Matthew Bourne's ''Swan Lake'' is a contemporary ballet based on the Russian romantic work '' Swan Lake'', from which it takes the music by

Tchaikovsky Pyotr Ilyich Tchaikovsky , group=n ( ; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popu ...

and the broad outline of the plot. Bourne's rendering is best known for having the traditionally female parts of the swans danced by men. It was the longest-running ballet in London's West End and on

Broadway Broadway may refer to: Theatre * Broadway Theatre (disambiguation) * Broadway theatre, theatrical productions in professional theatres near Broadway, Manhattan, New York City, U.S. ** Broadway (Manhattan), the street **Broadway Theatre (53rd Stree ...

. First staged at

Sadler's Wells Sadler's Wells Theatre is a performing arts venue in Clerkenwell, London, England located on Rosebery Avenue next to New River Head. The present-day theatre is the sixth on the site since 1683. It consists of two performance spaces: a 1,500-seat ...

theatre in London in 1995, it has been performed in the UK, Los Angeles, Europe, Russia, Australia, South Korea, Japan, Israel, and Singapore."The History of Matthew Bourne's Swan Lake", from the programme from Matthew Bourne's ''Swan Lake'' at

, London, 13 December 2006 – 21 January 2007.

Synopsis

This synopsis is derived from programme notes and the synopsis provided on the DVD.. The plot of the ballet revolves around a young

crown prince A crown prince or hereditary prince is the heir apparent to the throne in a royal or imperial monarchy. The female form of the title is crown princess, which may refer either to an heiress apparent or, especially in earlier times, to the wi ...

, his distant mother, and his desire for freedom, represented by a swan.

Act I

In the prologue, the Prince, as a child, is awakened by a nightmare of a swan. The Prince's mother comes in to comfort him, but becoming nervous by the situation's intimacy, leaves. Scene 1 opens with the Prince being prepared for a day of official duties by chambermaids and valets. In Scene 2, arrayed in his

full dress uniform Full dress uniform, also known as a ceremonial dress uniform or parade dress uniform, is the most formal type of uniforms used by military, police, fire and other public uniformed services for official parades, ceremonies, and receptions, ...

, the Prince becomes bored by a boat christening, a ribbon cutting, and other official tasks. His mother prods him to keep up appearances, even as she devotes more attention to the soldiers than she does to him. During this scene, there is a transition from the child actor playing the young Prince to the identically-dressed adult dancer who portrays the grown Prince. This now-adult Prince is introduced to a girl called "the Girlfriend". Although the girl seems foisted on him by von Rothbart, the

Private Secretary A private secretary (PS) is a civil servant in a governmental department or ministry, responsible to a secretary of state or minister; or a public servant in a royal household, responsible to a member of the royal family. The role exists in ...

, the Prince prefers her to his duty-bound life. In Scene 3, the Queen, one of her admiring soldiers, the Private Secretary, the Prince, and the Girlfriend all appear in a theatre box, where they watch a ballet that is staged for the actual audience as well as for the characters. The ballet's backdrop (from a design for Castle Falkenstein by

Christian Jank Christian Jank (15 July 1833 – 25 November 1888) was a German scenic painter and stage designer. Jank was born in Munich, the Bavarian capital. Here he originally worked as a scenic painter. Among other things he was involved in the scenery f ...

), ornate costumes, and acting parody the romantic ballets of which the original ''Swan Lake'' was an example. The Girlfriend's responses to the dance as well as her eventual dropping her purse from the royal box annoy the Queen and von Rothbart. Scene 4 finds the Prince drinking in his private chambers in front of a mirror, to his mother's shock. A nearly violent '' pas de deux'' ensues in which he pleads for her attention and love, while she rebukes him. The Prince then goes into the streets and into the Swank Bar, a 1970s-style disco, in Scenes Five and Six. Here is where the choreography veers from classical ballet, with jazz forms and

modern dance Modern dance is a broad genre of western concert or theatrical dance which included dance styles such as ballet, folk, ethnic, religious, and social dancing; and primarily arose out of Europe and the United States in the late 19th and early 20th ...

dominating. The Prince gets into a fight with sailors at the bar, and he is thrown out into the street. In Scene Seven, he sees the Girlfriend being paid off by von Rothbart, and he is totally shattered to discover that the only person who appeared to love him is a fake. This increases his desperation and he vows to kill himself. While sitting in the street at the end of Scene Seven the Prince imagines a group of swans flying towards him but the vision disappears. It is the first flash of the Prince's descent into mental turmoil.

