Smash cut
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A smash cut is a technique in film and other moving picture media where one scene abruptly cuts to another for aesthetic, narrative, or emotional purpose. To this end, the smash cut usually occurs at a crucial moment in a scene where a cut would not be expected. To heighten the impact of the cut, a disparity in the type of scene on either side of the cut is often present, going from a fast-paced frenzied scene to a tranquil one, or going from a pleasant scene to a tense one, for example. For example, a smash cut could be used in a murder scene: the killer brings a knife plunging down into his victim, and just before the blade pierces the skin, the scene is suddenly replaced with a non-violent use of a cutting edge, such as the chopping of vegetables. Smash cuts are often used when a character wakes up from a nightmare to simulate the jarring nature of that experience. Smash cutting can also be used to comedic effect: for example, directly after a prediction is made, cutting to the future showing the prediction to have been humorously, and often outlandishly, wrong. One specific variety of smash cut, which depicts a given character resolutely declaring his or her intentions immediately before a cut to a scene depicting the character doing the exact opposite, is known in the United States as a Gilligan cut, so named for the TV show '' Gilligan's Island'', and in the United Kingdom known as a bicycle cut, so named for a scene from ''
Last of the Summer Wine ''Last of the Summer Wine'' is a British sitcom created and written by Roy Clarke and originally broadcast by the BBC from 1973 to 2010. It premiered as an episode of '' Comedy Playhouse'' on 4 January 1973, and the first series of episodes f ...
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See also

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Jump cut A jump cut is a cut in film editing in which a single continuous sequential shot of a subject is broken into two parts, with a piece of footage being removed in order to render the effect of jumping forward in time. Camera positions of the subje ...
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Match cut In film, a match cut is a cut from one shot to another where the composition of the two shots are matched by the action or subject and subject matter. For example, in a duel a shot can go from a long shot on both contestants via a cut to a medium ...


References

Film and video terminology Cinematic techniques {{film-term-stub