The Cove (film)

''The Cove'' is a 2009 American documentary film directed by Louie Psihoyos that analyzes and questions dolphin hunting practices in Japan. It was awarded the Academy Award for Best Documentary Feature in 2010. The film is a call to action to halt mass dolphin kills and captures, change Japanese fishing practices, and inform and educate the public about captivity and the increasing hazard of mercury poisoning from consuming dolphin meat.

Psihoyos is a former-National Geographic photographer and a co-founder of the Oceanic Preservation Society, and the film is presented from an ocean conservationist's point of view. Portions were filmed secretly in 2007 using underwater microphones and high-definition cameras disguised as rocks."Dolphin slaughter film a hit at Sundance"
''The Japan Times.'' (January 27, 2009). Retrieved on January 27, 2009. The film highlights the fact that the number of dolphins killed in the Taiji dolphin drive hunt is several times greater than the number of whales killed in the Antarctic, and asserts that 23,000 dolphins and porpoises are killed in Japan every year by the country's whaling industry. The migrating dolphins are herded into a cove where they are netted off. The young and pretty are sold to oceanariums and dolphinariums around the world, and the rest are brutally slaughtered. The film argues that dolphin hunting as practiced in Japan is unnecessary and cruel.

Since the film's release, ''The Cove'' has drawn controversy over its supposed lack of neutrality, secret filming techniques, and portrayal of the Japanese people. It won the U.S. Audience Award at the 25th annual Sundance Film Festival in January 2009. It was selected out of 879 submissions in the category.

Synopsis

The film follows former-dolphin-trainer-turned-activist Ric O'Barry's quest to document the dolphin hunting operations in Taiji, Wakayama, Japan. In the 1960s, O'Barry helped capture and train the five wild dolphins who shared the role of " Flipper" in the hit television series of the same name. The show fueled widespread public adoration of dolphins and influenced the development of marine parks that included dolphins among their attractions. According to O'Barry, one of the dolphins committed a form of suicide in his arms by closing her blowhole voluntarily in order to suffocate, after which he came to see the dolphin's captivity and the dolphin capture industry as cruel and inhumane. Days later, he was arrested off the island of Bimini for attempting to cut a hole in a sea pen in order to set free a captured dolphin. Since then, according to the film, O'Barry has dedicated himself full-time as an advocate on behalf of dolphins around the world.

After meeting with O'Barry, Psihoyos and his crew travel to Taiji, Japan, a town that appears to be devoted to dolphins and whales. A group of local fishermen engage in dolphin drive hunting and generate tremendous revenues for the town by selling trapped dolphins to aquariums and marine parks around the world, with a premium paid for female bottlenose dolphins. In an isolated cove surrounded by wire fences and "Keep Out" signs, however, an activity takes place that the townspeople attempt to hide from the public. The dolphins that are not sold are driven into the cove and killed, with only modest income derived from the sale of the meat to supermarkets throughout Japan. According to the evidence presented in the film, the local government officials are involved in helping to hide the slaughter, and the Japanese public is largely unaware of the hunt and the marketing of dolphin meat, which the film states contains dangerously high levels of mercury. Two Taiji city councilors are interviewed who have advocated for the removal of dolphin meat from local school lunches due concerns about mercury.

All activists who attempt to view or film the dolphin killing in the cove are physically prevented from doing so by the fishermen, with the support of the local police and government, and the filmmakers are shadowed and questioned by the authorities. Faced with this, Psihoyos, O'Barry, and the crew utilize special tactics and technology to covertly film what is taking place in the cove. Near the end of the film, Psihoyos shows some of the grisly footage he was able to film during a dolphin slaughter to a Japanese official, who had repeatedly tried to minimize the incident during his interview. The official's friendly demeanor hardens, and he asks Psihoyos when and where the footage was filmed.

The film also reports on Japan's alleged "buying" of the votes of poor nations in the International Whaling Commission, stating that, while Dominica has withdrawn from the IWC, Japan has recruited the following nations to its whaling agenda: Cambodia, Ecuador, Eritrea, Guinea-Bissau, Kiribati, Laos, and the Republic of the Marshall Islands. After Psihoyos shows the footage to the Japanese official, the film cuts to O'Barry interrupting the annual meeting of the IWC. As the Japanese delegate is saying how Japanese fishermen have made their whaling tactics more humane, O'Barry enters the crowded meeting room with a TV playing the footage from the cove strapped to his chest and walks around until he is escorted from the building.

