''The Chalk Circle'' (sometimes translated ''The Circle of Chalk''), by Li Qianfu, is a Yuan dynasty (1259–1368) China, Chinese classical zaju verse play and gong'an fiction, gong'an Chinese crime fiction, crime drama, in four acts with a prologue.
["Chalk Circle, The (Hui-Lan Ji)"]
''Oxford Dictionary of Plays'', online at Enotes.com. Retrieved May 27, 2008.[ It was preserved in a collection entitled ''Yuan-chu-po-cheng'', or ''The Hundred Pieces''.][''Das Fremde und das Vertraute: Studien zur musiktheoretischen und musikdramatischen Ostasienrezeption'']
by Peter Revers, Published 1997 Franz Steiner Verlag, , pages 212, 213. Online excerpt at Google Books retrieved May 27, 2008. The Chinese language original is known for the beauty of its lyrical verse, and considered a Yuan masterpiece;["The Circle of Chalk"]
''Masterplots'', Definitive Revised Edition, online at Enotes.com. Retrieved May 27, 2008.["Historicity and Contemporaneity: Adaptations of Yuan Plays in the 1990s"]
Wenwei Du, ''Asian Theatre Journal'', Volume 18, Number 2, Fall 2001, pp. 222-237. a series of translations and revisions inspired several popular modern plays.
Plot
A beautiful sixteen-year-old girl, Hai-tang (also transliterated Hai-t'ang, Hi-tang, or Chang-hi-tang), is sold into a house of prostitution by her impoverished family, after her father's death. There she is befriended by Ma Chun-shing, a wealthy and childless tax collector, who takes her into his house as his second wife. She bears him a son, Shoulang, but earns the jealousy of his first wife, Ah-Siu. Ah-Siu accuses Hai-tang of adultery, poisons Ma, blaming Hai-tang for the crime, and claims to a court that Shoulang is her own child, so that she can inherit Ma's fortune. Hai-tang is arrested, and beaten until she forced confession, confesses. As Hai-tang is about to be hanged, she is rescued by Bao Zheng in a scene similar to the Judgment of Solomon: Shoulang is placed in a circle of chalk between the two women, and each is ordered to pull the child toward her; as Hai-tang can not bear to hurt her child, she gives—and so is judged his true mother.["''The Circle of Chalk'' Character Analysis"]
''Cyclopedia of Literary Characters'', online at Enotes.com. Retrieved May 28, 2008.["The Circle of Chalk"]
website for UK staging of Klabund adaptation. Retrieved May 28, 2008.[''Anna May Wong: From Laundryman's Daughter to Hollywood Legend'']
by Graham Russell Hodges, Published 2004, Macmillan Publishers, Macmillan, , page 96. Online excerpt at Google Books retrieved May 28, 2008.[ [sic], Paul G. Brewster, ''Folklore Studies'', Vol. 21, (1962), pp. 236-240, Asian Folklore Studies, Nanzan University. Online version accessed June 23, 2015.]
Adaptations
The play became first known in the Western world in a French language translation by Stanislas Julien, published in London in 1832 as ''Le Cercle de Craie''. This was liberally re-translated into German language, German by Klabund as ''Der Kreidekreis'' in 1924, which was very popular.["Klabund"]
The Columbia Encyclopedia, Sixth Edition, 2008. Retrieved May 27, 2008. In Klabund's version, the Emperor marries the heroine at the end of the play, while in the original she returns to live with her brother, who is now a court official.[ Based on Klabund's play, the Austrian composer Alexander von Zemlinsky adapted a libretto for his ''Der Kreidekreis (opera), Der Kreidekreis'', performed in Zurich in 1933.
Klabund's version was translated into English by James Laver as ''The Circle of Chalk'', in five acts, published in London by William Heinemann in 1929. It was put on stage in March of that year, produced by Basil Dean, starring the United States, American actress Anna May Wong, Australian actress Rose Quong, and British actor Laurence Olivier.][This was possibly Laurence Olivier's first West End theatre role; Hodges (above), claims it was, but his work wasn't really focused on Olivier, rather on Wong. Our article Laurence Olivier chronology of stage and film performances differs.] As of 2008, this version is still being produced by various theatre groups.[
In 1940, Bertolt Brecht wrote ''Der Augsburger Kreidekreis'', a short story based on ''Der Kreidekreis'', which reworks the story by omitting any Imperial intervention and making the first wife the biological mother, but having her abandon the child. The heroine is a serving girl who rescues and raises him, becoming the "real" mother. In 1944, he further reworked the story as the play, ''The Caucasian Chalk Circle'', moving the events to medieval Georgia (country), Georgia, adding a prologue set in Soviet Georgia, and greatly elaborating the narrative. In 2000, ''The Caucasian Chalk Circle'' in turn was rewritten as ''Full Circle'', or ''The Berlin Circle'', by Charles L. Mee, set in 1989 East Germany after the fall of Communism.]["All About Mee"]
Gideon Lester, January 2000, American Repertory Theatre.
The famous Kyrgyz author and novelist Chinghiz Aitmatov was also indirectly inspired from the Chalk Circle, while writing his 1960 book, The Red Scarf. He used some indirect elements from the tale very loosely. In Turkey, plot of the legendary Turkish movie "Selvi Boylum Al Yazmalım" was based on The Red Scarf. The movie has since been an ageless favourite for turkish cinema critics and popular choice and a unique example of Turkish cinema.
In 2018, Claire Conceison wrote and directed a play called The Chalk Cycle based on the original Yuan drama The Chalk Circle, the Brecht adaptation The Caucasian Chalk Circle, and the Custody battle for Anna Mae He.
References
External links
''Full Circle''
script by Charles L. Mee at his site.
{{Yuan dynasty topics
Gong'an fiction
Yuan dynasty plays
Fictional depictions of Bao Zheng in literature
Plays set in the Song dynasty
Plays set in the 11th century