Screamo

Screamo (also referred to as skramz) is an aggressive subgenre of emo that emerged in the early 1990s and emphasizes "willfully experimental dissonance and dynamics".Jason Heller, "Feast of Reason". ''Denver Westword'', June 20, 2002

Access date: June 15, 2008 San Diego-based bands Heroin and Antioch Arrow pioneered the genre in the early 1990s, and it was developed in the late 1990s mainly by bands from the East Coast of the United States such as Orchid, Funeral Diner, Saetia, Pg. 99, and I Hate Myself. Screamo is strongly influenced by hardcore punk and characterized by the use of screamed vocals. Lyrical themes usually include emotional pain, death, romance, and human rights. The term "screamo" has frequently been mistaken as referring to any music with screaming vocals.

Screamo experienced popularity in the 2000s with the success of bands like Alesana, Thursday, Underoath, Silverstein, Hawthorne Heights, Alexisonfire, and Senses Fail. The genre's popularity declined in the 2010s but continued to have underground success with bands like
La Dispute and Pianos Become the Teeth.

Terminology

While the genre was developing in the early 1990s, it was not initially called "screamo." Chris Taylor, lead vocalist for the band Pg. 99, said "we never liked that whole screamo thing. Even during our existence, we tried to venture away from the fashion and tell people, 'Hey, this is punk.'"Lars Gotrich
''Pg. 99: A Document Revisited''
NPR Music Interview Jonathan Dee of ''The New York Times'' wrote that the term "tends to bring a scornful laugh from the bands themselves." Lars Gotrich of NPR Music made the following comment on the matter in 2011:

In the 2000s the term "screamo" began being used loosely to describe any use of human vocal instrument growled-word vocals (commonly termed screamed vocals) in music. It has been applied to a wide variety of genres unrelated to the original screamo scene. Juan Gabe, vocalist for the band Comadre, alleged that the term "has been kind of tainted in a way, especially in the States." Derek Miller, guitarist for the band Poison the Well noted the term's constant differing usages and jokingly stated that it "describes a thousand different genres." Bert McCracken, lead singer of The Used, stated that screamo is merely a term "for record companies to sell records and for record stores to categorize them."

History

Origins (1990s)

Screamo arose as a distinct music genre in 1991 at the Ché Café in San Diego, developed by bands such as Heroin and Antioch Arrow. Gravity Records and Ebullition RecordsEbullition Catalog, Portraits of Past discography

Access date: August 9, 2008. released this more chaotic and expressive descendant of emo. Other bands that helped develop early screamo on these labels came from Northern California, such as Portraits of Past from the San Francisco Bay Area and MohinderAshlock, Jesse
"Mohinder."
KZSU Stanford Radio. July 31, 2002. from Cupertino. The scene is noted for its distinctive fashion sense inspired by the mod subculture.Interview with Justin Pearson on Skatepunk.net

Access date: June 13, 2008 As with ''emo'', the term ''screamo'' carries some controversy among participants.

Many groups from the East Coast of the United States, East Coast were influential in the continual development and reinvention of the style during the late 90s and early 2000s, including Orchid, Pg. 99, Saetia, City of Caterpillar, Majority Rule, Jeromes Dream, Circle Takes the Square, Hot Cross, and Ampere.

Mainstream crossover (2000s)

By 1995, the term "screamo" drifted into the music press, especially in the journalism of Jim DeRogatis and Andy Greenwald,Jim DeRogatis, "Screamo", ''Guitar World'', November 200

Access date: July 18, 2008 and by the mid-2000s, the term was being applied to many newer bands. Screamo bands such as The Used, Thrice, Finch, Thursday, and Silverstein developed a newer period of screamo in the 21st century. Thursday cited the post-punk band Joy Division, and the post-hardcore band Fugazi as important influences, but also took cues from the alternative rock styles of Radiohead, U2, and The Cure. Many of these bands took influence from bands like Refused and At the Drive-In. In contrast to the do-it-yourself screamo bands of the 1990s, screamo bands such as Thursday and The Used have signed multi-album contracts with labels such as Island Def Jam and Reprise Records. However, this style's connection to the genre has been disputed, with some referring to it as "''MTV screamo''" or "''pop-screamo''", and many bands more commonly being categorized as post-hardcore or metalcore. ''Alternative Press'' describes pop screamo as "metal-influenced riffs and aggressive, high-end screams filled song's verses, while soaring melodies carried choruses to new, previously unattained heights."

The term "post-screamo" has been used loosely to describe a wide variety of music in the 2000s and later that was influenced by traditional screamo. In a review of City of Caterpillar's influence on the genre, reporter Jason Heller of ''Vice'' writes "Call it post-screamo, if you must. Okay, maybe don't do that. But .... the early 00s weren't the end of an era or anything so corny. It was just a transition."

In the mid-2000s, the style of early screamo regained vitality, with American bands like Comadre, Off Minor, and Hot Cross releasing records on independent labels. The contemporary screamo scene has remained particularly active in Europe, with bands such as Amanda Woodward, Louise Cyphre, Le Pré Où Je Suis Mort, La Quiete, Daïtro, and Raein all being prime examples of their scene. Fluff Fest, held in Czechia since 2000, was in 2017 described by Bandcamp Daily as a "summer ritual" for many fans of screamo in Europe.

Revival (2010s)

In the early 2010s the term "screamo" began to be largely reclaimed by a new crop of do-it-yourself bands, with many screamo acts, like Loma Prieta, Pianos Become the Teeth, La Dispute, and Touché Amoré releasing records on fairly large independent labels such as Deathwish Inc. In 2011 ''Alternative Press'' noted that La Dispute is "at the forefront of a traditional-screamo revival" for their critically acclaimed release ''Wildlife''. They are a part of a group of stylistically similar screamo-revival bands self-defined as "The Wave," made up of Touché Amoré, La Dispute, Defeater, Pianos Become the Teeth, and Make Do and Mend. As well as, California's Deafheaven, who formed in 2010, having been described as screamo, in a style similar to that of Envy. ''Alternative Press'' has cited a "pop screamo revival" along with this, with bands like Before Their Eyes, The Ongoing Concept, Too Close to Touch and I Am Terrified.

In August 2018, ''Noisey'' writer Dan Ozzi declared that it was the "Summer of Screamo" in a month-long series documenting screamo acts pushing the genre forward following the decline in popularity of "The Wave," as well as the reunions of seminal bands such as Pg. 99, Majority Rule, City of Caterpillar, and Jeromes Dream. Groups highlighted in this coverage, including Respire, Ostraca, Portrayal of Guilt, Soul Glo, I Hate Sex, and Infant Island, had generally received positive press from large publications, but were not as widely successful as their predecessors. ''Noisey'' also documented that, despite its loss of mainstream popularity and continued hold in North American scenes, particularly Richmond, Virginia, screamo had become a more international movement; notably spreading to Japan, France, and Sweden with groups including Heaven in Her Arms, Birds in Row, and Suffocate for Fuck Sake, respectively. Also in 2018, Vein released their debut album ''Errorzone'' to critical acclaim and commercial success, bringing together elements of screamo, hardcore, and nu metal. This underground cohort of acts was primarily released by independent labels like Middle-Man Records in the United States, Zegema Beach Records in Canada, and Miss The Stars Records in Berlin.

Characteristics

Screamo is a style of hardcore punk-influenced emo with screaming. Alex Henderson of AllMusic considers screamo a bridge between hardcore punk and emo. The term screamo is a portmanteau

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