Cast

* Ric O'Barry – Co-Founder, Oceanic Preservation Society
* Louie Psihoyos – Earth Island Institute
*Hardy Jones – Founder, BlueVoice.org
*Michael Illiff – Institute of Antarctic and Southern Ocean Studies, University of Tasmania
*Joji Morishita – IWC Delegate for Japan (archival footage)
* Ian Campbell – Former Australian Cabinet Minister
*Captain Paul Watson – President, Sea Shepherd Conservation Society; Co-Founder, Greenpeace
*Doug DeMaster, Ph.D. – U.S. Deputy Commissioner for the IWC
*Dave Rastovich – Co-Founder, Surfers for Cetaceans
* Hayden Panettiere – Whaleman Foundation/Save the Whales Again! (archival footage)
* Isabel Lucas – Whaleman Foundation/Save the Whales Again! (archival footage)
*Hannah Fraser (archival footage)
*Charles Hambleton – a member of Louie's " secret OPS" team ("a guy that has a heart of gold and nerves of steel")
*Simon Hutchins – a member of Louie's "secret OPS" team ("the only guy that had military experience")
*Joe Chisholm – a member of Louie's "secret OPS" team ("organized rock concerts")
* Mandy-Rae Cruickshank – a member of Louie's "secret OPS" team (a freediver)
* Kirk Krack – a member of Louie's "secret OPS" team (a freediver)
* Roger Payne, Ph.D. – Ocean Alliance
*Hideki Moronuki – Deputy Director, Fisheries Agency of Japan; Manager of Cetacean Quotas
*Dan Goodman – Legal Advisor to Japan's IWC Delegation
*Tetsuya Endo, Ph.D. – Health Sciences University of Hokkaido
* C. Scott Baker, Ph.D. – Specialist in DNA Species Identification; Oregon State University
*Brook Aitken – OPS Cameraman
*Dr. John Potter – Underwater Acoustics Cousultant
*John Fuller – Former IWC Delegate for Antigua and Barbuda
* Atherton Martin – Former IWC Representative for Dominica

Production

To film in the cove, the filmmakers used specialized high-definition cameras that were camouflaged to look like rocks. These cameras were so well hidden that, according to director Louie Psihoyos, the crew had a hard time finding them again. A high-grade military thermal camera and different night vision cameras were also used in the production of the film.

Reception

Film critics

The film received predominantly positive reviews from critics. On review aggregator website Rotten Tomatoes, it has 95% approval rating based on reviews from 133 critics, with an average rating of 8.00/10; the site's "critics consensus" reads: "Though decidedly one-sided, ''The Cove'' is an impeccably crafted, suspenseful exposé of the covert slaughter of dolphins in Japan." On ''Metacritic'', which assigns a normalized rating out of 100 to reviews from mainstream critics, the film has an average score of 84 based on 26 reviews, indicating "universal acclaim".

Roger Ebert gave the film four stars (out of four), calling it "a certain Oscar nominee". Jeannette Catsoulis of ''The New York Times'' called the film "an exceptionally well-made documentary that unfolds like a spy thriller", going on to describe it as "one of the most audacious and perilous operations in the history of the conservation movement". Other reviewers also played up the espionage angle of the film, including ''Time'' magazine's Mary Pols, who said ''The Cove'' "puts Hollywood capers like ''Mission Impossible'' to shame", and Peter Rainer of ''The Christian Science Monitor'', who called it "a rousing piece of real-world thriller filmmaking".

Some reviews recognized the film's entertainment value, but did not view it as an "objective documentary". ''Wall Street Journal'' critic Joe Morgenstern labeled the film a "quasidocumentary framed as a high-tech thriller" with an "agitprop style" that has "an excess of artifice and a dearth of facts". David Cox of ''The Guardian'' Film Blog called it a "piece of evangelism", and mused rhetorically: "Westerners ... kill and eat cows. Easterners eat dolphins. What's the difference?". Michelle Orange of ''Movieline'' ended her review: "How much of this should we believe? As a piece of propaganda, ''The Cove'' is brilliant; as a story of ingenuity and triumph over what seems like senseless brutality, it is exceptionally well-told; but as a conscientious overview of a complex and deeply fraught, layered issue, it invokes the same phrase as even the most well-intentioned, impassioned activist docs: Buyer beware."

Reactions in Taiji, Japan

The whale and dolphin hunting season in Japan usually begins on September 1 each year, but in 2009 it began on September 9. Although activists tended to believe this was because of the publicity generated by the film, it was reported that the delay was due to the weather and rough seas. According to campaigners, out of the 100 dolphins captured on September 9, some were taken to be sold to marine museums and the rest were released, while 50 pilot whales were killed and sold for meat on the same day. Some campaigners began to claim it had become apparent that ''The Cove'' was having an impact on the way in which Japanese fisherman normally conducted the dolphin hunt,Conservationists say 70 dolphins in Japan released.
''Associated Press.'' September 15, 2009. though on March 23, 2010, the Japanese government stated: "The dolphin hunting is a part of traditional fishery of this country and it has been lawfully carried out."