Act II

Distraught and disappointed that he will never find affection, the Prince writes a suicide note and goes to throw himself into a lake at a public park inhabited by swans. He is saved by a vision in which he encounters the lead Swan, who had appeared to him in his dreams. Initially rejected by the lead Swan, the Prince is gradually accepted and taken into the Swan's arms. The Prince is elated and abandons his plan to kill himself. This Act contains the most talked-about element of the ballet in which bare-chested, barefoot male dancers play the swans, and it contains a very sensual pas de deux between the lead Swan and the Prince.

Act III

Scene 1 begins with princesses from various European nations and their escorts arriving at the palace gates for a grand ball. The Girlfriend sneaks in amongst them. Scene 2 takes place in a ballroom. It commences with the arrival of the Queen and the Prince and some formal dancing, but quickly degenerates into a debauched party of drinking and lascivious come-ons. Into this arrives the charismatic and sexually aggressive son of von Rothbart, the Private Secretary, in black leather trousers, who intensifies the sexual tension even further by flirting with every woman present, including the Queen. Each woman finds herself drawn to him and actively participates in the mutual, sometimes lewd, flirtation. Just as in the original ''Swan Lake'', where customarily (although not always) one ballerina performs the roles of both the white swan (Odette) and the black swan (Odile), the same ballet dancer performs the white Swan and the black-clad young von Rothbart in this version. The Prince sees something of his beloved Swan in the son, and he is very attracted to his bravado and animal magnetism but shocked by his lewdness, especially towards his mother. During bump and grind group numbers and a sequence of national dances, it becomes clear that the Queen is powerfully attracted to von Rothbart's son. His father, the Private Secretary, looks on with an increasingly triumphant approval. The Prince also tries to approach young von Rothbart, only to be rebuffed. The Prince retreats into his mind and imagines dancing intimately with him, but the Prince's confusion interrupts the fantasy, and the son's movements turn from love to violence. The Prince imagines the Queen and young von Rothbart flaunting their growing physical affection for each other. They join with the other guests at the ball to laugh and ridicule him because of his growing distress. The Queen and young von Rothbart end their dancing with an embrace and passionate kissing. The Prince, in his fury, violently separates them and is rewarded by outrage from both and a slap from his mother. Overwhelmed by conflicted feelings, the Prince produces a pistol and threatens to shoot his mother. In an ensuing scuffle the Girlfriend tries to dissuade the Prince, while the Private Secretary draws a pistol and points it at the Prince. As shots ring out, the Girlfriend and the Prince fall to the ground, but only the Girlfriend has been hit. She lies unconscious and the Prince is dragged away, while the Queen throws herself into young von Rothbart's arms. He gives the pistol he had taken from the Prince to his father, the two of them laughing. The plot has evolved over the years since the debut. The most conspicuous change Bourne made was to remove the subplot of the von Rothbart conspiracy to put his son on the throne. The Private Secretary now becomes just a functionary (no longer a von Rothbart counterpart, nor villain) and the Stranger is no longer shown conspiring with him. The identity of the Stranger becomes even more vague and Bourne prefers to leave him and his relationship with the Prince up to the individual interpretation of the viewer.

