to ...
oil painting by Salvador Dalí. Its full title is ''The Ghost of Vermeer of Delft Which Can Be Used as a Table (Phenomenologic Theory of Furniture-Nutrition)''. It makes reference to '' The Art of Painting'' by
Johannes Vermeer Johannes Vermeer ( , , see below; also known as Jan Vermeer; October 1632 – 15 December 1675) was a Dutch Baroque Period painter who specialized in domestic interior scenes of middle-class life. During his lifetime, he was a moderately succe ...
, a famous seventeenth-century work in which a painter, thought to be a self-portrait of Vermeer, is depicted with his back to us, in distinctive costume. It is one of a number of paintings expressive of Dalí's enormous admiration for Vermeer. Vermeer is represented as a dark spindly figure in a kneeling position. The figure's outstretched leg serves as a table top surface, on which sits a bottle and a small glass. This leg tapers to a baluster-like stub; there is a shoe nearby. The walls and the distant views of the mountains are based on real views near Dalí's home in Port Lligat. In Vermeer's painting the artist leans on a maulstick, and his hand is painted with an unusual blurriness, perhaps to indicate movement. In Dalí's painting Vermeer rests the same arm on a crutch. It is unsigned and undated but known to have been completed c.1934. It is currently on display at the Salvador Dalí Museum in St. Petersburg, Florida, on loan from the E. and A. Reynolds Morse collection.


Related works

Around 1934, Dalí produced several other works inspired by ''The Art of Painting'': * ''Masquerader, Intoxicated by the Limpid Atmosphere'' ( private collection) * ''The Ghost of Vermeer of Delft'' (private collection, Switzerland) * ''Enigmatic Elements in a Landscape'' ( Fundació Gala-Salvador Dalí, Figueres) * ''Spectre of Vermeer's Chair'' (private collection) Dalí revered Vermeer, and also drew several times on his ''The Lacemaker'', for instance in ''Paranoiac-Critical Study of Vermeer's Lacemaker''. Dali also painted a copy of ''The Lacemaker'' on commission from collector Robert Lehman. ''The Ghost of Vermeer'' should also be seen in the context of his other reworkings of historic paintings, such as several works inspired by Millet's ''Angelus''. Images of anthropomorphic furniture as well as crutch-like objects are common in this period of his career.


References

{{DEFAULTSORT:Ghost of Vermeer of Delft Which Can Be Used As a Table, The Paintings by Salvador Dalí Surrealist paintings 1934 paintings Works about painting Works about Johannes Vermeer Cultural depictions of Johannes Vermeer Paintings in St. Petersburg, Florida