After the film won the Oscar for Best Documentary, the mayor of Taiji and the chief of the Taiji Fishery Union released a statement that said: "The hunt is performed legally and properly with the permission of Wakayama Prefecture n which Taiji resides" Taiji assemblyman Hisato Ryono, one of the two local legislators who broke ranks and publicly called for removal of dolphin meat from school lunches, said he was lied to by the producers of the film about what the film would contain.Alabaster, Jay, (Associated Press),
''Cove'' Oscar Won't End Taiji Dolphin Kill
, ''Japan Times'', March 20, 2010, p. 2.

Since the release of the film, a much larger number of activists, mainly non-Japanese, began to visit Taiji to protest or film the dolphin hunts. The Taiji fishermen responded by constructing an elaborate structure of tarps to better conceal the drive-hunting activities in and around the cove. Filmmaker Megumi Sasaki has argued that the film and subsequent activism and campaigning by foreigners and the Sea Shepherd Conservation Society have been poorly received by the population of Taiji, and that backlash has resulted in the practice continuing.

Reaction from Seaworld

SeaWorld spokesperson Fred Jacobs responded to the film by saying that "We think we're being unfairly criticized for something we're opposed to," and that "SeaWorld opposes the dolphin hunts documented in ''The Cove''. We do not purchase any animals from these hunts. More than 80 percent of the marine mammals in our care were born in our parks. We haven't collected a dolphin from the wild in decades", though he did not condemn those who purchase from the Taiji dolphin hunt. In light of this, some criticized O'Barry for emphasizing that dolphinariums are a large contributing factor to the economic success of the dolphin hunt in Taiji and for encouraging boycotts of dolphin shows to protest the slaughter.

The scene in ''The Cove'' that displays a map consisting of arrows emanating from Taiji and pointing to countries with dolphinariums has been said to be misleading, since the majority of those countries do not currently have dolphins of Japanese origin, though there is no proof that proves or disproves these claims. In the United States, it is currently illegal to import dolphins obtained from a drive, including the drive hunt at Taiji, as it is considered an inhumane method by which to capture the animals, and, since 1993, there have been no permits issued to facilities in the United States to import dolphins acquired through drive hunts. Marilee Menard, the executive director of the Alliance of Marine Mammal Parks and Aquariums, has also stated that she believes the filmmakers are "misrepresenting that the majority of zoos and aquariums with dolphins around the world are taking these animals."

Reaction in Western Australia

In August 2009, after the screening of the film in Sydney, Melbourne, and Brisbane film festivals, the councillors of the Shire of Broome, Western Australia, voted unanimously to suspend its sister city relationship with the Japanese whaling port town of Taiji, as long as the latter continues its dolphin slaughter. This decision was reversed that October, less than two months later.

Release in Japan

The film was initially screened only at two small venues in Japan: at the Foreign Correspondents' Club in Tokyo in September 2009, and at the Tokyo International Film Festival in October 2009, where it received mixed reviews. A Japanese film distributor, Medallion Media/Unplugged, subsequently acquired the rights to screen the film in Japan and hoped to release it in Japanese cinemas in June 2010. The company prepared the film for presentation in Japan by pixelating the faces of Taiji residents and fishermen depicted in the film. (In Japanese
アカデミー賞：「ザ・コーヴ」受賞に和歌山反発
.) Nationalist protesters vowed to block the release of the film in Japan, and dozens equipped with loudspeakers demonstrated outside the distributor's office in central Tokyo.

In April 2010, Colonel Frank Eppich, the United States Air Force commander of Yokota Air Base, located near Tokyo, banned screenings of the film at the base theater. A base spokesman said that ''The Cove'' was banned because using a base venue to display the film could be seen as an endorsement of the film, saying: "We have a lot of issues with Japan ... and anything done on an American base would be seen as an approval of that event." In response, Louie Psihoyos said he would give 100 DVD copies of the film to Yokota base personnel.

Until June 2010, the controversy over the film and the film's subject received little press attention in Japanese-language media in Japan. Boyd Harnell of the ''Japan Times'' stated on May 23, 2010, that Japanese news editors had told him the topic was "too sensitive" for them to cover.

A screening scheduled for June 26, 2010, at Theater N in Shibuya was canceled after staff were harassed by protesters. Unplugged stated that it was in negotiations with other theaters to screen the film. Another theater in Tokyo and one in Osaka subsequently declined to screen the film. In response, a group of 61 media figures, including journalist Akihiro Ōtani and filmmaker Yoichi Sai, released a statement expressing concern over the threat to freedom of speech by the intimidation of right-wing groups. The Directors Guild of Japan also asked theaters not to refuse to show the film, arguing that "such moves would limit opportunities to express thoughts and beliefs, which are the core of democracy."

On June 9, 2010, Tsukuru Publishing Co. sponsored a screening of the film and panel discussion at Nakano Zero theater in Nakano, Tokyo

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