Act IV

In the final act, the Prince, regarded as having lost his mind, is confined to an asylum in a room with a high barred window, and is treated by a doctor and a team of nurses wearing masks that resemble the Queen's face, in a scene reminiscent of his dressing at the beginning of the ballet. The Queen visits but, again, she is still unable to fully express love for her son. The Prince crawls into bed and appears to sleep. However, he begins writhing as he dreams of the troupe of swans emerging from under and behind, dancing around him. He wakes from his nightmare, checking under his bed and around his room for swans. His tortured expression and jerky movements convey the Prince in turmoil. His lead Swan then slowly emerges from within the Prince's bed. The Swan dances with the Prince and assures him of his continued affection. But, the rest of the swans turn on the lead Swan when he makes it clear that he values his relationship with the Prince more than he does them. They separate the two and begin attacking the Prince before the Swan leaps in to save him. The Swan embraces the Prince and envelops him in his wings. The swans' fury increases and their next attack dismembers the Swan, who then disappears. Heartbroken and despondent, the Prince wails and collapses onto the bed. The Queen then finds her dead son's body and breaks down in sobs. However, in death the Prince and the Swan are reunited, as shown by a tableau depicting the lead Swan tenderly holding the young Prince in his arms.

Imagery and innovation

The original ''Swan Lake'' was based on the story of Ondine, a German myth with a theme common in

Romanticism Romanticism (also known as the Romantic movement or Romantic era) was an artistic, literary, musical, and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate ...

that was adapted by Hans Christian Andersen for his story ''

The Little Mermaid "The Little Mermaid" ( da, Den lille havfrue) is a literary fairy tale written by the Danish author Hans Christian Andersen. The story follows the journey of a young mermaid who is willing to give up her life in the sea as a mermaid to gain a ...

''. Ondine was a beautiful and immortal water nymph. The only threat to her eternal happiness was if she fell in love with a mortal and bore his child, as she would then lose her immortality. Ondine duly fell in love with a dashing knight, Sir Lawrence, and they were married, the knight pledging unfailing love and faithfulness to her with his every waking breath. A year after their wedding Ondine bore Lawrence a son. From that moment she began to age. As Ondine's beauty faded, Lawrence lost interest in her. One afternoon Ondine was walking near some stables when she heard the familiar snoring of her husband. When she entered the stable, she saw Sir Lawrence lying in the arms of another woman. Kicking her husband awake, she cursed him such that he would have breath so long as he remained awake, but if he ever fell asleep his breath would be taken from him and he would die. According to

Alastair Macaulay Alastair Macaulay is an English writer and dance critic. He was the chief dance critic for '' The New York Times'' from 2007 until he retired in 2018. He was previously chief dance critic at '' The Times'' and Literary Supplement and chief theater ...

(formerly chief dance critic of ''

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,'' ''

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'' and chief theatre critic of the ''

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)'', the Ondine myth is said to be an image of psycho-sexual distress: the nymph is a forlorn image of repressed virginity, anxious that she will never achieve womanly fulfillment, while her feminine nemesis that leads her husband astray represents the confident seductive power that threatens her hopes. The story is double-edged: the human protagonist, in loving the nymph, transgresses against his own kind and may be punished. If, having betrayed her once, he returns to her, her kiss will bring him death; in fact, it may be this love-in-death that the man desires most.Alastair Macaulay, "Swan Lake: The Matthew Bourne version", from the programme from Matthew Bourne's ''Swan Lake'', above. Bourne's ''Swan Lake'' radically reinterprets the myth. The focus of the ballet is turned away from the Ondine character to the man – the Prince. It is the Prince who struggles against repression and hopes for liberty, and who needs love to make him safe. In addition, it is not the mortal who is unfaithful to the nymph. Rather, it is the Swan who (in Act Two) expresses love for the Prince, betrays him in the form of the Stranger (Act Three), and finally returns to him (Act Four). However, as in the Ondine myth, the sin of betrayal cannot be expiated except in death.

Politics

Much has been made of Bourne's decision to cast men as the swans. The original ballet is a standard in the European tradition of romanticized female–male love. The heroine, the swan princess Odette, is portrayed as powerless but lovely in accordance with conventional

gender role A gender role, also known as a sex role, is a social role encompassing a range of behaviors and attitudes that are generally considered acceptable, appropriate, or desirable for a person based on that person's sex. Gender roles are usually cent ...

s, and her hero is portrayed as a hunter who alone has the power to save her. Having a man in the role of lead Swan suggests that the Prince's struggle has repressed gay love at its core, and changes the realm of the plot from magical to psychological. The fierce, bird-like choreography given to the swan corps re-interprets the

archetype The concept of an archetype (; ) appears in areas relating to behavior, historical psychology, and literary analysis. An archetype can be any of the following: # a statement, pattern of behavior, prototype, "first" form, or a main model that ...

of the swan as a pretty, feminine bird of gentle grace. According to Bourne, "The idea of a male swan makes complete sense to me. The strength, the beauty, the enormous wingspan of these creatures suggests to the musculature of a male dancer more readily than a ballerina in her white tutu." However, the same central themes carry through both works. Both are about doomed, forbidden love, and both feature a Prince who wishes to transcend the boundaries of everyday convention through that love. Both themes have strong ties to the life of

, the ballet's composer, whose homosexuality caused a number of complications in his life.

The score

In order to accommodate his revised scenario, Bourne somewhat altered Tchaikovsky's score, reordering several numbers and omitting others. For example, No. 5 has been moved in its entirety from Act One to Act Three, where it follows the (reordered) national dances. Act Three has been trimmed by leaving out most of No. 19 and all of the following ''pas de deux''.

Original cast (incomplete)

The show premiered at Sadler's Wells on 9 November 1995: * Andrew Walkinshaw / Sid Mitchell as The Young Prince * Adam Cooper / David Hughes as The Swan/The Stranger * Scott Ambler / Ben Wright as The Prince * Emily Piercy / Vicky Evans as The Prince's Girlfriend * Fiona Chadwick / Isabel Mortimer as The Queen * Renato Cinquegranna as Swan/Stranger * Pauline Dulauroy as The Italian Princess * Barry Atkinson as The Private Secretary * Will Kemp as Pop Idol/Italian Escort/Big Swan * Andrew Corbett * Saranne Curtin

2012 3D film

In 2012, a new cast of dancers (including

Richard Winsor Richard Winsor (born 4 January 1982) is a British actor and dancer. He is best known for his role as Caleb Knight in the long-running BBC television medical drama series's ''Casualty'' from January 2014 until April 2017, when his character wa ...

, Dominic North, Nina Goldman, Madelaine Brennan, Steve Kirkham, Joseph Vaughan) was filmed at Sadlers Wells in 3D. It was then shown in various cinemas with a nationwide release and it was premiered in

Soho Soho is an area of the City of Westminster, part of the West End of London. Originally a fashionable district for the aristocracy, it has been one of the main entertainment districts in the capital since the 19th century. The area was develo ...

, London. Then later released on DVD.

Awards

Matthew Bourne's ''Swan Lake'' has collected over 30 international awards, including: * 1996 – Best New Dance Production, Laurence Olivier Awards * 1996, 1997 – Time Out Dance Award * 1997 – Best Choreography, Los Angeles Drama Critics Circle Awards * 1999 – Astaire Awards for Excellence in Dance on Broadway * 1999 – Best Director of a Musical, Best Choreography and Best Costume Design,

Tony Award The Antoinette Perry Award for Excellence in Broadway Theatre, more commonly known as the Tony Award, recognizes excellence in live Broadway theatre. The awards are presented by the American Theatre Wing and The Broadway League at an annual ce ...

In popular culture

The final scene of the film ''

Billy Elliot ''Billy Elliot'' is a 2000 British coming-of-age comedy-drama film directed by Stephen Daldry and written by Lee Hall. Set in County Durham in North East England during the 1984–1985 miners' strike, the film is about a working-class boy w ...

'' (2000) shows the lead character, Billy, played by Adam Cooper, as an adult about to perform in this production as the lead Swan.

Notes

References

;Citations ;Works cited * . * ''

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'' (3–16 February 2006). * '' Playbill'' from Matthew Bourne's ''Swan Lake'' at the State Theatre,

Minneapolis Minneapolis () is the largest city in Minnesota, United States, and the county seat of Hennepin County. The city is abundant in water, with thirteen lakes, wetlands, the Mississippi River, creeks and waterfalls. Minneapolis has its origins ...

. * Programme from Matthew Bourne's ''Swan Lake'' at